And now … the cringe version!
That title was suggested by an artist wielding her art like a shield
in this morning's post "Art Process," and by the four squares and
four diamonds of yesterday's post "A Combinatorial Configuration."
Related poetic meditation: "Blazoned Days" in this journal.
See the March 24 New York Times obituary of a former Venice Beach artist
who reportedly died at 83 in Manhattan on March 14.
Related material from this journal on March 14 — Modernist Testament.
The release date of the Paul Schrader film "First Reformed"
was May 18, 2018. This suggests the following graphic art . . .
From this journal on that date, art from The New York Times —
Ninefold-square art that is much more recent —
From the Graf Dies Mortis posts —
http://m759.net/wordpress/?s=Pearl+Jam . . . In other news from the Northwest . . . Stephanie Dick. |
A flashback from today's previous post —
* For the Mobius of the title, see a 2004 novel by Andrew Crumey.
From this journal last Sunday morning . . .
From this journal this morning . . .
"In conclusion: what an axiomatic presentation of a piece of mathematics
conceals is at least as relevant to the understanding of mathematics
as what an axiomatic presentation pretends to state." — Gian-Carlo Rota
As for noir . . .
Consider how Apple TV recently created "brutal, exaggerated worlds
that originated in actual locations" and also created a villainous
private company named Axiom .
Some relevant history of mathematics . . .
"The bond with reality is cut." — Freudenthal on axiomatics .
A rather different planes solution from Log24 on March 7 —
See the illustrations in this journal on that date and . . .
"Note that in the Design Cube image above, the six faces are viewed
as suspended in space on three pairs of parallel planes, with the observer
viewing the parallel images only from the three directions front to back,
right to left, and top to bottom. In the WebSim row of six faces, the images
are pictured as they might be seen by an observer whose viewpoints vary
as he himself floats in space around the cube."
Related chrome art —
The rest of the text from Marcela Nowak today . . .
I started a new painting and wanted to share the process with you all!
Also, this is my first time doing a voiceover, and recording and listening to
my own voice is so stressful—it took way too many tries to get this right.
And as always, the early stages of my paintings make me question all my
life choices. They don’t start looking right until they’re at least 70% done…
but that’s just part of how it comes together…
#artist #arttok #abstractart #artprocess #painting
#timelapse #artistsoftiktok #art #artwork
See as well Log24 searches for Chess King and Brick Space .
From a search in this journal for Neville "The Eight" —
For "the very essence of Logic as such" vide Quine.
For less sophisticated art fans . . .
More sophisticated art fans can, of course,
create their own ebooks about the artist . . .
*
Dec. 6, 2017, Page Six Celebrity News — Leonardo DiCaprio spent more than 45 minutes in a private room haggling over the price of an $850,000 Basquiat drawing at Art Basel Miami. . . . . The 1983 Jean-Michel Basquiat work, titled “Wire,” measures 76 x 56 cm and is signed and titled on the reverse and features a figure looking at a fly with the words on corresponding parts “teeth,” “liver” “knee,” and a quite [sic] “keep your hands off that wire.” . . . . . . . his art advisor, Lisa Schiff, led Leo towards the Basquiat drawing. A witness said, “It seemed like they had a plan beforehand. They brought the work into a private room with Leo, the advisor, and slowly the hat-clad entourage also poured in. “Two blonde models who looked very much Leo’s type came and talked to his posse for a bit,” says the spy. After about 45 minutes Leo emerged and looked at art at the booth across the way, while his advisor stayed to negotiate. “We are good, we’re getting there!” she said when she emerged while Leo huddled with his posse. |
**
***
See as well a scholium on Leo's art advisor
in today's New York Times.
From this journal on January 10, 2025 —
Related reading . . .
"Minimalists are actually extreme hoarders:
they hoard space." — Douglas Coupland
This post was suggested by the date August 23, 2022,
in this journal and elsewhere.
See http://log24.com/log25/
DeepSeek-250126-Print-option-version-of-DTandMOG.pdf .
