Sunday, December 30, 2012

The Kick

Filed under: General,Geometry — m759 @ 9:00 AM

George Steiner, Real Presences , first published in 1989—

The inception of critical thought, of a philosophic anthropology,
is contained in the archaic Greek definition of man as a

Richard Powers, The Gold Bug Variations , first published in 1991—

Botkin, whatever her gifts as a conversationist, is almost as old
as the rediscovery of Mendel. The other extreme in age,
Joe Lovering, beat a time-honored path out of pure math
into muddy population statistics. Ressler has seen the guy
potting about in the lab, although exactly what the excitable kid
does is anybody's guess. He looks decidedly gumfooted holding
any equipment more corporeal than a chi-square. Stuart takes
him to the Y for lunch, part of a court-your-resources campaign.
He has the sub, Levering the congealed mac and cheese.
Hardly are they seated when Joe whips out a napkin and begins
sketching proofs. He argues that the genetic code, as an
algorithmic formal system, is subject to Gödel's Incompleteness
Theorem. "That would mean the symbolic language of the code
can't be both consistent and complete. Wouldn't that be a kick
in the head?"

Kid talk, competitive showing off, intellectual fantasy.
But Ressler knows what Joe is driving at. He's toyed with similar
ideas, cast in less abstruse terms. We are the by-product of the
mechanism in there. So it must be more ingenious than us.
Anything complex enough to create consciousness may be too
complex for consciousness to understand. Yet the ultimate paradox
is Lovering, crouched over his table napkin, using proofs to
demonstrate proof's limits. Lovering laughs off recursion and takes
up another tack: the key is to find some formal symmetry folded
in this four-base chaos
. Stuart distrusts this approach even more.
He picks up the tab for their two untouched lunches, thanking
Lovering politely for the insight.

Edith Piaf—

Non, rien de rien

See last midnight's post and Theme and Variations.

"The key is to find some formal symmetry…."

IMAGE- Valéry on ornament in 'Method of Leonardo,' with Valéry's serpent-and-key emblem

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