Another day, another couch —
Window with Couch and Cat —
Related imagery for Coppola . . .
Stunt Double Lifts Leg —
Wiki'd!
For the Duke of York's Theatre —
Stag Party illustration . . .
"Going down? Share full art!"
And, more recently, "a war college for dragon riders" . . .
From the post-McCaffrey genre known as "romantasy" . . .
Fourth Wing — The "arch up" scene — was quoted in
The Wall Street Journal last night at 9 PM EDT —
* See a post of April 10, 2022.
** See a post of April 29, 2024.
Related material . . .
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“Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!” — Roethke
<img src="http://www.log24.com/log/pix24/
240514-Previs_Pro-storyboard-software.jpg" width="500" />
Earlier in this journal (March 1, 2023) —
"Say the secret word and divide a hundred dollars."
A note for Dr. Yen Lo —
The above saying attributed to Pythagoras, and the above
numbers 4:53:03, suggest a search for 53 03, i.e. for what
happened in March 1953. The reference above to South Korea
suggests a possible focus for that search . . .
Related entertainment for teens . . .
"For someone who don't drive,
I been all around the world."
— Melanie Safka, song lyric
Loki Season 2, Episode 5, minus spoilers . . .
"… then he learns to control his time slipping.
It's not about where, when, or why. It's about who."
Midrash for fans of narrative . . .
Sometimes tattoos are more useful than Post-It notes.
Ekphrasis —
Students of Multispeech must become familiar with the
Entendre family — Single, Double, Triple, and so forth.
A New York Times piece by Clay Risen today —
This suggests an example based on the above image:
A Cock Tale …
Starring Clay Risen, with
Ann Harlow as Hairy Potter.
Windows lockscreen, 6:08 AM ET, Monday, Labor Day, Sept. 4, 2023 —
"Come discover hundreds of new games
that are free to play whenever you want!"
Ann Harlow's tattoo offering —
For adults, there is a quite literal version of this motto,
starring Uncle Harry, Uncle Jack, and the lovely Ann Harlow.
See posts tagged "The Next Level."
Perhaps Isadore Singer now has a clue . . .
See his phrases "manic as hell" and "pregnant as hell."
See also Illinois Beltane.
"Carny, also spelled carnie, is an informal term
used in North America for a traveling carnival
employee, and the language they use, particularly
when the employee operates a game ("joint"),
food stand ("grab", "popper" or "floss wagon"),
or ride ("ride jock") at a carnival." — Wikipedia
* See Gresham in this journal.
See also Tolkien on allusions.
Discuss —
Banana Beach:
Banana Beach is on the island of Príncipe. Wikipedia —
"Príncipe was the site where Einstein's theory of relativity
was experimentally corroborated by Arthur Stanley Eddington
and his team during the total solar eclipse of May 29, 1919."
Related cultural notes —
"… as today we look back on Eddington's
1919 eclipse observations…." —
Engineering image uploaded on Sept. 4, 2015 —
Art image from this journal on that date —
See as well "Novel Engineering."
"You get right down to the naked truth
With those dirty, dirty looks" — Juice Newton (1983)
Search result for "Sandringham juice octads" —
On the song "Different Drum" by the late Michael Nesmith:
"Ronstadt's version flips the gender references
in Nesmith's original lyrics, replacing 'girl' with 'boy'
when describing her lover, but still referring to him
being 'pretty'." — Wikipedia
The obituary in the previous post mentioned an author, George Kubler,
who captured my attention at a Harvard Square bookstore in the early sixties.
Nostalgia trip —
"The rock might have been the earliest form of a hammer,
but it was improved when someone tied a handle onto the rock
so it would swing harder and faster."
— Wikipedia on The Shape of Time
The title can mean the protagonist of the classic film "Inception"
or Document Object Model or Dirty Old Man. Related material:
Click the above image for related material.
From a search in this journal for the right stuff —
A date which will live in _________________ . . .
Quoted here on Augustine's Day 2003 —
"Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues–wild and free–that stopped at the city walls. In time the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit." — Mark Helprin, Winter's Tale |
From the Log24 post
Art Direction
(July 23, 2021) —
Related images suggested
by today's news —
"Program or be programmed."
* The "poker" part of the title is above.
For the "comic" part, see the previous post.
Experienced Web users can easily find the "strip" part.
Related drama . . . Mind Spider.
