Image from a film review of “Eureka” (a 1983 film by Nicolas Roeg).
Note the date of the review — January 09, 2015.
Also on January 09, 2015 —
Related cinematic philosophy —
Image from a film review of “Eureka” (a 1983 film by Nicolas Roeg).
Note the date of the review — January 09, 2015.
Also on January 09, 2015 —
Related cinematic philosophy —
See also a different interpretation, by David Lynch,
of the “twin peaks” concept —
Midrash for Mayakofsky —
From the above search result — “0.69 seconds.”
See as well Theresa Russell and Rutger Hauer in Eureka . . .
See also a different interpretation, by David Lynch,
of the “twin peaks” concept —
[Update of Sunday morning, July 12, 2020 —
This July 2 post was suggested in part by the July 1 post Magic Child
and in part by the Sept. 15, 1984, date in the image below. For more
details about that date, possibly the death date of author Richard
Brautigan, see "The Life and Death of Richard Brautigan," by
Lawrence Wright, in Rolling Stone on April 11, 1985.
From that article:
Marcia called him the next night [Sept. 15, 1984]
in Bolinas. He asked if she liked his mind. "I said,
‘Yes, Richard, I like your mind. You have the ability
to jump in and out of spaces. It’s not linear thinking;
it’s exciting, catalytic, random thinking.’ "
Such thinking, though interesting, is not recommended for the
general public. Sept. 15, 1984, was perhaps Brautigan's last day alive.]
* See Maxwell in posts tagged Gods and Giants.
The above title was suggested by a scene in Body Double (1984) . . .
Variations, starring Theresa Russell, on related themes —
The De Palma Balcony in Body Double , and "ready for my closeup" —
"Bing bang, I heard the whole gang!"
Summary —
Writer Robert Avrech on director Brian De Palma —
“Both Brian and I greatly admire Alfred Hitchcock so we were
pretty much on the same page aesthetically. That’s how I came
to write Body Double , a superb thriller that immediately thrust
me into the Hollywood limelight.”
— https://www.opednews.com/populum/page.php?
f=Behind-the-Scenes-with-Hol-by-Joan-Brunwasser-
American-Jews_Hollywood_Interviews_Judaism-Jewish-
131219-897.html
Writer Robert Avrech on director Brian De Palma —
“Both Brian and I greatly admire Alfred Hitchcock so we were
pretty much on the same page aesthetically. That’s how I came
to write Body Double , a superb thriller that immediately thrust
me into the Hollywood limelight.”
— https://www.opednews.com/populum/page.php?
f=Behind-the-Scenes-with-Hol-by-Joan-Brunwasser-
American-Jews_Hollywood_Interviews_Judaism-Jewish-
131219-897.html
See also Avrech in this journal —
"The Demolished Man was a novel that had fascinated De Palma
since the late 1950s and appealed to his background in mathematics
and avant-garde storytelling. Its unconventional unfolding of plot
(exemplified in its mathematical layout of dialogue) and its stress on
perception have analogs in De Palma's filmmaking." — Wikipedia
This, together with the Cuernavaca balcony in Deschooling MIT, is
perhaps enough of a clue for mystified theologians on St. Peter's Day.
Powered by WordPress