“… But it’s all right now
I learned my lesson well
You see, you can’t please everyone
So you got to please yourself… ”
“… But it’s all right now
I learned my lesson well
You see, you can’t please everyone
So you got to please yourself… ”
Posts tagged Ministry of Culture.
These include . . .
(From “Raiders of the Lost Coordinates,” Feb. 17, 2021.)
Heng today states clearly the obvious problem with peer review —
“… because reviewers must have a certain level of authority
in the subject, their work is often in direct competition with
what’s presented in these potential publications.”
Thursday, August 21, 2014
NoxFiled under: Uncategorized — m759 @ 1:00 AM ( A sequel to Lux ) “By groping toward the light we are made to realize — Arthur Koestler, The Call Girls: A Tragi-Comedy , Robin Williams and the Stages of Math i) shock & denial A related description of the process — “You know how sometimes someone tells you a theorem, — Tom Leinster yesterday at The n-Category Café |
“Why did no one tell me this before?” See The Crimson .
From the RSS feed of The Chronicle of Higher Education ‘s site
Arts & Letters Daily this evening —
“Despite the wide scope of his bibliography and reception,
Derrida was a specialist in a subfield of his own design,
more or less: the philosophy of writing, which upends
the privileging of speech over writing that has dominated
Western metaphysics since Plato. This ‘phonocentrism’
(which Derrida yarns into ‘logocentrism,’ and eventually,
‘phallocentrism’) starts from a false premise, that the
moment of utterance in Aristotle’s view is somehow more
rhetorically ‘present’ than the kairos of writing….”
— Andrew Marzoni, March 10, 2021:
“Outside the Text: Jacques Derrida resists
easy canonization in a new hagiography for the Left.”
https://thebaffler.com/latest/outside-the-text-marzoni
A related image from this journal
on that same date, March 10, 2021:
“Plato and Hegel always recognized the importance of the gap:
they invoke the gap (the opening, the separation, the division)
and they put it to work. The inescapable gaps that cannot be bridged,
that cannot be filled, play a central role in Derrida’s thought and in
our response to his death. The gaps in Derrida’s work resist the gap;
they swerve, deviate and wander (écarter ) – gaps move . When someone
or something takes pre-cedence (goes first, goes before, goes on ahead
and gives up its place ) a gap is opened. There (are) only gaps, the gaps
that Jacques Derrida has left behind him and in front of him: the
pre-cedence of gaps. This tracing of gaps (écarts ) is a preface to an
impossible mourning, a mourning that one must at once avoid and
affirm. It keeps returning to Derrida’s Dissemination (1972)….”
— Page vii of The Impossible Mourning of Jacques Derrida ,
by Sean Gaston (Continuum Books, London/New York, 2006)
Later in the same book —
See also a search for Evolutionary Dynamics in this journal.
That search leads to an article co-authored by one H. Ohtsuki —
Ohtsuki, H., & Iwasa, Y. (2004).
“How should we define goodness? –
Reputation dynamics in indirect reciprocity.”
Journal of Theoretical Biology, 231(1), 107-120.
https://doi.org/10.1016/j.jtbi.2004.06.005
Related material: Ohtsuki’s CV , which contains references
to Harvard, Nowak, Evolutionary Dynamics, and (notably)
two separate lists of citations given to establish the fact that
Ohtsuki has a fairly low Erdős number — namely, 4.
Related material: The Erdős number of Ariana Grande.
Another concept from The New York Times today: intertwining —
“The historical achievements and experiences of women and men
are like the intertwined warp and weft threads of a woven fabric.”
— Virginia Postrel in a NY Times opinion piece today.
From Postrel’s Web page —
* See (for instance) A Picture Show for Quanta Magazine.
See as well the Log24 posts from the date of Dickstein’s death.
These are now tagged “The Cornfield Hallows.”
“People tend to gravitate more towards a colorful villain
than a hero – after all, we just had an entire movie about
the Joker, and it won Joaquin Phoenix an Oscar.”
— “Sure, Jesse Eisenberg Would Ham It Up Again
As Lex Luthor, Why Not?,” posted on March 17th, 2020,
by Chris Evangelista at slashfilm.com.
Some images from Feb. 5, 2021, in a search for "ABC Art" —
A colored version using CSS —
See https://codepen.io/m759/pen/wvoGwzx .
“Somehow, a message had been lost on me. Groups act .
The elements of a group do not have to just sit there,
abstract and implacable; they can do things, they can
‘produce changes.’ In particular, groups arise
naturally as the symmetries of a set with structure.”
— Thomas W. Tucker, review of Lyndon’s Groups and Geometry
in The American Mathematical Monthly , Vol. 94, No. 4
(April 1987), pp. 392-394.
