Roll Credits —
Sunday, October 31, 2021
The Old Song and Dance
Union and Intersection
Maureen Dowd in The New York Times yesterday, describing an interview
with former Google top executive Eric Schmidt —
"Schmidt said an Oxford student told him, about social media poison,
'The union of boredom and anonymity is dangerous.'
Especially at the intersection of addiction and envy."
A related street scene —
Saturday, October 30, 2021
For Ecumenical Edwards* — Orange
My response to an Instagram story on Michaelmas 2021 —
An ad page you might like — "The epitome of multipurpose,
these balms can be used for lips, hands and any other bits
of skin that need a little extra TLC." —
https://www.petitvour.com/products/
vegan-lip-balm-sweet-orange-tangerine
Related material —
See as well Joseph Wambaugh's classic novel The Golden Orange .
*
Friday, October 29, 2021
Annals of Memory and Desire
Wednesday, October 27, 2021
Smile of an Autumn Day
“There she stood in the doorway; I heard the mission bell….”
Background:
The above image is from a Log24 post of Saturday, June 27, 2020.
That is also the date of version 3 of . . .
The 4-Dimensional Light Bulb Theorem .
See too . . .
Tuesday, October 26, 2021
Katz! — The Musical…
From a post of June 28, 2020 —
"David Solomon Katz was born in Brooklyn to Jewish immigrant parents from
Eastern Europe on Oct. 23, 1916, and grew up in a neighborhood famous for
the gangsters of Murder Inc. …."
Further context —
"His early movie credits include 'The Lusty Men' (1952), a western, directed by
Nicholas Ray and starring Susan Hayward and Robert Mitchum…."
— Bruce Weber in The New York Times , Sept. 9, 2010
Monday, October 25, 2021
Sunday, October 24, 2021
Bridge Race
See posts so tagged — Bridge Race.
See as well this post's tag — Bridge Riddle.
The above tags were suggested by a remark
at forum.wordreference.com dated July 21, 2011,
and by a check of this journal on that date.
Some context: Tolkien on tengwesta .
Saturday, October 23, 2021
From the Powder-Room of the Muses
The above title is from Northrop Frye —
"Is it possible* that understanding the nature of clarity and order
can cast suspicion on the very ideas of clarity and order?"
— Douglas Sadao Aoki, University of Alberta, "The Thing Never
Speaks for Itself: Lacan and the Pedagogical Politics of Clarity,"
Harvard Educational Review , Vol. 70, No. 3, Fall 2000,
Copyright © by President and Fellows of Harvard College.
Related scholarly citation by Aoki —
The cited source:
* For the diamond as a symbol of possibility , see modal diamond box .
Deep Six
From a Thursday morning, Oct. 21, Instagram post —
Related cinematic meditation —
The above scene is from Babylon A.D. (August 2008).
Related question from an early edition of Trivial Pursuit —
"Does Uranus have an aurora?"
Related drama for Brechtians — Branded , The Zero Theorem ,
and, from my own efforts of August 2008 . . .
Friday, October 22, 2021
Frye on Structure
In search of Frye's "powder-room of the Muses" — See 3×3.
Thursday, October 21, 2021
SIX — The Musical!
From an Instagram post today:
As for SIX — the non-musical —
For further details, see Lost in the Matrix.
Wednesday, October 20, 2021
A Treasure Hunt
Clue:
The clue leads to . . .
The above Spratt date leads to . . .
The above snark from this journal leads to . . .
… as well as …
Academic Elegy
"On September 2, 2020, at the age of 59,
David Graeber died of necrotizing pancreatitis
while on vacation in Venice. The news hit me
like a blow. How many books have we lost,
I thought, that will never get written now?
How many insights, how much wisdom,
will remain forever unexpressed? The appearance of
The Dawn of Everything: A New History of Humanity
is thus bittersweet, at once a final, unexpected gift
and a reminder of what might have been."
— William Deresiewicz
This is from The Atlantic on St. Luke's Day, 2021.
Note the article's illustration, and related material from
this journal on the date of the death described above:
Bullshit Studies
Yesterday morning's post "First Step" quoted an essay by Michael Spitzer
published online in Aeon on October 18 —
https://aeon.co/essays/
can-music-give-you-an-orgasm-the-short-answer-is-yes .
A look at earlier essays in that publication reveals . . .
Related material — From a search for Wertheim in this journal —
“Space: what you
damn well have to see.”
