Thursday, March 31, 2022
There were no Log24 posts on March 17 or March 19.
From a March 18 post, a flashback to February —
"In The Girl Before, the house is almost a shapeshifter as it fits
the needs of the story. Sometimes it feels like an art gallery,
with its inhabitants on display. It's a smart home (of course it is),
and its automated locks and lights and creepily intuitive A.I.
give it the feel of a high-tech prison. Sometimes it's a mausoleum
for Jane, who's dealing with the recent pain of a miscarriage.
Sometimes it's a fortress for Emma, who's dealing with the recent
trauma of a home invasion." — Joe Reid at Primetimer.com.
Related story elements — Two deaths, from March 17 and 19.
"No there there?"
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Wednesday, March 30, 2022
See other Utangatta-related material in the previous post.
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Click to enlarge.
Related reading — George Steiner's Fields of Force , on chess in Iceland, and . . .
The New Yorker , article by Sam Knight dated March 28, 2022 —
They went to Björk’s house. She cooked salmon.
She had seen “The Witch” and introduced Eggers
to Sjón, who had written a novel about seventeenth-
century witchcraft in Iceland. When he got home,
Eggers read Sjón’s books. “I was, like, this guy’s
a fucking magician,” Eggers said. “He sees all time,
in time, out of time.”
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See box-space.design.
Related cinematic remarks —
From Third Text , 2013, Vol. 27, No. 6, pp. 774–785 —
"Genealogy of the Image in Histoire(s) du Cinéma : Godard, Warburg and the Iconology of the Interstice"
By Dimitrios S. Latsis
* * * * P. 777 —
Godard conceives of the image only in the plural, in the intermediate space between two images, be it a prolonged one (in Histoire(s) there are frequent instances of black screens) or a non-existent one (superimposition, co-presence of two images on screen). He comments: ‘[For me] it’s always two, begin by showing two images rather than one, that’s what I call image, the one made up of two’ [18] and elsewhere, ‘I perceived . . . cinema is that which is between things, not things [themselves] but between one and another.’ [19]
18. Jean-Luc Godard and Youssef Ishaghpour, "Archéologie du cinéma et mémoire du siècle," Farrago ,Tours, 2000, p. 27. The title of this work is reflective of the Godardian agenda that permeates Histoire(s) .
19. Jean-Luc Godard, "Introduction à une véritable histoire du cinéma," Albatros , Paris,1980, p. 145
|
See as well Warburg in this journal.
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Tuesday, March 29, 2022
The New York Times reports that the architectural theorist
died at 85 on March 17. In his memory . . .
Christopher Alexander in this journal.
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Monday, March 28, 2022
Pop Art, 1963 —
Pop Art, 2015 —

