Addendum —
See also Symplectic Structure and Stevens's Rock. |
Stanford Encyclopedia of Philosophy
on the date Friday, April 5, 2013 —
“First published Tue Sep 24, 1996;
substantive revision Fri Apr 5, 2013”
This journal on the date Friday, April 5, 2013 —
The object most closely resembling a “philosophers’ stone”
that I know of is the eightfold cube .
For some related philosophical remarks that may appeal
to a general Internet audience, see (for instance) a website
by I Ching enthusiast Andreas Schöter that displays a labeled
eightfold cube in the form of a lattice diagram —
Related material by Schöter —
A 20-page PDF, “Boolean Algebra and the Yi Jing.”
(First published in The Oracle: The Journal of Yijing Studies ,
Vol 2, No 7, Summer 1998, pp. 19–34.)
I differ with Schöter’s emphasis on Boolean algebra.
The appropriate mathematics for I Ching studies is,
I maintain, not Boolean algebra but rather Galois geometry.
See last Saturday’s post Two Views of Finite Space.
Unfortunately, that post is, unlike Schöter’s work, not
suitable for a general Internet audience.
Motto selected by an Oslo artist —
Illustration selected by The Boston Globe —
Notes on perspective selected at Log24 —
* I.e. , those who hunt witches scientifically,
or those who hunt scientific witches —
a matter of, as it were, perspective.
“Continue a search for thirty-three and three.
Veiled forever is the secret door.”
— Katherine Neville, aka Cat Velis, in The Eight,
Ballantine Books, January 1989, page 140
"Close enough for government work."
— Stephen King in Doctor Sleep
When shall we three meet again?
"Carnap, Tarski and Quine met together in 1940-1941 at Harvard
to discuss their views on the nature of language and the differences
between logic, mathematics and science. In this remarkable book
Greg Frost-Arnold presents Carnap’s extensive notes on these
meetings. Frost-Arnold also includes an elegant translation and a
detailed commentary that sets the notes in their philosophical context
and demonstrates their importance for many central debates about
the history of analytic philosophy. This book marks a decisive advance
in our understanding of the philosophical views of Carnap, Tarski and
Quine, and is essential reading for all who work on these topics."
— Christopher Pincock, The Ohio State University
Versus the Hobgoblins of Emerson Hall
"A foolish consistency is the hobgoblin of little minds."
— Ralph Waldo Emerson
(Suggested by the latest Instagram post of Oslo artist Josefine Lyche)
A check of recent tweets by Alexander Bogomolny, who was
mentioned in the previous post, yields a remark of Oct. 26, 2015…
This is not unrelated to a word from Freud:
See as well "Digging Out the Truth?" (Jerusalem Post 2/25/2010)
and Michener's The Source in this journal.
The cover of the K. O. Friedrichs book From Pythagoras to Einstein
shown in the previous post suggests a review (click the Log24
images for webpages where they can be manipulated) ….
The "more sophisticated" link in the first image above
leads to a webpage by Alexander Bogomolny,
"Pythagoras' Theorem by Tessellation," that says
"This is a subtle and beautiful proof."
Bogomolny refers us to the Friedrichs book, from which one of
the illustrations of the proof by tessellation is as follows —
For a quite different use of superposition, see
The Lindbergh Manifesto (May 19, 2015).
The Vienna Review
In the 38th annual Freud Lecture, Siri Hustvedt by Stephen Doyle on June 14, 2011
It’s May 6, the 155th anniversary of the birth of |
From this journal on the date of the above Freud lecture —
The following is an excerpt from
"Tummelplatz: Exploring playgrounds for creative
collaborations — A qualitative study of generative
dynamics within temporary work contexts,"
by Emily Moren Aanes and Dragana Trifunović.
(Master's thesis, Oslo, 2013).
Related material: Josefine Lyche in this journal.
"… ein Buch muß die Axt sein für das gefrorene Meer in uns." — Franz Kafka
From the previous post, Expanding the Spielraum —
"The knights and squires of nearby Ambras used to let their
steeds romp here, whence came the name Tummelplatz ."
