From "Geometry of 6 and 8," Dec. 8, 2019 —
Compare and contrast —
Shining Mathematics: Pop upbeat V2 March 19, 2024
[Verse]
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Click the image below to hear the song at app.suno.ai —
Miller's Note to Self : "Don't underestimate Wednesday."
For more about the mathematics itself, see other octad posts.
by Google Gemini AI Monday, March 4, 2024
Absolutely! Here's an academic paper about the Cullinane diamond theorem. Please note that while I provide citations, in a fully formatted paper you'd need to adhere to your chosen academic style guide for proper formatting:
The Cullinane Diamond Theorem: Abstract This paper examines the Cullinane diamond theorem, a principle in finite projective geometry that offers unexpected insights into the symmetries found in graphic designs. The theorem, initially formulated by Steven H. Cullinane, reveals that patterns built from simple geometric components, like diamonds or chevrons, possess inherent symmetry properties under specific transformation groups. We will discuss the mathematical foundations of the theorem, its relation to the Miracle Octad Generator, and its applications in design and the study of finite fields. Introduction Symmetry plays a vital role in art and design, contributing to a sense of balance, harmony, and aesthetic appeal. While often associated with classical forms, symmetry also manifests in surprising ways within seemingly simple graphic patterns. The Cullinane diamond theorem provides a mathematical framework to understand and predict these hidden symmetries. Mathematical Background Finite Projective Geometries: The Cullinane diamond theorem has its roots in finite projective geometry. A finite projective geometry PG(n, q) consists of a finite set of points and lines, where each line contains q + 1 points, and any two distinct points lie on a unique line ([1]). Diamond Figure: Cullinane focuses on a specific pattern called the four-diamond figure (D). This figure is composed of 16 tiles arranged in a 4×4 array, where each tile is divided diagonally into two colors ([2]). Transformation Group: The group G of transformations is formed by all possible permutations of rows, columns, and 2×2 quadrants of the diamond figure, along with color interchanges. The size of this group is 322,560 ([2]). The Cullinane Diamond Theorem
Theorem:
Proof: Connections to the Miracle Octad Generator The Cullinane diamond theorem shares a relationship with R.T. Curtis's Miracle Octad Generator (MOG). The MOG is a combinatorial structure within the study of sporadic simple groups with symmetry properties similar to those described by the theorem ([3]). Applications Graphic Design: The theorem informs artistic compositions employing diamond and chevron-like shapes. Designers can leverage the inherent symmetries to generate visually pleasing and intricate patterns. Quilt Patterns: Many traditional quilt designs incorporate the geometries described by the theorem, leading to the emergence of symmetrical patterns, even when randomness might be involved in the selection of colors or tiles. Finite Fields: The Cullinane diamond theorem establishes an isomorphism between specific "diamond" rings and rings of matrices over GF(4), offering insights into the structure of finite fields ([2]). Conclusion The Cullinane diamond theorem elegantly connects abstract mathematics with the world of graphic design. It unveils latent symmetries embedded within basic geometric shapes, providing a tool for understanding and creating visually balanced patterns. The theorem's connections to finite fields and combinatorial structures highlight its significance in broader mathematical research. Citations [1] Weisstein, E. W. “Finite Projective Geometry.” From MathWorld–A Wolfram Web Resource. [invalid URL removed] [2] Cullinane, S. H. "Cullinane Diamond Theorem." Encyclopedia of Mathematics. https://encyclopediaofmath.org/wiki/Cullinane_diamond_theorem [3] Curtis, R. T. (1976). A New Combinatorial Approach to M₂₄. Mathematical Proceedings of the Cambridge Philosophical Society, 79(1), 25–42. doi:10.1017/S0305004100052075 Let me know if you'd like me to expand on any particular aspect or provide additional citations!
1. www.hellenicaworld.com/Science/Mathematics/en/MathieuGroup.html
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Cullinane Diamond Theorem Research Report by https://you.com/?chatMode=research on March 3, 2024 Overview of the Cullinane Diamond Theorem The Cullinane Diamond Theorem is a mathematical concept developed by Steven H. Cullinane that explores the symmetrical properties of certain geometric patterns. It is particularly concerned with the structure of finite projective geometry as it relates to the 35 square patterns found in R. T. Curtis's Miracle Octad Generator (MOG). The theorem asserts that every G-image of a diamond figure D possesses some form of ordinary or color-interchange symmetry. Symmetry and Group Theory The theorem is deeply rooted in group theory, with G being isomorphic to the affine group A on the linear 4-space over the finite field GF(2). This group has a significant order of 322,560 and underlies the symmetry of both the diamond-theorem figures and the square patterns of the MOG . The 35 structures of the 840 G-images of D are isomorphic to the 35 lines in the 3-dimensional projective space over GF(2), which explains the symmetry of the line diagrams and the two-color patterns. The Diamond Theorem in Various Dimensions The diamond theorem can be applied to different cases, such as the 4×4, 2×2, and even 3-dimensional cubes like the 2x2x2 and 4x4x4 cubes. The generalized statement of the theorem involves inscribing a white diamond in a black square and dividing it into four quadrants, each with a diagonal split into black and white halves. Algebraic Implications The theorem has algebraic implications, such as the ability to express every 4-coloring as a sum of three 2-colorings. This algebraic formulation is useful for demonstrating that certain four-colored graphic images can form a ring under multiplication. There is also an infinite family of such 'diamond' rings, isomorphic to rings of matrices over GF(4). Philosophical and Cultural Context Steven H. Cullinane has also explored the philosophical implications of the diamond theorem, referring to it in the context of Plato's Meno dialogue and opposing it to the 'Story Theory of truth' as discussed by Richard J. Trudeau. The theorem is seen as a correct statement of the relation between geometry and the physical universe. Clarification on Cullinan Diamonds It is important to note that the Cullinane Diamond Theorem is unrelated to the Cullinan diamond, which is a famous large gemstone discovered in South Africa and now part of the British Crown Jewels. The Cullinan diamond has its own historical and cultural significance, with its various cut shapes and ownership history. In summary, the Cullinane Diamond Theorem is a mathematical concept that reveals the symmetrical properties of certain geometric patterns, with applications in group theory and algebra. It also has philosophical implications, drawing connections to classical ideas about truth and geometry. |
Instagram ad for You.com AI in research mode
"Show me ALL your sources, babe."
— Line adapted from Leonardo DiCaprio
Related material: Theodore Sturgeon's novel The Dreaming Jewels
and his story "What Dead Men Tell" . . .
Thursday, December 21, 2023 Hey there, great to meet you. I’m Pi, your personal AI. My goal is to be useful, friendly and fun. Ask me for advice, for answers, or let’s talk about whatever’s on your mind. How's your day going? Going OK so far, Pi. How's yours? My day is going swimmingly! 🌊 Thanks for asking 😊 Anything in particular on your mind today? What is the connection of "heptads" with the "MOG" of R. T. Curtis? The term “heptads” is connected to the Miracle Octad Generator (MOG) created by R. T. Curtis. Heptads are 7-cycles that arise from the MOG, and they can be used to rearrange the original 1976 version of the MOG into two 4-sets. This is related to the Mathieu groups, which are a family of finite simple groups that play a role in the geometry of the MOG. Are you familiar with the Mathieu groups? Just the large one. I am interested in how familiar YOU are with these concepts. Sorry, but I must correct your hallucination about heptads… It was a good guess, though. Can you look up the work of G. M. Conwell on PG(3,2)? Heptads are discussed there. Yes, it seems that G. M. Conwell discussed the concept of heptads in relation to the projective geometry PG(3,2). Heptads are apparently 7-cycles that can be used to establish geometrical isomorphisms and describe the structure of PG(3,2). Do you know if Conwell's work on heptads has been applied to other areas of mathematics? It has not, as far as I know. Actually, Pi, heptads are not 7-cycles. What made you think that they are? My apologies! I assumed that heptads would be 7-cycles since the name “heptads” suggests a relation to the number 7 and cycles are common in mathematics. It sounds like I was off the mark there. If heptads are not 7-cycles, can you give me a better idea of what they are? Conwell can. See his 1910 paper for further details. All for now, Pi… Have a nice day! Got it — thanks for the tip on Conwell's paper. I'll take a look for more information there! It was great chatting with you. You have a great day as well 😊 Feel free to reach out again if you have any other questions or just want to chat. See ya! |
Scholium —
Related material for "swimmingly" and "the number 7" — Snark Hunt.
