From Amazon.com today —
Related material — Tyson in this journal.
Update of 2:48 PM the same day —
For Brooke Gladstone untainted by the above questionable
associates, see a piece from May 18, 2011.
From Amazon.com today —
Related material — Tyson in this journal.
Update of 2:48 PM the same day —
For Brooke Gladstone untainted by the above questionable
associates, see a piece from May 18, 2011.
Or: Putting the Pinter in Pinterest
From "A Poem for Pinter" Log24 on Oct. 13, 2005 The Guardian on Harold Pinter, winner of this year's Nobel Prize for Literature: "Earlier this year, he announced his decision to retire from playwriting in favour of poetry," Michael Muskal in today's Los Angeles Times: "Pinter, 75, is known for his sparse and thin style as well as his etched characters whose crystal patter cuts through the mood like diamond drill bits." Robert Stone, A Flag for Sunrise (See Jan. 25): "'That old Jew gave me this here.' Egan looked at the diamond…. 'It's worth a whole lot of money– you can tell that just by looking– but it means something, I think. It's got a meaning, like.' 'Let's see,' Egan said, 'what would it mean?' He took hold of Pablo's hand cupping the stone and held his own hand under it. '"The jewel is in the lotus," perhaps that's what it means. The eternal in the temporal….'" |
See as well an image in a link target from today's noon post —
Line from "Vide," a post of June 8, 2014 —
Vide Classical Geometry in Light of Galois Geometry.
Recall that vide means different things in Latin and in French.
See also Stevens + "Vacant Space" in this journal.
In memory of John Severson, the founder of Surfer magazine —
"Freeze-frame surfer, and as a live Hendrix 'E Z Rider' blares
over the soundtrack, the surfer lifts his arms and rises like Christ
into the sky."
— Rolling Stone , August 5, 1971, on the film Rainbow Bridge
Severson reportedly died on Friday, May 26, 2017.
For a rather different sort of surfing, see this journal on that date.
The previous post dealt with a symbol of an apparently
admirable "social development environment."
For a less admirable development environment, see a film
described in a July 2014 story from Film New Europe —
"Shooting started in Bucharest on 9 June 2014. . . ."
This journal on 8-9 June 2014 —
The above image includes a July 9, 2014, file photo.
From this journal on that date —
“Be serious, because
The stone may have contempt
For too-familiar hands”
From the 1994 film review linked to above —
Reality Bites – Peter Travers in Rolling Stone , Feb. 1994
"Life after college – the time between graduation and
finding a job that pays your rent without making you puke.
Panic time. By spinning something fresh out of something
familiar, Reality Bites scores the first comedy knockout of
the new year. It also brings out the vibrant best in Winona
Ryder and Ethan Hawke as friends who resist being lovers,
makes a star of Janeane Garofalo as their tart-tongued
buddy and puts Ben Stiller on the map as a director."
Mark Zuckerberg in a commencement speech
at Harvard yesterday —
"Movies and pop culture get this all wrong.
The idea of a single eureka moment
is a dangerous lie. It makes us feel inadequate
since we haven’t had ours. It prevents people
with seeds of good ideas from getting started.
Oh, you know what else movies get wrong about
innovation? No one writes math formulas on glass.
That’s not a thing."
The Thing from Taormina —
Sounds like a job for Amy Adams.
Amy Adams at the Lancia Café in Taormina, Sicily, on June 15, 2013.
Adams was in Taormina for the Italian premiere of her Superman film.
The date in Urban Dictionary of an entry on the phrase
"Ultima Thule" is January 25, 2008.
See that date in this journal.
A post of March 22, 2017, was titled "The Story of Six."
Related material from that date —
"I meant… a larger map." — Number Six in "The Prisoner"
From Balboa Press —
More than a pretty face designed to identify a product, a logo combines powerful elements super boosted with sophisticated branding techniques. Logos spark our purchasing choice and can affect our wellbeing. Lovingly detailed, researched and honed to deliver a specific intention, a logo contains a unique dynamic that sidesteps our conscious mind. We might not know why we prefer one product over another but the logo, designed to connect the heart of the brand to our own hearts, plays a vital part in our decision to buy. The power of symbols to sway us has been recognised throughout history. Found in caves and in Egyptian temples they are attributed with the strength to foretell and create the future, connect us with the divine and evoke emotions, from horror to ecstasy, at a glance. The new symbols we imbue with these awesome powers are our favourite brand logos. • Discover the unconscious effect of these modern symbols that thrust our most successful global corporations into the limelight and our lives. • Learn to make informed choices about brands. • Find out how a logo reflects the state of the brand and holds it to account. |
The date of the above remarks on a logo change, March 24, 2016,
suggests a review of a Log24 post from that date —
"From 1962 to 1969 Mr. Moore was Simon Templar . . . ."
— The New York Times online today
A related post — "Intruders for Mira" (Sept. 28, 2015).