— Quelle: Ludwig von Hörmann, "Der Tummelplatz bei Amras,"
in: Der Alpenfreund , 1. Band, Gera 1870, S. 72 – 73.
Halloween meditation on the Tummelplatz at Innsbruck —
"Die Ritter und Knappen des nahegelegenen Ambras
pflegten hier ihre Rosse zu tummeln, woher sich auch
der Name Tummelplatz schreibt."
"The knights and squires of nearby Ambras used to let their
steeds romp here, whence came the name Tummelplatz ."
— Quelle: Ludwig von Hörmann, "Der Tummelplatz bei Amras,"
in: Der Alpenfreund , 1. Band, Gera 1870, S. 72 – 73.
See as well Sigmund Freud, Erinnern, Wiederholen und Durcharbeiten
(1914) —
"Wir eröffnen ihm die Übertragung als den Tummelplatz ,
auf dem ihm gestattet wird, sich in fast völliger Freiheit
zu entfalten, und auferlegt ist, uns alles vorzuführen,
was sich an pathogenen Trieben im Seelenleben des
Analysierten verborgen hat."
"We admit it into the transference as a playground
in which it is allowed to expand in almost complete freedom
and in which it is expected to display to us everything in the
way of pathogenic instincts that is hidden in the patient's mind."
This passage has been discussed by later psychotherapists,
notably Russell Meares. Dr. Meares, working from a translation
that has "playground" for Freud's Tummelplatz , uses Spielraum
in place of Freud's own word.
For related material in this journal, see Expanding the Spielraum.
An illustration from that search —
Yesterday's nonsense from The New York Times suggests
a better example of cultural criticism is needed. Try this …
The opening paragraph of "The many faces of Pablo Picasso,"
by Peter Conrad, at theguardian.com on Saturday,
7 February, 2009, 19.01 EST* —
"Picasso," the surrealist poet Paul Eluard said,
"paints like God or the devil." Picasso favoured
the first option. "I am God," he was once heard
telling himself. He muttered the mantra three
times, boasting of his power to animate and
enliven the visible world. Any line drawn by
his hand pulsed with vitality; when he looked
at it, a bicycle seat and its handlebar could
suddenly turn into the horned head of a bull.
But he also took a diabolical pleasure in
warping appearances, deforming faces and
twisting bodies, subjecting reality to a
tormenting inquisition.
As noted here, yesterday was the birth date (in 1811) of Galois.
It was also the birth date (in 1881) of Picasso.
Related material from the 2009 date* of the Conrad article —
The Log24 post "Childish Things." For those who deeply
dislike Picasso, there is also an 1880 opening illustration
to Hans Christian Andersen's The Snow Queen —
Story the First,
Which Describes a Looking-Glass
and the Broken Fragments
"You must attend to the commencement
of this story, for when we get to the end
we shall know more than we do now about
a very wicked hobgoblin; he was one of the
very worst, for he was a real demon."
Houghton Mifflin edition of 1880, Riverside Press, Cambridge
Click the above illustration for related posts in this journal.
* Also dated the following day, to correspond to the 00.01 GMT publication
time of The Guardian 's Sunday version, The Observer , in which it appeared.
The above illustrations are
from posts tagged
"Universe of Discourse."
Happy birthday to Évariste Galois, who may
prefer a mathematical, not religious,
interpretation of the above Celtic cross.
The previous two posts touched on two academic
pursuits, mathematics and football. These are united
in the vesica piscis symbol. See posts tagged
"Universe of Discourse."
The following slides are from lectures on “Advanced Boolean Algebra” —
The small Boolean spaces above correspond exactly to some small
Galois spaces. These two names indicate approaches to the spaces
via Boolean algebra and via Galois geometry .
A reading from Atiyah that seems relevant to this sort of algebra
and this sort of geometry —
” ‘All you need to do is give me your soul: give up geometry
and you will have this marvellous machine.’ (Nowadays you
can think of it as a computer!) “
Related material — The article “Diamond Theory” in the journal
Computer Graphics and Art , Vol. 2 No. 1, February 1977. That
article, despite the word “computer” in the journal’s title, was
much less about Boolean algebra than about Galois geometry .