Conclusion "The Diamond Theorem and the MOG exemplify how finite geometry bridges abstract algebra and combinatorics. Their relationship underscores the universality of symmetry in mathematics, from graphic designs to sporadic groups and error-correcting codes. By studying one, insights into the other — and into structures like the Leech lattice — naturally emerge." — DeepSeek R1, Jan. 26, 2025. |
That AI research report from today was suggested by
a VentureBeat article from yesterday —
For a Google Gemini Deep Research report on the same topic,
see a Log24 post from Tuesday, Jan. 21.
Below: a "Corner Store" location I prefer. The store itself is now long gone.
" I divide mathematics into discrete and continuous
(prickles and goo, as Alan Watts put it) . . . ."
— Peter J. Cameron on 8 December 2024
* See a YouTube rendition (dated Oct. 28, 2013).
The Cullinane Diamond Theorem Document created on Jan. 21. 2025, by Google’s Gemini Advanced 1.5 Pro with Deep Research, in response to the following prompt:
“Research how the Cullinane diamond theorem and The Cullinane diamond theorem and the Miracle Octad Generator (MOG) are two seemingly disparate mathematical concepts that find a surprising connection through the realm of finite projective geometry. This report delves into the relationship between these two concepts, exploring their definitions, properties, and historical context to illuminate their interconnectedness. Cullinane Diamond Theorem The Cullinane diamond theorem, developed by Steven H. Cullinane, is a mathematical concept that explores the symmetrical properties of certain geometric patterns. It focuses on a 4×4 square pattern with alternating colors arranged in a diamond shape, referred to as the "diamond figure".4 The theorem states that every permutation of the 16 tiles within this diamond figure, generated by mixing rows, columns, and quadrants, will result in a pattern with some form of ordinary or color-interchange symmetry.5 This "invariance of symmetry" is a remarkable property that highlights the inherent order within seemingly random arrangements.3 The theorem has deep roots in group theory, with the group of permutations (G) being isomorphic to the affine group A on the linear 4-space over the finite field GF(2).6 This group has an order of 322,560 and plays a crucial role in understanding the symmetry of both the diamond-theorem figures and the square patterns of the MOG.5 A key result used in the proof of the theorem states that every 4-coloring (i.e., every map into a 4-set) can be expressed as a sum of three 2-colorings.1 Interestingly, the Cullinane diamond theorem can be extended to higher dimensions. For instance, extending the action of A to a 4x4x4 array yields a way of generating the 1.3 trillion transformations natural to the 64 hexagrams of the I Ching, an ancient Chinese divination text.1 This connection suggests potential applications of the theorem in diverse fields beyond geometry. Another interesting concept that arises from the Cullinane diamond theorem is that of "diamond rings." These rings are algebraic structures generated by the G-images of the diamond figure, and they are isomorphic to rings of matrices over GF(4).5 This algebraic formulation provides a deeper understanding of the symmetry properties explored by the theorem. Miracle Octad Generator The Miracle Octad Generator (MOG), conceived by R.T. Curtis, is a mathematical tool used to study the symmetries and properties of the Mathieu group M24, a sporadic simple group of significant importance in group theory and coding theory.7 It is a 4×6 array of combinations that can describe any point in 24-dimensional space.7 More precisely, each element in the array represents a combination of coordinates or symbols that contribute to defining a point in this 24-dimensional space. Properties The MOG preserves all the symmetries and maximal subgroups of M24, including the monad, duad, triad, octad, octern, sextet, trio, and duum groups.7 It can be used to visualize partitions of the 24 points, which is important for characterizing these maximal subgroups of M24.8 One of the key applications of the MOG lies in its ability to quickly verify codewords of the binary Golay code, a highly efficient error-correcting code used in various communication systems.7 Each element in the MOG can store a '1' or a '0', and by analyzing the counts (number of '1's) in each column and the top row, one can determine if a set of 24 coordinates forms a valid codeword.7 The MOG achieves this by projecting the 24 Golay code onto a code called the hexacode.8 The MOG is also closely related to the concept of octads and sextets. Any 5 elements of