Log24

Friday, June 14, 2024

UI/UX . . . Has Poolman Met His Match?

Filed under: General — Tags: , , — m759 @ 2:47 pm

"DeWanda Wise is the mysterious June del Rey
in #PoolmanMovie."

Tuesday, March 12, 2024

“Wilde Abyss”

Filed under: General — Tags: , , — m759 @ 1:50 pm

Saturday, March 9, 2024

Annals of Deceptive Fiction —
Dark Materials: Milton, Eliot, Pullman

For Pullman, see previous instances of "wilde abyss" in this journal.

For a less fictional approach to the abyss, see the following.

From T. S. Eliot and the Dynamic Imagination
by Sarah Kennedy,
Cambridge University Press, 2018 —

Chapter 7
His Dark Materials

Would you have me
False to my nature? Rather say, I play
The Man I am.

Shakespeare, Coriolanus, III.ii. [Link added.]

. . . .

Eliot describes the creative germ as the
‘unknown, dark psychic material . . .
with which the poet struggles’.

The phrase echoes Milton’s Paradise Lost :

Into this wilde Abyss,
The Womb of nature and perhaps her Grave,
Of neither Sea, nor Shore, nor Air, nor Fire,
But all these in their pregnant causes mixt
Confus’dly, and which thus must ever fight,
Unless th’ Almighty Maker them ordain
His dark materials to create more Worlds . . .

Eliot’s creative logic retains an aspect of the divine
poet-as-maker, but the effect is not hubristic.
Where Milton’s Almighty may ordain, Eliot’s poet
can only struggle against something unknown.
Yet even in the image of struggle, reminiscent of
Jacob’s struggle with the obscured figure who
appears in the darkness and departs at dawn,
there is a sense of the poet as more than human,
both blessed and maimed by the confrontation.
Like Milton, Eliot locates the struggle in a ‘wilde abyss’:
he once described human consciousness
(following The Tempest ) as extending into a
‘dark . . . backward and abysm of time’. Importantly,
this space is not an aspect of the world as constructed
by a presiding intention (as in Paradise Lost ), but exists
within the poet.
. . . .

"The phrase echoes Milton's Paradise Lost" —

In describing his  abyss, Milton invokes not "psychic material" but
rather the classical view of Nature as composed of the four elements
Water, Earth, Air and Fire.

Note that one source* of the "psychic material" phrase in Eliot's work
gives a rather different picture . . .

"And now I should like to return for a moment to Gottfried Benn
and his unknown, dark psychic material —
we might say, the octopus or angel with which the poet struggles."

* "The Three Voices of Poetry," by T. S. Eliot, The Atlantic, April 1954.

Related entertainment . . .

Sunday, February 18, 2024

For Students of the Crimson Abyss:
 Vocabulary Illustrated

Filed under: General — Tags: , , , — m759 @ 11:12 am

Detail of a February 16 illustration  from The Harvard Crimson .

Thursday, February 15, 2024

Gemini Poem

Or using his  research and their  tools.

Compare and contrast —

Before thir eyes in sudden view appear
The secrets of the hoarie deep, a dark
Illimitable Ocean without bound,
Without dimension, where length, breadth, and highth,
And time and place are lost; where eldest Night
And Chaos, Ancestors of Nature, hold
Eternal Anarchie, amidst the noise
Of endless warrs and by confusion stand.
For hot, cold, moist, and dry, four Champions fierce
Strive here for Maistrie, and to Battel bring amidst the noise
Thir embryon Atoms....
                                ... Into this wilde Abyss,
The Womb of nature and perhaps her Grave,
Of neither Sea, nor Shore, nor Air, nor Fire,
But all these in thir pregnant causes mixt
Confus'dly, and which thus must ever fight,
Unless th' Almighty Maker them ordain
His dark materials to create more Worlds,
Into this wilde Abyss the warie fiend
Stood on the brink of Hell and look'd a while,
Pondering his Voyage....