Context for the Cullinane diamond theorem in
the Smithsonian’s NASA Astrophysics Data System:
From a Log24 post of Friday, February 26, 2021 —
( Not to be confused with The Tin Man’s Hat. ) |
This image may be regarded as memorializing a photographer
who died at 80 on Feb. 26 and who
“captured Warhol’s self-designed mythology in the making”
— Alex Vadukul in The New York Times today
“To conquer, three boxes* have to synchronize and join together into the Unity.”
―Wonder Woman in Zack Snyder’s Justice League
See also The Unity of Combinatorics and The Miracle Octad Generator.
* Cf. Aitchison’s Octads —
Continues from March 17.
See as well some remarks on Chinese perspective
in the Log24 post “Gate” of June 13, 2013.
“So, tell me about your most recent nightmare.”
— Dr. Raynor in “The Falcon and the Winter Soldier”
Update of 2:07 PM ET on March 20 —
Changing Woman: “Kaleidoscope turning…
Shifting pattern — Roger Zelazny, Eye of Cat |
“That’s pom, not porn, Magoo.”
“Like the beat, beat, beat
of the tom-tom….”
— Cole Porter, 1932
n. itinerant seller or giver of books,
especially religious literature.
” ‘Dreams are designed to help us maintain our self-identity,
our sense of who we are, as our life circumstances change,’
Dr. Cartwright wrote in ‘The Twenty-Four Hour Mind:
The Role of Sleep and Dreaming in Our Emotional Lives’
(2010).” — Rosalind Cartwright, a.k.a. “Queen of Dreams”
Cartwright reportedly died on January 15.
A related Kentucky dream — “Goddess on a Mountain Top.”
Caption: "I notice the signatures are never abstract." —
Abstract Art
Abstract Signature
“… the true sense of
‘Let be be the finale of seem’
is
‘let being become the conclusion or denouement of appearing to be’….”
— Wallace Stevens, letter to Henry Church, June 1, 1939
Update of 6:21 PM ET:
Related remark from The New York Times today —
“In a 2000 interview with the newspaper Libération ,
Mr. Dupond set forth his credo as an artist:
‘To please, seduce, divert, enchant;
I feel that I have only ever lived for this.’”
“datePublished”:”2021-03-13T17:02:01.000Z”,
“headline”:”Patrick Dupond, French Ballet Virtuoso, Dies at 61″
“At the still point, there the dance is.”
— Thomas Stearns Eliot
According to Lt. Col. Wayne M. McDonnell in June 1983 —
“… it is accurate to observe that when a person experiences
the out-of- body state he is, in fact, projecting that eternal spark
of consciousness and memory which constitutes the ultimate
source of his identity….”
— Section 27, “Consciousness in Perspective,” of
“Analysis and Assessment of Gateway Process.”
A related quotation —
“In truth, the physical AllSpark is but a shell….”
— https://tfwiki.net/wiki/AllSpark
From the post Ghost in the Shell (Feb. 26, 2019) —
See also, from posts tagged Ogdoad Space —
“Like the Valentinian Ogdoad— a self-creating theogonic system
of eight Aeons in four begetting pairs— the projected eightfold work
had an esoteric, gnostic quality; much of Frye’s formal interest lay in
the ‘schematosis’ and fearful symmetries of his own presentations.”
— From p. 61 of James C. Nohrnberg’s “The Master of the Myth
of Literature: An Interpenetrative Ogdoad for Northrop Frye,”
Comparative Literature , Vol. 53 No. 1, pp. 58-82, Duke University
Press (quarterly, January 2001)
— as well as . . .
Related illustration from posts tagged with
the quilt term Yankee Puzzle —
See Trinity Cube in this journal and . . .
McDonnell’s illustration is from 9 June 1983.
See as well a less official note from later that June.
" LaTeX is widely used in academia[3][4]
for the communication and
publication of scientific documents
in many fields . . . ." — Wikipedia
Related academic remarks —
"The puzzle in general terms is one of structure ."
— J. Robert Oppenheimer, page 122,
Life Magazine , Oct. 10, 1949
The term "puzzle" may be misleading.
A more serious structure —
Click the above images for further details.
Stunt Writer
An image from this journal on June 29, 2019 —
Related material — The Legends Slot —
See as well . . .
Kingsman 2 Director Reveals
How They Shot The Glastonbury Scene.
(Title suggested by the beanie label "Alternate Future: NYC/10001")
A version of the Salinger story title "Pretty Mouth and Green My Eyes" —
"… her mouth is red and large, with Disney overtones. But it is her eyes,
a pale green of surprising intensity, that hold me."
— Violet Henderson in Vogue , 30 August 2017
See also that date in this journal.