For later remarks on diamond theory, see finitegeometry.org/sc.
* See "Square Inch Space" in this journal.
Happy birthday to the late Michael Crichton (Harvard ’64).
See also Diamond Theory Roulette —
Part of the ReCode Project (http://recodeproject.com). Based on "Diamond Theory" by Steven H. Cullinane, originally published in "Computer Graphics and Art" Vol. 2 No. 1, February 1977. Copyright (c) 2013 Radames Ajna — OSI/MIT license (http://recodeproject/license).
Related remarks on Plato for Harvard’s
Graduate School of Design —
See also posts from the above publication date, March 31,
2006, among posts now tagged “The Church in Philadelphia.”
Software writer Richard P. Gabriel describes some work of design
philosopher Christopher Alexander in the 1960's at Harvard:
A more interesting account of these 35 structures:
"It is commonly known that there is a bijection between
the 35 unordered triples of a 7-set [i.e., the 35 partitions
of an 8-set into two 4-sets] and the 35 lines of PG(3,2)
such that lines intersect if and only if the corresponding
triples have exactly one element in common."
— "Generalized Polygons and Semipartial Geometries,"
by F. De Clerck, J. A. Thas, and H. Van Maldeghem,
April 1996 minicourse, example 5 on page 6.
For some context, see Eightfold Geometry by Steven H. Cullinane.
"Perhaps an insane conceit …." Perhaps.
Related remarks on algebra and space —
"The Quality Without a Name" (Log24, August 26, 2015).
"On the threshold of heaven, the figures in the street…."
On an artist who reportedly died last Thursday, October 15 —
See yesterday's post Liminal for a different sort of figure.
Elijah Wood in "The Last Witch Hunter" —
See Graham Priest in this journal.
See also Coxeter + Discursive.
The New York Times has a readable, if not informative,
review of a recent controversial account of history —
"For many, it exists in a kind of liminal state,
floating somewhere between fact and mythology."
— Jonathan Mahler, online Times on Oct. 15, 2015
[See Wikipedia on Liminality.]
Mahler begins his review with a statement by the President
on the night of May 1, 2011.
A more easily checked statement quoted here on that date:
"The positional meaning of a symbol derives from
its relationship to other symbols in a totality, a Gestalt,
whose elements acquire their significance from the
system as a whole."
— Victor Turner, The Forest of Symbols , Ithaca, NY,
Cornell University Press, 1967, p. 51, quoted by
Beth Barrie in "Victor Turner."
A Gestalt from "Verhexung ," the previous post —
Guitart's statement that the above figure is a "Boolean logical cube"
seems, in the words of the Times , to be "floating somewhere
between fact and mythology." Discuss.
(My apologies to those who feel that attempting to make sense
of Guitart makes them feel like Vin Diesel in the Dreamworld.)
“Die Philosophie ist ein Kampf gegen die Verhexung
unsres Verstandes durch die Mittel unserer Sprache.”
— Philosophical Investigations (1953), Section 109
An example of Verhexung from the René Guitart article in the previous post —
See also Ein Kampf .
This post continues recent thoughts on the work of René Guitart.
A 2014 article by Guitart gives a great deal of detail on his
approach to symmetric generation of the simple group of order 168 —
“Hexagonal Logic of the Field F8 as a Boolean Logic
with Three Involutive Modalities,” pp. 191-220 in
The Road to Universal Logic:
Festschrift for 50th Birthday of
Jean-Yves Béziau, Volume I,
Editors: Arnold Koslow, Arthur Buchsbaum,
Birkhäuser Studies in Universal Logic, dated 2015
by publisher but Oct. 11, 2014, by Amazon.com.
See also the eightfold cube in this journal.
I found today that the following reference to my work —
Steven H. Cullinane.
Geometry of the I Ching. 2006 [text]
— was placed by Anthony Judge in a draft webpage
dated 24 August 2015.
