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See also Vox Lux in this journal.
Also on May 2, 2020 — A paper on Cubism as Religion is accepted:
Some may question the desirability of acceptance by MDPI.
Acceptance at the Pearly Gates is another matter.
The new Netflix film “Enola Holmes” is from a book by Nancy Springer.
Also by Springer:
See that title in this journal.
* Baker was a writer on philosophy.
See a memorial by the Harvard Class of 1960.
https://slate.com/technology/2020/09/
qanon-identity-revealed-explained.html
The ghost of Peter Benchley?

The “card tricks” link above, now expired, is to …
http://www.spelman.edu/~colm/cards.html .
That webpage is now on the Internet Archive.
This post was suggested by a Sept. 24, 2020, article at CrimeReads.com
by Philip K. Zimmerman —
“The Philosopher and the Detectives:
Ludwig Wittgenstein’s Enduring Passion
for Hardboiled Fiction.”

Related Log24 remarks:
Yoda Quilts and posts now tagged Central Myth.
Related remarks elsewhere:
“In The Uncanny Nicholas Royle defined Freud’s Unheimlichkeit
and the experience of an ‘unreal reality’ as ‘another thinking of
beginning’. But if we are to take him at his word, ‘the beginning
is already haunted’ and we may wish to interpret his debut novel
Quilt as spectrally haunted by the critic’s earlier theory. The essay,
which is structured telephonically, since it refers both to Royle’s
view of literature as telepathy (i.e. another form of ‘tele-‘) and the
beginning of the novel, reads Quilt from its ‘Afterward’, to unveil
two main ghosts haunting Royle’s novel: that of Jacques Derrida
and that of James Joyce.”
—Arleen Ionescu, abstract of a 2013 essay on Royle’s Quilt .
Various posts here on the geometry underlying the Mathieu group M24
are now tagged with the phrase “Geometry of Even Subsets.”
For example, a post with this diagram . . .

Detail of illustration by Frederick Alfred Rhead of Vanity Fair,
page 96 in the John Bunyan classic Pilgrim’s Progress
(New York, The Century Co., 1912)
“On their way to obscurity, the Simulmatics people
played minor parts in major events, appearing Zelig-like
at crucial moments of 1960s history.”
— James Gleick reviewing a new book by Jill Lepore


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