Elvis, 1958, "Spearhead" Division . . .
Kristen, January 2024 Sundance photo by Mariah Tauger:
publicity photo for "Love Me" . . .
Elvis, 1958, "Spearhead" Division . . .
Kristen, January 2024 Sundance photo by Mariah Tauger:
publicity photo for "Love Me" . . .
A date from the above Google search for Whanganui meaning —
September 22, 2019.
See that date in other posts now tagged Simplex.
* See other posts tagged Chrome Art in this journal.
There is nothing more irritating to enthusiasts than when the mainstream tries to portray their niche world and gets it wrong. And The Brutalist gets an awful lot wrong. Just as Gladiator II recently vexed classicists with its inaccurate portrayal of the emperors and its anachronistic scenes of people reading the newspaper and drinking at cafes (neither of which, apparently, existed at the time), so too has director Brady Corbet riled the architecture world by playing fast and loose with his interpretation of brutalism, the Bauhaus, postwar immigration and the basic process of architecture itself.
— Oliver Wainwright in The Guardian, |
Chrysler Building Niche Worlds:
See also Alec Baldwin in "The Aviator" . . .
" 'There is a game of puzzles,' he resumed,
'which is played upon a map. One party playing
requires another to find a given word — the name
of town, river, state, or empire —
any word, in short, upon the motley and perplexed
surface of the chart.' " — Edgar Allan Poe
Previously . . .
Today . . .
The date April 1, 2023, from the previous post, and a
Substack illustration from yesterday, January 28, suggest
some art from this journal on the former date —
See http://log24.com/log25/
DeepSeek-250126-Print-option-version-of-DTandMOG.pdf .
Conclusion "The Diamond Theorem and the MOG exemplify how finite geometry bridges abstract algebra and combinatorics. Their relationship underscores the universality of symmetry in mathematics, from graphic designs to sporadic groups and error-correcting codes. By studying one, insights into the other — and into structures like the Leech lattice — naturally emerge." — DeepSeek R1, Jan. 26, 2025. |
That AI research report from today was suggested by
a VentureBeat article from yesterday —
For a Google Gemini Deep Research report on the same topic,
see a Log24 post from Tuesday, Jan. 21.
Peter J. Cameron today presented in his weblog an excerpt
from Aldous Huxley's The Perennial Philosophy .
Another such excerpt —
"Taking words as the measure of things, instead of using
things as the measure of words, Hume imposed the discrete
and, so to say, pointilliste pattern of language upon the
continuum of actual experience — with the impossibly
paradoxical results with which we are all familiar. Most human
beings are not philosophers and care not at all for consistency
in thought or action. Thus, in some circumstances they take it
for granted that events are not 'loose and separate,' but coexist
or follow one another within the organized and organizing field
of a cosmic whole. But on other occasions, where the opposite
view is more nearly in accord with their passions or interests,
they adopt, all unconsciously, the Humian position and treat events
as though they were as independent of one another and the rest
of the world as the words by which they are symbolized. This is
generally true of all occurrences involving 'I,' 'me,' 'mine.'
Reifying the 'loose and separate' names, we regard the things as
also loose and separate — not subject to law, not involved in the
network of relationships, by which in fact they are so obviously
bound up with their physical, social and spiritual environment."
— Aldous Huxley, The Perennial Philosophy , on p. 156 of the
1947 Chatto & Windus (London) edition.
Those in search of an "organized and organizing field" might
consider the Galois field GF(64) — as embodied in the Chinese
classic I Ching … or, more recently, in the finite geometry PG(5,2) —
the natural habitat of the R. T. Curtis Miracle Octad Generator.
The diagram description in the title is from a YouTube video about
the Miracle Octad Generator of R. T. Curtis.
Supplemental AI-generated reading . . .
Diamond Theorem and Miracle Octad Generator
An “AI Overview” Google Search response to the ___________________________________________________ In mathematics, the "diamond theorem" refers to a geometric concept related to finite projective geometry, which is used to explain the surprising symmetry properties observed in the "Miracle Octad Generator" (MOG), a tool developed by mathematician R.T. Curtis for studying the Mathieu groups and binary Golay code; essentially, the diamond theorem helps analyze the patterns within the MOG, revealing a hidden structure based on geometric principles. [1, 2, 3, 4, 5] Key points about the connection: [1, 2, 3]
Generative AI is experimental. [1] http://finitegeometry.org/sc/16/dtheorem.html [2] https://encyclopediaofmath.org/wiki/Cullinane_diamond_theorem [3] https://arxiv.org/abs/1308.1075 [4] https://en.wikipedia.org/wiki/Miracle_Octad_Generator [5] http://xenon.stanford.edu/~hwatheod/mog/mog.html |
"Generative AI is experimental." . . .
