From other posts tagged Natural Diagram —
Saturday, June 24, 2023
For the ACME Corporation: “e” is for “einheit ”
Saturday, August 8, 2020
A Natural Diagram
See also other posts now tagged
Natural Diagram .
Related remarks by J. H. Conway —
Friday, August 7, 2020
Primary Color
From a Log24 search for Schwartz + “The Sun” —
“Looking carefully at Golay’s code
is like staring into the sun.”
Thursday, August 6, 2020
Dramarama
Wednesday, August 5, 2020
Friday, July 17, 2020
Poetic as Well as Prosaic
Prosaic —
Poetic —
Prosaic —
“These devices may have some
theoretical as well as practical value.“
Poetic —
Theoretical as Well as Practical Value
See also The Lexicographic Octad Generator (LOG) (July 13, 2020)
and Octads and Geometry (April 23, 2020).
Monday, July 13, 2020
Wednesday, December 11, 2019
Miracle Octad Generator Structure
(Adapted from Eightfold Geometry, a note of April 28, 2010.
See also the recent post Geometry of 6 and 8.)
Monday, February 1, 2016
Historical Note
Possible title:
A new graphic approach
to an old geometric approach
to a new combinatorial approach
to an old algebraic approach
to M24
Monday, January 12, 2015
Points Omega*
The previous post displayed a set of
24 unit-square “points” within a rectangular array.
These are the points of the
Miracle Octad Generator of R. T. Curtis.
The array was labeled Ω
because that is the usual designation for
a set acted upon by a group:
* The title is an allusion to Point Omega , a novel by
Don DeLillo published on Groundhog Day 2010.
See “Point Omega” in this journal.
Sunday, January 11, 2015
Real Beyond Artifice
A professor at Harvard has written about
"the urge to seize and display something
real beyond artifice."
He reportedly died on January 3, 2015.
An image from this journal on that date:
Another Gitterkrieg image:
The 24-set Ω of R. T. Curtis
Click on the images for related material.
Monday, August 12, 2013
Form
The Galois tesseract appeared in an early form in the journal
Computer Graphics and Art , Vol. 2, No. 1, February 1977—
The Galois tesseract is the basis for a representation of the smallest
projective 3-space, PG(3,2), that differs from the representation at
Wolfram Demonstrations Project. For the latter, see yesterday’s post.
The tesseract representation underlies the diamond theorem, illustrated
below in its earliest form, also from the above February 1977 article—
As noted in a more recent version, the group described by
the diamond theorem is also the group of the 35 square
patterns within the 1976 Miracle Octad Generator (MOG) of
R. T. Curtis.
Tuesday, May 28, 2013
Codes
The hypercube model of the 4-space over the 2-element Galois field GF(2):
The phrase Galois tesseract may be used to denote a different model
of the above 4-space: the 4×4 square.
MacWilliams and Sloane discussed the Miracle Octad Generator
(MOG) of R. T. Curtis further on in their book (see below), but did not
seem to realize in 1977 that the 4×4 structures within the MOG are
based on the Galois-tesseract model of the 4-space over GF(2).
The thirty-five 4×4 structures within the MOG:
Curtis himself first described these 35 square MOG patterns
combinatorially, (as his title indicated) rather than
algebraically or geometrically:
A later book co-authored by Sloane, first published in 1988,
did recognize the 4×4 MOG patterns as based on the 4×4
Galois-tesseract model.
Between the 1977 and 1988 Sloane books came the diamond theorem.
Update of May 29, 2013:
The Galois tesseract appeared in an early form in the journal
Computer Graphics and Art , Vol. 2, No. 1, February 1977
(the year the above MacWilliams-Sloane book was first published):
Saturday, September 3, 2011
The Galois Tesseract (continued)
A post of September 1, The Galois Tesseract, noted that the interplay
of algebraic and geometric properties within the 4×4 array that forms
two-thirds of the Curtis Miracle Octad Generator (MOG) may first have
been described by Cullinane (AMS abstract 79T-A37, Notices , Feb. 1979).
Here is some supporting material—
The passage from Carmichael above emphasizes the importance of
the 4×4 square within the MOG.
