Log24

Thursday, May 7, 2026

The Grid Model

Filed under: General — Tags: , — m759 @ 4:47 pm

The Grid Model of the Galois Space PG(3, 2)

"In finite geometry, PG(3,2) is the smallest three-dimensional
projective space. It can be thought of as an extension of
the Fano plane. It has 15 points, 35 lines, and 15 planes."

— https://handwiki.org/wiki/PG(3,2)

Each set of 3 linear diagrams above corresponds to a line in PG(3, 2).

NotebookLM on the Grid Model . . .

Connecting Diverse Mathematical Fields
The grid model acts as a unifying framework for several other abstract concepts:
  • The Klein Quadric: The correspondence extends to higher dimensions via the Klein correspondence. This maps the 35 lines of  PG(3,2) (the grid structures) to 35 points on the Klein quadric in a 5-dimensional projective space, PG(5,2). This connects the combinatorial partitions of the grid to the geometry of quadric surfaces.
  • Latin Squares: The model provides a geometric interpretation of combinatorial design. The concept of orthogonality between Latin squares corresponds to the geometric concept of skewness (non-intersecting lines) in PG(3,2).
  • Walsh Functions: The symmetries and binary additions inherent in the line diagrams reflect the structure of Walsh functions, which are orthogonal functions used in digital signal processing and discrete harmonic analysis.
  • Ring Theory: The patterns can be organized algebraically to form "diamond rings," which are isomorphic to rings of matrices over the field GF(4), linking the visual design to abstract algebra and function decomposition.
Summary
The 4×4 grid model acts as a "kaleidoscope" of mathematical structure. Just as a kaleidoscope rearranges simple elements into symmetric patterns, this grid rearranges simple binary tiles to reveal the invariant structures of finite geometries, sporadic groups, and error-correcting codes. It transforms what appears to be a simple problem of tiling into a visualization of the affine 4-space over GF(2)

Sunday, September 9, 2018

Plan 9 Continues.

Filed under: G-Notes,General,Geometry — Tags: , — m759 @ 9:00 am

"The role of Desargues's theorem was not understood until
the Desargues configuration was discovered. For example,
the fundamental role of Desargues's theorem in the coordinatization
of synthetic projective geometry can only be understood in the light
of the Desargues configuration.

Thus, even as simple a formal statement as Desargues's theorem
is not quite what it purports to be. The statement of Desargues's theorem
pretends to be definitive, but in reality it is only the tip of an iceberg
of connections with other facts of mathematics."

— From p. 192 of "The Phenomenology of Mathematical Proof,"
by Gian-Carlo Rota, in Synthese , Vol. 111, No. 2, Proof and Progress
in Mathematics
(May, 1997), pp. 183-196. Published by: Springer.

Stable URL: https://www.jstor.org/stable/20117627.

Related figures —

Note the 3×3 subsquare containing the triangles ABC, etc.

"That in which space itself is contained" — Wallace Stevens

Saturday, May 5, 2018

Plugin

Filed under: General — Tags: , , — m759 @ 6:45 pm

Art enthusiast Phyllis Tuchman in The New York Times  yesterday —

"Ms. Rockburne's understated work plugged into
the prevailing Minimalist aesthetic of the day . . . ."

This was quoted here yesterday, followed by a visual flash drive
of sorts —

Another Parisian flash drive of sorts —

Friday, May 4, 2018

The Tuchman Radical*

Filed under: General,Geometry — Tags: , , — m759 @ 3:33 pm

Two excerpts from today's Art & Design section of
The New York Times  —

For the deplorables of France —

For further remarks on l'ordre , see
other posts tagged Galois's Space
( tag=galoiss-space).

* The radical of the title is Évariste Galois (1811-1832).

Wednesday, May 2, 2018

Galois’s Space

Filed under: General,Geometry — Tags: , , — m759 @ 2:20 pm

(A sequel to Foster's Space and Sawyer's Space)

See posts now tagged Galois's Space.

