A New, Improved Version of Quantum Suffering !
Background for group actions on the eightfold cube —
See also other posts now tagged Quantum Suffering
as well as — related to the image above of the Great Wall —
A New, Improved Version of Quantum Suffering !
Background for group actions on the eightfold cube —
See also other posts now tagged Quantum Suffering
as well as — related to the image above of the Great Wall —
For Spaceballs fans . . .
A web page from the father of Vi Hart, co-author of the
2014 quaternion-model article cited in the previous post:
* The title was suggested by the following video —
For an example of the admirable Schwartz style, see a recent letter.
Aficionados of the preposterous joke
(see yesterday's post Epstein on Art)
may consult a Google Image Search for
Schwartz Meme.
I prefer Schwartz même —
Joseph Epstein in the online Weekly Standard
on May 24, 2018, at 3:03 PM —
Hilton Kramer, in a powerful essay called “Revenge of the Philistines,” praised Wolfe’s account of the sociology of the visual art of the time. On the comedy inherent in the subject, he noted, Wolfe “is illuminating and often hilarious.” Yet, when it came to the analysis of ideas, Kramer felt, “when it comes down to actual works of art and the thinking they both embody and inspire, Wolfe is hopelessly out of his depth . . . and, no doubt, beyond his true interests.” He faulted Wolfe for his inability to understand the historical context of the contemporary situation in art or how we have come to where we are in a way that carries us well beyond “the drawing-room comedy of The Painted Word .” Kramer concluded: “It is this fundamental incomprehension of the role of criticism in the life of art—this enmity to the function of theory in the creation of culture—that identifies The Painted Word , despite its knowingness and its fun, as a philistine utterance, an act of revenge against a quality of mind it cannot begin to encompass and must therefore treat as a preposterous joke.” |
For Kramer in greater depth, see an online biography.
A piece co-written by Ivanov, the author noted in the previous post, was cited
in my "Geometry of the 4×4 Square."
Also cited there — A paper by Pasini and Van Maldeghem that mentions
the Klein quadric.
Those sources suggested a search —
The link is to some geometry recently described by Tabachnikov
that seems rather elegant:
For another, more direct, connection to the geometry of the 4×4 square,
see Richard Evan Schwartz in this journal.
This same Schwartz appears also in the above Tabachnikov paper:
The phrase "ghostly heptagons" appears in A Piece of Justice , a 1995 novel
by Jill Paton Walsh that features some fictional politically correct mathematics.
(See the previous post.)
Related material from a Google search today —
The Ivanov book is new:
See also a Log24 search for A Piece of Justice .
A background check of a date from the previous post —
March 12, 2013 — yields . . .
A Wikipedia check of Porter yields . . .
This date from Wikimedia — 3 March 2007 — leads to
a post in memory of Myer Feldman, presidential advisor
and theatrical producer.
"It's been dirty for dirty
Down the line . . ."
— Joni Mitchell,
"For the Roses" album (1972)
Click the grid for the tag 5×5 in this journal.
A related book —
See also the previous post, Bucharest Semiotics.
See Solomon Marcus in this journal.
Related art —
Related fictions: The Seventh Function of Language (2017)
and Lexicon (2013). I prefer Lexicon .
See also other posts now tagged Hole.
The above review of a Feb. 13, 2018, post was suggested by the
publication date below . . .
. . . and by today's Arts & Letters Daily item that linked to it —
Note, in Album , the activities of
Barthes in Bucharest during 1948.
From a May 20 Log24 post, "A Cryptic Message" —
"Every Love Story Is a Ghost Story." — Title of a book by D.T. Max
The previous post suggests a media review.
Doppelgangers from the wonderful world of entertainment —
“We have a clip.” — Kalle (Kristen Wiig on SNL)
Illustration for a Warren Times Observer story of May 12, 2018 —
Related literary background —
Iacta est.
"That's the crux of it, brother."
— William Monahan's "Mojave" script
See as well a related post on
Sunset and Selma, LA.
(In memory of Will Alsop and Bill Gold)
Related material: Alice, a Log24 post of Nov. 12 (11/12), 2017.
