Log24

Friday, August 20, 2021

Space Note

Filed under: General — Tags: — m759 @ 7:50 pm

"Consider the six-dimensional vector space ( 𝔽2 )6
over the two-element field 𝔽2 ."

— Page 23 of "The Universal Kummer Threefold,"
arXiv:1208.1229v3, 12 June 2013, by Qingchun Ren,
Steven V. Sam, Gus Schrader, and Bernd Sturmfels.

An illustration of that space from 1981 —

IMAGE- 'Solid Symmetry' by Steven H. Cullinane, Dec. 24, 1981

The above recollection of the Kummer Threefold  remark was suggested by
recent posts now tagged Smallfield . . .

"Third Man – an elderly American railway bum,
a schizophrenic, speaks with a Southern drawl"

"Art to which I fix my celebrated signature."

— "Third Man" in Victor Snaith's play "Changing Stations"

If we read the above "art" as  a scythe blade to which the "signature" —
Snaith ("the crooked handle or shaft of a scythe") — is attached,
an image of the late art critic Robert Hughes comes to mind:

That image of Hughes appeared here in a post of June 17, 2015 —
"Slow Art, Continued" — that also referenced the Kummer Threefold
paper above.

Symbols and Mysteries

Filed under: General — Tags: , — m759 @ 8:40 am

Japanese Steel

Filed under: General — Tags: — m759 @ 12:00 am

“Character and action, you brought together” —
Keanu Reeves to the late Sonny Chiba.

Thursday, August 19, 2021

A Scalpel for Einstein

Filed under: General — Tags: , , — m759 @ 2:08 pm

(A sequel to this morning's post A Subtle Knife for Sean.)

Exhibit A —

Einstein in The Saturday Review, 1949

"In any case it was quite sufficient for me 
if I could peg proofs upon propositions
the validity of which did not seem to me to be dubious.
For example, I remember that an uncle told me
the Pythagorean theorem before the holy geometry booklet
had come into my hands. After much effort I succeeded
in 'proving' this theorem on the basis of the similarity
of triangles
;
in doing so it seemed to me 'evident' that
the relations of the sides of the right-angled triangles
would have to be completely determined by one of the
acute angles. Only something which did not in similar fashion
seem to be 'evident' appeared to me to be in need of any proof
at all. Also, the objects with which geometry deals seemed to
be of no different type than the objects of sensory perception,
'which can be seen and touched.' This primitive idea, which
probably also lies at the bottom of the well-known Kantian
problematic concerning the possibility of 'synthetic judgments
a priori' rests obviously upon the fact that the relation of
geometrical concepts to objects of direct experience
(rigid rod, finite interval, etc.) was unconsciously present."

Exhibit B —

Strogatz in The New Yorker, 2015

"Einstein, unfortunately, left no … record of his childhood proof.
In his Saturday Review essay, he described it in general terms,
mentioning only that it relied on 'the similarity of triangles.' 
The consensus among Einstein’s biographers is that he probably
discovered, on his own, a standard textbook proof in which similar
triangles (meaning triangles that are like photographic reductions
or enlargements of one another) do indeed play a starring role.
Walter Isaacson, Jeremy Bernstein, and Banesh Hoffman all come
to this deflating conclusion, and each of them describes the steps
that Einstein would have followed as he unwittingly reinvented
a well-known proof."

Exhibit C —

Schroeder in a book, 1991

Schroeder presents an elegant and memorable proof. He attributes
the proof to Einstein, citing purely hearsay evidence in a footnote.

The only other evidence for Einstein's connection with the proof
is his 1949 Saturday Review  remarks.  If Einstein did  come up with
the proof at age 11 and discuss it with others later, as Schroeder
claims, it seems he might have felt a certain pride and been more
specific in 1949, instead of merely mentioning the theorem in passing
before he discussed Kantian philosophy relating concepts to objects.

Strogatz says that . . .

"What we’re seeing here is a quintessential use of
a symmetry argument… scaling….

Throughout his career, Einstein would continue to
deploy symmetry arguments like a scalpel, getting to
the hidden heart of things." 

Connoisseurs of bullshit may prefer a faux-Chinese approach to
"the hidden heart of things." See Log24 on August 16, 2021 —

http://m759.net/wordpress/?p=96023 —
In a Nutshell: The Core of Everything .

A Subtle Knife for Sean

Filed under: General — Tags: — m759 @ 11:34 am

From yesterday morning's post "What's in a Name?" —

"Third Man – an elderly American railway bum,
a schizophrenic, speaks with a Southern drawl"

"Art to which I fix my celebrated signature."

— "Third Man" in Victor Snaith's play "Changing Stations"

In the above Facebook post, a dead person speaks —

"You and I are separated by a thin piece of silk
which neither the strongest man could tear,
nor the sharpest tool could pierce.
Nothing can cross this membrane that divides us
except art, music, poetry and love."

Try a subtle knife, Sean.

Related material —

Wednesday, August 18, 2021

What’s in a Name?

Filed under: General — Tags: — m759 @ 10:38 am

"Third Man – an elderly American railway bum,
a schizophrenic, speaks with a Southern drawl"

"Art to which I fix my celebrated signature."

— "Third Man" in Victor Snaith's play "Changing Stations"

"Snaithing  may thus be Smallfield . . . ."

Saturday, November 19, 2016

Game

Filed under: General — Tags: — m759 @ 6:00 pm

"The high-end diamond game is played
on a very small field by only a few players."

Matthew Hart in Vanity Fair , Sept. 2016 issue 

Alicia Vikander and Matt Damon in "Jason Bourne" (2016).
The linked-to trailer was uploaded on April 20, 2016.

For related entertainment, see posts of April 2016… 
in particular, those related to the April 20 death of
"Diamonds Are Forever" director Guy Hamilton.

Wednesday, June 17, 2015

Slow Art, Continued

Filed under: General,Geometry — Tags: , , — m759 @ 10:01 am

The title of the previous post, "Slow Art," is a phrase
of the late art critic Robert Hughes.

Example from mathematics:

  • Göpel tetrads as subsets of a 4×4 square in the classic
    1905 book Kummer's Quartic Surface  by R. W. H. T. Hudson.
    These subsets were constructed as helpful schematic diagrams,
    without any reference to the concept of finite  geometry they
    were later to embody.
     
  • Göpel tetrads (not named as such), again as subsets of
    a 4×4 square, that form the 15 isotropic projective lines of the
    finite projective 3-space PG(3,2) in a note on finite geometry
    from 1986 —

    Göpel tetrads in an inscape, April 1986

  • Göpel tetrads as these figures of finite  geometry in a 1990
    foreword to the reissued 1905 book of Hudson:

IMAGE- Galois geometry in Wolf Barth's 1990 foreword to Hudson's 1905 'Kummer's Quartic Surface'

Click the Barth passage to see it with its surrounding text.

Related material:

Monday, June 15, 2015

Slow Art

Filed under: General — Tags: , , — m759 @ 2:03 pm

Slowness is sometimes in the eye of the beholder.

See this journal on Slow Art Day 2015.

Related material: Epistemic States in this journal.

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