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"Design is how it works ." — Steve Jobs. See interality.org.
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Sunday, March 27, 2022
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Saturday, March 26, 2022
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Many structures of finite geometry can be modeled by
rectangular or cubical arrays ("boxes") —
of subsquares or subcubes (also "boxes").
Here is a draft for a table of related material, arranged
as internet URL labels.
Finite Geometry Notes — Summary Chart
Name Tag
|
.Space
|
.Group
|
.Art
|
Box4
|
2×2 square representing the four-point finite affine geometry AG(2,2).
(Box4.space)
|
S4 = AGL(2,2)
(Box4.group)
|
(Box4.art)
|
Box6
|
3×2 (3-row, 2-column) rectangular array
representing the elements of an arbitrary 6-set.
|
S6
|
|
Box8
|
2x2x2 cube or 4×2 (4-row, 2-column) array.
|
S8 or A8 or AGL(3,2) of order 1344, or GL(3,2) of order 168
|
|
Box9
|
The 3×3 square.
|
AGL(2,3) or GL(2,3)
|
|
Box12
|
The 12 edges of a cube, or a 4×3 array for picturing the actions of the Mathieu group M12.
|
Symmetries of the cube or elements of the group M12
|
|
Box13
|
The 13 symmetry axes of the cube.
|
Symmetries of the cube.
|
|
Box15
|
The 15 points of PG(3,2), the projective geometry
of 3 dimensions over the 2-element Galois field.
|
Collineations of PG(3,2)
|
|
Box16
|
The 16 points of AG(4,2), the affine geometry
of 4 dimensions over the 2-element Galois field.
|
AGL(4,2), the affine group of
322,560 permutations of the parts
of a 4×4 array (a Galois tesseract)
|
|
Box20
|
The configuration representing Desargues's theorem.
|
|
|
Box21
|
The 21 points and 21 lines of PG(2,4).
|
|
|
Box24
|
The 24 points of the Steiner system S(5, 8, 24).
|
|
|
Box25
|
A 5×5 array representing PG(2,5).
|
|
|
Box27
|
The 3-dimensional Galois affine space over the
3-element Galois field GF(3).
|
|
|
Box28
|
The 28 bitangents of a plane quartic curve.
|
|
|
Box32
|
Pair of 4×4 arrays representing orthogonal
Latin squares.
|
Used to represent
elements of AGL(4,2)
|
|
Box35
|
A 5-row-by-7-column array representing the 35
lines in the finite projective space PG(3,2)
|
PGL(3,2), order 20,160
|
|
Box36
|
Eurler's 36-officer problem.
|
|
|
Box45
|
The 45 Pascal points of the Pascal configuration.
|
|
|
Box48
|
The 48 elements of the group AGL(2,3).
|
AGL(2,3).
|
|
Box56
|
The 56 three-sets within an 8-set or
56 triangles in a model of Klein's quartic surface or
the 56 spreads in PG(3,2).
|
|
|
Box60
|
The Klein configuration.
|
|
|
Box64
|
Solomon's cube.
|
|
|
— Steven H. Cullinane, March 26-27, 2022
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Friday, March 25, 2022
From the "Mathematics and Narrative" link in the previous post —
An image reposted here on March 12, 2022, the reported date of death
for Vera Diamantova —
Helen Mirren with plastic Gankyil .
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Thursday, March 24, 2022
"Solomon Golomb’s classic book Shift Register Sequences,
published in 1967—based on his work in the 1950s—
went out of print long ago. But its content lives on. . . ."
For part of that content, see Stencils .
A :Log24 post from the date of Golomb's death —
See as well other posts on Mathematics and Narrative.
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Images reposted here on March 9 . . .
the reported date of death for film director John Korty —
The quotation is from a professor of mathematics at Spelman College.
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Click the above "Anti-Derrida" image to enlarge it.
Some context: Derrida+Harvard.
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Wednesday, March 23, 2022
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"… Wade’s entire life is built around the squid attack. In the episode’s opening, we see that 34 years ago, young Wade was at a carnival in Hoboken, New Jersey, proselytizing as a Jehovah’s Witness when the squid emitted a psychic blast that killed three million people in the New York area. Just before the attack, a girl led him into a house of mirrors, feigning interest in hooking up with him in order to steal his clothes, leaving him naked and humiliated in the fairground attraction. But the cruel prank also saved his life, as mirrors can apparently repel the squid's psychic blast."
|
Related literary remarks —
"It may have been by chance, and it may have had the side effect of being easy to read, but this way of putting a novel together offered a bridge between the miniaturist in Doerr and the seeker of world-spanning connections. He could focus on the details of every piece in the narrative, but there was pleasure, too, in placing them against each other. Sometimes he would lay out all these micro chapters on the floor so he could see them and discover the resonances between characters across space and time.
'That’s the real joy,' Doerr said, 'the visceral pleasure that comes from taking these stories, these lives, and intersecting them, braiding them.'"
— "A version of this article appears in print on Sept. 20, 2021, Section C, Page 4 of the New York edition with the headline: Bringing His Readers To Higher Ground."
|

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Tuesday, March 22, 2022
Nautilus , March 10, 2022 —
Earlier . . . From "Deep Learning for Jews," July 17, 2018 —
* See Watchmen in this journal.
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Finesse —
Geometrie —

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Monday, March 21, 2022
See also E-Elements (November 25, 2017).
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The Evolving Quest for a Personal Shopper .
This post was suggested by Google News just now . . .