From the date of the New York Times James Bond video
referenced in the previous post, "A Cryptic Message" —
Dialogue from the 1984 fourth draft of the script, as found on the Web,
for "Back to the Future" (1985) (apparently some changes were made
in the filming) —
A sort of "flux capacitor" (see previous post) —
… plus "e" for Einstein …
For Tom Hanks and Dan Brown —
From "Raiders of the Lost Images" —
"The cube shape of the lost Mother Box,
also known as the Change Engine,
is shared by the Stone in a novel by
Charles Williams, Many Dimensions .
See the Solomon's Cube webpage."
See as well a Google search for flux philosophy —
https://www.google.com/search?q=flux+philosophy.
From the linked website —
The circle-in-a-triangle symbol is known as "the triangle of art" —
See as well a post of Feb. 27, 2018: Raiders of the Lost Images.
An April 25, 2015, Internet review of "The Dead Pool" (1988) —
"The biggest problem with this movie is the fact that
we have Liam Neeson and Clint Eastwood on the screen
at the same time and they are not facing off
in a battle of badass action stars.
Neeson wasn’t really considered to be much more than
a supporting character at this point in his career,
but his recent action run proves that he is the goods."
— Geno McGahee
Click to enlarge the above IMDb screenshot.
See also a related May 16 review from The Boston Globe .
I prefer the remarks of J. G. Ballard linked to here on May 11.
This journal 10 years ago today had a link to a post on
Tom Wolfe's "Sorry, but Your Soul Just Died."
Quoted here on May 5, 2018 —
" Lying at the axis of everything, zero is both real and imaginary. Lovelace was fascinated by zero; as was Gottfried Leibniz, for whom, like mathematics itself, it had a spiritual dimension. It was this that let him to imagine the binary numbers that now lie at the heart of computers: 'the creation of all things out of nothing through God's omnipotence, it might be said that nothing is a better analogy to, or even demonstration of such creation than the origin of numbers as here represented, using only unity and zero or nothing.' He also wrote, 'The imaginary number is a fine and wonderful recourse of the divine spirit, almost an amphibian between being and nonbeing.' "
— A footnote from page 229 of Sydney Padua's |
The page number 229 may also be interpreted, cabalistically,
as the date 2/29, Leap Day.
See Leap Day 2016 among the posts tagged Mind Spider.
On the film "Anna" in the previous post —
See also the above world premiere date in the posts of October 2013 —
esp. the post Conundrum.
Related material — An early scene in "Mindscape" . . .
. . . and "The Abacus Conundrum" in this journal.
Quoted here on May 7, 2018 —
Novelist George Eliot and programming pioneer Ada Lovelace —
PBS last night —
Trailer for last night's PBS program on artificial intelligence —
Piano roll for "I am sixteen going on seventeen" (see previous post) —
From yesterday evening's "Strong Women" post —
"It's been dirty for dirty
Down the line . . ."
— Joni Mitchell,
"For the Roses" album (1972)
"… for the roses
Had the look of flowers that are looked at.”
— T. S. Eliot, Four Quartets
"Well, she was just 17 …" — Song lyric
See as well, from last Christmas Eve, Piano Roll.
The title of the previous post, "Church and Temple," together
with today's online New York Times obituaries for singer
Lara Saint Paul (d. May 8) and playwright Leah Rose Napolin
(d. May 13), suggests a review…
See as well a Log24 search for Isaac Singer.
In 2013, Harvard University Press changed its logo to an abstract "H."
Both logos now accompany a Harvard video first published in 2012,
"The World of Mathematical Reality."
In the video, author Paul Lockhart discusses Varignon's theorem
without naming Varignon (1654-1722) . . .
A related view of "mathematical reality" —
Note the resemblance to Plato's Diamond.
… from previous posts on Paul Lockhart.
For more on the new logo of the AMS as a symbol of
politically correct mediocrity, see a post of Jan. 10, 2018.
"Robert Noel Hall (December 25, 1919 – November 7, 2016)
was an American engineer and applied physicist."
The New York Times on May 10, 2018 —
"A product of his inventive labor can also be found
in most kitchens nowadays: the microwave oven.
Yet for all the widespread familiarity of what Dr. Hall wrought
as a remarkably ingenious physicist, his death, at 96,
on Nov. 7, 2016, gained little notice."
A fictional kitchen —
In memoriam: Kindergarten Relativity .
