A followup to the previous post:
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"No esthetic theory, pursued Stephen relentlessly, — James Joyce, Stephen Hero |
. . . And then there is esthetic apprehension dressed in all four colors . . . .
A followup to the previous post:
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"No esthetic theory, pursued Stephen relentlessly, — James Joyce, Stephen Hero |
. . . And then there is esthetic apprehension dressed in all four colors . . . .
A flashback, with newly revised text . . .
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"What modern painters are trying to do,
— James J. Gibson in Leonardo An example of invariant structure:
The three line diagrams above result from the three partitions, into pairs of 2-element sets, of the 4-element set from which the entries of the bottom colored figure are drawn. Taken as a set, these three line diagrams describe the structure of the bottom colored figure. A remarkable invariance — that of symmetry itself — is observed if we arbitrarily and repeatedly permute rows and/or columns and/or 2×2 quadrants of the colored figure above. This results in a group of 322,560 permutations. Each of the 840 resulting figures has some ordinary or color-interchange symmetry. This is because the underlying line diagrams, though they may change, always have symmetry under the Klein four-group, a subgroup of the square's symmetries. The line diagrams are the invisible structural "form" or "idea" behind the visible two-color pattern. Hence they play a role in the conflict described by Plato between those who say that "real existence belongs only to that which can be handled" and those who say that "true reality consists in certain intelligible and bodiless forms." They also afford a resolution of that conflict, since the physical handling that rearranges the 16 two-colored subsquares ("tiles") of the figure also rearranges the "intelligible and bodiless forms" — the line diagrams — that underlie the symmetry. |
A related more recent philosophical remark — "You can't handle the truth."
The best-known version of this remark is by Aaron Sorkin ("A Few Good Men").
A less well-known version . . .
This is from a TV series created by a cousin of philosopher Saul Kripke.
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For those who prefer Trudeau's "Story Theory of Truth" —
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Related cultural artifacts . . .
This journal on All Souls' Day 2025 —
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G. H. Hardy in A Mathematician’s Apology: “We do not want many ‘variations’ in the proof of a mathematical theorem: ‘enumeration of cases,’ indeed, is one of the duller forms of mathematical argument. A mathematical proof should resemble a simple and clear-cut constellation, not a scattered cluster in the Milky Way. A chess problem also has unexpectedness, and a certain economy; it is essential that the moves should be surprising, and that every piece on the board should play its part. But the aesthetic effect is cumulative. It is essential also (unless the problem is too simple to be really amusing) that the key-move should be followed by a good many variations, each requiring its own individual answer. ‘If P-B5 then Kt-R6; if …. then …. ; if …. then ….’ — the effect would be spoilt if there were not a good many different replies. All this is quite genuine mathematics, and has its merits; but it just that ‘proof by enumeration of cases’ (and of cases which do not, at bottom, differ at all profoundly*) which a real mathematician tends to despise. * I believe that is now regarded as a merit in a problem that there should be many variations of the same type.” (Cambridge at the University Press. First edition, 1940.)
Brian Harley in Mate in Two Moves:
“It is quite true that variation play is, in ninety-nine cases (London, Bell & Sons. First edition, 1931.) |
This post was suggested by a recent screenshot timestamp —
A bookstore order . . .
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A search in this journal for Pratchett today yielded . . .
For some related remarks, see this journal on Halloween 2018.
The Charles Williams version . . .
The Sancho Panza version . . .
And now for something
completely different . . .
♫ "All the way to Fire Lake" . . . Bob Seger
Two Zettel from January 6, 2018 . . .

"Hoy me urge ponerme en contacto con
todo lo que me despierte ternura.
Empezando por la propia.
Eso es lo que me da el formato pequeño:
entrar en contacto con mi torpeza, y darle lugar.
Por qué en fin, eso es la ternura:
atesorar la imperfección."
— Not Henry Miller, but the real Patagonia
Pictorial midrash for DeLillo fans . . .

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died-at-90-on-March-9-2026-NYT.jpg
Meanwhile . . .
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Dating_ Myrkia-post.jpg
I too like to watch . . .

From this journal on December 17, 2002 —
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Durga |
In honor of a memorable date.
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Veronica |

"Dawn gives rise. Lo, lo, lives love!" — James Joyce
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"Why is she so uncomfortable?"
"Why is she wearing multiple bracelets?"
Update at noon —
The subject of the above Zuckerberg study
has supplied a soundtrack —
Vide https://www.youtube.com/watch?v=6NXnxTNIWkc . . .
Id est 4 Non Blondes – What's Up (Official Music Video)
Update at 1:00 PM —
A Midrash for Zuckerberg
Addendum . . .
♫ And the cowboy said, "Brand-E . . . ."
Vide . . .
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— Finnegans Wake, Book II, |
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"There should be a simple rule for being a thinker," says Cal Newport. "Don’t let AI write anything for you. Writing is to cognitive health what steps are to physical health" Arts & Letters Daily / Mar 19, 2026 at 7:07 PM |
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NotebookLM today . . . The Geometry of Invariance: Cullinane’s Diamond Theorem These sources detail the mathematical work of Steven H. Cullinane, specifically focusing on the Cullinane diamond theorem and its roots in finite geometry. The theorem explores how specific geometric patterns, such as those in a 4×4 array, maintain symmetry invariance under various transformation groups. Cullinane connects these abstract structures to group theory, Latin squares, and the Miracle Octad Generator, illustrating a deep link between combinatorics and visual design. Beyond pure mathematics, the texts highlight practical applications in graphic arts and quilt patterns while discussing philosophical implications related to classical geometry. Collectively, the documents provide a technical and historical overview of how finite projective spaces underlie the symmetrical properties of simple figures. |
The Perineal Philosophy

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