Comments Off on Quest Tale —
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The previous post suggests a review of
a Log24 post from August 22, 2020 —
From a web page —
From YouTube, for the Church of Synchronology —
For some context, see Holocron in this journal.
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Sunday, March 20, 2022
From February 26 —
Click to enlarge.
One approach to the above exercise —
Click to enlarge.
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See posts tagged Zero Dark.
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Friday, March 18, 2022
"Weight limit 10 tons… Except local deliveries" —
Conclusion: the book is a mine of information, but
you sure have to dig for it. — Paul R. Halmos,
review of Topological Dynamics , November 1955
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"Poincaré said that science is no more a collection of facts than a house is a collection of bricks. The facts have to be ordered or structured, they have to fit a theory, a construct (often mathematical) in the human mind.
… Mathematics may be art, but to the general public it is a black art, more akin to magic and mystery. This presents a constant challenge to the mathematical community: to explain how art fits into our subject and what we mean by beauty.
In attempting to bridge this divide I have always found that architecture is the best of the arts to compare with mathematics. The analogy between the two subjects is not hard to describe and enables abstract ideas to be exemplified by bricks and mortar, in the spirit of the Poincaré quotation I used earlier."
— Sir Michael Atiyah, "The Art of Mathematics"
in the AMS Notices , January 2010
|
Gottschalk Review —
W. H. Gottschalk and G. A. Hedlund, Topological Dynamics,
reviewed by Paul R. Halmos in Bulletin of the American Mathematical Society 61(6): 584-588 (November 1955).
The ending of the review —
The most striking virtue of the book is its organization. The authors' effort to arrange the exposition in an efficient order, and to group the results together around a few central topics, was completely successful; they deserve to be congratulated on a spectacular piece of workmanship. The results are stated at the level of greatest available generality, and the proofs are short and neat; there is no unnecessary verbiage. The authors have, also, a real flair for the "right" generalization; their definitions of periodicity and almost periodicity, for instance, are very elegant and even shed some light on the classical concepts of the same name. The same is true of their definition of a syndetic set, which specializes, in case the group is the real line, to Bohr's concept of a relatively dense set.
The chief fault of the book is its style. The presentation is in the brutal Landau manner, definition, theorem, proof, and remark following each other in relentless succession. The omission of unnecessary verbiage is carried to the extent that no motivation is given for the concepts and the theorems, and there is a paucity of illuminating examples. The striving for generality (which, for instance, has caused the authors to treat uniform spaces instead of metric spaces whenever possible) does not make for easy reading. The same is true of the striving for brevity; the shortest proof of a theorem is not always the most perspicuous one. There are too many definitions, especially in the first third of the book; the reader must at all times keep at his finger tips a disconcerting array of technical terminology. The learning of this terminology is made harder by the authors' frequent use of multiple statements, such as: "The term {asymptotic } {doubly asymptotic } means negatively {or} {and} positively asymptotic."
Conclusion: the book is a mine of information, but you sure have to dig for it. — PAUL R. HALMOS
|
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On Doctor Strange in Spider-Man: No Way Home —
"This all-powerful wizard really used 'Scooby-Doo' as a verb
meaning 'successfully pull off a series of physical challenges
against monsters who are real.' What in the dad-trying-to-
relate-to-his-distant-son hell? That's like pumping someone up
to kick a game-winning field goal by saying 'Charlie Brown this crap.'"
— Vinnie Mancuso at Collider , November 17, 2021
But seriously . . .
From posts tagged Frankfurter —
"Scooby-Doo this ."
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The above image suggests a review of Sigaud in this journal and of . . .
Related material from the Web —
"Anubis, easily recognizable as an anthropomorphized jackal or dog,
was the Egyptian god of the afterlife and mummification. He helped
judge souls after their death and guided lost souls into the afterlife.
So, was he evil? No, and in fact just the opposite. In ancient Egyptian
mythology the ultimate evil was chaos. Nearly all of Egyptian mythology
was focused around maintaining the cycles of cosmic order that kept
chaos at bay. Few things were as significant in this goal as the rituals
maintaining the cycle of life, death, and afterlife. Therefore, Anubis was
not evil but rather one of the most important gods who kept evil out of Egypt."
— Christopher Muscato at Study.com
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Wednesday, March 16, 2022
Fiction —
Non-fiction —
See too . . .
and . . .
Cover design by Will Staehle.
Comments Off on For Harlan Kane: The Gottschalk Gestalt
"On a crisp Fall morning…." — The late Maureen Howard, writer of fiction.
Non-fiction: Feb. 19, 2022,
https://news.yahoo.com/frances-haugen-
on-meta-headquarters-122958675.html —
FRANCES HAUGEN: To give you a sense of how absurd the space is,
so Facebook is obsessed with 15 and 30-minute meetings. It's like they're
very efficient, everyone's– they're obsessed with the word crisp, like are
your documents crisp, is your explanation crisp? The space is so large that
I would regularly walk 15 minutes, 10, 15 minutes to go to a 30-minute meeting.
And again, fiction . . .