"It is with tremendous sadness that we inform you
that Feral House founder and publisher, Adam Parfrey
passed away Thursday, May 10, 2018."
— Facebook early on Friday morning (12:41 AM)
This journal early on Thursday morning (12:25 AM) —
"And they were singin' . . ."
Midrash added today —
From posts tagged Modernism —
m759 @ 9:00 PM
“Function defined form, expressed in a pure geometry
– J. G. Ballard on Modernism
“The greatest obstacle to discovery is not ignorance –
— Daniel J. Boorstin, |
See as well other posts tagged Modernism.
* I.e., Hemingway's novel The Garden of Eden.
See also Northrop Frye and "interpenetration"
in this journal and a University of Montana master's
thesis from 1994 on the Hemingway novel,
"And a river went out of Eden," by Howard A. Schmid.
See as well remarks by Stanley Fish quoted here on May 7.
Nature yesterday —
"To synchronize participant activity with experimental operation,
the Bell tests were scheduled to take place on a single day,
Wednesday 30 November 2016."
— "Challenging local realism with human choices:
The BIG Bell Test Collaboration"
This journal on that date, 30 November 2016 —
Cf. other posts tagged Lumber Room.
"This month also includes the debut of page numbers!!!"
— Ian T. Durham, Saint Anselm College, July 2006
See as well a July 2006 discussion of page numbers here .
Nostalgie de la Boue
"Odd-numbered (recto) pages
read from the gutter (inside margin)
towards the fore-edge;
even-numbered (verso) pages
read towards the gutter."
— From The Golden Compasses ,
"Appendix 8: Impositions and
Folding Schemes" (page 526).
For Wrinkle in Time fans —
Enthusiasts of la boue may consult Log24 posts about the above date.
Click the text below for a slideshow.
Monday, January 8, 2018 Filed under: Uncategorized — m759 @ 12:00 AM
|
From April 2008 —
From the Sketchbook page of next Sunday's New York Times Book Review —
Backstory —
The glitter-ball-like image discussed in the previous post
is of an artwork by Olafur Eliasson.
See the kaleidoscopic section of his website.
From that section —
Related art in keeping with the theme of last night's Met Gala —
See also my 2005 webpage Kaleidoscope Puzzle.
In memory of a French film publicist who worked with Clint Eastwood
in 1971 on the release of "The Beguiled" —
From a New York Times graphic review dated Sept. 16, 2016 —
It's Chapter 1 of George Eliot's "Middlemarch."
Dorothea Brooke, young and brilliant, filled with passion
no one needs, is beguiled by some gemstones . . . .
The characters, moving through the book,
glitter as they turn their different facets toward us . . . .
Cf. a glitter-ball-like image in today's New York Times philosophy column
"The Stone" — a column named for the legendary philosophers' stone.
The publicist, Pierre Rissient, reportedly died early Sunday.
See as well Duelle in this journal.
(Continued from yesterday's Sunday School Lesson Plan for Peculiar Children)
Novelist George Eliot and programming pioneer Ada Lovelace —
For an image that suggests a resurrected multifaceted
(specifically, 759-faceted) Osterman Omega (as in Sunday's afternoon
Log24 post), behold a photo from today's NY Times philosophy
column "The Stone" that was reproduced here in today's previous post —
For a New York Times view of George Eliot data, see a Log24 post
of September 20, 2016, on the diamond theorem as the Middlemarch
"key to all mythologies."
Stanley Fish in the online New York Times today —
". . . Because it is an article of their faith that politics are bad
and the unmediated encounter with data is good,
internet prophets will fail to see the political implications
of what they are trying to do, for in their eyes political implications
are what they are doing away with.
Indeed, their deepest claim — so deep that they are largely
unaware of it — is that politics can be eliminated. They don’t
regard politics as an unavoidable feature of mortal life but as
an unhappy consequence of the secular equivalent of the
Tower of Babel: too many languages, too many points of view.
Politics (faction and difference) will just wither away when
the defect that generates it (distorted communication) has
been eliminated by unmodified data circulated freely among
free and equal consumers; everyone will be on the same page,
reading from the same script and apprehending the same
universal meanings. Back to Eden!"
The final page, 759, of the Harry Potter saga —
"Talk about magical thinking!" — Fish, ibidem .
See also the above Harry Potter page
in this journal Sunday morning.