-- John Milton, Paradise Lost , Book II

Sunday, October 8, 2023

Sunday in the Park with The New York Times

Filed under: General — Tags: , , — m759 @ 3:24 pm

nytimes.com/2023/10/08/arts/design/claude-cormier-dead.html

"Mr. Cormier, an avant-garde Canadian landscape architect
who created playfully subversive and much loved public spaces,
died on Sept. 15 at his home in Montreal. He was 63."

Somewhat less playful and subversive — This  journal on Sept. 15 —

Poolman!  (Toronto International Film Festival Review)

Friday, September 15, 2023

Poolman!  (Toronto International Film Festival Review)

Filed under: General — Tags: , — m759 @ 4:48 am

Indiana Jones: 'Get in the pool!'

Max Bialystock discovers a new playwright

"Eureka!"

Monday, June 5, 2023

Annals of Set Design

Filed under: General — Tags: , , , — m759 @ 9:49 am

Related dramatic dialogue from FUBAR

Hero — I guess I'll take the pill, and get it over with. (Dramatic music playing.)

Villain — This will be fun. (Music intensifies.) Cheers Nothing's happening.

Hero — Come to think of it, I might have taken the antidote.

Read more at: https://tvshowtranscripts.ourboard.org/… .

Related synchronology check —

Saturday, June 3, 2023

Gesamtkunstwerk for Wagner

Filed under: General — Tags: , , — m759 @ 9:47 am

In memory of set designer Robin Wagner, winner of three
Tony awards, who reportedly died at 89 on May 29 —

From Log24 on May 29
and the preceding day —

"When the men on the chessboard
get up and tell you where to go . . . ."

Don't take the Brown acid!

IMAGE- Illuminati Diamond, pp. 359-360 in 'Angels & Demons,' Simon & Schuster Pocket Books 2005, 448 pages, ISBN 0743412397

Sunday, May 28, 2023

Breadcrumbs for Gretel . . .

Tags:  — m759 @ 3:47 PM 

Continues .

See as well Chess Set and Efficient Packing.

Friday, June 2, 2023

Annals of Philosophy

Filed under: General — Tags: , — m759 @ 10:57 pm

James Hillman
EGALITARIAN TYPOLOGIES
VERSUS THE PERCEPTION OF THE UNIQUE

“The kind of movement Olson urges is an inward deepening of the image,
an in-sighting of the superimposed levels of significance within it.
This is the very mode that Jung suggested for grasping dreams —
not as a sequence in time, but as revolving around  a nodal complex.”

. . . Or, sometimes, as . . .

'A hot mess inside a dumpster fire inside a train wreck'— Jake Tapper

Grimness with Wit: Time-Space Variations on 101

Filed under: General — Tags: , — m759 @ 1:32 pm

For the American  Nomenklatura —

The obituary's 101 above refers to time ,
the Stanford page's below to space .

Reichenbach’s Fell Swoop

Filed under: General — Tags: , — m759 @ 12:18 pm

See The Eightfold Cube  and . . .

Truth, Beauty, and The Good

Art is magic delivered from
the lie of being truth.
 — Theodor Adorno, Minima moralia,
London, New Left Books, 1974, p. 222
(First published in German in 1951.)

The director, Carol Reed, makes…
 impeccable use of the beauty of black….
— V. B. Daniel on The Third Man 

I see your ironical smile.
— Hans Reichenbach 

Adorno, The Third Man, and Reichenbach
are illustrated below (l. to r.) above the names of
cities with which they are associated. 

 

Acid Test

Filed under: General — Tags: — m759 @ 12:24 am

"Boro makes Jim Jones look like Jim Henson."

FUBAR, Netflix, Episode 1 (May 25, 2023)

"In The Electric Kool-Aid Acid Test , Tom Wolfe writes about encountering 
'a young psychologist,' 'Clifton Fadiman’s nephew, it turned out,' in the
waiting room of the San Mateo County jail. Fadiman and his wife were
'happily stuffing three I-Ching coins into some interminable dense volume*
of Oriental mysticism' that they planned to give Ken Kesey, the Prankster-
in-Chief whom the FBI had just nabbed after eight months on the lam.
Wolfe had been granted an interview with Kesey, and they wanted him to
tell their friend about the hidden coins. During this difficult time, they
explained, Kesey needed oracular advice."

