R. Pierson Eaton at a Warren Co., PA, School Board
meeting in the late 1960s —
" Quis custodiet ipsos custodes? "
R. Pierson Eaton at a Warren Co., PA, School Board
meeting in the late 1960s —
" Quis custodiet ipsos custodes? "
From the website
https://kids-in-mind.com/n/nightbitch-parents-guide-movie-review-rating.htm —
"Nightbitch SEX/NUDITY 6
– A husband and his wife have sex: she leans forward over a table
and he thrusts from behind her, she pulls her shirt away from her neck
and tells him to bite her, which he does and she moans (we see her cleavage)."
Some may prefer the Hogwarts version . . .

From "The Practice of Mathematics, Part 1" by Robert P. Langlands —
|
My feeling for the Greeks as mathematicians is every bit as inadequate as that for the youthful Gauss. I do not know whence came their curiosity and depth. Perhaps no-one does. We live in a highly structured environment dedicated to research. We earn our living by it and we pin our hopes of recognition on it, but the questions we ask and the problems we solve are determined more by tradition, more by our colleagues than by our own natural and spontaneous curiosity. We are seldom playful; our efforts are never simply for our own amusement. A brief romp with Greek mathematics in which we examine the construction of the pentagon at length may be an occasion to capture briefly the ludible spirit of the Greeks An hour is also not enough for an adequate understanding of analytic geometric and complex numbers nor for a presentation of the algebra required for Gauss’s construction [of the 17-sided regular polygon]. The complex numbers are an enormously effective tool that swallows the geometry, but it will be good to ask ourselves how. Moreover the four-fold or sixteen-fold algebraic symmetry is far more subtle than the five-fold or seventeen-fold geometric symmetry. Since it will reappear again and in spades when, and if, we discuss Galois and Kummer, it is best to get used to it now. |
https://www.facebook.com/watch/?v=825068717111731 —
From "All Creatures Great and Small" S6 E3 —
A seminar room window at Harvard in today's online Crimson —
Likewise.com is now pix-media.com.
Adapted song lyric for Pennywise fans . . .
♫ "Floating . . . takes me away to where I'm going . . . ."
For a different, but not unrelated, Bellevue, see
Wechsler Adult Intelligence Scale and WAIS Blocks.
See also First and Last Things . . . and The Stephen King Version.
Related meditation — this journal on July 18, 2021.
The title's Dean Martin classic suggests . . .
Some un related reading — the previous post and . . .
http://log24.com/log/pix24/240623-Father_Demo-Square-background.jpg.
Synchronology check: This journal on the above YouTube date —
But first, a word from our sponsa —

For the source, click here.
The 4/18 refers to the name of a Warren, PA, film production company,
Four Eighteen Films." The name itself refers to the April 18th birthday
shared by the company's two founders.
For the date 4/18 in this journal, see "April 18" and the tag "on0418."
Happy belated birthday.
The previous post displayed the word "unfathomable" in a
summary of the June 15, 2023, Netflix drama "Beyond the Sea."
Vide "full fathom five" in this journal.

A scene, at time-remaining 48:22 in "Beyond the Sea,"
that might be titled "The Landing."
* The "Light and Space" phrase is in memory of an artist who
reportedly died yesterday at 95 in La Jolla, California.

"The history of the length of movies takes place in two dimensions—
on the axis of the ordinary and the axis of the extraordinary, or,
of the rule and the exception."
— Richard Brody, The New Yorker , April 24, "In Praise of the Long Movie."
The Ordinary —
The Extraordinary —

This journal on April 19, 2004 —
"Follow the fellow who follows a dream."
Melissa Errico
in Finian's Rainbow
"Give her a song like … 'Look to the Rainbow,'
and her gleaming soprano effortlessly flies it
into the stratosphere where such numbers belong.
This is the voice of enchantment…."
"Follow the fellow…." Or the girl.
See posts now tagged Birthday Girls
in honor of a Coachella Valley native
born on September 27, 2002.
"In the digital cafeteria where AI chatbots mingle,
Perplexity AI is the scrawny new kid ready to
stand up to ChatGPT, which has so far run roughshod
over the AI landscape. With impressive lineage, a wide
array of features, and a dedicated mobile app, this
newcomer hopes to make the competition eat its dust."
— Jason Nelson at decrypt.co, April 12, 2023
What Barnes actually wrote:
"The final scene — the death of Simone most movingly portrayed,
I understand, by Geraldine Librandi, for the program did not specify
names — relied on nothing but light gradually dying to a cold
nothingness of dark, and was a superb theatrical coup."
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