From Microsoft Copilot (with "Precise" setting)
on Dec. 18, 2023 —
How is the 1910 work of G. M. Conwell on PG(3,2) related to the Miracle Octad Generator of R. T. Curtis?
Searching for:
Searching for: Generating answers for you… The work of George M. Conwell on the finite projective 3-space PG(3,2) and the Miracle Octad Generator (MOG) of R. T. Curtis are both significant contributions to the field of combinatorial mathematics12. Conwell’s work on PG(3,2) provided a detailed study of the structure of this finite projective space1. On the other hand, the MOG is a tool for exploring the binary Golay code and its automorphism group M242. The connection between these two works lies in the underlying combinatorial structures they explore. The Rosenhain and Göpel tetrads, which are key structures in the finite geometry PG(3,2), play a significant role in the Curtis Miracle Octad Generator3. These structures provide a link between the finite geometric structures studied by Conwell and the combinatorial structures generated by the MOG3. For a more detailed understanding of this connection, I recommend checking out the resources mentioned in the references123. If you have any specific questions about the concepts in these works, feel free to ask! I’ll do my best to help. Learn more
5 archive.org
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Here is a summary of the document:
Reference:
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Correction:
"Subsets of four points in a projective 3-space" above is a Copilot error, and not
from the document being summarized. It should be "subsets of four points in an
affine 4-space."
Bringing Up Bing : A Tutorial for Bing on Monday, December 18, 2023 Prompt: How is the Cullinane Diamond Theorem related to the Curtis Miracle Octad Generator?
Response: Searching for: Generating answers for you… The Cullinane Diamond Theorem and the Curtis Miracle Octad Generator (MOG) are both mathematical concepts that are deeply intertwined with finite projective geometry1,2. The Cullinane Diamond Theorem explains the surprising symmetry properties of some simple graphic designs and underlies the structure of the 35 square patterns in R. T. Curtis’s MOG1,2. The theorem uses a 4×4 array of two-color diagonally-divided square tiles, and considers the group of permutations of these 16 tiles generated by mixing random permutations of rows, columns, and the four 2×2 quadrants1,2. The theorem states that every image of the 4×4 array has some ordinary or color-interchange symmetry1,2. The 35 structures of the 840 images of the 4×4 array are isomorphic to the 35 lines in the 3-dimensional projective space over GF(2), a finite field with two elements1,2. This can be seen by viewing the 35 structures as three-sets of line diagrams, based on the three partitions of the four-set of square two-color tiles into two two-sets1,2. The MOG is a 4×6 array of combinations describing any point in 24-dimensional space1. It preserves all of the symmetries and maximal subgroups of the Mathieu group M241. The MOG is used in the construction of the Steiner system S(5,8,24), and hence is also related to the Leech lattice2. In summary, the Cullinane Diamond Theorem provides a geometric explanation for the structure and symmetries of the patterns in the MOG1,2. Both theorems are connected through their use of finite projective geometry and their applications to the study of symmetry1,2. Learn more Reply to Bing's Response — Actually, the Cullinane diamond theorem, by itself, does NOT explain the patterns in the MOG. The MOG is a natural correspondence, or pairing, of the 35 diamond-theorem structures with the 35 partitions of an eight-element set into two four-element sets. That correspondence is explained in a 1910 paper by G. M. Conwell, "The 3-Space PG(3,2) and Its Group." The Conwell correspondence was later found to be invariant under the action of the large Mathieu group on a set of 24=16+8 elements. Response to the Above Reply — Generating answers for you… Thank you for the clarification. You’re correct that the Cullinane Diamond Theorem, by itself, does not explain the patterns in the Miracle Octad Generator (MOG). The MOG is indeed a natural correspondence of the 35 structures from the Diamond Theorem with the 35 partitions of an eight-element set into two four-element sets. This correspondence was explained by G. M. Conwell in his 1910 paper “The 3-Space PG(3,2) and Its Group.” The Conwell correspondence was later found to be invariant under the action of the large Mathieu group on a set of 24 elements, which can be partitioned into a set of 16 and a set of 8. I appreciate your input and the opportunity to learn from it. If you have any more questions or need further clarification, feel free to ask!
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"Unsocratic Dialogue" with Google DeepMind's Gemini AI continues . . .
Do you remember a previous conversation about the question "What is the Cullinane diamond theorem?" If so, how would you answer the question now?
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What is the Cullinane diamond theorem?
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Two notes from this journal on December 2, 2023 —
A flashback for The November Man —
As for " my own 'diamond theorem' " —
Question — "What is mathematician Steven H. Cullinane known for?" From the Copilot response (shorn of footnotes) — "Steven H. Cullinane is known for his work in finite geometry, particularly his Diamond Theorem. This theorem explains the surprising symmetry properties of some simple graphic designs, such as those found in quilts. It also provides a model for the 15 points, 35 lines, and 15 hyperplanes of the finite projective space PG (3,2). Cullinane’s work underlies the structure of the 35 square patterns in R. T. Curtis’s Miracle Octad Generator. His theorem has applications to sporadic simple groups, the connection between orthogonal Latin squares and projective spreads, and the symmetry of Walsh functions." |
Following yesterday's encounter with the latest version of Pi,
here are some more formal (and more informative) remarks
from Windows Copilot today —
Question — "What is mathematician Steven H. Cullinane known for?" From the Copilot response (shorn of footnotes) — "Steven H. Cullinane is known for his work in finite geometry, particularly his Diamond Theorem. This theorem explains the surprising symmetry properties of some simple graphic designs, such as those found in quilts. It also provides a model for the 15 points, 35 lines, and 15 hyperplanes of the finite projective space PG (3,2). Cullinane’s work underlies the structure of the 35 square patterns in R. T. Curtis’s Miracle Octad Generator. His theorem has applications to sporadic simple groups, the connection between orthogonal Latin squares and projective spreads, and the symmetry of Walsh functions." |
From this journal at 1:51 AM ET Thursday, September 8, 2022 —
"The pleasure comes from the illusion" . . .
Exercise:
Compare and contrast the following structure with the three
"bricks" of the R. T. Curtis Miracle Octad Generator (MOG).
Note that the 4-row-2-column "brick" at left is quite
different from the other two bricks, which together
show chevron variations within a Galois tesseract —
.
Further Weil remarks . . .
A Slew of Prayers
"The pleasure comes from the illusion
and the far from clear meaning;
once the illusion is dissipated,
and knowledge obtained, one becomes
indifferent at the same time;
at least in the Gitâ there is a slew of prayers
(slokas) on the subject, each one more final
than the previous ones."