— James Joyce, Ulysses
Tuesday, October 19, 2021
“Begin the Begat” — Finn’s Rainbow
"He was born David Finkelstein in New York
on Aug. 30, 1921. His father, Jonathan, was
a writer who used Finn as a pen name and
then legally changed the family name to Finn
when David was in high school."
Sometimes way behind.
The Dark at the Bottom of the Stairs
First Step
From "Music and Sex," by Michael Spitzer, online at Aeon "Pattern and anticipation are possible only because humans have a grasp of regular time intervals. Our ability to predict what comes next is linked to the evolution of walking on two feet, to bipedalism. Walking might have taught our brain its sense of time, and time is perhaps the brain’s internal simulation of the periodic motion of footsteps (averaging about one step every several 100 milliseconds). In other words, the first step towards human music happened 4 million years ago…." |
Monday, October 18, 2021
An Artist’s I
Christoph Niemann, cover artist of the Oct. 18, 2021, New Yorker:
"I love the New York City grid. My favorite thing about
Central Park is the shape—a perfect, large rectangle."
Star Logo for the Feast of St. Luke (Skywalker)
See Leiber in this journal.
Sunday, October 17, 2021
Slack for Mathematicians
Saturday, October 16, 2021
Cryptic
The above title, from a Oregon professor's writings quoted in this morning's
midnight-hour post, suggests a memory-hole date . . .
The above Crypt remarks are dated October 7, 2019.
Also on that date . . .
Th’ Honor
The online New York Times yesterday on a dead adman —
"His childhood hero was Bill Mauldin, the Pulitzer Prize-winning
editorial cartoonist, whose drawings Mr. Kennedy traced while
learning to draw."
Some will prefer the Hawkline Monster version of heroes —
In Memory of Brian Goldner, dead on October 12th*
"Before time began, there was the Cube." — Optimus Prime
See also Design Cube.
* According to The Wall Street Journal … and possibly also
dead on October 11th, according to The New York Times .
Prose for Pedagogues*
Friday, October 15, 2021
Slack for Mathematicians
Any professional mathematician interested in trying out Slack
at the new workspace mathnex.slack.com ("Mathematics") can request
an invitation by sending an email (from his or her .edu address) to …
membership-requests-aaaaey3utm5icm42ujxnz2alza@mathnex.slack.com .
Click the image below for a discussion of Slack use among academic
colleagues within a department. The new Mathematics workspace is
intended for communication within subject areas , not departments.
This is made possible by Slack's channels… Separate channels can
easily be set up for separate subject areas: analysis, group theory, etc.
Thursday, October 14, 2021
Adventures in Story Space* . . .
In memory of an editor/author who reportedly died on September 12 . . .
Vide an anthology he edited that was published on November 1, 2013,
and two Log24 posts from that date —
Colorful Tale (11/1/2013)
See the title phrase in this journal.
See also posts from last August tagged Storyville.
Orange and Black at the White House (11/1/2013)
See Josh Lederman's AP story on this year's
colorful White House Halloween decorations.
Orange and black are also the Princeton colors.
See as well The Crosswicks Curse.
* "Story space" is a phrase from Log24 on September 12.
Quis Necavit Equitem?
Wednesday, October 13, 2021
Q is for Quelle
Gita 11:32
Author Martin Sherwin reportedly died on Wednesday, October 6, 2021.
He wrote a biography of J. Robert Oppenheimer titled American Prometheus .
Oppenheimer is noted for his quotation from the Bhagavad-Gita, 11:32 —
"I am become death."
Another death date: that of author John Montague* — December 10, 2016.
Perhaps Montague would enjoy a Log24 post from that date.
* Author of "Death of a Chieftain." See tonight's previous post.
Tuesday, October 12, 2021
Midnight Requiem
"Remarkable in the collection–and indeed in contemporary short fiction–
is the title story, whose tequila-sodden and heart-heavy protagonist,
Bernard Corunna Coote, is a lapsed Ulster Protestant seeking traces of
a lost Celtic civilization in South America."
— Publishers Weekly on Death of a Chieftain by John Montague
See as well a related obituary.
Monday, October 11, 2021
Silverview
The title is that of a novel by John le Carré — apparently his last —
reviewed this morning in the online New York Times by Joseph Finder:
" The great Graham Greene didn’t quite take his own
spy novels seriously, labeling them 'entertainments,'
but le Carré revamped the genre to fit his considerable
ambitions. 'Out of the secret world I once knew,' he wrote,
'I have tried to make a theater for the larger worlds we inhabit.' "
The title suggests an image related to another novel …
Under the Volcano , by Malcolm Lowry (1947) —
The PLATA on the sign at right means "silver." The car in the foreground
is turning left onto Jardín Juárez, a street named for the plaza it adjoins
in Cuernavaca, Morelos, Mexico.
