Log24

Thursday, March 7, 2024

State of the Intersection

Filed under: General — Tags: , , — m759 @ 1:12 pm

T. S. Eliot on the intersection of the timeless with time

See as well a post from this  journal on 26 Oct. 2017
and other posts now tagged Nowhere Legitimated.

Friday, March 10, 2023

Hofstadter on Geometry

Filed under: General — Tags: , — m759 @ 10:54 am

See also http://m759.net/wordpress/?s=Rota+Heidegger+As .

Wednesday, August 1, 2018

“Ready Player One” Mnemonic:

Filed under: General — Tags: — m759 @ 12:00 am
 

O AS IS

 

See also other posts tagged "Is and As."

Friday, April 13, 2018

Philosophy 101

Filed under: General — Tags: — m759 @ 2:48 pm

See also Log24 posts now tagged "Is and As."

Tuesday, October 17, 2017

The Movement of Analogy

Filed under: General,Geometry — Tags: , — m759 @ 4:20 pm

The title is a phrase by Octavio Paz from today's post
"Status Symbols."

Other phrases from a link target in Sunday's post 
The Strength at the Centre

                                a single world
In which he is and as and is are one.

See also Four Dots in this journal.

Status Symbols

Filed under: General,Geometry — Tags: , — m759 @ 2:02 pm

"Status: Defunct"  

As is now its owner, who reportedly
died at 80 on Sunday, October 15, 2017.

In memoriam —

Excerpts from Log24 posts on Sunday night 
and yesterday evening

http://www.log24.com/log/pix11/110203-Scholia.jpg.

" … listen: there's a hell
of a good universe next door; let's go"

— e. e. cummings

Some literary background —

"At the point of convergence
the play of similarities and differences
cancels itself out in order that 
identity alone may shine forth
The illusion of motionlessness,
the play of mirrors of the one: 
identity is completely empty;
it is a crystallization and
in its transparent core
the movement of analogy 
begins all over once again."

— The Monkey Grammarian 

by Octavio Paz, translated by Helen Lane 

Sunday, October 15, 2017

The Strength at the Centre

Filed under: General — Tags: , , — m759 @ 1:00 pm

The title, a phrase from a poem by Wallace Stevens,
was suggested by the previous post, "Center."

See posts tagged May 19 Gestalt in particular, 
May 19, 2007 — "Point of View."

Saturday, October 14, 2017

Center

Rosalind Krauss in 1978

"To get inside the systems of this work,
whether LeWitt's or Judd's or Morris's,
is precisely to enter
a world without a center,
a world of substitutions and transpositions
nowhere legitimated by the revelations
of a transcendental subject. This is the strength
of this work, its seriousness, and its claim to modernity." 

Wikipedia

"The center of
the quaternion group,
Q8 = {1, −1, i, −i, j, −j, k, −k} ,
is {1, −1}."

Illustration from a post of Feb. 3,  2011

http://www.log24.com/log/pix11/110203-Scholia.jpg.

Monday, June 26, 2017

Upgrading to Six

This post was suggested by the previous post — Four Dots —
and by the phrase "smallest perfect" in this journal.

Related material (click to enlarge) —

Detail —

From the work of Eddington cited in 1974 by von Franz —

See also Dirac and Geometry and Kummer in this journal.

Updates from the morning of June 27 —

Ron Shaw on Eddington's triads "associated in conjugate pairs" —

For more about hyperbolic  and isotropic  lines in PG(3,2),
see posts tagged Diamond Theorem Correlation.

For Shaw, in memoriam — See Contrapuntal Interweaving and The Fugue.

Four Dots

Analogies — “A : B  ::  C : D”  may be read  “A is to B  as  C is to D.”

Gian-Carlo Rota on Heidegger…

“… The universal as  is given various names in Heidegger’s writings….

The discovery of the universal as  is Heidegger’s contribution to philosophy….

The universal ‘as‘ is the surgence of sense in Man, the shepherd of Being.

The disclosure of the primordial as  is the end of a search that began with Plato….
This search comes to its conclusion with Heidegger.”

— “Three Senses of ‘A is B’ in Heideggger,” Ch. 17 in Indiscrete Thoughts
See also Four Dots in this journal.

Some context:  McLuhan + Analogy.

Saturday, April 8, 2017

A Perfect Nonentity

Filed under: General,Geometry — Tags: , , , — m759 @ 8:25 am

The title is from Hume:

 "And were all my perceptions removed by death,
and could I neither think, nor feel, nor see, nor love,
nor hate, after the dissolution of my body, I should
be entirely annihilated, nor do I conceive what is
further requisite to make me a perfect nonentity."

— Book I, Part IV, Section vi  of  
    A Treatise of Human Nature

"What is further requisite" — Perhaps  

This four-dot notation ("as") is from a search for Lévi-Strauss in this journal.

See also "That I Am."