Today's previous Log24 post, Zen and the Art,
suggests some context I prefer to the colorful
remarks of Judge — namely, a Log24 search for
See esp. a post from the date of the Judge webpage,
24 August 2015, titled
According to René Guitart in May 2008 —
"In fact, in concrete terms, the Mathematical Pulsation is
nothing else but the thing that everyone does when doing
mathematics, even the most elementary ones. It is a very
special gesture in understanding ('geste de pensée'), well
known by each mathematician. The mind have to go to
and fro between to antinomical postures: to have the
situation under control, to leave the door open. To master
and to fix (a clear unique meaning) or to neglect and to
change (toward other possible meanings). Because of the
similarity of the pulsation of inspiration and expiration in
breath with the pulsation of closing and opening phases
in mathematical thinking, at the end of [Guitart (2003/a)]
I suggested to consider the famous book 'Zen in the Art
of Archery' [Herrigel (1997)] as a true treatise in didactic
of mathematics: just you have to replace everywhere the
words 'archery' by 'mathematical proof'."
Related material: Heisenberg on Beauty and the previous post.
Update of 6:20 AM Oct. 19, 2015 —
„Ich begriff plötzlich, daß in der Sprache oder doch
mindestens im Geist des Glasperlenspiels tatsächlich
alles allbedeutend sei, daß jedes Symbol und jede
Kombination von Symbolen nicht hierhin oder dorthin,
nicht zu einzelnen Beispielen, Experimenten und
Beweisen führe, sondern ins Zentrum, ins Geheimnis
und Innerste der Welt, in das Urwissen. Jeder Übergang
von Dur zu Moll in einer Sonate, jede Wandlung eines
Mythos oder eines Kultes, jede klassische, künstlerische
Formulierung sei, so erkannte ich im Blitz jenes
Augenblicks, bei echter meditativer Betrachtung,
nichts andres als ein unmittelbarer Weg ins Innere
des Weltgeheimnisses, wo im Hin und Wider zwischen
Ein- und Ausatmen, zwischen Himmel und Erde,
zwischen Yin und Yang sich ewig das Heilige vollzieht.“
— Hermann Hesse, Das Glasperlenspiel.
Berlin: Suhrkamp Taschenbuch Verlag, 2012. p. 172,
as quoted in a weblog.
For a version in English, see Summa Mythologica (Nov. 3, 2009).
From slides dated June 28, 2008 —
Compare to my own later note, from March 4, 2010 —
It seems that Guitart discovered these "A, B, C" generators first,
though he did not display them in their natural setting,
the eightfold cube.
Some context: The epigraph to my webpage
"A Simple Reflection Group of Order 168" —
"Let G be a finite, primitive subgroup of GL(V) = GL(n,D) ,
where V is an n-dimensional vector space over the
division ring D . Assume that G is generated by 'nice'
transformations. The problem is then to try to determine
(up to GL(V) -conjugacy) all possibilities for G . Of course,
this problem is very vague. But it is a classical one,
going back 150 years, and yet very much alive today."
— William M. Kantor, "Generation of Linear Groups,"
pp. 497-509 in The Geometric Vein: The Coxeter Festschrift ,
published by Springer, 1981
Story the First,
Which Describes a Looking-Glass
and the Broken Fragments
"You must attend to the commencement
of this story, for when we get to the end
we shall know more than we do now about
a very wicked hobgoblin; he was one of the
very worst, for he was a real demon."
Houghton Mifflin edition of 1880, Riverside Press, Cambridge
See as well Shard in this journal.
A Unified Field —
Click the above image for further details.
See also a search in this journal for Jorie Graham.
Related dramatic dialogue for Emma Stone and
Joaquin Phoenix, actors in "Irrational Man" —
"Are you aware of what's going on at that table?"
Philosophical backstory by Hans Christian Andersen —
"He was quite frightened, and he tried to repeat the Lord's Prayer;
but all he could do, he was only able to remember the multiplication table."
For more about the coordinatization problem
of the previous post, see Ballet Blanc .
There are various ways to coordinatize a 3×3 array
(the Chinese "Holy Field'). Here are some —
See Cullinane, Coxeter, and Knight tour.