— Tim Doody in The Morning News  web 'zine on July 26, 2012

Related material — Brown Acid.

* The volume Wolfe mentions was, according to Fadiman, the I Ching.

Monday, May 29, 2023

The Story Theory of Truth

Filed under: General — Tags: , , , — m759 @ 6:15 pm

From the Feast of St. Nicholas, 2022

"Does the phrase 'vinegar and brown paper'
mean anything to you?"

See also other posts tagged Up the Hill.

Wednesday, August 11, 2021

Expanding the Ulysses  Spielraum

Filed under: General — Tags: — m759 @ 12:07 pm

For Stephen King and the Club Dumas

Related perceptive remarks by Juliane Ungänz —

Zweig was the author of Schachnovelle .

Synchronology Check

Filed under: General — Tags: , — m759 @ 10:53 am

From the previous post . . .

"This review was filed from the 2020 Sundance Film Festival
on January 30th."

Meanwhile . . .

Click the above image for posts on "Expanding the Spielraum."

See as well . . .

Friday, November 13, 2020

Deep State, Deep Mind, Deep Structure

Filed under: General — Tags: — m759 @ 2:08 pm

. . . .

In Weber’s hands, the professor and the politician
are not figures to be joined. Each remains a lonely hero
of heavy burden, sent to ride against his particular foe:
the overly structured institution of the modern mind,
the overly structured institution of the modern state.”

 

See also Chomsky in this  journal.

Monday, August 31, 2020

Hollywood Logic

Filed under: General — Tags: — m759 @ 8:19 pm

See as well a recent post in memory of “Chariots of Fire” actor Ben Cross.

From  a Chrome Browser announcement  today —

Compare and contrast  “The Ghost and the Darkness” (Constellation, 1996)
and the new film “Rogue” (Lionsgate, 2020).

“Elijah?… Elijah?!” — Megan Fox in “Rogue” (00:41:47)

Ars Gratia Artis — MGM.

How Deep the Darkness*

Filed under: General — Tags: — m759 @ 11:51 am

http://www.log24.com/log/pix08/080413-Marabar.jpg

* See the title phrase in this journal.

Saturday, August 29, 2020

Shadowlands

Filed under: General — Tags: — m759 @ 1:46 pm

“What have they done to my song?”. . . C. S. Lewis might ask.

To Wakanda

Filed under: General — Tags: — m759 @ 4:30 am

      Update of 5:01 PM ET the same day —

Thursday, August 27, 2020

Acid Snark

Filed under: General — Tags: — m759 @ 2:00 am

Another historical quote: “Don’t take the Brown acid.”

Tuesday, August 25, 2020

Gail Sheehy and the Source

Filed under: General — Tags: — m759 @ 3:45 pm

Sheehy reportedly died on Monday, August 24, 2020.

YouTube has the Vermont speech:

From this  journal on that date

From 'The Politics of Experience,' by R.D. Laing

Summary:  “Turn on, tune in, drop dead.

Saturday, December 21, 2019

Last of the God Professors

Filed under: General — Tags: , , , — m759 @ 10:32 am

From some autobiographical remarks by Simon During,
who was featured in the previous post

For more on the phrase “god professor,” see

The Ownership of Knowledge in Higher Education
in Australia 1939-1996
,” Hannah Forsyth, Ph.D. thesis,
University of Sydney, 2012

Simon During at Utrecht earlier this year —

For the Church of Synchronology, other April 11, 2019, remarks —

See in particular the phrase “Eritis sicut dei ” in the Log24 remarks.

Sunday, May 5, 2019

Transgressive Politics at Harvard

Filed under: General — Tags: , , — m759 @ 1:02 pm

Related material —

See also the previous post.

Friday, May 3, 2019

“As a Chinese jar” — T. S. Eliot

Filed under: General — Tags: , , , , — m759 @ 1:06 pm

 

Monday, April 15, 2019

In Related News…

Filed under: General — Tags: , — m759 @ 10:31 am

Sacerdotal Jargon

Filed under: General — Tags: , , — m759 @ 12:38 am

The interested reader can easily find the source of the above prose.