Friday, April 7, 2017

Personal Identity

Filed under: General,Geometry — Tags: , — m759 @ 2:40 pm

From "The Most Notorious Section Phrases," by Sophie G. Garrett
in The Harvard Crimson  on April 5, 2017 —

This passage reminds me of (insert impressive philosophy
that was not in the reading).

This student is just being a show off. We get that they are smart
and well read. Congrats, but please don’t make the rest of the us
look bad in comparison. It should be enough to do the assigned
reading without making connections to Hume’s theory of the self.

Hume on personal identity (the "self")

For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe any thing but the perception. When my perceptions are removed for any time, as by sound sleep, so long am I insensible of myself, and may truly be said not to exist. And were all my perceptions removed by death, and could I neither think, nor feel, nor see, nor love, nor hate, after the dissolution of my body, I should be entirely annihilated, nor do I conceive what is further requisite to make me a perfect nonentity.
. . . .

I may venture to affirm of the rest of mankind, that they are nothing but a bundle or collection of different perceptions, which succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement. Our eyes cannot turn in their sockets without varying our perceptions. Our thought is still more variable than our sight; and all our other senses and faculties contribute to this change: nor is there any single power of the soul, which remains unalterably the same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively make their appearance; pass, repass, glide away, and mingle in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind; nor have we the most distant notion of the place where these scenes are represented, or of the materials of which it is composed.

Related material —
Imago Dei  in this journal.

The Ring of the Diamond Theorem

Backstory —
The previous post
and The Crimson Abyss.

Saturday, February 11, 2017

The God Identity

Filed under: General — Tags: , — m759 @ 1:00 pm

The previous post suggests a related concept, in which
"I Am that I Am" is replaced by "I am as  I am." —

Saturday, May 28, 2016

Plan 4

Filed under: General — Tags: , — m759 @ 2:45 am

See a search in this journal for "As Is."

Tuesday, October 7, 2014

As Is

Filed under: General — Tags: , — m759 @ 10:05 pm

"That simple operator, 'as,' turns out to carry within its philosophical grammar
a remarkable complex field* of operations…."

Charles Altieri,  Painterly Abstraction in Modernist American Poetry,
Cambridge University Press, 1989, page 343

See also Rota on Heidegger (What "As" Is, July 6, 2010), and Lead Belly
on the Rock Island Line — "You got to ride it like you find it."

* Update of Oct. 10, 2014: See also "Complex + Grid" in this journal.

Tuesday, July 6, 2010

What “As” Is

Filed under: General,Geometry — Tags: , , , , — m759 @ 8:00 pm

or:  Combinatorics (Rota) as Philosophy (Heidegger) as Geometry (Me)

“Dasein’s full existential structure is constituted by
the ‘as-structure’ or ‘well-joined structure’ of the rift-design*…”

— Gary Williams, post of January 22, 2010

Background—

Gian-Carlo Rota on Heidegger…

“… The universal as  is given various names in Heidegger’s writings….

The discovery of the universal as  is Heidegger’s contribution to philosophy….

The universal ‘as‘ is the surgence of sense in Man, the shepherd of Being.

The disclosure of the primordial as  is the end of a search that began with Plato….
This search comes to its conclusion with Heidegger.”

— “Three Senses of ‘A is B’ in Heideggger,” Ch. 17 in Indiscrete Thoughts

… and projective points as separating rifts

Image-- The Three-Point Line: A Finite Projective Space

    Click image for details.

* rift-design— Definition by Deborah Levitt

Rift.  The stroke or rending by which a world worlds, opening both the ‘old’ world and the self-concealing earth to the possibility of a new world. As well as being this stroke, the rift is the site— the furrow or crack— created by the stroke. As the ‘rift design‘ it is the particular characteristics or traits of this furrow.”

— “Heidegger and the Theater of Truth,” in Tympanum: A Journal of Comparative Literary Studies, Vol. 1, 1998

Saturday, May 19, 2007

Saturday May 19, 2007

Filed under: General — Tags: , , — m759 @ 9:29 am
Point of View

"In a sense, too, Wallace Stevens has spent a lifetime writing a single poem. What gives his best work its astonishing power and vitality is the way in which a fixed point of view, maturing naturally, eventually takes in more than a constantly shifting point of view could get at.

The point of view is romantic, 'almost the color of comedy'; but 'the strength at the center is serious.'  Behind Wallace Stevens stand Wordsworth and Coleridge as well as Rimbaud and Mallarmé, and, surprisingly enough, La Fontaine and Pope. This poetic lineage is important only in so far as it proves that a master can claim the world as ancestor. Knowing where he stands, the poet can move as a free man in the company of free men."

Samuel French Morse, review 
of The Collected Poems
of Wallace Stevens, in
The New York Times
(October 3, 1954)
 
Related material

The point of view
expressed in Log24 on
  today's date in 2004:

For a related gloss on Stevens's remark
"the strength at the center is serious,"
see "Serious" (also on an October 3).

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