Tiptoe through the tulips with Rota and Erickson:
Attempts have been made to string together beautiful mathematical results and to present them in books bearing such attractive titles as The One Hundred Most Beautiful Theorems of Mathematics. Such anthologies are seldom found on a mathematician’s bookshelf. The beauty of a theorem is best observed when the theorem is presented as the crown jewel within the context of a theory. — Gian-Carlo Rota in Indiscrete Thoughts |
See also Martin Erickson in this journal . . .
"But the Work shall not be wholly lost:
For it will, as he believ’d, appear once more,
In a new & more perfect Edition,
Corrected and Amended
By the Author." — Benjamin Franklin
From a review of the 2016 film "Arrival" —
"A seemingly off-hand reference to Abbott and Costello
is our gateway. In a movie as generally humorless as Arrival,
the jokes mean something. Ironically, it is Donnelly, not Banks,
who initiates the joke, naming the verbally inexpressive
Heptapod aliens after the loquacious Classical Hollywood
comedians. The squid-like aliens communicate via those beautiful,
cryptic images. Those signs, when thoroughly comprehended,
open the perceiver to a nonlinear conception of time; this is
Sapir-Whorf taken to the ludicrous extreme."
— Jordan Brower in the Los Angeles Review of Books
Further on in the review —
"Banks doesn’t fully understand the alien language, but she
knows it well enough to get by. This realization emerges
most evidently when Banks enters the alien ship and, floating
alongside Costello, converses with it in their picture-language.
She asks where Abbott is, and it responds — as presented
in subtitling — that Abbott 'is death process.'
'Death process' — dying — is not idiomatic English, and what
we see, written for us, is not a perfect translation but a
rendering of Banks’s understanding. This, it seems to me, is a
crucial moment marking the hard limit of a human mind,
working within the confines of human language to understand
an ultimately intractable xenolinguistic system."
For what may seem like an intractable xenolinguistic system to
those whose experience of mathematics is limited to portrayals
by Hollywood, see the previous post —
van Lint and Wilson Meet the Galois Tesseract.
The death process of van Lint occurred on Sept. 28, 2004.
Click image to enlarge.
The above 35 projective lines, within a 4×4 array —
The above 15 projective planes, within a 4×4 array (in white) —
* See Galois Tesseract in this journal.
Quoted here on St. Stephen's Day, 2008 —
“Wayne C. Booth’s lifelong
study of the art of rhetoric
illuminated the means
by which authors seduce,
cajole and lie to their readers
in the service of narrative.”
— New York Times, Oct. 11, 2005
Booth was a native of American Fork, Utah.
Related material from April 20, 2017 —
A footnote from page 229 of Sydney Padua's April 21, 2015, book
on Lovelace and Babbage —
Exit stage right, enter stage center, exit stage left —
A search for "Darkness Doubled" in this journal yields a link
to a post on "endgame art" which leads in turn to a post with
the following quotation —
"It is proposed that the two structures of grid and target
are the symbolic vehicles par excellence . . . ."
— Review of Rudolf Arnheim's The Power of the Center:
A Study of Composition in the Visual Arts (U. of Calif. Press, 1982).
Review by David A. Pariser, Studies in Art Education , Vol. 24, No. 3
(1983), pp. 210-213.
"Darkness Doubled" is a phrase from a song titled "Marquee Moon."
From a May 15 review of a new book by Douglas Coupland, author of
the 1991 book Generation X: Tales for an Accelerated Culture .
"Minimalists are actually extreme hoarders:
they hoard space." — Douglas Coupland
The title of Coupland's new book suggests a review of Schmeikal
in this journal …
Coupland's above remark on hoarders suggests a look at
a wealthy California collector whom, were he not wealthy,
some might call a hoarder.
“I buy things because they strike an emotional bell,
they appeal to my curiosity, to the thrill of discovery
of the extraordinary in the ordinary,” Mr. Cotsen told
The Denver Post in 1998. “They appeal to my sense
of humor, and to my search for the beauty in simplicity.”
He added, “I decided I had a collection when there was
no more space to put anything.”
By the time he died at 88 on May 8 in Beverly Hills, Calif.,
Mr. Cotsen (pronounced COAT-zen) had donated about
half of the material in his collections to institutions like the
Asian Art Museum in San Francisco, Princeton University
and the Museum of International Folk Art in Santa Fe, N.M.
— Richard Sandomir in the online New York Times , May 17
Cotsen reportedly died at 88 on May 8.
See also this journal on that date —
Monday, May 8, 2017
New Pinterest Board
|
"Follow the Blood Arroyo to the place
where the snake lays its eggs."
— Westworld, Season 1, Episode 2,
air date October 9, 2016
"Googlaa pluplu." — Finnegans Wake
"Not far downstream was a dry channel
where the river had run once . . . ."
— Norman Maclean, A River Runs Through It
See also the previous post and posts tagged Riverrun.
