A recent search for one Georgina Edwards, writer on Wittgenstein and Hesse, yielded a different G.E. who is perhaps better suited to
illustrate the oeuvres of Nabokov and of Stephen King —
The ivory-tower games of the previous post, Space Poetics,
suggest a review of Hesse on the I Ching —
“Once Knecht confessed to his teacher that he wished to
learn enough to be able to incorporate the system of the I Ching into the Glass Bead Game. Elder Brother laughed.
‘Go ahead and try’, he exclaimed. ‘You’ll see how it turns out.
Anyone can create a pretty little bamboo garden in the world.
But I doubt the gardener would succeed in incorporating
the world in his bamboo grove’ ” (P. 139).
— Hermann Hesse, The Glass Bead Game (Magister Ludi) .
Translated by Richard and Clara Winston ( London, Vintage, 2000).
The cited publication date was also the date of death for
a Harvard classmate of mine. As an alumnus of Phillips Andover,
he might have preferred Oliver Wendell Holmes to Hesse.
The co-ed Delphic-Bee Club will split into the all-male Delphic Club
and the all-female Bee Club three years after merging, according to
club affiliates.
The co-ed Delphic-Bee Club will split into the all-male Delphic Club
and the all-female Bee Club three years after merging, according to club affiliates.
"People are always looking for someone to lead them
through the trials and tribulations." She said, "Every time
a child is born, the old folks looked in its face and asked,
“Mr. Little submitted the manuscript for ‘Harry Potter and the Philosopher’s Stone’
to 12 publishers. He received 12 rejections in response, before selling it for £2,500,
or about $3,400 (the equivalent of about $5,800 today). It was a meager amount,
but his genius was in the details: He sold only the rights to publish it in Britain and
the Commonwealth, and he asked for high royalties.” — Clay Risen, New York Times
Tony Stark: I’m calling in VERONICA. [As Hulk is wreaking havoc on the nearest city Tony Stark brings out his Hulkbuster armor to stop him.]
Alright everybody, stand down! [to Hulk] You listening?
That little witch is messing with your mind.
“It’s not unusual for theorists to work on speculative ideas
involving some degree of wishful thinking, but this is
a case of taking that to an extreme.”
“… the walkway between here and there would be colder than a witch’s belt buckle. Or a well-digger’s tit. Or whatever the saying was. Vera had been hanging by a thread for a week now, comatose, in and out of Cheyne-Stokes respiration, and this was exactly the sort of night the frail ones picked to go out on. Usually at 4 a.m. He checked his watch. Only 3:20, but that was close enough for government work.”
— King, Stephen (2013-09-24). DoctorSleep: A Novel (p. 133). Scribner. Kindle Edition.
Corky St. Clair: Here’s the Remains of the Day lunchbox.
Kids don’t like eating at school, but if they have a Remains of the Day lunchbox they’re a lot happier.
TARANTINO: This is a “Kung Fu” lunch box from back in the day here.
KING: Kids bought this, took it to school.
TARANTINO: He was a rock star at the time when “Kung Fu” came out.
Every kid in school had the “Kung Fu” lunch box.
Even has a nice little thermos in here.
KING: What are you doing with it?
TARANTINO: I have a lunch box collection.
KING: You are a little strange.
Cullinane, Steven H. Diamond theory :
printed (signed), 1976., 1976..
W. V. Quine papers, MS Am 2587, (1611).
Houghton Library, Harvard College Library. https://id.lib.harvard.edu/ead/c/
hou01800c01663/catalog
Accessed January 21, 2021
“Would you care for acocktail?” he asked pleasantly.
She looked around her atthe quiet restaurant,
at the people eating lunch, at thetable with desserts
near the velvet rope at the entrance tothe dining room.
“A Gibson,” she said. “On the rocks.”
"A silver tide of phosphenes boiled across my field of vision
as the matrix began to unfold in my head, a 3-D chessboard,
infinite and perfectly transparent."
"'Rikki Don't Lose That Number' is a single
released in 1974 by rock/jazz rock group Steely Dan
and the opening track of their third album Pretzel Logic .
It was the most successful single of the group's career,
peaking at number 4 on the Billboard Hot 100 in
the summer of 1974." — Wikipedia
“… motifs that look like Monet on acid. This particular mode
of expression has been in Lyche’s repertoire ever since she
graduated from the art academy in 2004.”
— ‘No,’ I said. ‘No, no, no.
You’re very welcome.
You are extremely welcome.’ “
— A Walk in the Woods , by Bill Bryson.
(Crown, Kindle edition. p. 20.)
From a novel published in 1971 —
“In the bluish light emanating from the TV,
EE looked at him, her eyes veiled. ‘You want me
to come while you watch.’ Chance said nothing. . . . .
‘I think I understand now.’ She got up,
paced swiftly up and down the room,
crossing in front of the TV screen;
every now and then a word escaped her lips,
a word scarcely louder than her breath.”