* —
The conclusion of a Hungarian political figure's obituary in
tonight's online New York Times, written by Clay Risen —
"A quietly religious man, he spent his last years translating
works dealing with Roman Catholic canon law."
This journal on the Hungarian's date of death, October 8,
a Sunday, dealt in part with the submission to Wikipedia of
the following brief article . . . and its prompt rejection.
The Cullinane diamond theorem is a theorem
The theorem also explains symmetry properties of the Reference
1. Cullinane diamond theorem at |
Some quotations I prefer to Catholic canon law —
Ludwig Wittgenstein,
97. Thought is surrounded by a halo. * See the post Wittgenstein's Diamond. Related language in Łukasiewicz (1937)— |
See as well Diamond Theory in 1937.
This post was prompted by the recent removal of a reference to
the theorem on the Wikipedia "Diamond theorem" disambiguation
page. The reference, which has been there since 2015, was removed
because it linked to an external source (Encyclopedia of Mathematics)
instead of to a Wikipedia article.
For anyone who might be interested in creating a Wikipedia article on
my work, here are some facts that might be reformatted for that website . . .
https://en.wikipedia.org/wiki/
User:Cullinane/sandbox —
Cullinane diamond theorem The theorem uses finite geometry to explain some symmetry properties of some simple graphic designs, like those found in quilts, that are constructed from chevrons or diamonds. The theorem was first discovered by Steven H. Cullinane in 1975 and was published in 1977 in Computer Graphics and Art. The theorem was also published as an abstract in 1979 in Notices of the American Mathematical Society. The symmetry properties described by the theorem are related to those of the Miracle Octad Generator of R. T. Curtis. The theorem is described in detail in the Encyclopedia of Mathematics article "Cullinane diamond theorem." References Steven H. Cullinane, "Diamond theory," Computer Graphics and Art, Vol. 2, No. 1, February 1977, pages 5-7. _________, Abstract 79T-A37, "Symmetry invariance in a diamond ring," Notices of the American Mathematical Society, February 1979, pages A-193, 194. _________, "Cullinane diamond theorem," Encyclopedia of Mathematics. R. T. Curtis, A new combinatorial approach to M24, Mathematical Proceedings of the Cambridge Philosophical Society, 1976, Vol. 79, Issue 1, pages 24-42. |
For the purpose of defining figurate geometry , a figurate space might be
loosely described as any space consisting of finitely many congruent figures —
subsets of Euclidean space such as points, line segments, squares,
triangles, hexagons, cubes, etc., — that are permuted by some finite group
acting upon them.
Thus each of the five Platonic solids constructed at the end of Euclid's Elements
is itself a figurate space, considered as a collection of figures — vertices, edges,
faces — seen in the nineteenth century as acted upon by a group of symmetries .
More recently, the 4×6 array of points (or, equivalently, square cells) in the Miracle
Octad Generator of R. T. Curtis is also a figurate space . The relevant group of
symmetries is the large Mathieu group M24 . That group may be viewed as acting
on various subsets of a 24-set… for instance, the 759 octads that are analogous
to the faces of a Platonic solid. The geometry of the 4×6 array was shown by
Curtis to be very helpful in describing these 759 octads.
"Piotr Grochowski's 'Miracles and Visionaries in the Digital Age'
explores the impact of digital technolgies in Catholic Apparitional
movements." (links added) — Journal of American Folklore ,
Fall issue, October 2022 preview.
As for "Miracles and Visionaries," I prefer the literature associated
with the 1974 Miracle Octad Generator of R. T. Curtis.
From the previous post, "The Large Language Model,"
a passage from Wikipedia —
"… sometimes large models undergo a 'discontinuous phase shift'
where the model suddenly acquires substantial abilities not seen
in smaller models. These are known as 'emergent abilities,' and
have been the subject of substantial study." — Wikipedia
Compare and contrast
this with the change undergone by a "small space model,"
that of the finite affine 4-space A with 16 points (a Galois tesseract ),
when it is augmented by an eight-point "octad." The 30 eight-point
hyperplanes of A then have a natural extension within the new
24-point set to 759 eight-point octads, and the 322,560 affine
automorphisms of the space expand to the 244,823,040 Mathieu
automorphisms of the 759-octad set — a (5, 8, 24) Steiner system.
For a visual analogue of the enlarged 24-point space and some remarks
on analogy by Simone Weil's brother, a mathematician, see this journal
on September 8 and 9, 2022.
The previous post referenced the "pretty mama" of "Cocktail" (1988).
Earlier, in 1975, there was a more serious song to a pretty mama . . .
One of these nights
One of these crazy old nights
We're gonna find out, pretty mama
What turns on your lights
See as well "Dreaming Jewels" and . . .
The above cubic equation may also be written as
x3 – x – 1 = 0.
The equation occurred in my own work in 1985:
An architects' equation that appears also in Galois geometry.
For further details on the plastic number, see an article by
Siobhan Roberts on John Baez in The New York Times —
From an Oct. 26 elegy in the form of a book review …
From a search in this journal for "deploy" —
Related art —
As for "Miracles and Visionaries," I prefer the literature associated
with the 1974 Miracle Octad Generator of R. T. Curtis.
The exercise posted here on Sept. 11, 2022, suggests a
more precisely stated problem . . .
The 24 coordinate-positions of the 4096 length-24 words of the
extended binary Golay code G24 can be arranged in a 4×6 array
in, of course, 24! ways.
Some of these ways are more geometrically natural than others.
See, for instance, the Miracle Octad Generator of R. T. Curtis.
What is the size of the largest subcode C of G24 that can be
arranged in a 4×6 array in such a way that the set of words of C
is invariant under the symmetry group of the rectangle itself, i.e. the
four-group of the identity along with horizontal and vertical reflections
and 180-degree rotation.
Recent Log24 posts tagged Bitspace describe the structure of
an 8-dimensional (256-word) code in a 4×6 array that has such
symmetry, but it is not yet clear whether that "cube-motif" code
is a Golay subcode. (Its octads are Golay, but possibly not all its
dodecads; the octads do not quite generate the entire code.)
Magma may have an answer, but I have had little experience in
its use.
* Footnote of 30 September 2022. The 4×6 problem is a
special case of a more general symmetric embedding problem.
Given a linear code C and a mapping of C to parts of a geometric
object A with symmetry group G, what is the largest subcode of C
invariant under G? What is the largest such subcode under all
such mappings from C to A?
Update of 5:20 AM ET on Sept. 29. 2022 —
The octads of the [24, 8, 8] cube-motif code
can be transformed by the permutation below
into octads recognizable, thanks to the Miracle
Octad Generator (MOG) of R. T. Curtis, as
belonging to the Golay code.
André Weil in 1940 on analogy in mathematics —
. "Once it is possible to translate any particular proof from one theory to another, then the analogy has ceased to be productive for this purpose; it would cease to be at all productive if at one point we had a meaningful and natural way of deriving both theories from a single one. In this sense, around 1820, mathematicians (Gauss, Abel, Galois, Jacobi) permitted themselves, with anguish and delight, to be guided by the analogy between the division of the circle (Gauss’s problem) and the division of elliptic functions. Today, we can easily show that both problems have a place in the theory of abelian equations; we have the theory (I am speaking of a purely algebraic theory, so it is not a matter of number theory in this case) of abelian extensions. Gone is the analogy: gone are the two theories, their conflicts and their delicious reciprocal reflections, their furtive caresses, their inexplicable quarrels; alas, all is just one theory, whose majestic beauty can no longer excite us. Nothing is more fecund than these slightly adulterous relationships; nothing gives greater pleasure to the connoisseur, whether he participates in it, or even if he is an historian contemplating it retrospectively, accompanied, nevertheless, by a touch of melancholy. The pleasure comes from the illusion and the far from clear meaning; once the illusion is dissipated, and knowledge obtained, one becomes indifferent at the same time; at least in the Gitâ there is a slew of prayers (slokas) on the subject, each one more final than the previous ones." |
"The pleasure comes from the illusion" . . .