Comments Off on Midnight Memorial
Tuesday, March 15, 2022
See other posts now so tagged.
Hudson's Rosenhain tetrads, as 20 of the 35 projective lines in PG(3,2),
illustrate Desargues's theorem as a symmetry within 10 pairs of squares
under rotation about their main diagonals:
See also "The Square Model of Fano's 1892 Finite 3-Space."
The remaining 15 lines of PG(3,2), Hudson's Göpel tetrads, have their
own symmetries . . . as the Cremona-Richmond configuration.
Comments Off on The Rosenhain Symmetry
See as well the life of a real astrophysicist.
Update of 12:26 PM ET March 15:
Vide other posts now tagged The Rosenhain Symmetry.
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Monday, March 14, 2022
"I’ve lived five years on the edge of the continent,
and over those years I’ve shed one skin and grown into another."
— Steinhauer, Olen. All the Old Knives (p. 222).
St. Martin's Publishing Group. Kindle Edition.
(Hardcover first edition: Minotaur Books, March 10, 2015.)
So to speak.

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For Pi Day, see the title in this journal.
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Sunday, March 13, 2022
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"… Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery."
— Sir Michael Atiyah, quoted here on April 4, 2016.
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Before time began . . .

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Saturday, March 12, 2022
* Recent role of Ewan McGregor, the camerlengo of Dan Brown.
** Mashup of the C. S. Lewis wardrobe and the previous post.
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The "branding" part of this post's title and tag —
The scene went from bad to worse. The camerlengo’s torn cassock, having been only laid over his chest by Chartrand, began to slip lower. For a moment, Langdon thought the garment might hold, but that moment passed. The cassock let go, sliding off his shoulders down around his waist.
The gasp that went up from the crowd seemed to travel around the globe and back in an instant. Cameras rolled, flashbulbs exploded. On media screens everywhere, the image of the camerlengo’s branded chest was projected, towering and in grisly detail. Some screens were even freezing the image and rotating it 180 degrees.
The ultimate Illuminati victory.
Langdon stared at the brand on the screens. Although it was the imprint of the square brand he had held earlier, the symbol now made sense. Perfect sense. The marking’s awesome power hit Langdon like a train.
Orientation. Langdon had forgotten the first rule of symbology. When is a square not a square? He had also forgotten that iron brands, just like rubber stamps, never looked like their imprints. They were in reverse. Langdon had been looking at the brand’s negative !
As the chaos grew, an old Illuminati quote echoed with new meaning: ‘A flawless diamond, born of the ancient elements with such perfection that all those who saw it could only stare in wonder.’
Langdon knew now the myth was true.
Earth, Air, Fire, Water.
The Illuminati Diamond.
— Dan Brown, Angels & Demons
|
I prefer Modal Nietzsche.
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In a 1999 Yale doctoral dissertation,
"Diabolical Structures in the Poetics of Nikolai Gogol,"
the term "antilogos" occurs 70 times.
Students of poetic structures may compare and contrast . . .
Logos
Antilogos

