On the word Gestaltung —
(Here “eidolon” should instead be “eidos .”)
A search for a translation of the book "Facettenreiche Mathematik " —
A paper found in the above search —
A related translation —
See also octad.design.
On the word Gestaltung —
(Here “eidolon” should instead be “eidos .”)
A search for a translation of the book "Facettenreiche Mathematik " —
A paper found in the above search —
A related translation —
See also octad.design.
For a first look at octad.space, see that domain.
For a second look, see octad.design.
For some other versions, see Aitchison in this journal.
"Here, modernism is defined as an autonomous body
of ideas, having little or no outward reference, placing
considerable emphasis on formal aspects of the work
and maintaining a complicated—indeed, anxious—
rather than a naïve relationship with the day-to-day
world, which is the de facto view of a coherent group
of people, such as a professional or discipline-based
group that has a high sense of the seriousness and
value of what it is trying to achieve. This brisk definition…."
— Jeremy Gray, Plato's Ghost: The Modernist
Transformation of Mathematics , Princeton, 2008
"Even as the dominant modernist narrative was being written,
there were art historians who recognized that it was inaccurate.
The narrative was too focused on France . . . . Nor was it
correct to build the narrative so exclusively around formalism;
modernism was far messier, far more multifaceted than that."
— Jane Kallir, https://www.tabletmag.com/
jewish-arts-and-culture/visual-art-and-design/
269564/the-end-of-middle-class-art,
quoted here on the above date — Sept. 11, 2018.
From some related Log24 posts —
"What we do may be small, but it has
a certain character of permanence."
— G. H. Hardy,
A Mathematician's Apology
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