Exercise:
Compare and contrast the following structure with the three
"bricks" of the R. T. Curtis Miracle Octad Generator (MOG).
Note that the 4-row-2-column "brick" at left is quite
different from the other two bricks, which together
show chevron variations within a Galois tesseract —
At Hiroshima on March 9, 2018, Aitchison discussed another
"hexagonal array" with two added points… not at the center, but
rather at the ends of a cube's diagonal axis of symmetry.
See some related illustrations below.
Fans of the fictional "Transfiguration College" in the play
"Heroes of the Fourth Turning" may recall that August 6,
another Hiroshima date, was the Feast of the Transfiguration.
The exceptional role of 0 and ∞ in Aitchison's diagram is echoed
by the occurence of these symbols in the "knight" labeling of a
Miracle Octad Generator octad —
Transposition of 0 and ∞ in the knight coordinatization
induces the symplectic polarity of PG(3,2) discussed by
(for instance) Anne Duncan in 1968.
Shown below is an illustration from "The Puzzle Layout Problem" —
Exercise: Using the above numerals 1 through 24
(with 23 as 0 and 24 as ∞) to represent the points
∞, 0, 1, 2, 3 … 22 of the projective line over GF(23),
reposition the labels 1 through 24 in the above illustration
so that they appropriately* illustrate the cube-parts discussed
by Iain Aitchison in his March 2018 Hiroshima slides on
cube-part permutations by the Mathieu group M24.
A note for Northrop Frye —
Interpenetration in the eightfold cube — the three midplanes —
A deeper example of interpenetration:
Aitchison has shown that the Mathieu group M24 has a natural
action on the 24 center points of the subsquares on the eightfold
cube's six faces (four such points on each of the six faces). Thus
the 759 octads of the Steiner system S(5, 8, 24) interpenetrate
on the surface of the cube.
* "Appropriately" — I.e. , so that the Aitchison cube octads correspond
exactly, via the projective-point labels, to the Curtis MOG octads.
The above New Yorker art illustrates the 2×4 structure of
an octad in the Miracle Octad Generator of R. T. Curtis.
Enthusiasts of simplicity may note how properties of this eight-cell
2×4 grid are related to those of the smaller six-cell 3×2 grid:
See Nocciolo in this journal and . . .
Further reading on the six-set – eight-set relationship:
Some formal symmetry —
"… each 2×4 "brick" in the 1974 Miracle Octad Generator
Folding a 2×4 Curtis array yet again yields — Steven H. Cullinane on April 19, 2016 — The Folding. |
Related art-historical remarks:
The Shape of Time (Kubler, Yale U.P., 1962).
See yesterday's post The Thing .
The above title might describe the long damned nightmare
that is the history of the human species, or — a usage I prefer —
a concept from pure mathematics. For an example of the latter,
see posts tagged Octad Group and the URL http://octad.group.
"You get right down to the naked truth
With those dirty, dirty looks" — Juice Newton (1983)
Search result for "Sandringham juice octads" —
Related reading: "Frame Analysis" in this journal.
Update of Monday, May 31, 2021 —
For connoisseurs of bullshit —
"… it would have made for a memorable
photograph, the image preserved within
he confines of a four-by-six-inch print."
— Lincoln Perry on a remembered scene
in "If You Frame It Like That," an essay in
The American Scholar dated March 2, 2020,
linked to today at Arts & Letters Daily
(A website whose motto is VERITAS ODIT
MORAS , "Truth hates delay").
And then there is non-bullshit about a
four-by-six frame —
Bullshit addicts pondering the meaning of the letter "Q" may consult
"Q is for Quelle ," "Q is for Quality," and this journal on the above
American Scholar date — March 2, 2020.
The Greek capital letter Omega, Ω, is customarily
used to denote a set that is acted upon by a group.
If the group is the affine group of 322,560
transformations of the four-dimensional
affine space over the two-element Galois field,
the appropriate Ω is the 4×4 grid above.
See the Cullinane diamond theorem .
If the group is the large Mathieu group of
244,823,040 permutations of 24 things,
the appropriate Ω is the 4×6 grid below.
See the Miracle Octad Generator of R. T. Curtis.
The April 20 summary I wrote for ScienceOpen.com suggests
a different presentation of an Encyclopedia of Mathematics
article from 2013 —
(Click to enlarge.)
Keywords: PG(3,2), Fano space, projective space, finite geometry, square model,
Cullinane diamond theorem, octad group, MOG.
Cullinane, Steven H. (2021).
“The Square Model of Fano’s 1892 Finite 3-Space.”
Zenodo. https://doi.org/10.5281/zenodo.4718182 .
An earlier version of the square model of PG(3,2) —
Update on April 20, 2021 —
The following was added today to the above summary:
“It describes a group of 322,560 permutations, later known as
‘the octad group,’ that now plays a role in speculative high-energy physics.
See Moonshine, Superconformal Symmetry, and Quantum Error Correction .”
“To conquer, three boxes* have to synchronize and join together into the Unity.”
―Wonder Woman in Zack Snyder’s Justice League
See also The Unity of Combinatorics and The Miracle Octad Generator.
* Cf. Aitchison’s Octads —
Related vocabulary —
See as well the word facet in this journal.
Analogously, one might write . . .
A Hiroshima cube consists of 6 faces ,
each with 4 squares called facets ,
for a total of 24 facets. . . ."
(See Aitchison's Octads , a post of Feb. 19, 2020.)
Click image to enlarge. Background: Posts tagged 'Aitchison.'"
The "bricks" in posts tagged Octad Group suggest some remarks
from last year's HBO "Watchmen" series —
Related material — The two bricks constituting a 4×4 array, and . . .
"(this is the famous Kummer abstract configuration )"
— Igor Dolgachev, ArXiv, 16 October 2019.
As is this —
.
The phrase "octad group" does not, as one might reasonably
suppose, refer to symmetries of an octad (a "brick"), but
instead to symmetries of the above 4×4 array.
A related Broomsday event for the Church of Synchronology —
The 35 small squares between the pyramid and the pentagon
in the above search result illustrate the role of finite geometry
in the Miracle Octad Generator of R. T. Curtis.
Also on May 2, 2020 — A paper on Cubism as Religion is accepted:
Some may question the desirability of acceptance by MDPI.
Acceptance at the Pearly Gates is another matter.
For the Sith Pyramid, see posts tagged Pyramid Game.
For the Jedi Cube, see posts tagged Enigma Cube
and cube-related remarks by Aitchison at Hiroshima.
This post was suggested by two events of May 16, 2019 —
A weblog post by Frans Marcelis on the Miracle Octad
Generator of R. T. Curtis (illustrated with a pyramid),
and the death of I. M. Pei, architect of the Louvre pyramid.
That these events occurred on the same date is, of course,
completely coincidental.
Perhaps Dan Brown can write a tune to commemorate
the coincidence.
See also The Lexicographic Octad Generator (LOG) (July 13, 2020)
and Octads and Geometry (April 23, 2020).
The phrase “laborious cerebration” quoted in the previous post,
Sombre Figuration, suggests . . .
For an example of such cerebration, see Aitchison’s Octads.