Related material —
See as well the recent post Annals of Artspeak and the related
Microsoft lockscreen photo credit —
“Harry decides his chief peacetime duty is to use his
gift for gab to further his ‘overriding purpose,’ namely:
‘By recalling the past and freezing the present he could
open the gates of time and through them see all
allegedly sequential things as a single masterwork
with neither boundaries nor divisions.’ Once he opens
these gates, Harry will flood his audience with his
redemptive epiphanic impression that ‘the world was
saturated with love.’ ”
— Liesl Schillinger, review of Mark Helprin’s novel
In Sunlight and in Shadow in The New York Times ,
Oct. 5, 2012
Happy Birthday to Kate Beckinsale from Carl Jung.
Related philosophy —
“It seems, as one becomes older,
That the past has another pattern,
and ceases to be a mere sequence….”
— T. S. Eliot, Four Quartets
The title, from Doreen St. Félix (previous post),
is irresistible. Details to flesh it out will follow.
Update of 12:41 PM – See Brosnan in Urge .
(Continued.)
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
A death on the date of the above New Yorker piece — Oct. 15, 2018 —
See as well the Pac-Man-like figures in today's previous post
as well as the Monday, Oct. 15, 2018, post "History at Bellevue."
For Harlan Kane
"This time-defying preservation of selves,
this dream of plenitude without loss,
is like a snow globe from heaven,
a vision of Eden before the expulsion."
— Judith Shulevitz on Siri Hustvedt in
The New York Times Sunday Book Review
of March 31, 2019, under the headline
"The Time of Her Life."
Edenic-plenitude-related material —
"Self-Blazon… of Edenic Plenitude"
(The Issuu text is taken from Speaking about Godard , by Kaja Silverman
and Harun Farocki, New York University Press, 1998, page 34.)
Preservation-of-selves-related material —
Other Latin squares (from October 2018) —
See also this journal on the "Illuminati Tinder" date, June 27, 2018.
Related material — Posts tagged QDOS.
Two stars of the 2016 film "Urge" —
See also other posts tagged QDOS (Quick and Dirty Operating System).
"… what once seemed pure abstractions have turned out to
underlie real physical processes."
— https://breakthroughprize.org/Prize/3
Related material from the current New Yorker —
From "The Phenomenology of Mathematical Beauty," The Lightbulb Mistake . . . . Despite the fact that most proofs are long, and despite our need for extensive background, we think back to instances of appreciating mathematical beauty as if they had been perceived in a moment of bliss, in a sudden flash like a lightbulb suddenly being lit. The effort put into understanding the proof, the background material, the difficulties encountered in unraveling an intricate sequence of inferences fade and magically disappear the moment we become aware of the beauty of a theorem. The painful process of learning fades from memory, and only the flash of insight remains. We would like mathematical beauty to consist of this flash; mathematical beauty should be appreciated with the instantaneousness of a lightbulb being lit. However, it would be an error to pretend that the appreciation of mathematical beauty is what we vaingloriously feel it should be, namely, an instantaneous flash. Yet this very denial of the truth occurs much too frequently. The lightbulb mistake is often taken as a paradigm in teaching mathematics. Forgetful of our learning pains, we demand that our students display a flash of understanding with every argument we present. Worse yet, we mislead our students by trying to convince them that such flashes of understanding are the core of mathematical appreciation. Attempts have been made to string together beautiful mathematical results and to present them in books bearing such attractive titles as The One Hundred Most Beautiful Theorems of Mathematics . Such anthologies are seldom found on a mathematician’s bookshelf. The beauty of a theorem is best observed when the theorem is presented as the crown jewel within the context of a theory. But when mathematical theorems from disparate areas are strung together and presented as “pearls,” they are likely to be appreciated only by those who are already familiar with them. The Concept of Mathematical Beauty The lightbulb mistake is our clue to understanding the hidden sense of mathematical beauty. The stark contrast between the effort required for the appreciation of mathematical beauty and the imaginary view mathematicians cherish of a flashlike perception of beauty is the Leitfaden that leads us to discover what mathematical beauty is. Mathematicians are concerned with the truth. In mathematics, however, there is an ambiguity in the use of the word “truth.” This ambiguity can be observed whenever mathematicians claim that beauty is the raison d’être of mathematics, or that mathematical beauty is what gives mathematics a unique standing among the sciences. These claims are as old as mathematics and lead us to suspect that mathematical truth and mathematical beauty may be related. Mathematical beauty and mathematical truth share one important property. Neither of them admits