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The above book was reportedly
published on May 19, 2026.

For Christopher Nolan, a different perspective on the world of Odysseus.

Breakup song for Smart Buoy SB350 . . .
"You Give Love a Bad Name."
The song may have been prompted by
a carelessly written AI Overview —
Perhaps the Satellite has repented its 2025 error and is mending its ways . . .

For instance,
https://handwiki.org/wiki/Cullinane_diamond_theorem .

Friday, November 13, 2020
|
Yale Daily News, Jan. 11, 2001:
“When New Haven was founded, the city was laid out into
a grid of nine squares surrounded by a great wilderness.
Last year History of Art Professor Emeritus Vincent Scully
said the original town plan reflected a feeling that the new city
should be sacred. Scully said the colony’s founders thought of
their new Puritan settlement as a ‘nine-square paradise on Earth,
heaven on earth, New Haven, New Jerusalem.'”
|
“Real and unreal are two in one: New Haven
— Wallace Stevens, |
"Your left … your left … your left right left"
Related reading . . .
Photo Cropping for Orwell
Alternative meditations . . .

From yesterday's post Lockscreen and Unlockscreen —
Later yesterday, a report of a Mardi Gras death —
A Midrash for Hays —

George Steiner in 1969 defined man as "a language animal."
Here is Steiner in 1974 on another definition—

Related literature . . . The Dreaming Jewels, a fictional tale
by the real author Theodore Sturgeon, and Timequake,
a fictional tale by the real author Kurt Vonnegut that features
the semi-fictional Sturgeon-like character Kilgore Trout.
Being semi-fictional is not a comfortable metaphysical state.
AI giveth, and AI taketh away.
More in the spirit of Alpha than of Omega . . .
Images related to work I began in the 1970s, from
a 1960s design classic by Karl Gerstner.

"Now he believed that where there was a key,
there must also be a lock…."
|
From The Golden Key by George MacDonald "We must find the country from which the shadows come," said Mossy. "We must, dear Mossy," responded Tangle. "What if your golden key should be the key to it?" "Ah! that would be grand," returned Mossy. |
|
The Hunt for the World’s Oldest Story From thunder gods to serpent slayers, scholars are reconstructing myths that vanished millennia ago. How much further can we go—and what might we find? By Manvir Singh in The New Yorker
October 13, 2025 The Reverend Edward Casaubon is Eliot’s grand study in futility: an aging, self-important, faintly ridiculous clergyman who has dedicated his life to an audacious quest. Casaubon is convinced that every mythic system is a decayed remnant of a single original revelation—a claim he plans to substantiate in his magnum opus, “The Key to All Mythologies.” He means to chart the world’s myths, trace their similarities, and produce a codex that, as Eliot puts it, would make “the vast field of mythical constructions . . . intelligible, nay, luminous with the reflected light of correspondences.” The ill-fated project founders between the unruly diversity of cultural traditions and the fantasy of a single source, between the expanse of his material and the impossibility of ever mastering it, between the need for theory and the distortions it introduces. These failures are deepened by Casaubon’s limitations—his pedantic love of minutiae (he “dreams footnotes”) and his refusal to engage with scholarship in languages he doesn’t know (if only he’d learned German).
Casaubon’s quest stands as both an indictment of overreach and a warning about the senselessness of such sweeping comparisons. But is this entirely fair? The patterns are out there. Floods, tricksters, battles with monsters, creation and apocalypse—sometimes the resemblances are uncanny. |
"Before time began . . ." — Optimus Prime
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