From "Class of 64 continues… " (March 18, 2014) —
"To see a difficult uncompromising material
take living shape and meaning
is to be Pygmalion…." — Ex-Prodigy
No, you are not the only.
(Continued from day before yesterday.)
"Sondheim's story is a dense contrapuntal interweaving
of four main fairy-tale stories…."
— Vladimir V. Zelevinsky, 1998 review
in The Tech at MIT
Related material: "Weaver's Tale" last Sunday,
and the novel Weaveworld in this journal.
"Only in the dance do I know how to tell
the parable of the highest things."
— Nietzsche
"Claudia Card, an internationally known UW-Madison professor
and a leading expert in the philosophy of evil, died what she
considered a 'good' death…."
Card, 74, died… on Sept. 12."
— Samara Kalk Derby in Wisconsin State Journal
on Columbus Day, 2015
See as well a remark by Lorrie Moore in this journal
on the above death date.
See as well a meditation by Lorrie Moore quoted here
on the feast of St. Luke in 2003.
Related thoughts: Log24 on Columbus Day, and Plan 9.
Knock, Knock, Knockin' —
A Scene from "Tomorrowland" —
See August 30, 2002, the day that "Tomorrowland"
actress Raffey Cassidy was born. On that date, this
journal contained the following quotation —
"He's a Mad Scientist and I'm his Beautiful Daughter."
— Deety in Heinlein's The Number of the Beast.
George Clooney and Raffey Cassidy in "Tomorrowland" —
Happy birthday to John Polkinghorne, an English
theoretical physicist, theologian, writer, and Anglican priest.
Nian Hu in The Harvard Crimson this morning, Oct. 16:
"Hey Harvard, it’s Friday and it’s the weekend again–
though sadly, not another three-day one. On this day
in 1844, Friedrich Nietzsche was born. Remember
his wise words 'That which does not kill us, makes us
stronger' when prepping for midterms this weekend."
A fact check shows that Nietzsche was born yesterday .
A source check shows that the Nietzsche quote is from a book
with alternative title "How to Philosophize with a Hammer."
Click on the image below for related materal.
The title is a phrase from R. D. Laing's book The Politics of Experience .
(Published in the psychedelic year 1967. The later "contrapuntal interweaving"
below is of a less psychedelic nature.)
An illustration of the "interweaving' part of the title —
The "deep structure" of the diamond theorem:
.
The word "symplectic" from the end of last Sunday's (Oct. 11) sermon
describes the "interwoven" nature of the above illustration.
An illustration of the "contrapuntal" part of the title (click to enlarge):
This post was suggested in part by an illustration from Tuesday's
"The Tombstone Source" —
Politically, if not grammatically, correct Columbus Day history
comes from the Word of Life Church in St. Joseph, Missouri —
"But armed with guns, steel, and germs,
and driven by the conquistador’s lust for
gold and slaves, the population of the
Americas was decimated."
— Oct. 12 blog post by the church's pastor
The Missouri church should not be confused with other
"Word of Life" churches… esp. not any now in the news for
their activities on Monday, Oct. 12, Columbus Day, 2015.
For a related ungrammatical remark, see Schoolboy Problem.
For Dan Brown enthusiasts, a sequel to the previous post, "The Tombstone Source."
As that post notes, the following symbol is now used as a story-end "tombstone" at
T: The New York Times Style Magazine. The Times uses style-sheet code, not
the rarely used unicode character below, to produce the tombstone.
Related material — The novel The Flame Alphabet by Ben Marcus
that was reviewed in January 2012 by Commentary magazine :
Fiction, Fiction, Burning Bright
D. G. MYERS / JAN. 19, 2012
Ben Marcus, The Flame Alphabet
(New York: Alfred A. Knopf, 2012).
304 pp. $25.95.
According to the Jews, the world begins
with speech. God says, “There is light,”
and so there is light. But what if something
happened — it doesn’t really matter what —
and speech turned lethal?
That’s the premise of The Flame Alphabet ,
the third novel by Ben Marcus,
a creative writing professor at Columbia
University….
A much better novel along these lines is Lexicon (2013) by Max Barry.