Saturday, April 13, 2019

An Apt Pupil

Filed under: General — Tags: , , — m759 @ 10:17 pm

A Case for Bosch

Filed under: General — Tags: , — m759 @ 3:14 am

"The fifth season of Bosch is set to premiere
on April 19, 2019." — Wikipedia

Thursday, April 11, 2019

Misery Continues.

Filed under: General — Tags: , , , — m759 @ 2:40 am

Part I: Sharp Objects

Part II: Out of Blue

Part III: Misery

Misery according to Simone Weil

Saturday, April 15, 2017

A Cinematographer Departs

Filed under: General — Tags: , — m759 @ 2:04 am

In memory of cinematographer Michael Ballhaus, who reportedly
died at 81 in Berlin on Tuesday evening, April 11, the first full day 
of Passover, 2017.

From a New York Times  description of his work —

"The sinuous shot, which shows people parting  
like the Red Sea. . . ." — Margalit Fox tonight

From Log24 on the reported date of Ballhaus's death:

Tuesday, April 11, 2017

Partitioning the Crimson Abyss

Filed under: General — Tags: , — m759 @ 6:00 pm

For the title, see Crimson + Abyss in this journal.

"Ready when you are, C. B."

Hexagram 63, "After Completion"

Wednesday, March 29, 2017

The Crimson Abyss

"And as the characters in the meme twitch into the abyss
that is the sky, this meme will disappear into whatever
internet abyss swallowed MySpace."

—Staff writer Kamila Czachorowski, Harvard Crimson , March 29

1984

IMAGE- 'Affine Groups on Small Binary Spaces,' illustration

2010

Logo design for Stack Exchange Math by Jin Yang
 

Recent posts now tagged Crimson Abyss suggest
the above logo be viewed in light of a certain page 29

"… as if into a crimson abyss …." —

Update of 9 PM ET March 29, 2017:

Prospero's Children  was first published by HarperCollins,
London, in 1999. A statement by the publisher provides
an instance of the famous "much-needed gap." —

"This is English fantasy at its finest. Prospero’s Children 
steps into the gap that exists between The Lion, the Witch
and the Wardrobe
  and Clive Barker’s Weaveworld , and
is destined to become a modern classic."

Related imagery —

See also "Hexagram 64 in Context" (Log24, March 16, 2017).

Design Abyss

Filed under: General — Tags: , , — m759 @ 1:00 pm


http://www.log24.com/images/IChing/hexagram29.gif  
Hexagram 29,
The Abyss (Water)

This post was suggested by an August 6, 2010, post by the designer
(in summer or fall, 2010) of the Stack Exchange math logo (see
the previous Log24 post, Art Space Illustrated) —

http://www.8164.org/☵☲/  .

In that post, the designer quotes the Wilhelm/Baynes I Ching  to explain
his choice of Hexagram 63, Water Over Fire, as a personal icon —

"When water in a kettle hangs over fire, the two elements
stand in relation and thus generate energy (cf. the
production of steam). But the resulting tension demands
caution. If the water boils over, the fire is extinguished
and its energy is lost. If the heat is too great, the water
evaporates into the air. These elements here brought in
to relation and thus generating energy are by nature
hostile to each other. Only the most extreme caution
can prevent damage."

See also this  journal on Walpurgisnacht (April 30), 2010 —

http://www.log24.com/images/IChing/hexagram29.gif

Hexagram 29:
Water

http://www.log24.com/log/pix10A/100430-Commentary.jpg

http://www.log24.com/images/IChing/hexagram30.gif

Hexagram 30:
Fire

"Hates California,
it's cold and it's damp.
"

Image--'The Fire,' by Katherine Neville

A thought from another German-speaking philosopher

"Die Philosophie ist ein Kampf gegen die Verhexung
unsres Verstandes durch die Mittel unserer Sprache."

See also The Crimson 's abyss in today's 4:35 AM post Art Space, Continued.

Art Space Illustrated

Another view of the previous post's art space  —

IMAGE by Cullinane- 'Solomon's Cube' with 64 identical, but variously oriented, subcubes, and six partitions of these 64 subcubes

More generally, see Solomon's Cube in Log24.