The passage from Conway and Sloane, in a book whose first edition
was published in 1988, makes explicit the structure of the MOG's
4×4 square as the affine 4-space over the 2-element Galois field.
The passage from Curtis (1974, published in 1976) describes 35 sets
of four "special tetrads" within the 4×4 square of the MOG. These
correspond to the 35 sets of four parallel 4-point affine planes within
the square. Curtis, however, in 1976 makes no mention of the affine
structure, characterizing his 140 "special tetrads" rather by the parity
of their intersections with the square's rows and columns.
The affine structure appears in the 1979 abstract mentioned above—
The "35 structures" of the abstract were listed, with an application to
Latin-square orthogonality, in a note from December 1978—
See also a 1987 article by R. T. Curtis—
Further elementary techniques using the miracle octad generator, by R. T. Curtis. Abstract:
“In this paper we describe various techniques, some of which are already used by devotees of the art, which relate certain maximal subgroups of the Mathieu group M24, as seen in the MOG, to matrix groups over finite fields. We hope to bring out the wealth of algebraic structure* underlying the device and to enable the reader to move freely between these matrices and permutations. Perhaps the MOG was mis-named as simply an ‘octad generator’; in this paper we intend to show that it is in reality a natural diagram of the binary Golay code.”
(Received July 20 1987)
– Proceedings of the Edinburgh Mathematical Society (Series 2) (1989), 32: 345-353
* For instance:
Update of Sept. 4— This post is now a page at finitegeometry.org.
Saturday, August 6, 2011
Correspondences
Comme de longs échos qui de loin se confondent
Dans une ténébreuse et profonde unité….
— Baudelaire, “Correspondances ”
From “A Four-Color Theorem”—
Figure 1
Note that this illustrates a natural correspondence
between
(A) the seven highly symmetrical four-colorings
of the 4×2 array at the left of Fig. 1, and
(B) the seven points of the smallest
projective plane at the right of Fig. 1.
To see the correspondence, add, in binary
fashion, the pairs of projective points from the
“points” section that correspond to like-colored
squares in a four-coloring from the left of Fig. 1.
(The correspondence can, of course, be described
in terms of cosets rather than of colorings.)
A different correspondence between these 7 four-coloring
structures and these 7 projective-line structures appears in
a structural analysis of the Miracle Octad Generator
(MOG) of R.T. Curtis—
Figure 2
Here the correspondence between the 7 four-coloring structures (left section) and the 7 projective-line structures (center section) is less obvious, but more fruitful. It yields, as shown, all of the 35 partitions of an 8-element set (an 8-set ) into two 4-sets. The 7 four-colorings in Fig. 2 also appear in the 35 4×4 parts of the MOG that correspond, in a way indicated by Fig. 2, to the 35 8-set paritions. This larger correspondence— of 35 4×2 arrays with 35 4×4 arrays— is the MOG, at least as it was originally defined. See The MOG, Generating the Octad Generator, and Eightfold Geometry.
For some applications of the Curtis MOG, see |
Friday, May 14, 2010
Competing MOG Definitions
A recently created Wikipedia article says that “The Miracle Octad Generator [MOG] is an array of coordinates, arranged in four rows and six columns, capable of describing any point in 24-dimensional space….” (Clearly any array with 24 parts is so capable.) The article ignores the fact that the MOG, as defined by R.T. Curtis in 1976, is not an array of coordinates, but rather a picture of a correspondence between two sets, each containing 35 structures. (As a later commentator has remarked, this correspondence is a well-known one that preserves a certain incidence property. See Eightfold Geometry.)
From the 1976 paper defining the MOG—
“There is a correspondence between the two systems of 35 groups, which is illustrated in Fig. 4 (the MOG or Miracle Octad Generator).” —R.T. Curtis, “A New Combinatorial Approach to M24,” Mathematical Proceedings of the Cambridge Philosophical Society (1976), 79: 25-42
Curtis’s 1976 Fig. 4. (The MOG.)