“The innermost kernel of the ego endures.” — Schopenhauer
Disco Pigs star Elaine Cassidy listens to Christopher Marlowe:
“The hallucinatory, Joycean night-town through which
Pig and Runt roam is effectively conjured . . . .”
“An dat liddle baba he look righ inta me, yeah.”
— Disco Pigs script
* As opposed to London Humor . . .
“Who ever lov’d, that lov’d not at first sight?”
Disco Pigs star Elaine Cassidy in a later entertainment:
“You can’t please everyone,
so you got to please yourself.”
— “Garden Party,” Rick Nelson
Actually, Dirac “bridged math and physics” much earlier —
“Spinors, which are a kind of square root of vectors, had been introduced
in algebra and also in physics as part of Paul Dirac’s theory of the electron.
A spin structure on a manifold allows such square roots to exist.”
— Quanta Magazine today, article by Daniel S. Freed
See The Eddington Song and . . .
Poetic paraphrase —
“How can we tell the singer from the song?”
“Art bears the same relationship to society
that the dream bears to mental life. . . .
Like art, the dream mediates between order
and chaos. So, it is half chaos. That is why
it is not comprehensible. It is a vision, not
a fully fledged articulated production.
Those who actualize those half-born visions
into artistic productions are those who begin
to transform what we do not understand into
what we can at least start to see.”
— A book published on March 2, 2021:
Beyond Order , by Jordan Peterson
The inarticulate, in this case, is Rosalind Krauss:
A “raid on the inarticulate” published in Notices of the
American Mathematical Society in the February 1979 issue —
From this journal on Nov. 9-12, 2004:
Fade to Black “…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent.” — Trevanian, Shibumi “‘Haven’t there been splendidly elegant colors in Japan since ancient times?’ ‘Even black has various subtle shades,’ Sosuke nodded.” — Yasunari Kawabata, The Old Capital An Ad Reinhardt painting described in the entry of Ad Reinhardt, Abstract Painting, 1960-66. The viewer may need to tilt the screen to see that “The grid is a staircase to the Universal…. We could think about Ad Reinhardt, who, despite his repeated insistence that ‘Art is art,’ ended up by painting a series of… nine-square grids in which the motif that inescapably emerges is a Greek cross. Greek Cross There is no painter in the West who can be unaware of the symbolic power of the cruciform shape and the Pandora’s box of spiritual reference that is opened once one uses it.” — “Grids,” by Rosalind Krauss, |
Related material from The New York Times today —
That edge, where artists are always transforming chaos into order, can be a very rough and dangerous place. Living there, an artist constantly risks falling fully into the chaos, instead of transforming it. But artists have always lived there, on the border of human understanding. Art bears the same relationship to society that the dream bears to mental life. You are very creative when you are dreaming. That is why, when you remember a dream, you think, “Where in the world did that come from?” It is very strange and incomprehensible that something can happen in your head, and you have no idea how it got there or what it means. It is a miracle: nature’s voice manifesting itself in your psyche. And it happens every night. Like art, the dream mediates between order and chaos. So, it is half chaos. That is why it is not comprehensible. It is a vision, not a fully fledged articulated production. Those who actualize those half-born visions into artistic productions are those who begin to transform what we do not understand into what we can at least start to see. That is the role of the artist, occupying the vanguard. That is their biological niche. They are the initial civilizing agents.
— Peterson, Jordan B., Beyond Order (p. 215), |
See also . . .
* Title credit —
Click for a clearer version —
The phrase “Chaos Magic” in the conclusion of last week’s
WandaVision episode suggests . . .
Page 1590 —
Log24:
Thomas Pynchon:
"For every kind of vampire,
there is a kind of cross."
The Year 1591 —
“But perhaps its most iconic reinvention came with the longstanding
Marlboro Man campaign, which ran from 1963 to 1971. In an article
by Denver Post journalist Jim Carrier, who spent six months traveling
across the American West to meet former Marlboro Men, we’re told
that the campaign began in late 1954, when ad exec Leo Burnett asked
his top creatives, ‘What is the most masculine image in the U.S. today?’
According to Carrier, ‘Philip Morris, the fourth-largest American tobacco
company, wanted to create a filter cigarette to deal with the rising problem
of smoker’s cough and lung disease. But they had to overcome the early
image of filters as being for sissies.'”
Related story from The New York Times on Monday, March 1 —
Related flashback from this journal on Sunday, February 28 —
“Jerome, Jeremiah . . . Jeremiah, Jerome.”
See Das Nichts Nichtet , a post on February 13th.
See also a death on that date from The New York Times today —
“He opened his booth in the diamond district on 47th Street
between Fifth and Sixth Avenues, in 1948 . . . .”
" . . . It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir."
— Wallace Stevens, "The Plain Sense of Things"
For such a savoir, see Cube School.
See as well the Stevens online concordance.
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