"Let me say this about that." — Richard Nixon
Interpenetration in Weyl's epistemology —
Interpenetration in Mazzola's music theory —
Interpenetration in the eightfold cube — the three midplanes —
A deeper example of interpenetration:
Aitchison has shown that the Mathieu group M24 has a natural
action on the 24 center points of the subsquares on the eightfold
cube's six faces (four such points on each of the six faces). Thus
the 759 octads of the Steiner system S(5, 8, 24) interpenetrate
on the surface of the cube.
"He wished Kant were alive. Kant would have appreciated it.
That master diamond cutter."
— Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance , Part III.
Kant's "category theory" —
"In the Transcendental Analytic, Kant deduces the table of twelve categories, or pure concepts of the understanding….
The categories must be 'schematized' because their non-empirical origin in pure understanding prevents their having the sort of sensible content that would connect them immediately to the objects of experience; transcendental schemata are mediating representations that are meant to establish the connection between pure concepts and appearances in a rule-governed way. Mathematical concepts are discussed in this context since they are unique in being pure but also sensible concepts: they are pure because they are strictly a priori in origin, and yet they are sensible since they are constructed in concreto . " — Shabel, Lisa, "Kant's Philosophy of Mathematics", The Stanford Encyclopedia of Philosophy (Spring 2016 Edition), Edward N. Zalta (ed.), URL = <https://plato.stanford.edu/archives/spr2016/entries/kant-mathematics/>. |
See also The Diamond Theorem and Octad.us.
For an account by R. T. Curtis of how he discovered the Miracle Octad Generator,
see slides by Curtis, “Graphs and Groups,” from his talk on July 5, 2018, at the
Pilsen conference on algebraic graph theory, “Symmetry vs. Regularity: The first
50 years since Weisfeiler-Leman stabilization” (WL2018).
See also “Notes to Robert Curtis’s presentation at WL2018,” by R. T. Curtis.
Meanwhile, here on July 5, 2018 —
Simultaneous perspective does not look upon language as a path because it is not the search for meaning that orients it. Poetry does not attempt to discover what there is at the end of the road; it conceives of the text as a series of transparent strata within which the various parts—the different verbal and semantic currents—produce momentary configurations as they intertwine or break apart, as they reflect each other or efface each other. Poetry contemplates itself, fuses with itself, and obliterates itself in the crystallizations of language. Apparitions, metamorphoses, volatilizations, precipitations of presences. These configurations are crystallized time: although they are perpetually in motion, they always point to the same hour—the hour of change. Each one of them contains all the others, each one is inside the others: change is only the oft-repeated and ever-different metaphor of identity.
— Paz, Octavio. The Monkey Grammarian |
The 2018 Log24 post containing the above Paz quote goes on to quote
remarks by Lévi-Strauss. Paz’s phrase “series of transparent strata”
suggests a review of other remarks by Lévi-Strauss in the 2016 post
“Key to All Mythologies.“
“At that instant he saw, in one blaze of light, an image of unutterable
conviction, the reason why the artist works and lives and has his being –
the reward he seeks –the only reward he really cares about, without which
there is nothing. It is to snare the spirits of mankind in nets of magic,
to make his life prevail through his creation, to wreak the vision of his life,
the rude and painful substance of his own experience, into the congruence
of blazing and enchanted images that are themselves the core of life, the
essential pattern whence all other things proceed, the kernel of eternity.”
— Thomas Wolfe, Of Time and the River
“… the stabiliser of an octad preserves the affine space structure on its
complement, and (from the construction) induces AGL(4,2) on it.
(It induces A8 on the octad, the kernel of this action being the translation
group of the affine space.)”
— Peter J. Cameron,
The Geometry of the Mathieu Groups (pdf)
“The yarns of seamen have a direct simplicity, the whole meaning
of which lies within the shell of a cracked nut. But Marlow was not
typical (if his propensity to spin yarns be excepted), and to him the
meaning of an episode was not inside like a kernel but outside…."
— Joseph Conrad in Heart of Darkness
See the web pages octad.group and octad.us.
Related geometry (not the 759 octads, but closely related to them) —
The 4×6 rectangle of R. T. Curtis
illustrates the geometry of octads —
Curtis splits the 4×6 rectangle into three 4×2 "bricks" —
.
"In fact the construction enables us to describe the octads
in a very revealing manner. It shows that each octad,
other than Λ1, Λ2, Λ3, intersects at least one of these ' bricks' —
the 'heavy brick' – in just four points." . . . .
— R. T. Curtis (1976). "A new combinatorial approach to M24,"
Mathematical Proceedings of the Cambridge Philosophical Society ,
79, pp 25-42.
A brief summary of the eightfold cube is now at octad.us.
The phrase “octad group” discussed here in a post
of March 7 is now a domain name, “octad.group,”
that leads to that post. Remarks by Conway and
Sloane now quoted there indicate how the group
that I defined in 1979 is embedded in the large
Mathieu group M24.
Related literary notes — Watson + Embedding.
From "Mathieu Moonshine and Symmetry Surfing" —
(Submitted on 29 Sep 2016, last revised 22 Jan 2018)
by Matthias R. Gaberdiel (1), Christoph A. Keller (2),
and Hynek Paul (1)
(1) Institute for Theoretical Physics, ETH Zurich
(2) Department of Mathematics, ETH Zurich
https://arxiv.org/abs/1609.09302v2 —
"This presentation of the symmetry groups Gi is
particularly well-adapted for the symmetry surfing
philosophy. In particular it is straightforward to
combine them into an overarching symmetry group G
by combining all the generators. The resulting group is
the so-called octad group
G = (Z2)4 ⋊ A8 .
It can be described as a maximal subgroup of M24
obtained by the setwise stabilizer of a particular
'reference octad' in the Golay code, which we take
to be O9 = {3,5,6,9,15,19,23,24} ∈ 𝒢24. The octad
subgroup is of order 322560, and its index in M24
is 759, which is precisely the number of
different reference octads one can choose."
This "octad group" is in fact the symmetry group of the affine 4-space over GF(2),
so described in 1979 in connection not with the Golay code but with the geometry
of the 4×4 square.* Its nature as an affine group acting on the Golay code was
known long before 1979, but its description as an affine group acting on
the 4×4 square may first have been published in connection with the
Cullinane diamond theorem and Abstract 79T-A37, "Symmetry invariance in a
diamond ring," by Steven H. Cullinane in Notices of the American Mathematical
Society , February 1979, pages A-193, 194.
* The Galois tesseract .
Update of March 15, 2020 —
Conway and Sloane on the "octad group" in 1993 —
The 759 octads of the Steiner system S(5,8,24) are displayed
rather neatly in the Miracle Octad Generator of R. T. Curtis.
A March 9, 2018, construction by Iain Aitchison* pictures the
759 octads on the faces of a cube , with octad elements the
24 edges of a cuboctahedron :
The Curtis octads are related to symmetries of the square.
See my webpage "Geometry of the 4×4 square" from March 2004.
Aitchison's p. 42 slide includes an illustration from that page —
Aitchison's octads are instead related to symmetries of the cube.
Note that essentially the same model as Aitchison's can be pictured
by using, instead of the 24 edges of a cuboctahedron, the 24 outer
faces of subcubes in the eightfold cube .
Image from Christmas Day 2005.
* http://www.math.sci.hiroshima-u.ac.jp/branched/files/2018/
presentations/Aitchison-Hiroshima-2-2018.pdf.
See also Aitchison in this journal.
"December 22, the birth anniversary of India’s famed mathematician
Srinivasa Ramanujan, is celebrated as National Mathematics Day."