Exercise: Correct errors in the text, using the links.
A more concise presentation —
For your consideration . . .
And from my browser today, there is . . .
#meetcute The Diamond Eye —
For the more sophisticated reader —
other posts now tagged Diamond Eye.
A midrash for Kantor —
The time of this post, 9:01, suggests a look at the prime factors of 901:
Related entertainment: the new thriller "Prime Target."
This post was suggested by Dudeney's "Stonemason's Problem," which
in turn was suggested by the number "204" in the opening episode of
the new Apple TV Plus thriller "Prime Target."
Below: a "Corner Store" location I prefer. The store itself is now long gone.
" I divide mathematics into discrete and continuous
(prickles and goo, as Alan Watts put it) . . . ."
— Peter J. Cameron on 8 December 2024
* See a YouTube rendition (dated Oct. 28, 2013).
The Cullinane Diamond Theorem Document created on Jan. 21. 2025, by Google’s Gemini Advanced 1.5 Pro with Deep Research, in response to the following prompt:
“Research how the Cullinane diamond theorem and The Cullinane diamond theorem and the Miracle Octad Generator (MOG) are two seemingly disparate mathematical concepts that find a surprising connection through the realm of finite projective geometry. This report delves into the relationship between these two concepts, exploring their definitions, properties, and historical context to illuminate their interconnectedness. Cullinane Diamond Theorem The Cullinane diamond theorem, developed by Steven H. Cullinane, is a mathematical concept that explores the symmetrical properties of certain geometric patterns. It focuses on a 4×4 square pattern with alternating colors arranged in a diamond shape, referred to as the "diamond figure".4 The theorem states that every permutation of the 16 tiles within this diamond figure, generated by mixing rows, columns, and quadrants, will result in a pattern with some form of ordinary or color-interchange symmetry.5 This "invariance of symmetry" is a remarkable property that highlights the inherent order within seemingly random arrangements.3 The theorem has deep roots in group theory, with the group of permutations (G) being isomorphic to the affine group A on the linear 4-space over the finite field GF(2).6 This group has an order of 322,560 and plays a crucial role in understanding the symmetry of both the diamond-theorem figures and the square patterns of the MOG.5 A key result used in the proof of the theorem states that every 4-coloring (i.e., every map into a 4-set) can be expressed as a sum of three 2-colorings.1 Interestingly, the Cullinane diamond theorem can be extended to higher dimensions. For instance, extending the action of A to a 4x4x4 array yields a way of generating the 1.3 trillion transformations natural to the 64 hexagrams of the I Ching, an ancient Chinese divination text.1 This connection suggests potential applications of the theorem in diverse fields beyond geometry. Another interesting concept that arises from the Cullinane diamond theorem is that of "diamond rings." These rings are algebraic structures generated by the G-images of the diamond figure, and they are isomorphic to rings of matrices over GF(4).5 This algebraic formulation provides a deeper understanding of the symmetry properties explored by the theorem. Miracle Octad Generator The Miracle Octad Generator (MOG), conceived by R.T. Curtis, is a mathematical tool used to study the symmetries and properties of the Mathieu group M24, a sporadic simple group of significant importance in group theory and coding theory.7 It is a 4×6 array of combinations that can describe any point in 24-dimensional space.7 More precisely, each element in the array represents a combination of coordinates or symbols that contribute to defining a point in this 24-dimensional space. Properties The MOG preserves all the symmetries and maximal subgroups of M24, including the monad, duad, triad, octad, octern, sextet, trio, and duum groups.7 It can be used to visualize partitions of the 24 points, which is important for characterizing these maximal subgroups of M24.8 One of the key applications of the MOG lies in its ability to quickly verify codewords of the binary Golay code, a highly efficient error-correcting code used in various communication systems.7 Each element in the MOG can store a '1' or a '0', and by analyzing the counts (number of '1's) in each column and the top row, one can determine if a set of 24 coordinates forms a valid codeword.7 The MOG achieves this by projecting the 24 Golay code onto a code called the hexacode.8 The MOG is also closely related to the concept of octads and sextets. Any 5 elements of the MOG lie in a unique octad, which is a set of 8 elements.9 A sextet is a set of 6 tetrads (sets of 4 elements) where the union of any two tetrads forms an octad.9 Every tetrad lies in a unique sextet. Furthermore, the