“The trigger warning big enough to cover the plot details, let alone
the themes here, has not yet been invented (such a trigger would
have to be more in the order of the firing pin on a mortar, or maybe
the detonation code to a suitcase nuke), so proceed with caution. . . .”
Details — “California Health Care Facility inmate Phillip Spector, 80,
was pronounced deceased of natural causes at 6:35 p.m. [California time]
on Saturday, January 16, 2021, at an outside hospital. His official cause of
death will be determined by the medical examiner in the San Joaquin
County Sheriff’s Office.”
— California Department of Corrections and Rehabilitation
” ‘Across the street was the New York Doll Hospital,
a toy repair shop,’ he told Lenny Kaye in an interview
for the Bob Gruen photo book New York Dolls (2008).”
The novelist’s nom de plume suggests another tourist’s tale —
“Before 1788, the French Quarter encompassed the entirety
of New Orleans. Today the ‘old square’ (Vieux Carré ), a
six by twelve block parcel of land set on the inside of a bend
in the Mississippi River, remains New Orleans’ most definitive
area.” — https://www.frenchquarter.com/sightseeing-in-the-old-square/
“Dark City is an action movie — and like all good sci-fi movies,
it has aliens in it, too. The aliens have the problem that they
do not possess individual identities or souls, and for that reason,
their race is on the brink of extinction. To prevent this from
happening they perform experiments on the inhabitants of the
city to learn the secret of individuality and to eventually acquire it.
The key ingredient is memory.”
The life stories of “Germany’s oldest bookseller,” who reportedly died
around New Year’s 2021, and of her uncle, who had an art-book store
and gallery at 794 Lexington Avenue starting in 1923.
“ Harry decides his chief peacetime duty is to use his
gift for gab to further his ‘overriding purpose,’ namely:
‘By recalling the past and freezing the present he could
open the gates of time and through them see all
allegedly sequential things as a single masterwork
with neither boundaries nor divisions.’ Once he opens
these gates, Harry will flood his audience with his
redemptive epiphanic impression that ‘the world was
saturated with love.’ ”
— Liesl Schillinger, review of Mark Helprin’s novel In Sunlight and in Shadow in TheNew York Times ,
Oct. 5, 2012
"I need a photo-opportunity,
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard."
— Rhymin' Simon
See as well Kristen Stewart in the
film version of . . .
“Somehow, a message had been lost on me. Groups act .
The elements of a group do not have to just sit there,
abstract and implacable; they can do things, they can
‘produce changes.’ In particular, groups arise
naturally as the symmetries of a set with structure.”
” ‘The Maori named him Rog,’ Yael continued,
‘because those were the only I.D. letters that could
be made out on the wreck.’ ”
— Alfred Bester, The Deceivers
From The Queen's Gambit , by Walter Tevis (1983) —
"She stopped and turned to Beth. 'There is nohint of a
Protestant ethic in Mexico. They are all Latin Catholics,
and they all live in the here and now.' Mrs.Wheatley
had been reading Alan Watts. 'I think I’ll havejust one
margarita before I go out. Would you call forone, honey?'
Back in Lexington, Mrs. Wheatley’s voice would sometimes
have a distance to it, as though she were speakingfrom
some lonely reach of an interior childhood. Here inMexico City
the voice was distant but the tone was theatrically gay, as though
Alma Wheatley were savoring anincommunicable private mirth.
It made Beth uneasy. Fora moment she wanted to say something
about the expensiveness of room service, even measured in pesos,
butshe didn’t. She picked up the phone and dialed six. Theman
answered in English. She told him to send a margarita and a large
Coke to 713."
Dialogue from the recent Netflix series “Queen’s Gambit” —
Miss Jean Blake, interviewer from LIFE — “The board?”
Beth Harmon — “Yes. It’s an entire world
of just 64 squares. I feel safe in it. I can control it.
I can dominate it. And it’s predictable, so if I get hurt,
I only have myself to blame.”
This passage, and other psychological claptrap in the Netflix version,
does not occur in the original 1983 novel by Walter Tevis.
The location in the title is the opening scene of the new version
of "All Creatures Great and Small." The year in the title suggests
a look at (for instance) The Pentagram Papers.
A "support provided by" credit suggests some related images —
Illustrations from posts now tagged Ved Mehta in this journal —
Epigraph to Fly and the Fly-Bottle: Encounters with British Intellectuals ,
by Ved Mehta , remarks first published in The New Yorker in 1961 and 1962 —
"Somehow, a message had been lost on me. Groups act .
The elements of a group do not have to just sit there,
abstract and implacable; they can do things, they can
'produce changes.' In particular, groups arise
naturally as the symmetries of a set with structure."
"Though the Witch knew the Deep Magic, there is a magic deeper still
which she did not know. Her knowledge goes back only to the dawn
of time. But if she could have looked a little further back, into the
stillness and the darkness before Time dawned…she would have known
that when a willing victim who had committed no treachery was killed
in a traitor’s stead, the Table would crack and Death itself would start
working backwards."
