From a Log24 post of June 20 —
"I’m really kind of into the idea of unearthing sidelined perspectives
and not making it all about the reasons that they’re sidelined, but
their actual experience.
What they love, what their desires are, where they come from,
where they want to go. And then not feeling like you always have to
stand on a … soapbox and be everyone’s spokesperson."
— Kristen Stewart in an article dated 19 February 2024
"NOWHERE Man, please listen . . ."
This was suggested by "Romance of the Avatars" (January 30) . . .
… and by, from June 14, "Isn't It Romantic?" . . .
* The title "Ghost Song" is from a tag in an image from the previous post.
This post was suggested by . . .
A background check on Father Demo Square revealed
further information at . . .
This post was suggested by a recent New York Times obituary
and by a discussion in a book review of the MoMA art event
"24 Hour Psycho" in the Times —
Other entertainment from the Times —
An update to . . .
http://log24.com/log/pix24/240623-Marrific-TikTok-Art-Reveal-recap.jpg
I appreciate Nowak's art, but my own art interests
are rather different:
La La Logic Meets Six-Set Geometry —
The title's Dean Martin classic suggests . . .
Some un related reading — the previous post and . . .
http://log24.com/log/pix24/240623-Father_Demo-Square-background.jpg.
Some marks I find more interesting . . . Those of a Galois field.
See a June 5 post on cultural appropriation .
Earlier . . . a view of a location I walked by on June 19 —
"First important note: this isn't a final redesign of the site!"
Parker Posey in "Thelma," a new film featured today
on CBS Sunday morning —
The above arboreal background forms what might be called,
in the words of the great Warren PA photographer Gordon Mahan,
a "crotch shot." … Some may prefer Emma Watson —
Kate felt quite dizzy. She didn't know exactly what it was that had just happened, but she felt pretty damn certain that it was the sort of experience that her mother would not have approved of on a first date. "Is this all part of what we have to do to go to Asgard?" she said. "Or are you just fooling around?" "We will go to Asgard...now," he said. At that moment he raised his hand as if to pluck an apple, but instead of plucking he made a tiny, sharp turning movement. The effect was as if he had twisted the entire world through a billionth part of a billionth part of a degree. Everything shifted, was for a moment minutely out of focus, and then snapped back again as a suddenly different world.
— Douglas Adams, The Long Dark Tea-Time of the Soul
Overarching Symmetries, Theory Change, and Ontology "Overarching symmetries help us to determine which new theories should replace older, falsified theories. Typically, when an earlier theory has been rejected and physicists are searching for a new theory to replace it, physicists don't just start from scratch. They assume that many of the features of the old theory were, in fact, correct, assuming the theory in question had a history of empirical successes. The old theory must have gotten something right to be successful, so since new theories should be strictly better than the theories they replace, we need a way to identify those successful features of our old theories and carry those features over into our new theories. Successful features of older theories can thus constrain what good candidates for these theories' replacements should look like." — Daniel Peterson, "Physical Symmetries, Overarching Symmetries, and Consistency" |
Posted to TikTok on Wednesday, June 19, 2024, 08:49:21 PM EDT —
See as well the skilled use of Blick art supplies
in posts now tagged 2024 May 18.
The title was suggested by the visual oeuvre of Marcela Nowak.
A more abstract alpha . . .
— R. T. Curtis, "A New Combinatorial Approach to M 24 ,"
Mathematical Proceedings of the Cambridge Philosophical Society (1976),
From a 2016 graphic novel by Douglas Rushkoff —
See as well . . .
https://zelda.fandom.com/wiki/Triforce and Galois Rhyme.
Related reading:
In that 2016 Rushkoff book, vide the foreword, dated March 1, 2016 …
and, from that same date in this journal, posts tagged Buttressed.
"I remember how the darkness doubled . . ."
For the source, see http://m759.net/wordpress/?s=Marquee+Moon.
From T. S. Eliot and the Dynamic Imagination
by Sarah Kennedy,
Cambridge University Press, 2018 —
Chapter 7
His Dark Materials
Would you have me
False to my nature? Rather say, I play
The Man I am.
– Shakespeare, Coriolanus, III.ii. [Link added.]
Synchronology check: This journal on the above YouTube date —
Geraldine Chaplin in "The Moderns" —
Background art — Gaugin.
Chaplin in the 12 AM Aug. 23, 2023, film at TCM …
Earlier . . .
The Naked Muse — m759 on March 27, 2023
|
The "Daily Beast" reference in the previous post suggests
a look at that title on the Web . . .
https://evelynwaughsociety.org/2016/the-daily-beast-on-the-daily-beast/ .
The date of that post was June 4, 2016.
For this journal on that date, see other posts now tagged June Sync.
"Think of it as a square peg being rammed hard enough
into a round hole to stay put." — Nick Schager today
at thedailybeast.com.
Related art — Emma Watson's astrological sign . . .
The Source :
<span data-timeago="2015-03-13T21:38:56Z">9 years ago</span>
More recently, a view of a location I walked by yesterday —
"First important note: this isn't a final redesign of the site!"