MOG is a pairing of the 35 partitions of an 8-set into two 4-sets with the 35 partitions of AG(4,2) (the affine 4-space over GF(2)) into 4 affine planes.10 This pairing preserves specific incidence properties, which refer to the relationships between points, lines, and planes in a geometric space. It's worth noting that there are two competing definitions of the MOG. Curtis originally defined it as a pairing of two 35-member sets.11 However, many sources now define it as a rectangular array based on Conway's hexacode.11 Finally, the MOG helps in understanding the octad stabilizer, a subgroup of M24 that leaves an octad invariant as a set.10 This subgroup is isomorphic to the automorphism group of the affine 4-space over GF(2), highlighting the deep connection between the MOG and finite geometry. Relationship Between the Cullinane Diamond Theorem and the Miracle Octad Generator The relationship between the Cullinane diamond theorem and the MOG emerges from their shared foundation in finite projective geometry. The 35 square patterns within the MOG have an underlying structure based on finite projective geometry.5 These patterns, composed of two-color diagonally-divided square tiles, exhibit surprising symmetry properties that can be explained using the Cullinane diamond theorem.5 A crucial link between the Cullinane diamond theorem and the MOG is the fact that the same symmetry group, of order 322,560, underlies both concepts.5 This shared symmetry group highlights a deep connection between the seemingly different patterns studied by these two concepts. The line diagrams used to visualize the Cullinane diamond theorem also play a crucial role in understanding the symmetry of the square patterns in the MOG.5 These line diagrams, based on the three partitions of the four-set of square tiles, correspond to the 35 lines in the 3-dimensional projective space over GF(2).5 In essence, the Cullinane diamond theorem provides a way to understand and visualize the symmetry properties inherent in the MOG. Furthermore, the underlying geometry of the 4×4 patterns in the Cullinane diamond theorem is closely related to the MOG, which is used in the construction of the Steiner system S(5,8,24).5 This connection extends to the Leech lattice, a highly symmetrical mathematical structure in 24 dimensions, which Walter Feit described as a "blown up version of S(5,8,24)".5 The Leech lattice is a dense sphere-packing in 24 dimensions with remarkable symmetry properties and connections to various areas of mathematics and physics. Interestingly, the Cullinane diamond theorem also sheds light on the relationship between orthogonality of Latin squares and skewness of lines in a finite projective 3-space.12 Latin squares are square arrays filled with symbols, and orthogonality between two Latin squares means that when they are superimposed, each possible pair of symbols appears exactly once. Skewness of lines in projective geometry refers to lines that do not intersect. The Cullinane diamond theorem helps establish a connection between these seemingly unrelated concepts. Another interesting connection is to Beutelspacher's model of the 15 points of PG(3,2).1 This model provides a way to visualize the points of this projective space, and it relates to the Cullinane diamond theorem and the MOG through their shared foundation in finite projective geometry. Applications The relationship between the Cullinane diamond theorem and the MOG has potential applications in various fields, including coding theory and cryptography. The MOG's ability to verify codewords of the binary Golay code is particularly relevant in coding theory, where efficient error-correcting codes are essential for reliable data transmission.7 The Cullinane diamond theorem, with its focus on symmetry and permutations, could potentially contribute to the development of new coding schemes or cryptographic algorithms. For example, the theorem's insights into the structure of finite projective spaces could be used to design codes with specific properties or to analyze the security of existing cryptographic systems. Beyond coding theory, the Cullinane diamond theorem has applications in visualizing various mathematical concepts. For instance, it provides a way to visualize Walsh functions, which are a set of orthogonal functions used in signal processing and other areas of mathematics.1 The theorem also helps visualize the finite projective plane PG(2,4), a fundamental object in finite geometry with connections to various combinatorial structures.12 Additionally, the theorem has connections to the outer automorphisms of S6, the symmetric group on 6 letters, which are transformations that preserve the group structure but are not inner automorphisms.12 Visualizations Visualizations play a crucial role in understanding the connection between the Cullinane diamond theorem and the MOG. The 35 square patterns within the original (1976) MOG, as defined by R. T. Curtis, provide a visual representation of this connection.5 These patterns, along with the line diagrams used to illustrate the Cullinane diamond theorem, offer a tangible way to grasp the interplay between these concepts.5 Here are some examples of visualizations that illustrate this connection:
