Log24

From posts tagged The Drill Imperative —

Related material —

“The great Confucius guided China spiritually for over 2,000 years.
The main doctrine is ' 仁 ' pronounced 'ren', meaning two people,
i.e., human relationship. Modern science has been highly competitive.
I think an injection of the human element will make our subject more
healthy and enjoyable." 

— Geometer Shiing-Shen Chern in a Wikipedia article

See the "ren" character in Wiktionary.  See as well . . .

"The development of ren  ( 仁 )  in early Chinese philosophy,"
By Robin Elliott Curtis, U. of B.C. Master's thesis, 2016 —

Thus, we can conclude that several different forms of
the character ren , were in existence during the
Warring States period. This shows that etymological analyses
focusing exclusively on the combination of 人 and 二 are inadequate.
It should also serve as a warning against “character fetishization,”
or giving “exaggerated status to Chinese characters in the interpretation
of Chinese language, thought, and culture.” ⁴⁶

46  Edward McDonald 2009, p. 1194.

McDonald, Edward. 2009. “Getting over the Walls of
Discourse: 'Character Fetishization' in Chinese Studies.”
The Journal of Asian Studies  68 (4): 1189 – 1213.

Wikipedia article on Ren  in Confucianism:

"The core of everything" . . . Citation needed ?

"It never occurred to me that someone could so explicitly reject
the core experience of something like Chartres."

— Christopher Alexander to Peter Eisenman, 1982

For a less dramatic core experience , see Hitchcock.

JOSEFINE LYCHE
ABSOLUTE ALT. VOL. 2
17. april – 23. mai [2015] —

"I kjernen av mitt arbeid er en pågående
utforskning av esoteriske konsepter…."

"At the core of my work is an ongoing
exploration of esoteric concepts…."

See also 
http://issuu.com/tmrk/docs/spritenkunsthall_2015_cut .

Related material:  Hard Core.

Mathematics vulgarizer Keith Devlin on July 1
posted an essay on Common Core math education.

His essay was based on a New York Times story from June 29,
“Math Under Common Core Has Even Parents Stumbling.”

An image from that story:

The Times  gave no source, other than the photographer’s name,
for the above image.  Devlin said,

“… the image of a Common Core math worksheet
the Times  chose to illustrate its story showed
a very sensible, and deep use of dot diagrams,
to understand structure in arithmetic.”  

Devlin seems ignorant of the fact that there is
no such thing as a “Common Core math worksheet.”
The Core is a set of standards without  worksheets
(one of its failings).

Neither the Times  nor whoever filled out the worksheet
nor Devlin seemed to grasp that the image the Times  used
shows some multiplication word problems that are more
advanced than the topic that Devlin called the
“deep use of dot diagrams to understand structure in arithmetic.”

This Core topic is as follows:

For some worksheets that are  (purportedly) relevant, see,
for instance…

http://search.theeducationcenter.com/search/
_Common_Core_Label-2.OA.C.4–keywords-math_worksheets,
in particular the worksheet
http://www.theeducationcenter.com/editorial_content/multipli-city:

Some other exercises said to be related to standard 2.OA.C.4:

The Common Core of course fails to provide materials for parents
that are easily findable on the Web and that give relevant background
for the above second-grade topic.  It leaves this crucial task up to
individual states and school districts, as well as to private enterprise.
This, and not the parents’ ignorance described in  Devlin’s snide remarks,
accounts for the frustration that the Times  story describes.

"Once a verbal structure is read, and reread
often enough to be possessed, it 'freezes.'
It turns into a unity in which all parts exist at
once, without regard to the specific movement
of the narrative. We may compare it to the study
of a music score, where we can turn to any
part without regard to sequential performance."

— Northrop Frye in The Great Code

Gardner reportedly died at 65 on February 19.
A post linked to here on that date suggests some
musical remarks.

The title is from today's noon post, Core.

It also appears, quoted from Popovič, in Susan Bassnett's
Translation Studies  (third edition, Routledge, 2002)—

"It is an established fact in Translation Studies that if a dozen
translators tackle the same poem, they will produce a dozen
different versions. And yet somewhere in those dozen versions there
will be what Popovič calls the ‘invariant core’ of the original poem.
This invariant core, he claims, is represented by stable, basic and
constant semantic elements in the text, whose existence can be
proved by experimental semantic condensation. Transformations, or
variants, are those changes which do not modify the core of meaning
but influence the expressive form. In short, the invariant can be
defined as that which exists in common between all existing
translations of a single work. So the invariant is part of a dynamic
relationship and should not be confused with speculative arguments
about the ‘nature’, the ‘spirit’ or ‘soul’ of the text; the ‘indefinable
quality’ that translators are rarely supposed to be able to capture."

"A writer hopes to leave behind a work no one forgets…."

— Song sung on NBC's Smash  tonight

Fulsere vere candidi mihi soles….

— André Weil, The Apprenticeship of a Mathematician

nam unguentum dabo, quod meae puellae
donarunt Veneres Cupidinesque….

— Catullus, quoted in Bassnett's Translation Studies

Vale puella, iam Catullus obdurat.

I found the above essay via the references cited in . . .

https://www.cambridge.org/core/journals/legal-studies/article/abs/
criminalising-deceptive-sex-sex-identity-and-recognition/
7A5589286B535E30B88A9765A5844CFC.

"I am what I am. You made a devil's bargain.
Did you really expect me to stop being the devil?"