Readings from this afternoon's online New York Times :
THE SOURCE:
<p class="story-body-text story-content" The writer Ari Shavit has written that Ein Harod is ‘‘imprinted on every Israeli’s psyche,’’ a microcosm of the Zionist project itself. ‘‘In a sense it is our Source,’’ he writes, ‘‘our point of departure.’’ And yet the often-overlooked museum at its heart is a different kind of symbol, at once more personal and more universal. God may have been banished from Ein Harod, but there, in a humble building on a kibbutz that has seen better days, you experience the Psalmic ideal of being ‘‘enveloped in light,’’ and with it, a reminder of history’s emotional inner life. <span class="tombstone"><i class="icon"></i></span></p> |
STYLE CODE:
(Continued from Monday afternoon's "Con Vocation" link.)
From The Harvard Crimson this morning —
"David Black, author and scholar-in-residence
at Kirkland House, entertained a small group
of attendees with a reading of his latest novel
Fast Shuffle Monday evening in Kirkland’s
Senior Common Room."
From a Kirkus Reviews review of Fast Shuffle last July —
" 'My heritage is of Jewish socialists on one side,'
Black explains, 'and of Jewish gangsters on the
other side. My great aunt was Polly Adler [the
(in)famous Manhattan madam of the '20s, '30s
and early '40s whose girls entertained some of
the guys from the Algonquin roundtable]. It's a
mix of idealism and gritty practicality. I delight
in both.' "
Non-entertainment from the publication date of Fast Shuffle :
The title refers to the 1998 film "Dark City," whose protagonist
seeks an escape to "Shell Beach."
Another postcard, in memory of album cover art director
John Berg, who reportedly died at 83 on Sunday —
Click album cover for a background story.
See also the Log24 post "Hits" (January 5, 2014).
"Well, she was blinded by the light…"
Cool Mystery:
Detective Cruz enters Planck's Constant Café in "The Big Bang."
The above images are from a Log24 post of October 5, 2011.
Related material for fans of recreational math and Manil Suri —
A book that Amazon.com says was published on that same date —
October 5, 2011 —
by Ashay Dharwadker (Author), Vinay Dharwadker (Author)
Product Details
See as well …
Con Vocation (Log24, Sept. 2, 2014).
“By groping toward the light we are made to realize how deep the darkness is around us.” — Arthur Koestler, The Call Girls: A Tragi-Comedy, Random House, 1973, page 118 |
"The Tesseract is where it belongs: out of our reach."
— Samuel L. Jackson as Nick Fury,
quoted here on Epiphany 2013
Earlier … (See Jan. 27, 2012) …
"And the Führer digs for trinkets in the desert."
"Andersen's weavers, as one commentator points out,
are merely insisting that 'the value of their labor be
recognized apart from its material embodiment.' The
invisible cloth they weave may never manifest itself in
material terms, but the description of its beauty
('as light as spiderwebs' and 'exquisite') turns it into
one of the many wondrous objects found in Andersen's
fairy tales. It is that cloth that captivates us, making us
do the imaginative work of seeing something beautiful
even when it has no material reality."
— The Annotated Hans Christian Andersen ,
edited with an introduction and notes by Maria Tatar
See also Symplectic in this journal.