Historical Connections Historically, the development of the Cullinane diamond theorem and the MOG stemmed from explorations in finite projective geometry and group theory.5 While the exact historical connections between their development remain unclear, both concepts emerged from a desire to understand the symmetries and properties of mathematical structures in finite spaces. Conclusion The Cullinane diamond theorem and the Miracle Octad Generator, while seemingly distinct, are intricately linked through the principles of finite projective geometry. The theorem's focus on symmetry invariance and the MOG's ability to capture the symmetries of the Mathieu group M24 highlight their shared foundation. This connection extends to higher-dimensional structures like the Leech lattice and has potential applications in coding theory, cryptography, and the visualization of various mathematical concepts. The relationship between these two concepts exemplifies the interconnectedness of mathematical ideas. Often, seemingly unrelated areas of mathematics converge in unexpected ways, revealing hidden symmetries and relationships. The Cullinane diamond theorem and the MOG provide a compelling example of this phenomenon, demonstrating the power of finite projective geometry in unifying and illuminating diverse mathematical structures. Works cited 1. Diamond Theory: Symmetry in Binary Spaces, accessed January 21, 2025, https://m759.tripod.com/theory/dtheory.html 2. The Diamond Theorem in Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/16/dtheorem.html 3. finitegeometry.org, accessed January 21, 2025, http://finitegeometry.org/sc/gen/dtcas.html#:~:text=Cullinane,have%20some%20sort%20of%20symmetry. 4. Speak, Memory « Log24 – Home page of m759.net, a domain used by Steven H. Cullinane for a WordPress weblog., accessed January 21, 2025, http://m759.net/wordpress/?p=112809 5. Cullinane diamond theorem – Encyclopedia of Mathematics, accessed January 21, 2025, https://encyclopediaofmath.org/wiki/Cullinane_diamond_theorem 6. What is the Cullinane diamond theorem? – Log24, accessed January 21, 2025, http://log24.com/log24/240303-You.com-Cullinane_Diamond_Theorem-research-paper.pdf 7. Miracle Octad Generator – Wikipedia, accessed January 21, 2025, https://en.wikipedia.org/wiki/Miracle_Octad_Generator 8. Mathieu groups, the Golay code and Curtis' Miracle Octad Generator, accessed January 21, 2025, https://vrs.amsi.org.au/wp-content/uploads/sites/6/2014/09/UWA-Kelly.pdf 9. MOG (Miracle Octad Generator) – Stanford, accessed January 21, 2025, http://xenon.stanford.edu/~hwatheod/mog/mog.html 10. The Miracle Octad Generator (MOG) of R T. Curtis – Elements of Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/24/MOG.html 11. Competing Definitions of the Miracle Octad Generator – Elements of Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/24/mogdefs.html 12. Diamond Theory: Symmetry in Binary Spaces – Elements of Finite Geometry, accessed January 21, 2025, http://finitegeometry.org/sc/gen/dth/DiamondTheory.html 13. arxiv.org, accessed January 21, 2025, https://arxiv.org/abs/1308.1075 |
View this post as a standalone web page at
http://log24.com/log25/DTandMOG.html.
and as a PDF at
http://log24.com/log25/DTandMOG.pdf.
For a more elementary introduction to the MOG, see a YouTube video,
"The Most Powerful Diagram in Mathematics."
For a PDF of the video's metadata and comments, click here.
"Exquisite" — William Kantor, University of Oregon
Pure Mathematics as a "Relaxed Field" —
Not So Relaxed —
See as well "Devil's Night Art Notes" in other news of October 2020.
In memory of a meeting of the Philomorphs at Sever Hall,
Harvard University, in 1978 . . .
Loeb died on July 19, 2002. Vide this journal on the next day.
* The purely mathematical kind —
“By far the most important structure in design theory
is the Steiner system S(5, 8, 24).”
— “Block Designs,” by Andries E. Brouwer
(Ch. 14 (pp. 693-746) of Handbook of Combinatorics,
Vol. I, MIT Press, 1995, edited by Ronald L. Graham,
Martin Grötschel, and László Lovász, Section 16 (p. 716))
See also Gauss in this journal.
Ron Shaw in "Configurations of planes in PG(5,2)" . . .
"There are some rather weird things happening here."
Related entertainment — The Yarrow Stalker .
Click image to see program at WebSim. To enlarge image click here.
The data file for the above cube is at
log24.com/log/pix24/Websim-SolCube-data.json.
(Right-click the above json link and choose "Save Link As.")
A phrase by Aitchison at Hiroshima . . .