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Friday, March 11, 2022
Cable was born in Akeley, Pennsylvania, in 1932 and graduated
from Warren High School in nearby Warren PA in 1950.
The "online remembrance" is at the Meadville Tribune.
Members of the Church of Synchronology may consult this journal's
posts on the date of Cable's reported death.
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Thursday, March 10, 2022
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Once upon a time there was a stone cutter who went to a high rock every day and broke stones out of it. He sold these stones for tombstones and doorsteps, and since he knew his job and the stones he offered for sale were always very carefully worked, he always found buyers for them. True, his merit was small and his burden great, but he was content for a long time and desired nothing more.
There was a legend that where he worked there lived a great mountain spirit who sometimes appeared to people and would help them to get ahead; but he had not yet discovered anything about the mountain spirit and always shook his head in disbelief when the subject was spoken of.
Once, however, when the stone cutter delivered a tombstone to a rich man and saw how nicely he lived and on what a precious bed he slept, he cried out during his hard work, which made his brow sweat, "Oh If only I were a rich man I wouldn't have to worry so much and I could sleep on a bed with red silk curtains and golden tassels!"
Scarcely had he spoken the words than a voice sounded through the air, calling to him . . . .
(Translated by Google from the German.)
|
This post is in honor of Thandiwe Newton, intimacy coordinator.
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The title of the previous post suggests a search for
Shubnikov in this journal. That search yields a 1999
Yale doctoral dissertation,
"Diabolical Structures in the Poetics of Nikolai Gogol."
A related image:
From "Made for Love" (2021) — Lyle Herringbone:

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Wednesday, March 9, 2022
In Memoriam:
Widely quoted description of Russia —
"A gas station with nukes."
See also . . . The Tenet Prom.
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See also the previous post and the new URL cube.salon
that forwards to posts containing the following offensive remark:

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The new URL supercube.space forwards to http://box759.wordpress.com/.
The term supercube is from a 1982 article by Solomon W. Golomb.
The related new URL supercube.group forwards to a page that
describes how the 2x2x2 (or eightfold, or "super") cube's natural
underlying automorphism group is Klein's simple group of order 168.
For further context, see the new URL supercube.art.
For some background, see the phrase Cube Space in this journal.
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Monday, March 7, 2022
The Hunger Game —
The Ellenberg Epigraph —
The Epigraph Source —

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Logos as tab icons —
Logos in context —
Related graphic design from April 1, 2018 —
Later, in 2019 —
An undated webpage says . . .
"…we’re officially announcing the launch of the new Beamery brand."
— https://beamery.com/resources/blogs/were-launching-beamerys-new-brand
(metadata: itemprop="datePublished" content="2019-11-20T19:00:00")
This logo design was described elsewhere —
"Beamery's new mark–The Bexa. The Bexa contains the negative space
of 3 Bs rotating clockwise within a hexagon shape to capture Beamery's
3 pillars of the Talent Operating System." — Ben Stafford for Focus Lab
"All things serve the Beamery."
— Slogan adapted from Stephen King.
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Sunday, March 6, 2022
"You're very beautiful, dear, but you're no Milioti."