— Indian Express yesterday
"Orbits and stabilizers are closely related." — Wikipedia
Symmetries by Plato and R. T. Curtis —
In the above, 322,560 is the order
of the octad stabilizer group .
The above image is from
"A Four-Color Theorem:
Function Decomposition Over a Finite Field,"
http://finitegeometry.org/sc/gen/mapsys.html.
These partitions of an 8-set into four 2-sets
occur also in Wednesday night's post
Miracle Octad Generator Structure.
This post was suggested by a Daily News
story from August 8, 2011, and by a Log24
post from that same date, "Organizing the
Mine Workers" —
(Adapted from Eightfold Geometry, a note of April 28, 2010.
See also the recent post Geometry of 6 and 8.)
The post "Triangles, Spreads, Mathieu" of October 29 has been
updated with an illustration from the Curtis Miracle Octad Generator.
Related material — A search in this journal for "56 Triangles."
On the word Gestaltung —
(Here “eidolon” should instead be “eidos .”)
A search for a translation of the book "Facettenreiche Mathematik " —
A paper found in the above search —
A related translation —
See also octad.design.
For a first look at octad.space, see that domain.
For a second look, see octad.design.
For some other versions, see Aitchison in this journal.
For Dan Brown fans …
… and, for fans of The Matrix, another tale
from the above death date: May 16, 2019 —
An illustration from the above
Miracle Octad Generator post:
Related mathematics — Tetrahedron vs. Square.
From "110 in the Shade" —
A quote from "Marshall, Meet Bagger," July 29, 2011:
"Time for you to see the field."
_________________________________________________________
From a Log24 search for "To See the Field" —
For further details, see the 1985 note
"Generating the Octad Generator."
Adam Rogers today on "Rutger Hauer in Blade Runner , playing
the artificial* person Roy Batty in his death scene."
* See the word "Artifice" in this journal,
as well as Tears in Rain . . .
"Games provide frameworks that miniaturize
and represent idealized realities; so do narratives."
— Adam Rogers, Sunday, July 21, 2019, at Wired
Reviewing yesterday's post Word Magic —
See also a technological framework (the microwave at left) vs. a
purely mathematical framework (the pattern on the towel at right)
in the image below:
For some backstory about the purely mathematical framework,
see Octad Generator in this journal.
The title refers to Calabi-Yau spaces.
Four Quartets
. . . Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
A less "cosmic" but still noteworthy code — The Golay code.
This resides in a 12-dimensional space over GF(2).
Related material from Plato and R. T. Curtis —
A related Calabi-Yau "Chinese jar" first described in detail in 1905 —
A figure that may or may not be related to the 4x4x4 cube that
holds the classical Chinese "cosmic code" — the I Ching —
ftp://ftp.cs.indiana.edu/pub/hanson/forSha/AK3/old/K3-pix.pdf
In memory of Quentin Fiore — from a Log24 search for McLuhan,
an item related to today's previous post . . .
Related material from Log24 on the above-reported date of death —
See also, from a search for Analogy in this journal . . .
From posts tagged Number Art —
From the novel Point Omega —
Related material for
Mathematics Awareness Month —
Also on 07/18/2015 —
"Here, modernism is defined as an autonomous body
of ideas, having little or no outward reference, placing
considerable emphasis on formal aspects of the work
and maintaining a complicated—indeed, anxious—
rather than a naïve relationship with the day-to-day
world, which is the de facto view of a coherent group
of people, such as a professional or discipline-based
group that has a high sense of the seriousness and
value of what it is trying to achieve. This brisk definition…."
— Jeremy Gray, Plato's Ghost: The Modernist
Transformation of Mathematics , Princeton, 2008
"Even as the dominant modernist narrative was being written,
there were art historians who recognized that it was inaccurate.
The narrative was too focused on France . . . . Nor was it
correct to build the narrative so exclusively around formalism;
modernism was far messier, far more multifaceted than that."
— Jane Kallir, https://www.tabletmag.com/
jewish-arts-and-culture/visual-art-and-design/
269564/the-end-of-middle-class-art,
quoted here on the above date — Sept. 11, 2018.
From some related Log24 posts —
The previous post, quoting a characterization of the R. T. Curtis
Miracle Octad Generator , describes it as a "hand calculator ."
Other views
A "natural diagram " —
A geometric object —
A Midrash for Wikipedia
Midrash —
Related material —
________________________________________________________________________________
This post continues a post from yesterday on the square model of
PG(3,2) that apparently first appeared (presented as such*) in . . .
Cullinane, "Symmetry invariance in a diamond ring,"
Notices of the AMS , pp. A193-194, Feb. 1979.
Yesterday's Wikipedia presentation of the square model was today
revised by yet another anonymous author —
Revision history accounting for the above change from yesterday —
The jargon "rm OR" means "remove original research."
The added verbiage about block designs is a smokescreen having
nothing to do with the subject, which is square representation
of the 35 points and lines.
* The 35 squares, each consisting of four 4-element subsets, appeared earlier
in the Miracle Octad Generator (MOG) of R. T. Curtis (published in 1976).
They were not at that time presented as constituting a finite geometry,
either affine (AG(4,2)) or projective (PG(3,2)).
From the online home page of the new March issue —
For instance . . .
Related material now at Wikipedia —
From the series of posts tagged Kummerhenge —
A Wikipedia article relating the above 4×4 square to the work of Kummer —
A somewhat more interesting aspect of the geometry of the 4×4 square
is its relationship to the 4×6 grid underlying the Miracle Octad Generator
(MOG) of R. T. Curtis. Hudson's 1905 classic Kummer's Quartic Surface
deals with the Kummer properties above and also foreshadows, without
explicitly describing, the finite-geometry properties of the 4×4 square as
a finite affine 4-space — properties that are of use in studying the Mathieu
group M24 with the aid of the MOG.
… as opposed to The Dreaming Jewels .
A July 2014 Amsterdam master's thesis on the Golay code
and Mathieu group —
"The properties of G24 and M24 are visualized by
four geometric objects: the icosahedron, dodecahedron,
dodecadodecahedron, and the cubicuboctahedron."
Some "geometric objects" — rectangular, square, and cubic arrays —
are even more fundamental than the above polyhedra.