degrees. Mathematicians are annoyed by the graded truth they observe in other sciences. Mathematicians ask “What is this good for?” when they are puzzled by some mathematical assertion, not because they are unable to follow the proof or the applications. Quite the contrary. Mathematicians have been able to verify its truth in the logical sense of the term, but something is still missing. The mathematician who is baffled and asks “What is this good for?” is missing the sense of the statement that has been verified to be true. Verification alone does not give us a clue as to the role of a statement within the theory; it does not explain the relevance of the statement. In short, the logical truth of a statement does not enlighten us as to the sense of the statement. Enlightenment , not truth, is what the mathematician seeks when asking, “What is this good for?” Enlightenment is a feature of mathematics about which very little has been written. The property of being enlightening is objectively attributed to certain mathematical statements and denied to others. Whether a mathematical statement is enlightening or not may be the subject of discussion among mathematicians. Every teacher of mathematics knows that students will not learn by merely grasping the formal truth of a statement. Students must be given some enlightenment as to the sense of the statement or they will quit. Enlightenment is a quality of mathematical statements that one sometimes gets and sometimes misses, like truth. A mathematical theorem may be enlightening or not, just as it may be true or false. If the statements of mathematics were formally true but in no way enlightening, mathematics would be a curious game played by weird people. Enlightenment is what keeps the mathematical enterprise alive and what gives mathematics a high standing among scientific disciplines. Mathematics seldom explicitly acknowledges the phenomenon of enlightenment for at least two reasons. First, unlike truth, enlightenment is not easily formalized. Second, enlightenment admits degrees: some statements are more enlightening than others. Mathematicians dislike concepts admitting degrees and will go to any length to deny the logical role of any such concept. Mathematical beauty is the expression mathematicians have invented in order to admit obliquely the phenomenon of enlightenment while avoiding acknowledgment of the fuzziness of this phenomenon. They say that a theorem is beautiful when they mean to say that the theorem is enlightening. We acknowledge a theorem’s beauty when we see how the theorem “fits” in its place, how it sheds light around itself, like Lichtung — a clearing in the woods. We say that a proof is beautiful when it gives away the secret of the theorem, when it leads us to perceive the inevitability of the statement being proved. The term “mathematical beauty,” together with the lightbulb mistake, is a trick mathematicians have devised to avoid facing up to the messy phenomenon of enlightenment. The comfortable one-shot idea of mathematical beauty saves us from having to deal with a concept that comes in degrees. Talk of mathematical beauty is a cop-out to avoid confronting enlightenment, a cop-out intended to keep our description of mathematics as close as possible to the description of a mechanism. This cop-out is one step in a cherished activity of mathematicians, that of building a perfect world immune to the messiness of the ordinary world, a world where what we think should be true turns out to be true, a world that is free from the disappointments, ambiguities, and failures of that other world in which we live. |
How many mathematicians does it take to screw in a lightbulb?
For the title, see the Wikipedia article on the late Paul Allen.
See also . . .
Related material — the late Patrick Swayze in Ghost and King Solomon's Mines.
"Please wait as your operating system is initiated."
The previous post, "Tesserae for a Tesseract," contains the following
passage from a 1987 review of a book about Finnegans Wake —
"Basically, Mr. Bishop sees the text from above
and as a whole — less as a sequential story than
as a box of pied type or tesserae for a mosaic,
materials for a pattern to be made."
A set of 16 of the Wechsler cubes below are tesserae that
may be used to make patterns in the Galois tesseract.
Another Bellevue story —
“History, Stephen said, is a nightmare
from which I am trying to awake.”
— James Joyce, Ulysses
"As far as I know, there is no escape for mortal beings from time.
But experimental ideas of practical access to eternity
exerted tremendous sway on educated, intelligent, and forward-
looking people in the late nineteenth and early twentieth centuries,
with a cutoff that was roughly coincident with the First World War.
William James died in 1910 without having ceased to urge
an open-minded respect for occult convictions."
— New Yorker art critic Peter Schjeldahl in the Oct. 22, 2018, issue.
Also in that issue —
The structure at top right is that of the
ROMA-ORAM-MARO-AMOR square
in the previous post.
* "Zingari shoolerim" is from
Finnegans Wake .
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