As for "to make a theater" . . .
My own modest efforts along those lines include a Log24 post
from le Carré's date of death:
The Dropped Line
"Drop me a line" — Imagined request by Emma Stone.
Here Ec refers not to the line it interrupts, but rather to
the area (equal to areas Ea plus Eb ) of the large triangle.
The notation is in service of an elaborate joke by Schroeder
that need not be repeated here.
I prefer the E-C humor of Robert A. Heinlein —
Pivotal
“Einstein on the Beach” is a pivotal work in the oeuvre of Philip Glass. It is the first, longest, and most famous of the composer's operas, yet it is in almost every way unrepresentative of them. For “Einstein” is much more than the usual uneven collaboration between a librettist and composer. From its beginnings, worked out between Glass and the theater artist Robert Wilson over a series of luncheons at a restaurant on New York's Sullivan Street in 1974, this was truly a team effort. |
See as well Joyce and Einstein on the Beach (Log24, March 8, 2020).
Related material — Diamond Pivot.
Sunday, October 10, 2021
Design Notes
From a book by Schultz, who reportedly died on Sept. 28:
Seeking continues (in this case, seeking the source) . . .
Compare and Contrast
From the previous post —
For the connection between His Dark Materials and The Four Elements ,
see Darkness at Noon (Log24, Jan. 31, 2011).
La Brea and Beverly
November 2020 — Billboard at a La Brea Chevron: His Dark Materials
October 2021 — Nearby billboard: Guilty Party
Log24 on Sept. 18 — The Guilty Party acorn hat:
♫ The way you wear your hat . . .
Saturday, October 9, 2021
The Quoter
UK mathematician Peter J. Cameron today —
"If I could send a message to the world leaders
who will soon assemble…."
Cameron quotes a number of phrases from Bob Dylan's 1963 song
"A Hard Rain's A-Gonna Fall."
A line from the song that I particularly like:
"I saw a highway of diamonds with nobody on it."
A more popular thoroughfare: The Giant's Causeway.
This Side of Paradise
Note the book subtitle below: "minutes from an infinite paradise."
For further details, see other posts tagged Revelado.
Friday, October 8, 2021
Thursday, October 7, 2021
Louis Menand, Coordinator Wannabe
See also previous references to Menand in this journal.
The Hunt for Brechtian October Continues:
Diamond and Chessboard
(For Crystal Field)
"… Mr. Ferencz was a favorite of Crystal Field,
the co-founder and artistic director of Theater for the New City.
'He had the political and historical understanding that is a necessity
for socially relevant theater,' she said in a statement.
'He was a Brechtian director….' "
— Neil Genzlinger in The New York Times
"In the first trailer for The Hunt … we meet a woman by the name of
Crystal (Betty Gilpin) who discovers that although she's been told
she's in Arkansas, when she pulls a license plate off a car, she
discovers a Croatian one underneath."
See also the previous post, featuring work by a filmmaker from Zagreb.
Wednesday, October 6, 2021
Balera
From Dancing in the Moonlight (Log24, July 27) —
For those who prefer really tiny dancers (Humbert Humbert, etc.) —
The balero in an Oct. 3 post suggests a search for the feminine form
of that term. The result:
Click to enlarge the balera image.
Related viewing — The portrayal of a very young dancer in
the 2015 film "A Beautiful Now." I find the film's older version
of that dancer, played by Abigail Spencer, of greater interest.
Decomposition
Compare and contrast:
The October 1 American Mathematical Society essay
titled "Decomposition," and . . .
"Decomposition" in this journal.
Tuesday, October 5, 2021
Global-Minded
Komansky reportedly died on Sept. 27. See other
global-minded news on that date in this journal.
Halloween 2020
Monday, October 4, 2021
“That first step’s kinda tricky.”
This morning on Instagram, before it went down —
Sophia Lillis puts her best foot forward :
Related reading for fiction fans —
Horace Tarbox* Presents . . . Sinkhole!
* The name is from a New Yorker cover bearing today's date.
The Stanley Kubrick Award for Novel Engineering*…
Goes to Facebook !
https://www.nytimes.com/2021/10/04/
technology/facebook-down.html —
"Facebook’s global security operations center
determined the outage was 'a HIGH risk to
the People, MODERATE risk to Assets and
a HIGH risk to the Reputation of Facebook,'
the company memo said.
A small team of employees was soon dispatched
to Facebook’s Santa Clara, Calif., data center to
try a 'manual reset' of the company’s servers,
according to an internal memo."