Read more at: https://tvshowtranscripts.ourboard.org/
viewtopic.php?f=194&t=64076

See as well yesterday's post CORE and Faustus in this journal.

"The distinct emphasis on
  the politics of space
  constitutes 0047’s core and identity."

— http://0047.org/home/about-2/
     (link on "politics of space" added)

Related note for film fans —

I prefer the less stressful TV series “GLOW,” starring Alison Brie —

“In the bluish light emanating from the TV,
EE looked at him, her eyes veiled.”

— Being There , by Jerzy Kosinski

Anne Duncan in 1968 on a 1960 paper by Robert Steinberg —

_______________________________________________________________________________

Related remarks in this  journal — Steinberg + Chevalley.

Related illustrations in this journal — 4×4.

Related biographical remarks — Steinberg Deathdate.

From "When Novelists Become Cubists," by Andre Furlani—

"The architectonics of a narrative," Davenport says,
"are emphasized and given a role to play in dramatic effect
when novelists become Cubists; that is, when they see
the possibilities of making a hieroglyph, a coherent symbol,
an ideogram of the total work. A symbol comes into being
when an artist sees that it is the only way to get all the meaning in." 

* See "Starlight Like Intuition" by Delmore Schwartz.
The "Twelve" of the title may be regarded as cube edges.

Continues.

A pyramid scheme^† in memory of the late Bernie Madoff —

The above passage from Whitehead’s 1906 book suggests
that the tetrahedral model may be older than Polster thinks.*

This is shown by . . .

^† See also “Profzi Scheme.”

* For some related work of the above “D. Mesner,” see
Mesner, D. (1967). “Sets of Disjoint Lines in PG(3, q),”
Canadian Journal of Mathematics, 19, 273-280.

“But perhaps its most iconic reinvention came with the longstanding
Marlboro Man campaign, which ran from 1963 to 1971. In an article
by Denver Post journalist Jim Carrier, who spent six months traveling
across the American West to meet former Marlboro Men, we’re told
that the campaign began in late 1954, when ad exec Leo Burnett asked
his top creatives, ‘What is the most masculine image in the U.S. today?’

According to Carrier, ‘Philip Morris, the fourth-largest American tobacco
company, wanted to create a filter cigarette to deal with the rising problem
of smoker’s cough and lung disease. But they had to overcome the early
image of filters as being for sissies.'”

Related story from The New York Times  on Monday, March 1  —

Related flashback from this  journal on Sunday, February 28 —

The previous post suggests a look at The New Yorker  today —

Another “core claim” —

“Change arises from the structure of the object.“

See also Wiener Kreis  and Schlick.

See also Archimedes at Hiroshima
and, more generally, Aitchison.

— Kastalia Medrano, "The Art of Space Art," Sept. 14, 2017

Ghost in the Shell

The opening lines of Eliot's Four Quartets —

"Time present and time past
Are both perhaps present in time future,
And time future contained in time past."

Perhaps.

Those who prefer geometry to rhetoric may also prefer
to Eliot's lines the immortal opening of the Transformers  saga —

"Before time began, there was the Cube."

One version of the Cube —

“At that instant he saw, in one blaze of light,
an image of unutterable conviction,
the reason why the artist works and lives
and has his being — the reward he seeks —
the only reward he really cares about,
without which there is nothing. It is to snare
the spirits of mankind in nets of magic,
to make his life prevail through his creation,
to wreak the vision of his life, the rude and painful
substance of his own experience, into the congruence
of blazing and enchanted images that are themselves
the core of life, the essential pattern whence
all other things proceed, the kernel of eternity.”

— Thomas Wolfe, Of Time and the River

* Title suggested by that of a Siri Hustvedt novel.
   See also Blazon in this journal.

(Click to enlarge.)

For the paper on Steiner systems, see the bibliographic link in
the previous Log24 post.

See as well Cameron's posts before and after his post above:

← A sun dog    Core paths → .

"On April 23, 2009 ….

'I’m reminded of the character in "The Silence of the Lambs," 
Hannibal Lecter, a very brilliant man,' the prosecutor said,
recognizing 'his ability to intelligently and articulately discuss
things occurring in society.'

'But at his core, as with Mr. Lecter at his core, he is a sociopath,' 
the prosecutor said."

— David Stout in an obituary from this evening's online
New York Times

See also this  journal on April 23, 2009, and
a figure from this morning's link Cantina —

 .

Flashback in Genial, a post of March 6, 2017 —

From a New York Times  book review today by
James Ryerson, instructor at The School of The New York Times —

"Savvy philosophers distill their core insight into a short phrase."

"Let them eat cake."

The second editor mentioned below reportedly died
on June 21, 2017.  A page in his memory —

See also "Detail for Hopkins" in this journal on June 21.
For a Maori finale, see "De Haut en Bas " (July 11, 2008).

From the 1994 film review linked to above —

Reality Bites – Peter Travers in Rolling Stone , Feb. 1994

"Life after college – the time between graduation and
finding a job that pays your rent without making you puke.
Panic time. By spinning something fresh out of something
familiar, Reality Bites  scores the first comedy knockout of
the new year. It also brings out the vibrant best in Winona
Ryder and Ethan Hawke as friends who resist being lovers,
makes a star of Janeane Garofalo as their tart-tongued
buddy and puts Ben Stiller on the map as a director." 

See also "Damning" in this journal on Feb. 8, 2017.

See also, on Feb. 8 in this journal, Damning.