the MOG lie in a unique octad, which is a set of 8 elements.9 A sextet is a set of 6 tetrads (sets of 4 elements) where the union of any two tetrads forms an octad.9 Every tetrad lies in a unique sextet. Furthermore, the MOG is a pairing of the 35 partitions of an 8-set into two 4-sets with the 35 partitions of AG(4,2) (the affine 4-space over GF(2)) into 4 affine planes.10 This pairing preserves specific incidence properties, which refer to the relationships between points, lines, and planes in a geometric space. It's worth noting that there are two competing definitions of the MOG. Curtis originally defined it as a pairing of two 35-member sets.11 However, many sources now define it as a rectangular array based on Conway's hexacode.11 Finally, the MOG helps in understanding the octad stabilizer, a subgroup of M24 that leaves an octad invariant as a set.10 This subgroup is isomorphic to the automorphism group of the affine 4-space over GF(2), highlighting the deep connection between the MOG and finite geometry. Relationship Between the Cullinane Diamond Theorem and the Miracle Octad Generator The relationship between the Cullinane diamond theorem and the MOG emerges from their shared foundation in finite projective geometry. The 35 square patterns within the MOG have an underlying structure based on finite projective geometry.5 These patterns, composed of two-color diagonally-divided square tiles, exhibit surprising symmetry properties that can be explained using the Cullinane diamond theorem.5 A crucial link between the Cullinane diamond theorem and the MOG is the fact that the same symmetry group, of order 322,560, underlies both concepts.5 This shared symmetry group highlights a deep connection between the seemingly different patterns studied by these two concepts. The line diagrams used to visualize the Cullinane diamond theorem also play a crucial role in understanding the symmetry of the square patterns in the MOG.5 These line diagrams, based on the three partitions of the four-set of square tiles, correspond to the 35 lines in the 3-dimensional projective space over GF(2).5 In essence, the Cullinane diamond theorem provides a way to understand and visualize the symmetry properties inherent in the MOG. Furthermore, the underlying geometry of the 4×4 patterns in the Cullinane diamond theorem is closely related to the MOG, which is used in the construction of the Steiner system S(5,8,24).5 This connection extends to the Leech lattice, a highly symmetrical mathematical structure in 24 dimensions, which Walter Feit described as a "blown up version of S(5,8,24)".5 The Leech lattice is a dense sphere-packing in 24 dimensions with remarkable symmetry properties and connections to various areas of mathematics and physics. Interestingly, the Cullinane diamond theorem also sheds light on the relationship between orthogonality of Latin squares and skewness of lines in a finite projective 3-space.12 Latin squares are square arrays filled with symbols, and orthogonality between two Latin squares means that when they are superimposed, each possible pair of symbols appears exactly once. Skewness of lines in projective geometry refers to lines that do not intersect. The Cullinane diamond theorem helps establish a connection between these seemingly unrelated concepts. Another interesting connection is to Beutelspacher's model of the 15 points of PG(3,2).1 This model provides a way to visualize the points of this projective space, and it relates to the Cullinane diamond theorem and the MOG through their shared foundation in finite projective geometry. Applications The relationship between the Cullinane diamond theorem and the MOG has potential applications in various fields, including coding theory and cryptography. The MOG's ability to verify codewords of the binary Golay code is particularly relevant in coding theory, where efficient error-correcting codes are essential for reliable data transmission.7 The Cullinane diamond theorem, with its focus on symmetry and permutations, could potentially contribute to the development of new coding schemes or cryptographic algorithms. For example, the theorem's insights into the structure of finite projective spaces could be used to design codes with specific properties or to analyze the security of existing cryptographic systems. Beyond coding theory, the Cullinane diamond theorem has applications in visualizing various mathematical concepts. For instance, it provides a way to visualize Walsh functions, which are a set of orthogonal functions used in signal processing and other areas of mathematics.1 The theorem also helps visualize the finite projective plane PG(2,4), a