From "The Osterman Weekend" (1983) —
Counting symmetries of the R. T. Curtis Omega:
An Illustration from Shakespeare's birthday —
"But perhaps there’s more to the [Harry] Potter books
than the term 'children’s literature' lets on —
indeed, so much so that the category no longer applies."
— Maria Devlin McNair in the online Boston Globe yesterday
" Lying at the axis of everything, zero is both real and imaginary. Lovelace was fascinated by zero; as was Gottfried Leibniz, for whom, like mathematics itself, it had a spiritual dimension. It was this that let him to imagine the binary numbers that now lie at the heart of computers: 'the creation of all things out of nothing through God's omnipotence, it might be said that nothing is a better analogy to, or even demonstration of such creation than the origin of numbers as here represented, using only unity and zero or nothing.' He also wrote, 'The imaginary number is a fine and wonderful recourse of the divine spirit, almost an amphibian between being and nonbeing.' "
— A footnote from page 229 of Sydney Padua's |
A related passage —
From The French Mathematician 0
I had foreseen it all in precise detail. i = an imaginary being
Here, on this complex space, |
"And were all my perceptions removed by death,
and could I neither think, nor feel, nor see, nor love,
nor hate, after the dissolution of my body, I should
be entirely annihilated, nor do I conceive what is
further requisite to make me a perfect nonentity."
— Book I, Part IV, Section vi of
A Treatise of Human Nature
— Detail from the ending of Philip Pullman's
graphic novel "Mystery of the Ghost Ship"
Art enthusiast Phyllis Tuchman in The New York Times yesterday —
"Ms. Rockburne's understated work plugged into
the prevailing Minimalist aesthetic of the day . . . ."
This was quoted here yesterday, followed by a visual flash drive
of sorts —
Another Parisian flash drive of sorts —
A star figure and the Galois quaternion.
The square root of the former is the latter.
See also a passage quoted here a year ago today
(May the Fourth, "Star Wars Day") —
Two excerpts from today's Art & Design section of
The New York Times —
For the deplorables of France —
For further remarks on l'ordre , see
other posts tagged Galois's Space
(… tag=galoiss-space).
* The radical of the title is Évariste Galois (1811-1832).
A more serious note in memory of Anatole Katok:
"Entropy measures the unpredictability
of a system that evolves over time."
— Alex Wright, BULLETIN (New Series)
OF THE AMERICAN MATHEMATICAL SOCIETY
Volume 53, Number 1, January 2016, Pages 41–56
http://dx.doi.org/10.1090/bull/1513
Article electronically published on September 8, 2015:
FROM RATIONAL BILLIARDS
TO DYNAMICS ON MODULI SPACES
Abstract:
"This short expository note gives an elementary
introduction to the study of dynamics on certain
moduli spaces and, in particular, the recent
breakthrough result of Eskin, Mirzakhani,
and Mohammadi. We also discuss the context
and applications of this result, and its connections
to other areas of mathematics, such as algebraic
geometry, Teichmüller theory, and ergodic theory
on homogeneous spaces."
See also the lives of Ratner and Mirzakhani.
In memory of Anatole Katok, who reportedly died on Walpurgisnacht,
two readings from a source cited by Dan Brown in his recent novel
Origin —
Brown is reportedly a graduate of Phillips Exeter Academy and
of Amherst College.
Those associated with institutions that are more respectable
may prefer Katok on entropy.
. . . Con Figuras de Espantar
"He Who Searches is multifaceted in structure …"
— Publisher's description of a Helen Lane translation
of "Como en la Guerra ," by Luisa Valenzuela.
Also by Valenzuela —
Related material — An obituary from The Boston Globe today
on the April 5 death of Borinsky's translator, and . . .
"He Who Searches" may consult also posts tagged Date.
(A sequel to Foster's Space and Sawyer's Space)
See posts now tagged Galois's Space.
Remarks on space from 1998 by sci-fi author Robert J. Sawyer quoted
here on Sunday (see the tag "Sawyer's Space") suggest a review of
rather similar remarks on space from 1977 by sci-fi author M. A. Foster
(see the tag "Foster's Space"):
Quoted here on September 26, 2012 —
"All she had to do was kick off and flow."
"I'se so silly to be flowing but I no canna stay."
Another work by Sawyer —
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