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Wednesday, March 3, 2004

Wednesday March 3, 2004

Filed under: General — Tags: , , — m759 @ 8:00 pm

Deep Play

In the previous entry, there was a reference to Carl Kaysen, former director of the Institute for Advanced Study at Princeton and father of Susanna Kaysen, author of Girl, Interrupted.

A search for further information on Carl Kaysen led to

Mark Turner, Cognitive Dimensions of Social Science: The Way We Think About Politics, Economics, Law, and Society, Oxford University Press, 2001.  For a draft of this work, click here.

Turner's book describes thought and culture in terms of what he calls "blends."  It includes a meditation on

Clifford Geertz, "Deep Play: Notes on the Balinese Cockfight," in Dædalus, Journal of the American Academy of Arts and Sciences, issue entitled, "Myth, Symbol, and Culture," Winter 1972, volume 101, number 1

That Turner bases weighty ruminations of what he is pleased to call "social science" on the properties of cockfights suggests that the academic world is, in some respects, even more bizarre than the mental hospital described by Kaysen's daughter.

Still, Turner's concept of "blends" is not without interest.

Here is a blend based on a diagram of the fields in which Turner and Kaysen père labor:

"politics, economics,
law, and society" (Turner)

and "economics, sociology,
politics and law" (Kaysen).

In the previous entry we abstracted from the nature of these academic pursuits, representing them simply as sets in a Venn diagram.  This led to the following religious icon, an example of a Turner "blend" —


The Jewel
in Venn's Lotus.

Here is another "blend," related both to the religious material in the previous entry and to Geertz's influential essay.

From my entry for
St. Patrick's Day, 2003
:

Summa Theologica

How can you tell there's an Irishman
present at a cockfight?
He enters a duck.
How can you tell a Pole is present?
He bets on the duck.
How can you tell an Italian is present?
The duck wins.

(Source: Blanche Knott,
Truly Tasteless Jokes)

Illustration for the entries
of Oct. 27, 2003:

El Pato-lógico and a

"dream of heaven."

Monday, March 17, 2003

Monday March 17, 2003

Filed under: General — m759 @ 2:14 am

 

Double
Feature


Piper Laurie

From amctv.com:

The Milkman (1950)

“Donald O’Connor plays Roger, an agitated war veteran with an unusual speech impediment caused by a war injury: he quacks like a duck when he gets upset. His father refuses to give him a job at the family dairy because he wants him to rest, so he goes to work for a competing milk farm where eccentric milkman Breezy (Jimmy Durante) works. Roger falls in love with the boss’s daughter [Piper Laurie] and proves himself to be a comically incompetent milkman, and Breezy must cover up his mistakes.”

Summa Theologica
How can you tell there’s an Irishman present at a cockfight?
     He enters a duck.
How can you tell a Pole is present?
     He bets on the duck.
How can you tell an Italian is present?
     The duck wins.

From amctv.com:

St. Patrick’s Day (1999)

“In this warm family saga, Mary Pat Donnelly McDonough (Piper Laurie), the widowed matriarch of a big Irish-American clan, shocks her family when she announces she has pledged to give up alcohol and won’t be serving any at her traditional house party. What follows is a multi-generational story with many surprising revelations….”

See also The Diamond Project.

Wednesday, January 8, 2003

Wednesday January 8, 2003

Filed under: General — Tags: — m759 @ 4:17 pm

In the Labyrinth of Memory

Taking a cue from Danny in the labyrinth of Kubrick's film "The Shining," today I retraced my steps.

My Jan. 6 entry, "Dead Poet in the City of Angels," links to a set of five December 21, 2002, entries.  In the last of these, "Irish Lament," is a link to a site appropriate for Maud Gonne's birthday — a discussion of Yeats's "Among School Children."

Those who recall a young woman named Patricia Collinge (Radcliffe '64) might agree that her image is aptly described by Yeats:

Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat

This meditation leads in turn to a Sept. 20, 2002, entry, "Music for Patricias," and a tune familiar to James Joyce, "Finnegan's Wake," the lyrics of which lead back to images in my entries of Dec. 20, 2002, "Last-Minute Shopping," and of Dec. 28, 2002, "Solace from Hell's Kitchen."  The latter entry is in memory of George Roy Hill, director of "The Sting," who died Dec. 27, 2002.

The Dec. 28 image from "The Sting" leads us back to more recent events — in particular, to the death of a cinematographer who won an Oscar for picturing Newman and Redford in another film — Conrad L. Hall, who died Saturday, Jan. 4, 2003. 

For a 3-minute documentary on Hall's career, click here.

Hall won Oscars for "Butch Cassidy and the Sundance Kid" and "American Beauty," and may win a posthumous Oscar for "Road to Perdition," last year's Irish-American mob saga:

"Tom Hanks plays Angel of Death Michael Sullivan. An orphan 'adopted' by crime boss John Rooney (Paul Newman), Sullivan worships Rooney above his own family. Rooney gave Sullivan a home when he had none. Rooney is the father Sullivan never knew. Too bad Rooney is the

Rock Island
branch of Capone's mob."

In keeping with this Irish connection, here is a set of images.

American Beauty
© Suzanne Harle 1997

Conrad L. Hall

 

A Game of Chess

I need a photo-opportunity.
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard.
— Paul Simon

"Like a chess player, he knows that to win a tournament, it is sometimes wise to offer a draw in a game even when you think you can win it."

Roger Ebert on Robert Duvall's character in "A Civil Action"

Director Steven Zaillian will take part in a tribute to Conrad L. Hall at the Palm Springs International Film Festival awards ceremony on Jan 11.  Hall was the cinematographer for Zaillian's films "A Civil Action" and "Searching for Bobby Fischer." 

"A Civil Action" was cast by the Boston firm Collinge/Pickman Casting, named in part for that same Patricia Collinge ("hollow of cheek") mentioned above.

See also "Conrad Hall looks back and forward to a Work in Progress."  ("Work in Progress" was for a time the title of Joyce's Finnegans Wake.)

What is the moral of all this remembrance?

An 8-page (paper) journal note I compiled on November 14, 1995 (feast day of St. Lawrence O'Toole, patron saint of Dublin, allegedly born in 1132) supplies an answer in the Catholic tradition that might have satisfied Joyce (to whom 1132 was a rather significant number): 

How can you tell there's an Irishman present
at a cockfight?
     He enters a duck.
How can you tell a Pole is present?
     He bets on the duck.
How can you tell an Italian is present?
     The duck wins.

Every picture tells a story.

Hall wins Oscar for "American Beauty"

 

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