Sunday, April 29, 2018

Amusement

Filed under: General,Geometry — Tags: , , , — m759 @ 7:00 pm

From the online New York Times  this afternoon:

Disney now holds nine of the top 10
domestic openings of all time —
six of which are part of the Marvel
Cinematic Universe. “The result is
a reflection of 10 years of work:
of developing this universe, creating
stakes as big as they were, characters
that matter and stories and worlds that
people have come to love,” Dave Hollis,
Disney’s president of distribution, said
in a phone interview.

From this  journal this morning:

"But she felt there must be more to this
than just the sensation of folding space
over on itself. Surely the Centaurs hadn't
spent ten years telling humanity how to 
make a fancy amusement-park ride
.
There had to be more—"

Factoring Humanity , by Robert J. Sawyer,
Tom Doherty Associates, 2004 Orb edition,
page 168

"The sensation of folding space . . . ."

Or unfolding:

Click the above unfolded space for some background.

Monday, March 12, 2018

“Quantum Tesseract Theorem?”

Filed under: General,Geometry — Tags: , , — m759 @ 11:00 am

Remarks related to a recent film and a not-so-recent film.

For some historical background, see Dirac and Geometry in this journal.

Also (as Thas mentions) after Saniga and Planat —

The Saniga-Planat paper was submitted on December 21, 2006.

Excerpts from this  journal on that date —

A Halmos tombstone and the tale of HAL and the pod bay doors

     "Open the pod bay doors, HAL."

Sunday, March 4, 2018

The Square Inch Space: A Brief History

Filed under: General,Geometry — Tags: , , — m759 @ 11:21 am

1955  ("Blackboard Jungle") —

1976 —

2009 —

2016 —

 Some small Galois spaces (the Cullinane models)

Thursday, January 25, 2018

Beware of Analogical Extension

Filed under: General,Geometry — Tags: , — m759 @ 11:29 am

"By an archetype  I mean a systematic repertoire
of ideas by means of which a given thinker describes,
by analogical extension , some domain to which
those ideas do not immediately and literally apply."

— Max Black in Models and Metaphors 
    (Cornell, 1962, p. 241)

"Others … spoke of 'ultimate frames of reference' …."
Ibid.

A "frame of reference" for the concept  four quartets

A less reputable analogical extension  of the same
frame of reference

Madeleine L'Engle in A Swiftly Tilting Planet :

"… deep in concentration, bent over the model
they were building of a tesseract:
the square squared, and squared again…."

See also the phrase Galois tesseract .

Sunday, November 19, 2017

Galois Space

Filed under: General,Geometry — Tags: , — m759 @ 8:00 pm

This is a sequel to yesterday's post Cube Space Continued.

Saturday, September 23, 2017

The Turn of the Frame

"With respect to the story's content, the frame thus acts
both as an inclusion of the exterior and as an exclusion
of the interior: it is a perturbation of the outside at the
very core of the story's inside, and as such, it is a blurring
of the very difference between inside and outside."

— Shoshana Felman on a Henry James story, p. 123 in
"Turning the Screw of Interpretation,"
Yale French Studies  No. 55/56 (1977), pp. 94-207.
Published by Yale University Press.

See also the previous post and The Galois Tesseract.

Friday, September 15, 2017

Space Art

Filed under: General,Geometry — Tags: , — m759 @ 2:05 pm

Silas in "Equals" (2015) —

Ever since we were kids it's been drilled into us that 
Our purpose is to explore the universe, you know.
Outer space is where we'll find 
…  the answers to why we're here and 
…  and where we come from.

Related material — 

'The Art of Space Art' in The Paris Review, Sept. 14, 2017

See also Galois Space  in this  journal.

Sunday, August 27, 2017

Black Well

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

The “Black” of the title refers to the previous post.
For the “Well,” see Hexagram 48.

Related material —

The Galois Tesseract and, more generally, Binary Coordinate Systems.