fundamental object in finite geometry with connections to various combinatorial structures.12 Additionally, the theorem has connections to the outer automorphisms of S6, the symmetric group on 6 letters, which are transformations that preserve the group structure but are not inner automorphisms.12 Visualizations Visualizations play a crucial role in understanding the connection between the Cullinane diamond theorem and the MOG. The 35 square patterns within the original (1976) MOG, as defined by R. T. Curtis, provide a visual representation of this connection.5 These patterns, along with the line diagrams used to illustrate the Cullinane diamond theorem, offer a tangible way to grasp the interplay between these concepts.5 Here are some examples of visualizations that illustrate this connection:
Historical Connections Historically, the development of the Cullinane diamond theorem and the MOG stemmed from explorations in finite projective geometry and group theory.5 While the exact historical connections between their development remain unclear, both concepts emerged from a desire to understand the symmetries and properties of mathematical structures in finite spaces. Conclusion The Cullinane diamond theorem and the Miracle Octad Generator, while seemingly distinct, are intricately linked through the principles of finite projective geometry. The theorem's focus on symmetry invariance and the MOG's ability to capture the symmetries of the Mathieu group M24 highlight their shared foundation. This connection extends to higher-dimensional structures like the Leech lattice and has potential applications in coding theory, cryptography, and the visualization of various mathematical concepts. The relationship between these two concepts exemplifies the interconnectedness of mathematical ideas. Often, seemingly unrelated areas of mathematics converge in unexpected ways, revealing hidden symmetries and relationships. The Cullinane diamond theorem and the MOG provide a compelling example of this phenomenon, demonstrating the power of finite projective geometry in unifying and illuminating diverse mathematical structures. Works cited 1. Diamond Theory: Symmetry in Binary Spaces, accessed January 21, 2025, https://m759.tripod.com/theory/dtheory.html 2. The Diamond Theorem in Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/16/dtheorem.html 3. finitegeometry.org, accessed January 21, 2025, http://finitegeometry.org/sc/gen/dtcas.html#:~:text=Cullinane,have%20some%20sort%20of%20symmetry. 4. Speak, Memory « Log24 – Home page of m759.net, a domain used by Steven H. Cullinane for a WordPress weblog., accessed January 21, 2025, http://m759.net/wordpress/?p=112809 5. Cullinane diamond theorem – Encyclopedia of Mathematics, accessed January 21, 2025, https://encyclopediaofmath.org/wiki/Cullinane_diamond_theorem 6. What is the Cullinane diamond theorem? – Log24, accessed January 21, 2025, http://log24.com/log24/240303-You.com-Cullinane_Diamond_Theorem-research-paper.pdf 7. Miracle Octad Generator – Wikipedia, accessed January 21, 2025, https://en.wikipedia.org/wiki/Miracle_Octad_Generator 8. Mathieu groups, the Golay code and Curtis' Miracle Octad Generator, accessed January 21, 2025, https://vrs.amsi.org.au/wp-content/uploads/sites/6/2014/09/UWA-Kelly.pdf 9. MOG (Miracle Octad Generator) – Stanford, accessed January 21, 2025, http://xenon.stanford.edu/~hwatheod/mog/mog.html 10. The Miracle Octad Generator (MOG) of R T. Curtis – Elements of Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/24/MOG.html 11. Competing Definitions of the Miracle Octad Generator – Elements of Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/24/mogdefs.html 12. Diamond Theory: Symmetry in Binary Spaces – Elements of Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/gen/dth/DiamondTheory.html 13. arxiv.org, accessed January 21, 2025, https://arxiv.org/abs/1308.1075 |
View this post as a standalone web page at
http://log24.com/log25/DTandMOG.html.
and as a PDF at
http://log24.com/log25/DTandMOG.pdf.
For a more elementary introduction to the MOG, see a YouTube video,
"The Most Powerful Diagram in Mathematics."
For a PDF of the video's metadata and comments, click here.
— R. T. Curtis, "A New Combinatorial Approach to M 24 ,"
Mathematical Proceedings of the Cambridge Philosophical Society (1976),
Related material —
In memory of related remarks in a book I think of as
the Black Hole of Seattle —
Friday, January 8, 2016
|
Oh, the red leaf looks to the hard gray stone
To each other, they know what they mean
— Suzanne Vega, “Songs in Red and Gray“
The posts in the Log24 search
http://m759.net/wordpress/?s="Electric+Dreams"
suggest a look at . . .