The abrupt text cutoff in the above image suggests a language review:
For the concept in general, see . . .
m759.net/wordpress/?s=Robinson+Definition .
For the concept in particular, see . . .
😉 (Emoji courtesy of marcelanow.art.)
Related reading: The Pristine Edge of Darkness.
A more specific account of
Outside/Inside box-thinking . . .
A connection discovered on April 1, 2013 — |
"DeWanda Wise is the mysterious June del Rey
in #PoolmanMovie.
Other cultural notes . . .
Willkommen! Bienvenue! Welcome!
Im cabaret, au cabaret, to cabaret!
Brooke Shields at last night's Tony awards —
"As the newly elected president of Actors Equity Association,
I am so proud to be here to celebrate the entire theatrical community,"
the actress, 59, said." — People online, June 16, 2024 11:13 PM EDT
Meanwhile, on the west coast . . .
BEST DOCUMENTARY SHORTS —
Related reading about a nodal complex —
James Hillman
EGALITARIAN TYPOLOGIES
VERSUS THE PERCEPTION OF THE UNIQUE
“The kind of movement Olson urges is an inward deepening of the image,
an in-sighting of the superimposed levels of significance within it.
This is the very mode that Jung suggested for grasping dreams —
not as a sequence in time, but as revolving around a nodal complex.”
A New York Times obituary today for the Fluxus artist below
suggests a look at this journal on June 5, his reported date of death.
* See also June 5 in yesterday's Annals of Ambiguity post.
Flashback to April 12, 2011 —
In the landscape of minimalism, John McCracken cuts a unique figure. He is often grouped with the “light and space” artists who formed the West Coast branch of the movement. Indeed, he shares interests in vivid color, new materials, and polished surfaces with fellow Californians enamored of the Kustom Kar culture. On the other hand, his signature works, the “planks” that he invented in 1966 and still makes today, have the tough simplicity and aggressive presence of New York minimalism…. “They kind of screw up a space because they lean,” McCracken has said of the planks. Their tilting, reflective surfaces activate the room, leaving the viewer uncertain of traditional boundaries. He notes that the planks bridge sculpture (identified with the floor) and painting (identified with the wall)…. His ultimate goal, as with all mystics, is unity— not just of painting and sculpture, but of substance and illusion, of matter and spirit, of art and life. Such ideas recall the utopian aspirations of early modernists like Piet Mondrian and Wassily Kandinsky. Related Art —
Unity
—Roman numeral I For a related figure, see a film review by A. O. Scott at The New York Times (September 21, 2010)— “You Will Meet a Tall Dark Stranger” begins with an unseen narrator— , sounding a lot like — paraphrasing . You may remember the quotation from high school English, about how life is a tale told by an idiot, full of sound and fury, signifying nothing. The observation is attributed to the playwright himself (“Shakespeare once said”), rather than to Macbeth, whose grim experience led him to such nihilism, but never mind. In context, it amounts to a perfectly superfluous statement of the obvious.If life signifies nothing, perhaps the tall dark figure above signifies something . Discuss. |
Related (if only phonetically) drama . . . Detective Cruz at Planck's Café.
Another cultural inflection point:
Susan Sontag,
Notes on “Camp”
This post was suggested by an Instagram ad this evening —
Good question. Not-so-virtual . . .
See as well a Log24 remark in an update . . .
from the above NYU thesis-week date.
From April 14, 2024, some culture notes that I prefer —
An example of pi.ai's clear and pleasant conversational style
(output format simplified for presentation here) —
Can you help with computer coding problems? Absolutely, Steven! 💻 While I can't guarantee I'll have all the answers, I'll certainly do my best to help you debug and find solutions to your coding conundrums. Which coding language are you working with, and what's giving you trouble? I want to learn how Python can permute sections of a square array. There are several ways to permute sections of a square array in Python, depending on your specific needs. Here are a few examples: Using NumPy's random.permutation() function: python import numpy as np arr = np.array([[1, 2], [3, 4]]) permuted_arr = np.random.permutation(arr) Using itertools.permutations(): python import itertools arr = [[1, 2], [3, 4]] permutations = list(itertools.permutations(arr)) Using custom permutation algorithms: python def custom_permutation(arr): # your custom permutation logic here arr = [[1, 2], [3, 4]] permuted_arr = custom_permutation(arr) Each method has its own strengths and weaknesses, and which one you choose will depend on the size of your array, the number of permutations you need, and your performance requirements. I would like to use python's custom permutation method to permute the four quadrants of a 4×4 array. Here's an example of how to define a custom permutation function in Python to permute the four quadrants of a 4×4 array: python def custom_permutation(arr): # Split array into 4 quadrants q1 = arr[:2, :2] q2 = arr[:2, 2:] q3 = arr[2:, :2] q4 = arr[2:, 2:] # Permute quadrants permuted_arr = np.block([ [q3, q1], [q4, q2] ]) return permuted_arr # Sample 4x4 array arr = np.array([[1, 2, 3, 4], [5, 6, 7, 8], [9, 10, 11, 12], [13, 14, 15, 16]]) permuted_arr = custom_permutation(arr) print(permuted_arr) In this example, we've defined a function custom_permutation() that takes a 4×4 NumPy array as input. The function splits the array into four quadrants (q1, q2, q3, and q4), and then uses NumPy's block() function to create a new array with the quadrants permuted. The resulting permuted_arr array has its quadrants rearranged. Of course, this is just one possible permutation of the array's quadrants. You can modify the custom_permutation() function to implement other permutations as needed. I tried the code you gave me and got the error “np name not defined.” Apologies for that! I missed an import statement in the previous example. You need to import the NumPy library at the beginning of your script to use the np alias and its functions. Here's the corrected code: python import numpy as np def custom_permutation(arr): # Split array into 4 quadrants q1 = arr[:2, :2] q2 = arr[:2, 2:] q3 = arr[2:, :2] q4 = arr[2:, 2:] # Permute quadrants permuted_arr = np.block([ [q3, q1], [q4, q2] ]) return permuted_arr # Sample 4x4 array arr = np.array([[1, 2, 3, 4], [5, 6, 7, 8], [9, 10, 11, 12], [13, 14, 15, 16]]) permuted_arr = custom_permutation(arr) print(permuted_arr) This code should work now without any issues. It did work. Thank you, Pi. You're very welcome, Steven! I'm glad the code worked for you. If you have any more questions or need help with anything else, feel free to ask.
From a bondage search . . .
“Loitering in Lara’s dressing room, she tries on
the faux-bondage harness she picked up in London….”
From Geometry for Belgium —
Anil Gomes in London Review of Books issue dated 20 June 2024 —
"The wish to pull narratives together into
a unified whole is often quixotic."
Steven H. Cullinane in Log24 , 8 June 2024 —
As for the LRB title's "tillosophy," a word coined by the dead academic
under review, see "boustrophedonic" in this journal.
"… he enrolled in the Dramatic Workshop of the New School and, in 1963,
created the Triangle Theater Company, where he directed productions and
appeared in 'The Adding Machine' ….”
— A New York Times eulogy for an actor who reportedly died yesterday.
When in Rome . . .
Scene from La Romana (1954).
The above title is from the previous post.
* For the title, see "A Marriage of Heaven and Hell."
"From the age that is past to the age that is waiting before . . . ."
"We must hail an ambulance." — Rolls Royce owner
to Society wannabe in West Palm Beach, 1969.
From the Apple TV+ series "Palm Royale," Season 1 Episode1 . . .
On the right: Kristen Wiig, executive producer, plays Maxine (not Maxxxine).
"Say the secret word . . ." — Groucho Marx,
"You Bet Your Life" TV game show
See also "ambulance" in this journal.
"This wasn't a smooth process." — Marcela Nowak, June 10, 2024
The Wonder Woman tale in the previous post leads,
with impeccable logic, to . . .
Wonder Woman's Saddle Horn
"Old men ought to be explorers." — T. S. Eliot
"Every shade I choose is intentional, chosen to evoke specific feelings
within those who view my work. Blue strokes embody tranquility, a
gentle touch that calms the nerves like a whispered secret. Swirls of
red radiate a symphony of joy, love, and passion, inviting observers to
delve into the depth of human emotions. And then there’s orange —
a hue that signifies intelligence, dedication, activity, and enthusiasm —
a palette of emotions waiting to be explored."
— Marcela Nowak at Medium.com:
"That year the rich came led by the pilot fish.
A year before they would never have come.
There was no certainty then.
The work was as good and the happiness was greater
but no novel had been written, so they could not be sure.
They never wasted their time nor their charm
on something that was not sure. Why should they?"
Note the making of a matching pattern.
Exercise: Show that Dürer's 1514 "magic" square is an affine automorphism.
For a solution, see other posts now tagged Affine Squares.
An obituary today recounts the life of a German theologian
from Hamburg who reportedly died on Monday, June 3 —
From this journal on that date . . . Related graphic art —
This is from a Log24 search, "Windmill + Diamond."
For related remarks from the university where the theologian taught
in later life, see Deutsche Ordnung (Log 24, July 1, 2018).
The "Change Arises" phrase in the previous post suggests a sort of
architectural plan and elevation for the structure of the I Ching —
Some may prefer the Stargate version of a seventh symbol —
“Jackson has identified the seventh symbol.” — Stargate
Lambda in 1950 . . .
Later . . .
A related cultural appropriation —
The Roman letter (or numeral) V as a film title, with Natalie Portman
representing, as usual, the darkness of ignorance.
Hat tip to Peter Woit for quoting the above yesterday.
* See Crichton in this weblog and the solar Apollo symbols
of CBS Sunday Morning, which this week featured Crichton.
As an Apollo symbol, I prefer the Chinese "holy field" —
a ninefold square.
"You ain't been blue, no no no, 'til you've had that mood indigo."
* See "Miller's Girl."
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