Saturday, June 3, 2017

Expanding the Spielraum (Continued*)

Filed under: General,Geometry — Tags: , — m759 @ 1:13 pm

Or:  The Square

"What we do may be small, but it has
 a certain character of permanence."
— G. H. Hardy

* See Expanding the Spielraum in this journal.

Tuesday, May 23, 2017

Pursued by a Biplane

Filed under: General,Geometry — Tags: , , , — m759 @ 9:41 pm

The Galois Tesseract as a biplane —

Cary Grant in 'North by Northwest'

Saturday, May 20, 2017

The Ludicrous Extreme

Filed under: General,Geometry — Tags: , — m759 @ 1:04 am

From a review of the 2016 film "Arrival"

"A seemingly off-hand reference to Abbott and Costello
is our gateway. In a movie as generally humorless as Arrival,
the jokes mean something. Ironically, it is Donnelly, not Banks,
who initiates the joke, naming the verbally inexpressive
Heptapod aliens after the loquacious Classical Hollywood
comedians. The squid-like aliens communicate via those beautiful,
cryptic images. Those signs, when thoroughly comprehended,
open the perceiver to a nonlinear conception of time; this is
Sapir-Whorf taken to the ludicrous extreme."

Jordan Brower in the Los Angeles Review of Books

Further on in the review —

"Banks doesn’t fully understand the alien language, but she
knows it well enough to get by. This realization emerges
most evidently when Banks enters the alien ship and, floating
alongside Costello, converses with it in their picture-language.
She asks where Abbott is, and it responds — as presented
in subtitling — that Abbott 'is death process.'
'Death process' — dying — is not idiomatic English, and what
we see, written for us, is not a perfect translation but a
rendering of Banks’s understanding. This, it seems to me, is a
crucial moment marking the hard limit of a human mind,
working within the confines of human language to understand
an ultimately intractable xenolinguistic system."

For what may seem like an intractable xenolinguistic system to
those whose experience of mathematics is limited to portrayals
by Hollywood, see the previous post —

van Lint and Wilson Meet the Galois Tesseract.

The death process of van Lint occurred on Sept. 28, 2004.

See this journal on that date

van Lint and Wilson Meet the Galois Tesseract*

Filed under: General,Geometry — Tags: , — m759 @ 12:12 am

Click image to enlarge.

The above 35 projective lines, within a 4×4 array —


The above 15 projective planes, within a 4×4 array (in white) —

* See Galois Tesseract  in this journal.

Tuesday, May 2, 2017

Image Albums

Pinterest boards uploaded to the new m759.net/piwigo

Diamond Theorem 

Diamond Theorem Correlation

Miracle Octad Generator

The Eightfold Cube

Six-Set Geometry

Diamond Theory Cover

Update of May 2 —

Four-Color Decomposition

Binary Galois Spaces

The Galois Tesseract

Update of May 3 —

Desargues via Galois

The Tetrahedral Model

Solomon's Cube

Update of May 8 —

Art Space board created at Pinterest

Wednesday, October 5, 2016

Sources

Filed under: General,Geometry — Tags: , , , — m759 @ 9:00 am

From a Google image search yesterday

Sources (left to right, top to bottom) —

Math Guy (July 16, 2014)
The Galois Tesseract (Sept. 1, 2011)
The Full Force of Roman Law (April 21, 2014)
A Great Moonshine (Sept. 25, 2015)
A Point of Identity (August 8, 2016)
Pascal via Curtis (April 6, 2013)
Correspondences (August 6, 2011)
Symmetric Generation (Sept. 21, 2011)

Saturday, June 18, 2016

Midnight in Herald Square

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 am

In memory of New Yorker  artist Anatol Kovarsky,
who reportedly died at 97 on June 1.

Note the Santa, a figure associated with Macy's at Herald Square.

See also posts tagged Herald Square, as well as the following
figure from this journal on the day preceding Kovarsky's death.

A note related both to Galois space and to
the "Herald Square"-tagged posts —

"There is  such a thing as a length-16 sequence."
— Saying adapted from a young-adult novel.