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By the Daniel J. Peterson whose Swarthmore honors thesis was quoted
here last night —
"What, then, is the relationship between theory-relative symmetries
(physical symmetries) and theory-independent symmetries
(overarching symmetries)? My statement of this problem is
a bit abstract, so let’s look at an example: classical Newtonian gravity
and classical electromagnetism . . . ."
— Prospects for a New Account of Time Reversal
by Daniel J. Peterson, Ph.D. dissertation, U. Mich., 2013, p. 16.
Another 2013 approach to the word "overarching" and sytmmetries —
Other terms of interest: Tenet , Nolanism , and Magic for Liars .
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Saturday, March 5, 2022
This afternoon's post with the phrase
"Eternal Word Meets Eternal World"
suggests a book —
A search in this journal for "world within" yields . . .
"Instead of the 'static spacetime jewel' of blockworld that is often invoked by eternalists to help their readers conceptualize of what a blockworld would 'look like' from the outside, now imagine that a picture on a slide is being projected onto the surface of this space-time jewel.
From the perspective of one inside the jewel, one might ask 'Why is this section blue while this section is black?,' and from within the jewel, one could not formulate an answer since one could not see the entire picture projected on the jewel; however, from outside the jewel, an observer (some analogue of Newton's God, perhaps, looking down on his 'sensorium' from the 5th dimension) could easily see the pattern and understand that all of the 'genuinely fortuitous' events inside the space-time jewel are, in fact, completely determined by the pattern in the projector."
— "Genuine Fortuitousness, Relational Blockworld, Realism, and Time" (pdf), by Daniel J. Peterson, Honors Thesis, Swarthmore College, December 13, 2007, footnote 55, page 114
|
A related image from pure mathematics —
* The title is thanks to William Gass.
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The name of the author in the above search result suggests . . .
See as well yesterday's Art for Jokers .
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Eternal Word Meets Eternal World.
Related words … Posts tagged Meta.
Clay himself might prefer Chicks for Hicks.
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Friday, March 4, 2022
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From earlier today . . .
"Eyes that look like heaven,
lips like cherry wine . . . .
My heart's on fire . . . ."
— The Oak Ridge Boys
For a similar phrase, see
the Eve of St. Agnes, 2003.
Comments Off on The Big Emoji — Heart on Fire
Related material —
and . . . Twilight Serenade —
"Heavenly shades of night are falling . . ."

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"When things look bleak critically for the DC brand,
the bat-signal is always there."
— Washington Post today
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"… in the Logic of Scientific Discovery Popper introduces
the technical concept of a 'basic statement' or 'basic proposition,'
which he defines as a statement which can serve as a premise
in an empirical falsification and which takes the singular existential
form 'There is an X at Y .' Basic statements are important because
they can formally contradict universal statements, and accordingly
play the role of potential falsifiers."
— https://plato.stanford.edu/entries/popper/

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Thursday, March 3, 2022
The parquet floor supporting Lily Collins in today's noon-hour post
suggests a search in this journal for parquet.
A resulting quote from Henry James —
"… the high party-walls,
on the other side of which
grave hôtels stood off for privacy,
spoke of survival, transmission, association,
a strong indifferent persistent order."
As do the three Dark Materials images in the search.
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Giddy up a oom papa oom papa mow mow
Giddy up a oom papa oom papa mow mow
G7 C
Hi-yo silver away
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Related verse: Rhyme (April 27, 2016)
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"In Zuckerberg's metaverse, humans are represented by legless avatars."
Elsewhere . . .
Click for some context.
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Wednesday, March 2, 2022
Related reading:

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Faster, Harder, Deeper!
See also this journal on the above Vanity Fair date — April 26, 2020.
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Tuesday, March 1, 2022
Instagram two days ago —
Compelled to Layer
"From the moment he penciled his first sketch
for the new Grand Rapids Art Museum (GRAM)
in Grand Rapids, Mich., architect Kulapat Yantrasast
was inspired by more than art. A native of Thailand
and a partner in the Los Angeles firm Workshop
Hakomori Yantrasast (wHY), Yantrasast, 39, felt
compelled to layer the building's primary role—
as a place for displaying art—with activities that
would naturally attract people. " [Link added.]
— https://www.architectmagazine.com/design/
buildings/gram-green_o , October 4, 2007
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