Financial Times, Sunday morning, Nov. 24, 2024 — "With hindsight, Harold Cohen’s story looks like a parable, a possibility for an artist to neither dominate nor fear encroaching technology, but to grow alongside it. His is one of many little-known stories told in Tate Modern’s new exhibition Electric Dreams: Art and Technology Before the Internet (opening on November 28), which brings together work from more than 70 artists inspired by and creating art with technology between the end of the second world war and the dawn of the internet as we know it in the early 1990s. This spans a period of immense technological development during which, as curator Val Ravaglia points out, the computer evolved from being the size of an entire room to a discreet box that could fit on or under a desk. The artists who harnessed and responded to this rapid social change provide an intriguing precedent for many of the conversations playing out in the art world today." |
Related art: "Take all the tokens in the pot!" —
This journal five years ago today . . .
Rothko — "… the elimination of all obstacles between the painter and
the idea, and between the idea and the observer."
Walker Percy has similarly discussed elimination of obstacles between
the speaker and the word, and between the word and the hearer.
Click images to enlarge.
Related mathematics —
The source: http://finitegeometry.org/sc/gen/typednotes.html.
A document from the above image —
AN INVARIANCE OF SYMMETRY BY STEVEN H. CULLINANE
We present a simple, surprising, and beautiful combinatorial
DEFINITION. A delta transform of a square array over a 4-set is
THEOREM. Every delta transform of the Klein group table has
PROOF (Sketch). The Klein group is the additive group of GF (4);
All delta transforms of the 45 matrices in the algebra generated by
THEOREM. If 1 m ≤ n2+2, there is an algebra of 4m
An induction proof constructs sets of basis matrices that yield REFERENCE S. H. Cullinane, Diamond theory (preprint). |
Update of 1:12 AM ET on Friday, Oct. 25, 2024 —
The above "invariance of symmetry" document was written in 1978
for submission to the "Research Announcements" section of the
Bulletin of the American Mathematical Society . This pro forma
submission was, of course, rejected. Though written before
I learned of similar underlying structures in the 1974 work of
R. T. Curtis on his "Miracle Octad Generator," it is not without
relevance to his work.
"By a knight of ghosts and shadows . . . ."
The "Lindenhurst" on the above map suggests an Irrelevant
geographic history note, and a scholium . . .
A Wroclaw image from 2011 in which a version of my own work appears —
Ekphrasis of the Cullinane-Lyche wall above . . .
From The Golden Key by George MacDonald "We must find the country from which the shadows come," said Mossy. "We must, dear Mossy," responded Tangle. "What if your golden key should be the key to it?" "Ah! that would be grand," returned Mossy. |
* See also, in this journal, Saturday night's Spotlight Revisited.
"Sometimes 'nothing' can be . . . ."
"Failure to communicate?"
Related cinematic art:
Compare and contrast the "She and Her" of yesterday evening's
10:03 PM post with the "Her and She" of this morning's
11:53 AM post.
Related material —
This morning's post on witchcraft and reason, and related images —
Also from December 1982 —
Addendum for Art Gawkers . . . and P. T. Barnum —
The above review by Perl includes remarks on
Tricks of the Light: Essays on Art and Spectacle
Zone, 270 pp., $32.00.
NOT Crary and Perl —
Jonathan and Einstein in "Arsenic and Old Lace."
The previous post, on art theory, suggests a look at art practice.
See as well a rather different look at Aiello on the above YouTube date.
"Asteras eisathreis . . . ." — Plato
This figure from a post of April 29, 2008 is related to remarks
by art theorist Rosalind Krauss in tonight's previous post.
Related language —
"Kernel" in mathematics and "Innerste Kern." elsewhere.
Related philosophy —
"Die Philosophie ist ein Kampf gegen die Verhexung
unsres Verstandes durch die Mittel unserer Sprache."
— Wittgenstein, Philosophical Investigations (1953), Section 109
The New York Times yesterday reported that Marxist theorist
Fredric Jameson died on Sunday.
Related material from a search for Jameson in this journal —
Rosalind Krauss in The Optical Unconscious
|
See the post "The Ghent Links" from the day a former Vanity Fair
art director turned 81.