From The Snow Queen , by Hans Christian Andersen —
SEVENTH STORY. What Took Place in the Palace of the Snow Queen, and What Happened Afterward The walls of the palace were of driving snow, and the windows and doors of cutting winds. There were more than a hundred halls there, according as the snow was driven by the winds. The largest was many miles in extent; all were lighted up by the powerful Aurora Borealis, and all were so large, so empty, so icy cold, and so resplendent! Mirth never reigned there; there was never even a little bear-ball, with the storm for music, while the polar bears went on their hindlegs and showed off their steps. Never a little tea-party of white young lady foxes; vast, cold, and empty were the halls of the Snow Queen. The northern-lights shone with such precision that one could tell exactly when they were at their highest or lowest degree of brightness. In the middle of the empty, endless hall of snow, was a frozen lake; it was cracked in a thousand pieces, but each piece was so like the other, that it seemed the work of a cunning artificer. In the middle of this lake sat the Snow Queen when she was at home; and then she said she was sitting in the Mirror of Understanding, and that this was the only one and the best thing in the world. Little Kay was quite blue, yes nearly black with cold; but he did not observe it, for she had kissed away all feeling of cold from his body, and his heart was a lump of ice. He was dragging along some pointed flat pieces of ice, which he laid together in all possible ways, for he wanted to make something with them; just as we have little flat pieces of wood to make geometrical figures with, called the Chinese Puzzle. Kay made all sorts of figures, the most complicated, for it was an ice-puzzle for the understanding. In his eyes the figures were extraordinarily beautiful, and of the utmost importance; for the bit of glass which was in his eye caused this. He found whole figures which represented a written word; but he never could manage to represent just the word he wanted–that word was "eternity"; and the Snow Queen had said, "If you can discover that figure, you shall be your own master, and I will make you a present of the whole world and a pair of new skates." But he could not find it out. "I am going now to warm lands," said the Snow Queen. "I must have a look down into the black caldrons." It was the volcanoes Vesuvius and Etna that she meant. "I will just give them a coating of white, for that is as it ought to be; besides, it is good for the oranges and the grapes." And then away she flew, and Kay sat quite alone in the empty halls of ice that were miles long, and looked at the blocks of ice, and thought and thought till his skull was almost cracked. There he sat quite benumbed and motionless; one would have imagined he was frozen to death. …. |
Related material:
This journal on March 25, 2013:
Norwegian Sculpture Biennial 2015 catalog, p. 70 —
" 'Ambassadørene' er fysiske former som presenterer
ikk-fysiske fenomener. "
Translation by Google —
" 'Ambassadors' physical forms presents
nonphysical phenomena. "
Related definition —
Are the "line diagrams" of the diamond theorem and
the analogous "plane diagrams" of the eightfold cube
nonphysical entities? Discuss.
"… survival, transmission, association,
a strong indifferent persistent order."
— Henry James in The Ambassadors
"You see, you can't please everyone,
so you've got to please yourself." — Rick Nelson
The Ambassadors —
"The place itself was a great impression—
a small pavilion, clear-faced and sequestered,
an effect of polished parquet, of fine white panel
and spare sallow gilt, of decoration delicate and
rare, in the heart of the Faubourg Saint-Germain
and on the edge of a cluster of gardens attached
to old noble houses. Far back from streets and
unsuspected by crowds, reached by a long passage
and a quiet court, it was as striking to the unprepared
mind, he immediately saw, as a treasure dug up;
giving him too, more than anything yet, the note of
the range of the immeasurable town and sweeping
away, as by a last brave brush, his usual landmarks
and terms. It was in the garden, a spacious cherished
remnant, out of which a dozen persons had already
passed, that Chad's host presently met them; while
the tall bird-haunted trees, all of a twitter with the
spring and the weather, and the high party-walls,
on the other side of which grave hôtels stood off for
privacy, spoke of survival, transmission, association,
a strong indifferent persistent order. The day was so
soft that the little party had practically adjourned to
the open air, but the open air was in such conditions
all a chamber of state. Strether had presently the
sense of a great convent, a convent of missions,
famous for he scarce knew what, a nursery of young
priests, of scattered shade, of straight alleys and
chapel-bells, that spread its mass in one quarter;
he had the sense of names in the air, of ghosts at the
windows, of signs and tokens, a whole range of
expression, all about him, too thick for prompt
discrimination."
— Henry James, 1909 edition of the 1903 novel
An eightfold cube appears in this detail
of a photo by Josefine Lyche of her
installation "4D Ambassador" at the
Norwegian Sculpture Biennial 2015 —
(Detail from private Instagram photo.)
Catalog description of installation —
Google Translate version —
In a small bedroom to Foredragssalen populate
Josefine Lyche exhibition with a group sculptures
that are part of the work group 4D Ambassador
(2014-2015). Together they form an installation
where she uses light to amplify the feeling of
stepping into a new dimension, for which the title
suggests, this "ambassadors" for a dimension we
normally do not have access to. "Ambassadors"
physical forms presents nonphysical phenomena.