See also a remark from Stack Exchange in yesterday's post Backstory,
and the Stack Exchange math logo below, which recalls the above 
cube arrangement from "Affine groups on small binary spaces" (1984).

IMAGE- Current math.stackexchange.com logo and a 1984 figure from 'Notes on Groups and Geometry, 1978-1986'

Art Space, Continued

Filed under: General — Tags: , , — m759 @ 4:35 am

"And as the characters in the meme twitch into the abyss
that is the sky, this meme will disappear into whatever
internet abyss swallowed MySpace."

—Staff writer Kamila Czachorowski, Harvard Crimson  today

From Log24 posts tagged Art Space

From a recent paper on Kummer varieties,
arXiv:1208.1229v3 [math.AG] 12 Jun 2013,
The Universal Kummer Threefold,” by
Qingchun Ren, Steven V Sam, Gus Schrader, and
Bernd Sturmfels —

IMAGE- 'Consider the 6-dimensional vector space over the 2-element field,' from 'The Universal Kummer Threefold'

Two such considerations —

IMAGE- 'American Hustle' and Art Cube

IMAGE- Cube for study of I Ching group actions, with Jackie Chan and Nicole Kidman 

Monday, May 29, 2006

Monday May 29, 2006

Filed under: General — Tags: , — m759 @ 3:00 pm

For John F. Kennedy's birthday:

The Call Girls
Revisited

The image “http://www.log24.com/log/pix06A/060529-CallGirls.jpg” cannot be displayed, because it contains errors.

See The Shining of May 29
from 2002
and the references to
the marriage theorem
in Dharwadker's Alleged Proof
from 2005.

"By groping toward the light
we are made to realize
how deep the darkness is
around us."

— Arthur Koestler,
The Call Girls: A Tragi-Comedy,
Random House, 1973, page 118

For related material on
academic darkness, see
Mathematics and Narrative.

Saturday, April 10, 2004

Saturday April 10, 2004

Filed under: General — Tags: , — m759 @ 1:23 am

Harrowing

"The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it.  The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine.  Halfway across the bridge he stopped; he lit a new cigarette from the one he'd been smoking, and leaned over the parapet, looking down.  It was too dark to see the bottom, but: here was finality indeed, and cleavage!  Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country …"

— Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15)

Comment by Stephen Spender:

"There is a suggestion of Christ descending into the abyss for the harrowing of Hell.  But it is the Consul whom we think of here, rather than of Christ.  The Consul is hurled into this abyss at the end of the novel."

— Introduction to Under the Volcano


 Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI

Gibbon, discussing the theology of the Trinity, defines perichoresis as

"… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….

59 … The perichoresis  or 'circumincessio,' is perhaps the deepest and darkest corner of the whole theological abyss."


 "Whoever fights monsters should see to it that in the process he does not become a monster.  And when you look long into an abyss, the abyss also looks into you."

— Friedrich Nietzsche, Beyond Good and Evil, section 146, translated by Walter Kaufmann


William Golding:

 "Simon's head was tilted slightly up.  His eyes could not break away and the Lord of the Flies hung in space before him. 

'What are you doing out here all alone?  Aren't you afraid of me?'

Simon shook.

'There isn't anyone to help you.  Only me.  And I'm the Beast.'

Simon's mouth labored, brought forth audible words.

'Pig's head on a stick.'

'Fancy thinking the Beast was something you could hunt and kill!' said the head.  For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter.  'You knew, didn't you?  I'm part of you?  Close, close, close!' "

 


"Thought of the day:
You can catch more flies with honey than vinegar… if you're into catchin' flies."

Alice Woodrome, Good Friday, 2004

Anne Francis,
also known as
Honey West:

"Here was finality indeed,
and cleavage!"

Under the Volcano

From the official
     Anne Francis Web Site:   

   Come into my parlor….

For some background,
see the use of the word
"spider" in Under the Volcano:

WRIDER/ESPIDER:
THE CONSUL AS ARTIST IN

UNDER THE VOLCANO,

by Patrick A. McCarthy.

See, too, Why Me?

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