Tuesday, May 31, 2016

Galois Space —

Filed under: General,Geometry — Tags: — m759 @ 7:00 pm

A very brief introduction:

Seven is Heaven...

Sunday, May 8, 2016

The Three Solomons

Earlier posts have dealt with Solomon Marcus and Solomon Golomb,
both of whom died this year — Marcus on Saint Patrick's Day, and
Golomb on Orthodox Easter Sunday. This suggests a review of
Solomon LeWitt, who died on Catholic Easter Sunday, 2007.

A quote from LeWitt indicates the depth of the word "conceptual"
in his approach to "conceptual art."

From Sol LeWitt: A Retrospective , edited by Gary Garrels, Yale University Press, 2000, p. 376:

 

THE SQUARE AND THE CUBE
by Sol LeWitt

"The best that can be said for either the square or the cube is that they are relatively uninteresting in themselves. Being basic representations of two- and three-dimensional form, they lack the expressive force of other more interesting forms and shapes. They are standard and universally recognized, no initiation being required of the viewer; it is immediately evident that a square is a square and a cube a cube. Released from the necessity of being significant in themselves, they can be better used as grammatical devices from which the work may proceed."

"Reprinted from Lucy R. Lippard et al ., “Homage to the Square,” Art in America  55, No. 4 (July-August 1967): 54. (LeWitt’s contribution was originally untitled.)"

See also the Cullinane models of some small Galois spaces

Some small Galois spaces (the Cullinane models)

Friday, May 6, 2016

Review

Filed under: General,Geometry — Tags: — m759 @ 9:48 pm

 Some small Galois spaces (the Cullinane models)

Tuesday, January 12, 2016

Harmonic Analysis and Galois Spaces

Filed under: General,Geometry — Tags: — m759 @ 7:59 am

The above sketch indicates, in a vague, hand-waving, fashion,
a connection between Galois spaces and harmonic analysis.

For more details of the connection, see (for instance) yesterday
afternoon's post Space Oddity.

Monday, January 11, 2016

Space Oddity

Filed under: General,Geometry — Tags: , , — m759 @ 3:15 pm

It is an odd fact that the close relationship between some
small Galois spaces and small Boolean spaces has gone
unremarked by mathematicians.

A Google search today for “Galois spaces” + “Boolean spaces”
yielded, apart from merely terminological sources, only some
introductory material I have put on the Web myself.

Some more sophisticated searches, however led to a few
documents from the years 1971 – 1981 …

Harmonic Analysis of Switching Functions” ,
by Robert J. Lechner, Ch. 5 in A. Mukhopadhyay, editor,
Recent Developments in Switching Theory , Academic Press, 1971.

“Galois Switching Functions and Their Applications,”
by B. Benjauthrit and I. S. Reed,
JPL Deep Space Network Progress Report 42-27 , 1975

D.K. Pradhan, “A Theory of Galois Switching Functions,”
IEEE Trans. Computers , vol. 27, no. 3, pp. 239-249, Mar. 1978

Switching functions constructed by Galois extension fields,”
by Iwaro Takahashi, Information and Control ,
Volume 48, Issue 2, pp. 95–108, February 1981

An illustration from the Lechner paper above —

“There is  such a thing as harmonic analysis of switching functions.”

— Saying adapted from a young-adult novel

Wednesday, October 21, 2015

Algebra and Space

Filed under: General,Geometry — Tags: , — m759 @ 7:59 am

"Perhaps an insane conceit …."    Perhaps.

Related remarks on algebra and space —

"The Quality Without a Name" (Log24, August 26, 2015).

Wednesday, August 26, 2015

“The Quality Without a Name”

The title phrase, paraphrased without quotes in
the previous post, is from Christopher Alexander's book
The Timeless Way of Building  (Oxford University Press, 1979).

A quote from the publisher:

"Now, at last, there is a coherent theory
which describes in modern terms
an architecture as ancient as
human society itself."