"The proof of the above is a relabelling of the Klein quartic . . . ."
Related art — A relabelling of the Klein quadric by Curtis bricks:
Update of 12:26 PM EST Wednesday, January 15, 2025 —
Here is a large (17.5 MB) PDF file containing all posts touching upon
the concept underlying the above illustration — the Klein correspondence.
(A PDF reader such as Foxit is recommended for such large files.)
"On 26 November 2019, the 40th General Conference
of UNESCO proclaimed 14 January to be World Logic Day,
a global day of supporting the development of logic through
teaching and research, as well as to [sic] public dissemination of
the discipline. The date chosen to celebrate World Logic Day,
14 January, corresponds to the date of death of Kurt Gödel . . . ."
— https://wld.cipsh.international
This post was suggested by a New York Times
"Overlooked No More" obituary today.
See also Durer Knight in this journal.
— R. T. Curtis, "A New Combinatorial Approach to M 24 ,"
Mathematical Proceedings of the Cambridge Philosophical Society (1976),
Related material —
Related art —
From part two of the recent film triptych "Kinds of Kindness" . . .
Window with Couch and Cat —
From last night's TV —
Schrödinger's Box
Oh, moody blue Tell me, am I gettin' through? I keep hangin' on Tryin' to learn your song But I never do Oh, moody blue Tell me who I'm talking to You're like night and day And it's hard to say Which one is you |
See as well the Diamond Cube at Pinterest —
See also news from the day I turned 11 …
Oh, moody blue Tell me, am I gettin' through? I keep hangin' on Tryin' to learn your song But I never do Oh, moody blue Tell me who I'm talking to You're like night and day And it's hard to say Which one is you |
For the former, see
A synchronology check of the date June 7, 2023, in this journal yields
an account of a sin allegedly committed by author Susan Sontag . . .
A biographer accuses her of falsifying, by two years, the date of a
meeting with Thomas Mann in his Pacific Palisades home. There may,
of course, have been more than one such meeting — once in 1947,
as described much later in detail by Sontag in a New Yorker piece, and
again in 1949, as noted privately at the time by Sontag in her journal
and by Mann himself in his diary. But the thoroughness of the biographer's
research makes this seem unlikely.
In memory of related remarks in a book I think of as
the Black Hole of Seattle —
Friday, January 8, 2016
|
Related illustration —
— Transcription —
Grok 2 on Klein correspondence and MOG — 9 Jan. 2025 Prompt: How is the Klein correspondence related to the Miracle Octad Generator? Grok 2 response (with citations and links removed): The Klein correspondence is closely related to the Miracle Octad Generator (MOG) through the mathematical structure they both engage with, particularly in the context of finite geometry and combinatorics. Klein Correspondence: This refers to a mathematical framework that establishes a correspondence between points and lines in a projective space. Specifically, in the context of the MOG, it relates to the geometry of PG(3,2), the three-dimensional projective space over the field with two elements. The Klein correspondence, in this context, essentially connects the combinatorial aspects of partitions of an 8-set to the geometric structure of lines in PG(3,2). Miracle Octad Generator (MOG): Introduced by R.T. Curtis, the MOG is a tool used in the study of the Mathieu group M24, the binary Golay code, and related structures like the Steiner system S(5,8,24). It consists of a 4×6 array where the positions are used to construct octads (sets of 8 elements) from given sets of 5 elements, reflecting the structure of the Steiner system. Relation Between Klein Correspondence and MOG: Combinatorial and Geometric Link: The MOG uses the Klein correspondence to map partitions of an 8-set (into two 4-sets) to 4 parallel affine planes within PG(3,2). This mapping is natural and symmetrical, which is crucial for the MOG's functionality. The 35 partitions of an 8-set correspond to the 35 lines in PG(3,2), and this correspondence helps in understanding how to generate and visualize octads within the MOG framework. Structural Insight: The Klein correspondence provides a way to see how the MOG's method of generating octads can be understood geometrically. This insight is vital for exploring the symmetry and subgroup structure of M24, as the MOG's layout preserves these symmetries. Thus, the Klein correspondence serves as a foundational link that allows the MOG to operate by translating combinatorial problems into geometric ones, facilitating the study of complex mathematical structures like the Mathieu groups and Steiner systems. |
From posts tagged EGBDF —
♫ “And we may see the meadow in December,
icy white* and crystalline” — Johnny Mercer
“The devil likes metamorphoses.“
Related geography . . .
* See a related (if only verbally) obituary.