On this date 15 years ago, other Santa Clara news . . .
* See today's previous post, Bookstores.
Bookstores
On the New Yorker cover bearing today's date —
There may be better company at . . .
Now Lens
In search of lost time …
"A Portrait of the Writer as a Young Woman"
in The New Yorker , issue dated October 4, 2021,
contains diary and notebook writings from 1948 through 1950
by Patricia Highsmith, who has appeared here previously.
Another (undated) portrait, from the Web —
The above photographic portrait is undated, but it was
posted on 21 February 2006. This journal's posts
on that date have been tagged, in Highsmith's honor …
Now Lens .
Sunday, October 3, 2021
The Social Canon
The New York Times reports a Sept. 20 death —
See also Red Dot Problems from the date of Codevilla's death.
“Zeros and Ones” (film title)
Review in Variety , August 13, 2021, by Jay Weissberg —
" Audiences heading for the doors during the final credits
will miss this crucial coda in which Hawke says he didn’t
really understand the script and then goes on to spout
innocuous platitudes about death, life and the start of
a new day, ending it all with 'yes, this is part of the film.' ”
This, on the other hand, is presumably not part of the film —
See "The Shining of May 29" in this journal.
Global
"It was the first expression of
the first global-minded generation
born on the planet."
Related material —
Saturday, October 2, 2021
Object Lesson
From the Log24 post
Art Direction
(July 23, 2021) —
Related images suggested
by today's news —
"Program or be programmed."
Woodstock Hat Check
♫ The way you wear your hat . . .
The way your smile just beams . . .
Later . . .
Richie Havens performed onstage at
the Woodstock Music and Arts Fair
in Bethel, New York, August 15, 1969.
Havens in Rolling Stone — I thought, "Oh, God, they're going to kill me. I'm not going out there first. What, are you crazy?" It was about 2:30 or 3 p.m. on Friday afternoon, and the concert was already almost three hours late. I was supposed to be fifth on the bill, but the other entertainers were still at the hotel, seven miles away. I thought, "Jeez, they're gonna throw beer cans at me because the concert's late." So I did a little fast talking, a little rap, and then I did a nearly three-hour set, until some of the others finally showed up. My bass player, Eric Oxendine, had gotten caught in the traffic on the New York State Thruway. He abandoned his car 30 miles away and walked, and he arrived just as we got offstage. When we left the festival, there wasn't another car on the thruway except ours. For 75 miles cars were parked five deep. That was the most surrealistic thing I've ever seen in my life. My fondest memory was realizing that I was seeing something I never thought I'd ever see in my lifetime — an assemblage of such numbers of people who had the same spirit and consciousness. And believe me, you wouldn't want to be in a place with that many people if they weren't like-minded! It was the first expression of the first global-minded generation born on the planet. Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock. The history of the be-in is interesting. Originally it wasn't just about music. It was: "Let's go out to the park and throw Frisbees and be with each other." It went from that to the Monterey Pop Festival, which was a nonprofit concert in 1967, and from that came the hint: "Let's try to do one of these things, but let's try to make some money." That's where their heads were at, but that didn't happen. It turned into the world's largest be-in, which I call the Cosmic Accident. It was totally unexpected. The organizers thought that if it were like Monterey Pop — which drew 50 to 60,000 people — they'd make off like bandits. However, there were about 400,000 people the first afternoon, and it was free before it started. The only people who made off like bandits was Warner Bros., who got the movie rights. So the merits of Woodstock being love, peace, and harmony still stand on pillars of "Let's make money." That's what it was in the beginning. The consciousness was realized afterward. The movie chronicled that consciousness. It didn't make a big deal out of the music. You saw some of the musicians playing a song or two, but it was less than half the musicians who performed. So it wasn't a true depiction of what happened onstage, but you did see members of the older generation, like the police chief, saying, "Leave the kids alone, the kids are great, they're not bothering anybody." That was much more influential than the music on the people who went to see it. Woodstock wasn't just sex, drugs and rock & roll. Thank God for the movie, because the people who saw it got a touch of the Woodstock spirit, the spirit of people just being people. A version of this story was originally published in the August 24th, 1989 print edition of Rolling Stone. |
Jacobean Jacobian:
An attempt to clear up confusion sown by a Christian witch.
The above OED quotations omit a notable instance of the phrase in
T. S. Eliot's "The Waste Land" drawn from a Jacobean dramatist —
The Log24 date above, September 7, recurs in recent mathematics —
See as well a post on the so-called Hungarian Algorithm.