Peacock fans may prefer a back-door view from Las Mañanitas .
Also on that opening date . . . http://m759.net/wordpress/?tag=sex-hex.
The ninefold square in the previous post suggests a review
of posts now tagged Plane of Time.
See as well . . .
The title's Dean Martin classic suggests . . .
Some un related reading — the previous post and . . .
http://log24.com/log/pix24/240623-Father_Demo-Square-background.jpg.
Some marks I find more interesting . . . Those of a Galois field.
See a June 5 post on cultural appropriation .
From T. S. Eliot and the Dynamic Imagination
by Sarah Kennedy,
Cambridge University Press, 2018 —
Chapter 7
His Dark Materials
Would you have me
False to my nature? Rather say, I play
The Man I am.
– Shakespeare, Coriolanus, III.ii. [Link added.]
Synchronology check: This journal on the above YouTube date —
"Think of it as a square peg being rammed hard enough
into a round hole to stay put." — Nick Schager today
at thedailybeast.com.
Related art — Emma Watson's astrological sign . . .
From posts tagged Schoolgirl Space —
The title is a Log24 tag for posts of April 13, 2024.
See also a death on that date.
"Mr. Stella, a formalist of Calvinist severity, rejected
all attempts to interpret his work."
— William Grimes of the New York Times
on artist Frank Stella, who reportedly died today.
See related remarks in this journal.
A design note from April 24 ten years ago —
A rather different design note from the same date ten years ago —
Related reading: Theology for Storytellers.
https://doodles.google/doodle/celebrating-etel-adnan/
http://m759.net/wordpress/?s=Adnan
"To enlarge this contemplation unto all the mysteries and secrets,
accomodable unto this number, were inexcusable Pythagorism…."
— Sir Thomas Browne, Hydriotaphia: Urn Burial
https://r-a-w.net/artwork/le-sacre-du-printemps/ .
This post was suggested by . . .
. . . and by an Instagram link to an art museum in Denmark.
See also a Manchester post in this journal.
The New York Times reports that novelist and academic John Barth
died yesterday at 93. For Barth in this journal, vide . . .
For more extensive remarks by Barth on minimalism, see . . .
https://archive.nytimes.com/www.nytimes.com/books/
98/06/21/specials/barth-minimalism.html.
Tuesday Weld in the 1972 film of Didion's Play It As It Lays :
Note the making of a matching pattern.
https://subslikescript.com/movie/Hurlyburly-119336 — So what do you want to do?
You want to go to your place, You want to go to a sex motel? They got waterbeds.
They got porn I'm hungry. You want a Jack-in-the-Box? I love Jack-in-the-Box. Is that code for something? What? What? Is what code for what? I don't know. I don't know the goddamn code! |
The Didion Logo:
“Looking carefully at Golay’s code
is like staring into the sun.”
See as well a discussion of
Meta's new (2023) Threads logo,
illustrated below.
"Just as Socrates felt that it was necessary to create a tension in the mind
so that individuals could rise from the bondage of myths and half-truths
to the unfettered realm of creative analysis and objective appraisal . . . ."
See also today's previous post, from "Terminator Zero: Rise of the Chatbots."
From a December 2021 obituary —
"I'm just sittin' on the dock of the bay
Wastin' time"
For art more closely related to the title "Alpha and Omega,"
see a different view of the above Hoyersten exhibition.
A scene, at time-remaining 48:22 in "Beyond the Sea,"
that might be titled "The Landing."
* The "Light and Space" phrase is in memory of an artist who
reportedly died yesterday at 95 in La Jolla, California.
From the University of Chicago Press…
The Nutshell:
Related Narrative:
………………………………………………………………………………………………………..
"When you build your house
Then call me home"
— Fleetwood Mac, "Sara"
“If you have built castles in the air,
your work need not be lost;
that is where they should be.
Now put the foundations under them.”
— Henry David Thoreau
Tuesday, Sept. 12, 2023. Tags: Ghent Links — m759 @ 4:07 PM
Related material: "Ducky" died, Circle Zen, Palmervision
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