Three paragraphs from the book (pp. xiii-xiv):

19. Within this process, every individual act
of building is a process in which space gets
differentiated. It is not a process of addition,
in which preformed parts are combined to
create a whole, but a process of unfolding,
like the evolution of an embryo, in which
the whole precedes the parts, and actualy
gives birth to then, by splitting.

20. The process of unfolding goes step by step,
one pattern at a time. Each step brings just one
pattern to life; and the intensity of the result
depends on the intensity of each one of these
individual steps.

21. From a sequence of these individual patterns,
whole buildings with the character of nature
will form themselves within your thoughts,
as easily as sentences.

Compare to, and contrast with, these illustrations of "Boolean space":

(See also similar illustrations from Berkeley and Purdue.)

Detail of the above image —

Note the "unfolding," as Christopher Alexander would have it.

These "Boolean" spaces of 1, 2, 4, 8, and 16 points
are also Galois  spaces.  See the diamond theorem —

Friday, August 14, 2015

Discrete Space

Filed under: General,Geometry — Tags: , , , — m759 @ 7:24 am

(A review)

Galois space:

Image-- examples from Galois affine geometry

Counting symmetries of  Galois space:
IMAGE - The Diamond Theorem

The reason for these graphic symmetries in affine Galois space —

symmetries of the underlying projective Galois space:

Tuesday, June 9, 2015

Colorful Song

Filed under: General,Geometry — Tags: , , — m759 @ 8:40 pm

For geeks* —

Domain, Domain on the Range , "

where Domain = the Galois tesseract  and
Range = the four-element Galois field.

This post was suggested by the previous post,
by a Log24 search for Knight + Move, and by
the phrase "discouraging words" found in that search.

* A term from the 1947 film "Nightmare Alley."

Thursday, March 26, 2015

The Möbius Hypercube

Filed under: General,Geometry — Tags: , , , , — m759 @ 12:31 am

The incidences of points and planes in the
Möbius 8 configuration (8 points and 8 planes,
with 4 points on each plane and 4 planes on each point),
were described by Coxeter in a 1950 paper.* 
A table from Monday's post summarizes Coxeter's
remarks, which described the incidences in
spatial terms, with the points and planes as the vertices
and face-planes of two mutually inscribed tetrahedra —

Monday's post, "Gallucci's Möbius Configuration,"
may not be completely intelligible unless one notices
that Coxeter has drawn some of the intersections in his 
Fig. 24, a schematic representation of the point-plane
incidences, as dotless, and some as hollow dots.  The figure,
"Gallucci's version of Möbius's 84," is shown below.
The hollow dots, representing the 8 points  (as opposed
to the 8 planes ) of the configuration, are highlighted in blue.

Here a plane  (represented by a dotless intersection) contains
the four points  that are represented in the square array as lying
in the same row or same column as the plane. 

The above Möbius incidences appear also much earlier in
Coxeter's paper, in figures 6 and 5, where they are shown
as describing the structure of a hypercube. 

In figures 6 and 5, the dotless intersections representing
planes have been replaced by solid dots. The hollow dots
have again been highlighted in blue.

Figures 6 and 5 demonstrate the fact that adjacency in the set of
16 vertices of a hypercube is isomorphic to adjacency in the set
of 16 subsquares of a square 4×4 array, provided that opposite
sides of the array are identified, as in Fig. 6. The digits in 
Coxeter's labels above may be viewed as naming the positions 
of the 1's in (0,1) vectors (x4, x3, x2, x1) over the two-element
Galois field.  In that context, the 4×4 array may be called, instead
of a Möbius hypercube , a Galois tesseract .

*  "Self-Dual Configurations and Regular Graphs," 
    Bulletin of the American Mathematical Society,
    Vol. 56 (1950), pp. 413-455

The subscripts' usual 1-2-3-4 order is reversed as a reminder
    that such a vector may be viewed as labeling a binary number 
    from 0  through 15, or alternately as labeling a polynomial in
    the 16-element Galois field GF(24).  See the Log24 post
     Vector Addition in a Finite Field (Jan. 5, 2013).

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