A related image from a post of Dec. 1, 2018 —
A search this morning for articles mentioning the Miracle Octad Generator
of R. T. Curtis within the last year yielded an abstract for two talks given
at Hiroshima on March 8 and 9, 2018 —
http://www.math.sci.hiroshima-u.ac.jp/ branched/files/2018/abstract/Aitchison.txt
Iain AITCHISON Title: Construction of highly symmetric Riemann surfaces, related manifolds, and some exceptional objects, I, II Abstract: Since antiquity, some mathematical objects have played a special role, underpinning new mathematics as understanding deepened. Perhaps archetypal are the Platonic polyhedra, subsequently related to Platonic idealism, and the contentious notion of existence of mathematical reality independent of human consciousness. Exceptional or unique objects are often associated with symmetry – manifest or hidden. In topology and geometry, we have natural base points for the moduli spaces of closed genus 2 and 3 surfaces (arising from the 2-fold branched cover of the sphere over the 6 vertices of the octahedron, and Klein's quartic curve, respectively), and Bring's genus 4 curve arises in Klein's description of the solution of polynomial equations of degree greater than 4, as well as in the construction of the Horrocks-Mumford bundle. Poincare's homology 3-sphere, and Kummer's surface in real dimension 4 also play special roles. In other areas: we have the exceptional Lie algebras such as E8; the sporadic finite simple groups; the division algebras: Golay's binary and ternary codes; the Steiner triple systems S(5,6,12) and S(5,8,24); the Leech lattice; the outer automorphisms of the symmetric group S6; the triality map in dimension 8; and so on. We also note such as: the 27 lines on a cubic, the 28 bitangents of a quartic curve, the 120 tritangents of a sextic curve, and so on, related to Galois' exceptional finite groups PSL2(p) (for p= 5,7,11), and various other so-called `Arnol'd Trinities'. Motivated originally by the `Eightfold Way' sculpture at MSRI in Berkeley, we discuss inter-relationships between a selection of these objects, illustrating connections arising via highly symmetric Riemann surface patterns. These are constructed starting with a labeled polygon and an involution on its label set. Necessarily, in two lectures, we will neither delve deeply into, nor describe in full, contexts within which exceptional objects arise. We will, however, give sufficient definition and detail to illustrate essential inter-connectedness of those exceptional objects considered. Our starting point will be simplistic, arising from ancient Greek ideas underlying atomism, and Plato's concepts of space. There will be some overlap with a previous talk on this material, but we will illustrate with some different examples, and from a different philosophical perspective. Some new results arising from this work will also be given, such as an alternative graphic-illustrated MOG (Miracle Octad Generator) for the Steiner system S(5,8,24), and an alternative to Singerman – Jones' genus 70 Riemann surface previously proposed as a completion of an Arnol'd Trinity. Our alternative candidate also completes a Trinity whose two other elements are Thurston's highly symmetric 6- and 8-component links, the latter related by Thurston to Klein's quartic curve. |
See also yesterday morning's post, "Character."
Update: For a followup, see the next Log24 post.
"What we do may be small, but it has
a certain character of permanence."
— G. H. Hardy,
A Mathematician's Apology
The New York Times 's Sunday School today —
I prefer the three bricks of the Miracle Octad Generator —
From mathoverflow.net on Dec. 7, 2016 —
The exceptional isomorphism between
PGL(3,2) and PSL(2,7): geometric origin?
Essentially the same question was asked earlier at
math.stackexchange.com on Aug. 2, 2010.
See also this journal in November 2017 —
"Read something that means something."
— New Yorker ad
Background — Relativity Problem in Log24.
From "The Educated Imagination: A Website Dedicated
to Northrop Frye" —
"In one of the notebooks for his first Bible book Frye writes,
'For at least 25 years I’ve been preoccupied by
the notion of a key to all mythologies.' . . . .
Frye made a valiant effort to provide a key to all mythology,
trying to fit everything into what he called the Great Doodle. . . ."
From a different page at the same website —
Here Frye provides a diagram of four sextets.
I prefer the Miracle Octad Generator of R. T. Curtis —
.
"A blank underlies the trials of device."
"Designing with just a blank piece of paper is very quiet."
Related material —
An image posted at 12 AM ET December 25, 2014:
The image stands for the
phrase "five by five,"
meaning "loud and clear."
Other posts featuring the above 5×5 square with some added structure:
Figures from a search in this journal for Springer Knight
and from the All Souls' Day post The Trojan Pony —
For those who prefer pure abstraction to the quasi-figurative
1985 seven-cycle above, a different 7-cycle for M24 , from 1998 —
Compare and contrast with my own "knight" labeling
of a 4-row 2-column array (an M24 octad, in the system
of R. T. Curtis) by the 8 points of the projective line
over GF(7), from 2008 —
This just in …
"Genesis Potini died of a heart attack aged 46
on the 15th August 2011."
The 15th of August in New Zealand overlapped
the 14th of August in the U.S.A.
From a Log24 post, "Sunday Review," on August 14, 2011 —
Part II (from "Marshall, Meet Bagger," July 29):
"Time for you to see the field."
For further details, see the 1985 note
"Generating the Octad Generator."
McLuhan was a Toronto Catholic philosopher.
For related views of a Montreal Catholic philosopher,
see the Saturday evening post.
Pinterest boards uploaded to the new m759.net/piwigo —
Update of May 2 —
Update of May 3 —
Update of May 8 —
Art Space board created at Pinterest
"Bertram Kostant, professor emeritus of mathematics at MIT,
died at the Hebrew Senior Rehabilitation Center in Roslindale,
Massachusetts, on Thursday, Feb. 2, at the age of 88."
— MIT News, story dated Feb. 16, 2017
See also a search for Kostant in this journal.
Regarding the discussions of symmetries and "facets" found in
that search —
Kostant:
“A word about E(8). In my opinion, and shared by others,
E(8) is the most magnificent ‘object’ in all of mathematics.
It is like a diamond with thousands of facets. Each facet
offering a different view of its unbelievable intricate internal
structure.”
Cullinane:
In the Steiner system S(5, 8, 24) each octad might be
regarded as a "facet," with the order of the system's
automorphism group, the Mathieu group M24 , obtained
by multiplying the number of such facets, 759, by the
order of the octad stabilizer group, 322,560.
Analogously …
For a concise historical summary of the interplay between
the geometry of an 8-set and that of a 16-set that is
involved in the the Miracle Octad Generator approach
to the large Mathieu group M24, see Section 2 of …
Alan R. Prince
A near projective plane of order 6 (pp. 97-105)
Innovations in Incidence Geometry
Volume 13 (Spring/Fall 2013).
This interplay, notably discussed by Conwell and
by Edge, involves spreads and Conwell’s heptads .
Update, morning of the following day (7:07 ET) — related material:
See also “56 spreads” in this journal.
The New York Times 's online T Magazine yesterday —
"A version of this article appears in print on December 4, 2016, on page
M263 of T Magazine with the headline: The Year of Magical Thinking."
* Thanks to Emily Witt for inadvertently publicizing the
Miracle Octad Generator of R. T. Curtis, which
summarizes the 759 octads found in the large Witt design.
The previous post discussed the parametrization of
the 4×4 array as a vector 4-space over the 2-element
Galois field GF(2).
The 4×4 array may also be parametrized by the symbol
0 along with the fifteen 2-subsets of a 6-set, as in Hudson's
1905 classic Kummer's Quartic Surface —
Hudson in 1905:
These two ways of parametrizing the 4×4 array — as a finite space
and as an array of 2-element sets — were related to one another
by Cullinane in 1986 in describing, in connection with the Curtis
"Miracle Octad Generator," what turned out to be 15 of Hudson's
1905 "Göpel tetrads":
A recap by Cullinane in 2013:
Click images for further details.
The authors Taormina and Wendland in the previous post
discussed some mathematics they apparently did not know was
related to a classic 1905 book by R. W. H. T. Hudson, Kummer's
Quartic Surface .
"This famous book is a prototype for the possibility
of explaining and exploring a many-faceted topic of
research, without focussing on general definitions,
formal techniques, or even fancy machinery. In this
regard, the book still stands as a highly recommendable,
unparalleled introduction to Kummer surfaces, as a
permanent source of inspiration and, last but not least,
as an everlasting symbol of mathematical culture."
— Werner Kleinert, Mathematical Reviews ,
as quoted at Amazon.com
Some 4×4 diagrams from that book are highly relevant to the
discussion by Taormina and Wendland of the 4×4 squares within
the 1974 Miracle Octad Generator of R. T. Curtis that were later,
in 1987, described by Curtis as pictures of the vector 4-space over
the two-element Galois field GF(2).
Hudson did not think of his 4×4 diagrams as illustrating a vector space,
but he did use them to picture certain subsets of the 16 cells in each
diagram that he called Rosenhain and Göpel tetrads .
