Günter Brus, Artist Who Shocked Postwar Austria, Dies at 85
— NYT obituary today by Alex Williams.
The above artist's exit was reportedly on February 10, 2024.
Also on that date —
Günter Brus, Artist Who Shocked Postwar Austria, Dies at 85
— NYT obituary today by Alex Williams.
The above artist's exit was reportedly on February 10, 2024.
Also on that date —
The previous post suggests a look at The New Yorker today —
Another “core claim” —
“Change arises from the structure of the object.“
See also Wiener Kreis and Schlick.
The title is adapted from a recent book by Joan Didion.
That book now appears among others in my Kindle library —
A Midrash for Singer
Vide "Bereshit" in Wikipedia and in this journal.
Related material —
ART WARS
Continued from
Nov. 25, 2005
From today’s New York Times:
A review of a current Manhattan art exhibition—
“It begins with a juxtaposition of early body-oriented videos by Mr. Nauman and Paul McCarthy, who, quickly following Mr. Nauman’s lead, was in his studio in Los Angeles videotaping home-alone performance pieces by 1970. The contrast is pure Apollo-versus-Dionysus.”
More on Paul McCarthy from artandculture.com:
“If you walk into a room and find everything you held dear in childhood degraded, chances are it’s a Paul McCarthy installation. McCarthy is known for shocking, sexually charged pieces that feature benign cartoon and pop-culture characters — Olive Oyl and Santa Claus, among others — in a bacchanalia of blood and feces.
The 1974 video ‘Hot Dog’ shoots to the heart of the adolescent ‘gross-out’ as McCarthy tapes his penis into a hot dog bun, then packs his pie hole full of franks and wraps himself in gauze. Another piece from the 70s called ‘Sailor’s Meat’ finds the artist dressed as a blonde hooker smeared with blood and ‘knowing’ a pile of raw meat….
Critics often compare his work with that of the Viennese Actionists whose performances were also characterized by gore, raw sexuality, and abused food.”
Related material:
The Wiener Kreis in
yesterday’s 1:06 PM entry
and the five entries
ending the afternoon of
Nov. 25, 2005.
For an approach to art
more in the spirit of Apollo
than of Dionysus, see
Geometry for Jews.
The Crimson Passion
continues.
The Harvard Jesus:
Crimson/Nancy K. Dutton
Monday, Feb. 23, 2004
"If Jesus does come back, he will likely be wearing a tie-dyed shirt, smoking a joint, flashing the peace sign and rocking rose-tinted glasses….
Gibson never wants people to forget that we are ultimately responsible for his Lord's crucifixion. And by 'people' I mean 'the
— Harvard Crimson,
Monday, Feb. 23, 2004,
opinion column
by Erol N. Gulay
And now…
From the Harvard Crimson
on the 2006 feast of
St. Ignatius Loyola:
WEB UPDATE
Billionaire Harvard Donor By KATHERINE M. GRAY |
Related illustrations
from Dec. 15, 2004:
Judeo-Christian Heritage: The meditation below was suggested by this passage: "… the belief that any sensible discourse had to be formulated within the rules of the scientific language, avoiding the non sense of the ordinary language. This belief, initially expressed by Wittgenstein as aphorisms, was later formalized by the Wiener Kreis [Vienna Circle] as a 'logical construction of the world'…." "Deeply Vulgar" — Epithet applied in 2003 to "Examples are the stained-glass
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Today's birthday:
Peter O'Toole.
Happy birthday, George:
Sources:
Salute to Anthony Hopkins,
May 3, May 4, May 5
Today’s Wizard of Id
Judeo-Christian Heritage:
The Wiener Kreis
André Weil As I Knew Him,
by Goro Shimura (pdf)
Related material:
continued
The stranglehold of the Wiener Kreis on Harvard philosophy may at last be breaking:
"… imagination and belief are related…. belief presupposes imagination…."
"To negate the actual is to move imaginatively into the realm of modality. Logic is all about the entertaining of possibilities."
"… imagination is central to an account of linguistic understanding. To understand a sentence is to imaginatively grasp the possibility it represents."
— Colin McGinn, excerpt (pdf) from Mindsight: Image, Dream, Meaning, published by Harvard University Press on November 22, 2004
From Four Quartets:
And the pool was filled
with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light…
Nothing Nothings
(Again)
Background: recent Log24 entries (beginning with Chorus from the Rock on Dec. 5, 2004) and Is Nothing Sacred? (quotations compiled on March 9, 2000).
From an obituary of Paul Edwards, a writer on philosophy, in this morning's New York Times:
"Heidegger's Confusions, a collection of Professor Edwards's scholarly articles, was published last month by Prometheus."
Edwards, born in Vienna in 1923 to Jewish parents, died on December 9.
Some sites I visited earlier this evening, before reading of Edwards's death:
Judeo-Christian Heritage:
The Wiener Kreis
The meditation below was suggested by this passage:
“… the belief that any sensible discourse had to be formulated within the rules of the scientific language, avoiding the non sense of the ordinary language. This belief, initially expressed by Wittgenstein as aphorisms, was later formalized by the Wiener Kreis [Vienna Circle] as a ‘logical construction of the world’….”
“Deeply Vulgar”
— Epithet applied in 2003 to
Harvard President Lawrence Summers.
“Examples are the stained-glass
windows of knowledge.”
— Vladimir Nabokov
In today’s Crimson:
Only moderately vulgar, with its sniggering pop-culture reference. But it should be
Frankfurter Professor of Law.
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Those seeking relief from
Judeo-Christian vulgarity may enjoy
the Buddhist Suzanne Vega’s
“Mercilessly tasteful”
— Andrew Mueller
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