From University of Chicago Press in 1984:
"Drawing on Hegel, Nietzsche, Derrida,
and others, Mark Taylor extends—and
goes well beyond—pioneering efforts. . . . "
—G. Douglas Atkins,
Philosophy and Literature
Update at noon on May 16 —
"Follow the Blood Arroyo to the place
where the snake lays its eggs."
— Westworld, Season 1, Episode 2,
air date October 9, 2016
This suggests a review of Derrida + Serpent
in this journal.
… who reportedly died on March 11 —
Posts now tagged Labyrinth for Penelope.
See also the previous post and this journal on the above date.
For example, Plato's diamond as an object to be transformed —
Versions of the transformed object —
See also The 4×4 Relativity Problem in this journal.
See also Chandrasekharan in a Log24 search for Weyl+Schema.
Update of 6:16 AM Friday, May 12, 2017 —
The phrase "smallest perfect universe" is from Burkard Polster (2001).
Dialogue from the film "Interstellar" —
Cooper: Did it work?
TARS: I think it might have.
Cooper: How do you know?
TARS: Because the bulk beings
are closing the tesseract.
Related material — "Bulk apperception"
in this journal, and …
In memory of an art dealer who
reportedly died on Sunday, May 7—
Decorations for a Cartoon Graveyard
A recent book on mathematics and art
from Princeton University Press, with a
foreword by Neil deGrasse Tyson —
Not to put too fine a point on it —
From an earlier post —
Some context for the previous post, which was about
a new Art Space Pinterest board —
Detail of an image in the previous post —
This suggests a review of a post on a work of art by fashion photographer
Peter Lindbergh, made when he was younger and known as "Sultan."
The balls in the foreground relate Sultan's work to my own.
Linguistic backstory —
The art space where the pieces by Talman and by Lindbergh
were displayed is Museum Tinguely in Basel.
As the previous post notes, the etymology of "glamour" (as in
fashion photography) has been linked to "grammar" (as in
George Steiner's Grammars of Creation ). A sculpture by
Tinguely (fancifully representing Heidegger) adorns one edition
of Grammars .
The New York Times reports a Monday death —
A search for recent activity by the Liesl Schillinger of
the previous post yields …
Talk amongst yourselves.
Midrash for elitists —
The novel 2666 by Roberto Bolaño (see Bolaño in this journal
and Adam Kirsch in the above) and …
Matt Helm in Donald Hamilton's 1962 novel The Silencers —
"I cleaned up a little, went downstairs, and, rather than
get the pickup out of hock, paid sixty cents to have a taxi
take me to the international bridge. Two cents let me walk
across the Rio Grande into Mexico. The river bed was
almost dry. The usual skinny dark kids were playing their
usual incomprehensible games around the pools below
the bridge. Stepping off the south end of the span, I was
in a foreign country. Mexicans will tell you defensively that
Juarez isn't Mexico-that no border town is-but it certainly
isn't the United States of America, even though Avenida
Juarez, the street just south of the bridge, does bear a
certain resemblance to Coney Island. I brushed off a
purveyor of dirty pictures and shills for a couple of dirty
movie houses."
Midrash for populists —
The photo in the New York Times obituary
above is from the 1966 film based, very
loosely, on Donald Hamilton's The Silencers.
Suggested by remarks in last night's link to posts tagged Swimmer —
"A professor is all-powerful, Gareth liked to tell his daughter,
he puts ‘a veritable frame around life,’ and ‘organizes the
unorganizable. Nimbly partitions it into modern and postmodern,
renaissance, baroque, primitivism, imperialism and so on. . . .'"
— From a review by Liesl Schillinger in the Aug. 13, 2006,
New York Times of a new novel by Marisha Pessl:
Special Topics in Calamity Physics.
"A veritable frame" —
"Nimbly partitions" —
See also partitioning in posts tagged Crimson Abyss.
A swimmer who won Olympic gold in 1936 reportedly died today.
Related material from August 4, 2008 —
Jodie Foster and the
opening of the 1936 Olympics
“Heraclitus…. says: ‘The ruler
— An Introduction to Metaphysics, |
Posts tagged Swimmer may or may not be relevant.
* See …
"… I know for sure that my best insights (those which
are not just routine calculations) are pre-linguistic, and
I struggle to put them into words . . . ."
See also "George Steiner" + Language in this journal.
A related figure —
See a related obituary from Saint Michael's.
This is for a mathematics professor who reportedly died on March 13.
See as well this journal on that date and the night before.
Continued from Music Box – The Theory (April 21)
in memory of jazz enthusiast Ann Sneed,
who reportedly died in Las Vegas at 87 on that date.
Hollywood homicide detective Harry Bosch at home.
See also Mother of Beauty (April 7, 2004).
"Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et cum illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo."
Pinterest boards uploaded to the new m759.net/piwigo —
Update of May 2 —
Update of May 3 —
Update of May 8 —
Art Space board created at Pinterest
I added today a few mathematics images to my Pinterest account —
Powered by WordPress