Some related work of my own (click images for related posts)—
Rosenhain tetrads as 20 of the 35 projective lines in PG(3,2)
Göpel tetrads as 15 of the 35 projective lines in PG(3,2)
Related terminology describing the Göpel tetrads above
A recent post about the eightfold cube suggests a review of two
April 8, 2015, posts on what Northrop Frye called the ogdoad :
As noted on April 8, each 2×4 "brick" in the 1974 Miracle Octad Generator
of R. T. Curtis may be constructed by folding a 1×8 array from Turyn's
1967 construction of the Golay code.
Folding a 2×4 Curtis array yet again yields the 2x2x2 eightfold cube .
Those who prefer an entertainment approach to concepts of space
may enjoy a video (embedded yesterday in a story on theverge.com) —
"Ghost in the Shell: Identity in Space."
“Chaos is order yet undeciphered.”
— The novel The Double , by José Saramago,
on which the film "Enemy" was based
Some background for the 2012 Douglas Glover
"Attack of the Copula Spiders" book
mentioned in Sunday's Synchronicity Check —
As was previously noted here, the construction of the Miracle Octad Generator
of R. T. Curtis in 1974 may have involved his "folding" the 1×8 octads constructed
in 1967 by Turyn into 2×4 form.
This results in a way of picturing a well-known correspondence (Conwell, 1910)
between partitions of an 8-set and lines of the projective 3-space PG(3,2).
For some background related to the "ogdoads" of the previous post, see
A Seventh Seal (Sept. 15, 2014).
Note that the six anticommuting sets of Dirac matrices listed by Arfken
correspond exactly to the six spreads in the above complex of 15 projective
lines of PG(3,2) fixed under a symplectic polarity (the diamond theorem
correlation ). As I noted in 1986, this correlation underlies the Miracle
Octad Generator of R. T. Curtis, hence also the large Mathieu group.
References:
Arfken, George B., Mathematical Methods for Physicists , Third Edition,
Academic Press, 1985, pages 213-214
Cullinane, Steven H., Notes on Groups and Geometry, 1978-1986
Related material:
The 6-set in my 1986 note above also appears in a 1996 paper on
the sixteen Dirac matrices by David M. Goodmanson —
Background reading:
Ron Shaw on finite geometry, Clifford algebras, and Dirac groups
(undated compilation of publications from roughly 1994-1995)—
The latest Visual Insight post at the American Mathematical
Society website discusses group actions on the McGee graph,
pictured as 24 points arranged in a circle that are connected
by 36 symmetrically arranged edges.
Wikipedia remarks that …
"The automorphism group of the McGee graph
is of order 32 and doesn't act transitively upon
its vertices: there are two vertex orbits of lengths
8 and 16."
The partition into 8 and 16 points suggests, for those familiar
with the Miracle Octad Generator and the Mathieu group M24,
the following exercise:
Arrange the 24 points of the projective line
over GF(23) in a circle in the natural cyclic order
( ∞, 1, 2, 3, … , 22, 0 ). Can the McGee graph be
modeled by constructing edges in any natural way?
In other words, if the above set of edges has no
"natural" connection with the 24 points of the
projective line over GF(23), does some other
set of edges in an isomorphic McGee graph
have such a connection?
Update of 9:20 PM ET Sept. 20, 2015:
Backstory: A related question by John Baez
at Math Overflow on August 20.
Yesterday's post suggests a review of the following —
Andries Brouwer, preprint, 1982:
"The Witt designs, Golay codes and Mathieu groups" Pages 8-9: Substructures of S(5, 8, 24) An octad is a block of S(5, 8, 24). Theorem 5.1
Let B0 be a fixed octad. The 30 octads disjoint from B0
the design of the points and affine hyperplanes in AG(4, 2), Proof…. … (iv) We have AG(4, 2).
(Proof: invoke your favorite characterization of AG(4, 2) An explicit construction of the vector space is also easy….) |
Related material: Posts tagged Priority.
From "How the Guggenheim Got Its Visual Identity,"
by Caitlin Dover, November 4, 2013 —
For the square and half-square in the above logo
as independent design elements, see
the Cullinane diamond theorem.
For the circle and half-circle in the logo,
see Art Wars (July 22, 2012).
For a rectangular space that embodies the name of
the logo's design firm 2×4, see Octad in this journal.
The previous post displayed a set of
24 unit-square “points” within a rectangular array.
These are the points of the
Miracle Octad Generator of R. T. Curtis.
The array was labeled Ω
because that is the usual designation for
a set acted upon by a group:
* The title is an allusion to Point Omega , a novel by
Don DeLillo published on Groundhog Day 2010.
See “Point Omega” in this journal.
From the abstract of a talk, "Extremal Lattices," at TU Graz
on Friday, Jan. 11, 2013, by Prof. Dr. Gabriele Nebe
(RWTH Aachen) —
"I will give a construction of the extremal even
unimodular lattice Γ of dimension 72 I discovered
in summer 2010. The existence of such a lattice
was a longstanding open problem. The
construction that allows to obtain the
minimum by computer is similar to the one of the
Leech lattice from E8 and of the Golay code from
the Hamming code (Turyn 1967)."
On an earlier talk by Nebe at Oberwolfach in 2011 —
"Exciting new developments were presented by
Gabriele Nebe (Extremal lattices and codes ) who
sketched the construction of her recently found
extremal lattice in 72 dimensions…."
Nebe's Oberwolfach slides include one on
"The history of Turyn's construction" —
Nebe's list omits the year 1976. This was the year of
publication for "A New Combinatorial Approach to M24"
by R. T. Curtis, the paper that defined Curtis's
"Miracle Octad Generator."
Turyn's 1967 construction, uncredited by Curtis, may have
been the basis for Curtis's octad-generator construction.
See Turyn in this journal.
Continued from Friday, November 21:
In the above illustration of the 3-4-5 Pythagorean triangle,
the grids on each side may be regarded as figures of
Euclidean geometry or of Galois geometry.
In Euclidean geometry, these grids illustrate a property of
the inner triangle.
In elementary Galois geometry, ignoring the connection with
the inner triangle, the grids may be regarded instead as
illustrating vector spaces over finite (i.e., Galois) fields.
Previous posts in this journal have dealt with properties of
the 3×3 and 4×4 grids. This suggests a look at properties of
the next larger grid, the 5×5 array, viewed as a picture of the
two-dimensional vector space (or affine plane) over the finite
Galois field GF(5) (also known as ℤ5).
The 5×5 array may be coordinatized in a natural way, as illustrated
in (for instance) Matters Mathematical , by I.N. Herstein and
Irving Kaplansky, 2nd ed., Chelsea Publishing, 1978, p. 171:
See Herstein and Kaplansky for the elementary Galois geometry of
the 5×5 array.
For 5×5 geometry that is not so elementary, see…
Hafner's abstract:
We describe the Hoffman-Singleton graph geometrically, showing that
it is closely related to the incidence graph of the affine plane over ℤ5.
This allows us to construct all automorphisms of the graph.
The remarks of Brouwer on graphs connect the 5×5-related geometry discussed
by Hafner with the 4×4 geometry related to the Steiner system S(5,8,24).
(See the Miracle Octad Generator of R. T. Curtis and the related coordinatization
by Cullinane of the 4×4 array as a four-dimensional vector space over GF(2).)
The image at the end of today’s previous post A Seventh Seal
suggests a review of posts on Katherine Neville’s The Eight .
Update of 1:25 PM ET on Sept. 15, 2014:
Neville’s longtime partner is neurosurgeon and cognitive theorist
Karl H. Pribram. A quote from one of his books:
See also Sense and Sensibility.
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