* https://www.google.com/search?q=
Boufflers+%22il+faut+dire+en+deux+mots%22
Bluntly . . .
In this case, the "deux mots" are "subscribe" and "tinker,"
the latter written beneath the former.
"I could a tale unfold . . ." — Hamlet's father's ghost
A contemporary minimalist composer whose work resembles that of
Thomas Mann's Doctor Faustus reportedly died at 85 Tuesday
in Paris on New Year's Eve (December 31, 2024). The phrase
"mathematical clarity" in his obituary in today's New York Times
suggests a synchronology check —
Compare and contrast.
"The upcoming film Love Me has an intriguing concept.
In a post-apocalyptic world in which humans have gone extinct,
a buoy falls in love with a satellite. To be together, they review
historical accounts of humanity and create avatars of themselves,
played by Steven Yeun and Kristen Stewart."
Lester del Rey, Pstalemate , 1971 —
"Distilled from her frantically escaped mind,
the words still drew her back, let her relax
to some-thing that would be almost sleep
in the living. She could no longer find
the way out when her mind was tense.
Once the whole world was open at all times,
but now there was only the single tunnel
to the Boy, and she could not reach that until
everything else was blanked from her mind
and she could draw help from the symbol
she had planted."
Song lyric —"Let's hear it for the Buoy !"
(Vide "Love Me" trailer)
From Instagram story of Alessandra Torresani, 3 January 2025.
Oh, the red leaf looks to the hard gray stone
To each other, they know what they mean
— Suzanne Vega, “Songs in Red and Gray“
A passage from Lester del Rey (Pstalemate , 1971) —
She caught herself, grabbing frantically for the slithery walls that were already dropping to the bottomless pit. She clawed and fought, until she found the ladder of the old verse-the one she'd had revealed to her after the Change. She felt a skittering memory of alienness and things ran ahead of her awareness, but then she had begun the words of the poem that summed her needs, and she was reciting it over and over, climbing back toward the stability between the pit and the illusion beyond her: Mating hating, waiting sating, Slip to sleep in sleuthy slumber; Humble fumble, mumble jumble- Kill the cub that cawls encumber. Sometimes now she could no longer understand it all, but it still served. Distilled from her frantically escaped mind, the words still drew her back, let her relax to some-thing that would be almost sleep in the living. She could no longer find the way out when her mind was tense. Once the whole world was open at all times, but now there was only the single tunnel to the Boy, and she could not reach that until everything else was blanked from her mind and she could draw help from the symbol she had planted. Such a tiny opening toward him- Henry! -grim, desperate urgency in her need to get back. But at last the murky thread appeared, and she could will her way into the tunnel it marked. She moved outward through infinities of distance, swimming toward the once-familiar goal. Slowly, a richness and width appeared in the tunnel. Then well-known pathways and perception scenery, a part-ing to let her in. For a second, the familiarity soothed her, until the horror of the developing patterns of what might be, must be, struck her again. Here, still, she could catch the faint wisps of what was to come, though the tainted power no longer operated through either her will or the awareness around her. |
Related reading for Stephen King . . .
The "Bronze Age" reference in the previous post suggests . . .
"… another way of making the point that this aging Omega
of a culture cannot recognize or accommodate the Alpha
that is something importantly new and vital."
— HELGESON, KAREN. “‘Fully Apparent’: The Center in Stevens’
‘Credences of Summer.’” The Wallace Stevens Journal,
vol. 32, no. 1, 2008, pp. 32–54. JSTOR,
http://www.jstor.org/stable/44885050. Accessed 2 Jan. 2025.
See as well . . .
HELGESON, KAREN. “Place and Poetry in Stevens’ ‘The Rock.’”
The Wallace Stevens Journal, vol. 27, no. 1, 2003, pp. 116–31.
JSTOR, http://www.jstor.org/stable/44884834. Accessed 2 Jan. 2025.
"In a broader context, the subalpine Golasecca culture
is the very last expression of the Middle European
Urnfield culture of the European Bronze Age. The culture's
richest flowering was Golasecca II, in the first half of the
6th to early 5th centuries BC. It lasted until it was
overwhelmed by the Gaulish Celts in the 4th century BC
and was finally incorporated into the hegemony of the
Roman Republic."
— Wikipedia, Golasecca culture
"The site of Golasecca, where the Ticino exits from Lake Maggiore,
flourished from particularly favourable geographical circumstances
as it was quite suitable for long-distance exchanges . . . ."
— Wikipedia, Golasecca culture
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