Lyches works have in recent years been placed
in something one might call an "esoteric direction"
in contemporary art, and defines itself this
sculpture group humorous as "glam-minimalist."
She has in many of his works returned to basic
geometric shapes, with hints to the occult,
"new space-age", mathematics and where
everything in between.
See also Lyche + "4D Ambassador" in this journal and
her website page with a 2012 version of that title.
For Aaron Sorkin and Walter Isaacson —
Related material —
Bauhaus Cube, Design Cube, and
Nabokov's Transparent Things .
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
A portion of the above photo appeared on the cover of
a German edition of a book by the winner of the 2015 Nobel
Prize in Literature, Svetlana Alexievich. The German title,
Der Krieg hat kein weibliches Gesicht , is closer to the Russian
original than is the title of an English translation, War's Unwomanly Face .
Further book and photo information —
Continued from the Oct. 1 post Cartoon Graveyard and from
the Aug. 30 post Lines ("Drop me a line.") —
A related song for Imperator Furiosa
may be found in the previous post.
This post was suggested by
a news item from this afternoon,
"VW Stops the Music."
From "Pitch Perfect 2," Hailee Steinfeld as Emily Junk-Hardon —
"I know what nothing means." — Joan Didion
On a professor of literature who reportedly
died on Michaelmas 2015, a remark by his daughter —
“He was really an artist,” she said.
That’s evident in the 60 years Raffel spent contemplating
how to translate the terza rima style of Dante Alighieri’s
The Divine Comedy — speaking of the three-line rhyme
scheme first used by the author — before he published
a translation of which he was “most proud” in 2010,
his wife said.
It was his final work.
— Lanie Lee Cook, Baton Rouge Advocate
(A sequel to Letters)
See Page 181 in Source of the Finite (St. Augustine's Day, 2014)
and Page 305 in Lost in Translation (50th Reunion Day, Harvard '64).
"The close of trading today will spell a new era for Google
as the search giant becomes a part of new holding company
Alphabet Inc." — ABC News, 1:53 PM ET today
From an Aug. 10, 2015, letter by Larry Page announcing the change:
Other business philosophy:
Strategy Rules: Five Timeless Lessons from
Bill Gates, Andy Grove, and Steve Jobs
by David B. Yoffie, Michael A. Cusumano
On Sale: 04/14/2015
A not-so-timeless lesson: a synchronicity check
(of this journal, not of the oeuvre of Joseph Jaworski) —
04/14/2015 — Sacramental Geometry.
See a search for Bogus Source in this journal.
That search yields a quotation from poet Wallace Stevens,
whose birthday is today —
"The poet finds that as between these two sources:
the imagination and reality, the imagination is false,
whatever else may be said of it, and reality is true;
and being concerned that poetry should be a thing
of vital and virile importance, he commits himself to
reality, which then becomes his inescapable and
ever-present difficulty and innamorata."
The late Brian Friel on Derry —
"… every going away was a wrench
and every return a fulfilment."
Related material —
Wrench in this journal
and Circle Unbroken.
See as well Hymn (August 30, 2013).
"All work and no play…."
— Stanley Kubrick's film (1980) of The Shining (1977)
"Each metaphor already modeled the modeler
that pasted it together. It seemed I might have
another fiction in me after all."
— Richard Powers, Galatea 2.2 (1995)
"In the space between what happens
And what gets left behind…."
— "Diamond Space" (2006), song by
Michael Friedman and Sam Masich
Combining, as in a headline from today's Harvard Crimson ,
"programs and public space," we have …
The following horrific images —
— were suggested by two pieces I read yesterday in
The Harvard Crimson —
"On Belonging and 'Steven Universe'" and
"Wise Words from the King."
See also a more realistic daydream, starring Amy Adams,
in the previous post, Ornamental Language.
See Trevanian's Meadow in this journal as well as…
"Off the Florida Keys, there's a place called Kokomo."
— The Beach Boys, 1988
Utopia or Dystopia? Discuss.
Related scenes for storyboarders —
See the city in the Amy Adams film "Her."
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