The Wikipedia article, like a similar article at PlanetMath, is based on a different definition, from a book first published in 1988—
I have not seen the 1973 Curtis paper, so I do not know whether it uses the 35-sets correspondence definition or the 6×4 array definition. The remarks of Conway and Sloane on page 312 of the 1998 edition of their book about “Curtis’s original way of finding octads in the MOG [Cur2]” indicate that the correspondence definition was the one Curtis used in 1973—
Here the picture of “the 35 standard sextets of the MOG”
is very like (modulo a reflection) Curtis’s 1976 picture
of the MOG as a correspondence between two 35-sets.
A later paper by Curtis does use the array definition. See “Further Elementary Techniques Using the Miracle Octad Generator,” Proceedings of the Edinburgh Mathematical Society (1989) 32, 345-353.
The array definition is better suited to Conway’s use of his hexacode to describe octads, but it obscures the close connection of the MOG with finite geometry. That connection, apparent in the phrases “vector space structure in the standard square” and “parallel 2-spaces” (Conway and Sloane, third ed., p. 312, illustrated above), was not discussed in the 1976 Curtis paper. See my own page on the MOG at finitegeometry.org.
Wednesday, April 28, 2010
Eightfold Geometry
Related web pages:
Miracle Octad Generator,
Generating the Octad Generator,
Geometry of the 4×4 Square
Related folklore:
"It is commonly known that there is a bijection between the 35 unordered triples of a 7-set [i.e., the 35 partitions of an 8-set into two 4-sets] and the 35 lines of PG(3,2) such that lines intersect if and only if the corresponding triples have exactly one element in common." –"Generalized Polygons and Semipartial Geometries," by F. De Clerck, J. A. Thas, and H. Van Maldeghem, April 1996 minicourse, example 5 on page 6
The Miracle Octad Generator may be regarded as illustrating the folklore.
Update of August 20, 2010–
For facts rather than folklore about the above bijection, see The Moore Correspondence.
Wednesday, October 14, 2009
Wednesday October 14, 2009
Singer 7-Cycles
Click on images for details.
The 1985 Cullinane version gives some algebraic background for the 1987 Curtis version.
The Singer referred to above is James Singer. See his "A Theorem in Finite Projective Geometry and Some Applications to Number Theory," Transactions of the American Mathematical Society 43 (1938), 377-385.For other singers, see Art Wars and today's obituaries.
Some background: the Log24 entry of this date seven years ago, and the entries preceding it on Las Vegas and painted ponies.
Monday, January 5, 2009
Monday January 5, 2009
A Wealth of
Algebraic Structure
A 1987 article by R. T. Curtis on the geometry of his Miracle Octad Generator (MOG) as it relates to the geometry of the 4×4 square is now available online ($20):
Further elementary techniques using the miracle octad generator, by R. T. Curtis. Abstract:
“In this paper we describe various techniques, some of which are already used by devotees of the art, which relate certain maximal subgroups of the Mathieu group M24, as seen in the MOG, to matrix groups over finite fields. We hope to bring out the wealth of algebraic structure* underlying the device and to enable the reader to move freely between these matrices and permutations. Perhaps the MOG was mis-named as simply an ‘octad generator’; in this paper we intend to show that it is in reality a natural diagram of the binary Golay code.”
(Received July 20 1987)
— Proceedings of the Edinburgh Mathematical Society (Series 2) (1989), 32: 345-353, doi:10.1017/S0013091500004600.
(Published online by Cambridge University Press 19 Dec 2008.)
In the above article, Curtis explains how two-thirds of his 4×6 MOG array may be viewed as the 4×4 model of the four-dimensional affine space over GF(2). (His earlier 1974 paper (below) defining the MOG discussed the 4×4 structure in a purely combinatorial, not geometric, way.)
For further details, see The Miracle Octad Generator as well as Geometry of the 4×4 Square and Curtis’s original 1974 article, which is now also available online ($20):
A new combinatorial approach to M24, by R. T. Curtis. Abstract:
“In this paper, we define M24 from scratch as the subgroup of S24 preserving a Steiner system S(5, 8, 24). The Steiner system is produced and proved to be unique and the group emerges naturally with many of its properties apparent.”
(Received June 15 1974)
— Mathematical Proceedings of the Cambridge Philosophical Society (1976), 79: 25-42, doi:10.1017/S0305004100052075.