“Honored in the Breach:
Graham Bader on Absence as Memorial”
Artforum International , April 2012
. . . .
“In the wake of a century marked by inconceivable atrocity, the use of emptiness as a commemorative trope has arguably become a standard tactic, a default style of public memory. The power of the voids at and around Ground Zero is generated by their origin in real historical circumstance rather than such purely commemorative intent: They are indices as well as icons of the losses they mark.
Nowhere is the negotiation between these two possibilities–on the one hand, the co-optation of absence as tasteful mnemonic trope; on the other, absence’s disruptive potential as brute historical scar–more evident than in Berlin, a city whose history, as Andreas Huyssen has argued, can be seen as a ‘narrative of voids.’ Writing in 1997, Huyssen saw this tale culminating in Berlin’s post-wall development, defined equally by an obsessive covering-over of the city’s lacunae–above all in the elaborate commercial projects then proliferating in the miles-long stretch occupied until 1989 by the Berlin Wall–and a carefully orchestrated deployment of absence as memorial device, particularly in the ‘voids’ integrated by architect Daniel Libeskind into his addition to the Berlin Museum, now known as the Jewish Museum Berlin.” . . . .
In memory of George Steiner, of Walter Tevis, and of B&B Smoke Shop,
corner of Third Ave. and Liberty St., Warren, Pennsylvania, in the 1950s,
where I purchased . . .
At that point in my life, language interested me more than chess.
But I can identify with the protagonist of Walter Tevis's Queen's Gambit ,
(the book, not the film) who visited a similar smoke shop in 1960 —
… There was a long rack of magazines behind her. When she
got the cigarettes, she turnedand began looking. Senator
Kennedy’s picture was on thecoverofTimeandNewsweek : hewasrunningforPresident. . . .
. . . Walking home with the folded [chess] magazine tucked
securely against her flat belly she thought again about that
rook move Morphy hadn’t made. The magazine said
Morphy was “perhaps the most brilliant player in the
history of the game.” The rook could come to bishop seven,
and Black had better not take it with his knight because…
She stopped, halfway down the block. A dog was barking
somewhere, and across the street from her on a well-mowed
lawn two small boys were loudly playing tag. After the
second pawn moved to king knight five, then the remaining
rook could slide over, and if the black player took
the pawn, the bishop could uncover, and if he didn’t…
She closed her eyes. If he didn’t capture it, Morphy
could force a mate in two, starting with the bishop sacrificing
itself with a check. If he did take it, the white pawn
moved again, and then the bishop went the other way
and there was nothing Black could do. There it was. One
of the little boys across the street began crying. There was nothing Black could do. The game would be over in
twenty-nine moves at least. The way it was in the book, it
had taken Paul Morphy thirty-six moves to win. He
hadn’t seen the move with the rook. But she had.
Overhead the sun shone in a blank blue sky. The dog
continued barking. The child wailed. Beth walked slowly
home and replayed the game. Her mind was as lucid as a
perfect, stunning diamond.
“Mr. Breuer’s audiences had to be willing to embrace,
or at least shrug off, some quantity of abstruseness
in his productions. Yet there was often a rapturous,
cacophonous beauty to them. At their best … they
worked on spectators like enchantments.
You can sense that effect in Margo Jefferson’s
New York Times review of “Red Beads” (2005) …
that she called ‘theater as sorcery; it is a crossroads
where artistic traditions meet to invent a marvelous
common language.’ “
“Ms. Young rose to prominence as an executive with Grey Advertising,
where she began in 1959, standing out as one of the few women and
one of the few Asian-Americans at the firm, which was then a power
in its field.”
A quote from the novel on which George Clooney's new Netflix film,
"The Midnight Sky," is based —
"Yet here he was, seventy-eight years old …
and, having come to the terminus of his life’s work,
all he could do was stare into the bleak face of
his own ignorance."
— Brooks-Dalton, Lily. Good Morning, Midnight (p. 5).
Random House Publishing Group. Kindle Edition.
Related material —
For more ignorance, see part of the current New Yorker home page —
* The "Ice Stone" is in the New Year's Eve post tagged "Sixteenth."
Space fans may think of that tag as representing the empty space
(a sort of black hole ) in the classic "15 Puzzle."
An older “Methodist hymnbook” apparently had 1026 hymns — The Methodist Hymn Book, Illustrated with Biography, History, Incident, and Anecdote ,
by George John Stevenson.
Second edition, London, Charles H. Kelly, 1894 —
Hymn 834 — I seek Thy kingdom first
Hymn 625 — Out of the depth of self-despair
Hymn 910 — God of truth, and power, and grace
Hymn 842 — Father, I know that all my life
Hymn 366 — I soon shall hear thy quick’ning voice
“Through his father’s line, Hefner was a descendant of
Plymouth governor William Bradford. He described
his family as ‘conservative, Midwestern, [and] Methodist’.
His mother had wanted him to become a missionary.”