(Published online by Cambridge University Press 24 Oct 2008.)
Wednesday, February 28, 2007
Wednesday February 28, 2007
Elements
of Geometry
The title of Euclid’s Elements is, in Greek, Stoicheia.
From Lectures on the Science of Language,
by Max Muller, fellow of All Souls College, Oxford.
New York: Charles Scribner’s Sons, 1890, pp. 88-90 –
Stoicheia
“The question is, why were the elements, or the component primary parts of things, called stoicheia by the Greeks? It is a word which has had a long history, and has passed from Greece to almost every part of the civilized world, and deserves, therefore, some attention at the hand of the etymological genealogist.
Stoichos, from which stoicheion, means a row or file, like stix and stiches in Homer. The suffix eios is the same as the Latin eius, and expresses what belongs to or has the quality of something. Therefore, as stoichos means a row, stoicheion would be what belongs to or constitutes a row….
Hence stoichos presupposes a root stich, and this root would account in Greek for the following derivations:–
- stix, gen. stichos, a row, a line of soldiers
- stichos, a row, a line; distich, a couplet
- steicho, estichon, to march in order, step by step; to mount
- stoichos, a row, a file; stoichein, to march in a line
In German, the same root yields steigen, to step, to mount, and in Sanskrit we find stigh, to mount….
Stoicheia are the degrees or steps from one end to the other, the constituent parts of a whole, forming a complete series, whether as hours, or letters, or numbers, or parts of speech, or physical elements, provided always that such elements are held together by a systematic order.”
Example:
The Miracle Octad Generator of R. T. Curtis
For the geometry of these stoicheia, see
The Smallest Perfect Universe and
Finite Geometry of the Square and Cube.
Saturday, July 29, 2006
Saturday July 29, 2006
Big Rock
Thanks to Ars Mathematica, a link to everything2.com:
“In mathematics, a big rock is a result which is vastly more powerful than is needed to solve the problem being considered. Often it has a difficult, technical proof whose methods are not related to those of the field in which it is applied. You say ‘I’m going to hit this problem with a big rock.’ Sard’s theorem is a good example of a big rock.”
Another example:
Properties of the Monster Group of R. L. Griess, Jr., may be investigated with the aid of the Miracle Octad Generator, or MOG, of R. T. Curtis. See the MOG on the cover of a book by Griess about some of the 20 sporadic groups involved in the Monster:
The MOG, in turn, illustrates (via Abstract 79T-A37, Notices of the American Mathematical Society, February 1979) the fact that the group of automorphisms of the affine space of four dimensions over the two-element field is also the natural group of automorphisms of an arbitrary 4×4 array.
This affine group, of order 322,560, is also the natural group of automorphisms of a family of graphic designs similar to those on traditional American quilts. (See the diamond theorem.)
This top-down approach to the diamond theorem may serve as an illustration of the “big rock” in mathematics.
For a somewhat simpler, bottom-up, approach to the theorem, see Theme and Variations.
For related literary material, see Mathematics and Narrative and The Diamond as Big as the Monster.
Sunday, May 7, 2006
Sunday May 7, 2006
Bagombo Snuff Box
(in memory of
Burt Kerr Todd)
“Well, it may be the devil
or it may be the Lord
But you’re gonna have to
serve somebody.”
— “Bob Dylan”
(pseudonym of Robert Zimmerman),
quoted by “Bob Stewart”
on July 18, 2005
“Bob Stewart” may or may not be the same person as “crankbuster,” author of the “Rectangular Array Theorem” or “RAT.” This “theorem” is intended as a parody of the “Miracle Octad Generator,” or “MOG,” of R. T. Curtis. (See the Usenet group sci.math, “Steven Cullinane is a Crank,” July 2005, messages 51-60.)
“Crankbuster” has registered at Math Forum as a teacher in Sri Lanka (formerly Ceylon). For a tall tale involving Ceylon, see the short story “Bagombo Snuff Box” in the book of the same title by Kurt Vonnegut, who has at times embodied– like Martin Gardner and “crankbuster“– “der Geist, der stets verneint.”
Here is my own version (given the alleged Ceylon background of “crankbuster”) of a Bagombo snuff box:
Related material: