Log24

Tuesday, June 21, 2011

Piracy Project

Filed under: General,Geometry — Tags: , — m759 @ 2:02 am

Recent piracy of my work as part of a London art project suggests the following.

http://www.log24.com/log/pix11A/110620-PirateWithParrotSm.jpg

           From http://www.trussel.com/rls/rlsgb1.htm

The 2011 Long John Silver Award for academic piracy
goes to ….

Hermann Weyl, for the remark on objectivity and invariance
in his classic work Symmetry  that skillfully pirated
the much earlier work of philosopher Ernst Cassirer.

And the 2011 Parrot Award for adept academic idea-lifting
goes to …

Richard Evan Schwartz of Brown University, for his
use, without citation, of Cullinane’s work illustrating
Weyl’s “relativity problem” in a finite-geometry context.

For further details, click on the above names.

Monday, June 20, 2011

The Search for Invariants

Filed under: General,Geometry — m759 @ 9:29 am

The title of a recent contribution to a London art-related "Piracy Project" begins with the phrase "The Search for Invariants."

A search for that phrase  elsewhere yields a notable 1944* paper by Ernst Cassirer, "The Concept of Group and the Theory of Perception."

Page 20: "It is a process of objectification, the characteristic nature
and tendency of which finds expression in the formation of invariants."

Cassirer's concepts seem related to Weyl's famous remark that

“Objectivity means invariance with respect to the group of automorphisms.”
Symmetry  (Princeton University Press, 1952, page 132)

See also this journal on June 23, 2010— "Group Theory and Philosophy"— as well as some Math Forum remarks on Cassirer and Weyl.

Update of 6 to 7:50 PM June 20, 2011—

Weyl's 1952 remark seems to echo remarks in 1910 and 1921 by Cassirer.
See Cassirer in 1910 and 1921 on Objectivity.

Another source on Cassirer, invariance, and objectivity—

The conclusion of Maja Lovrenov's 
"The Role of Invariance in Cassirer’s Interpretation of the Theory of Relativity"—

"… physical theories prove to be theories of invariants
with regard to certain groups of transformations and
it is exactly the invariance that secures the objectivity
of a physical theory."

— SYNTHESIS PHILOSOPHICA 42 (2/2006), pp. 233–241

A search in Weyl's Symmetry  for any reference to Ernst Cassirer yields no results.

* Published in French in 1938.

Tuesday, May 17, 2011

Anomalies

Filed under: General,Geometry — Tags: , — m759 @ 9:00 am

More British nihilism

Perfect Symmetry  (Oct. 2008) and Perfect Symmetry  single (Dec. 2008)—

http://www.log24.com/log/pix11A/110517-Keane-PerfectSymmetry225.jpg    http://www.log24.com/log/pix11A/110517-Keane-PerfectSymmetry-Gray225.jpg

Related science…

Heinz Pagels in Perfect Symmetry  (paperback, 1985), p. xvii—

The penultimate chapter of this third part of the book—
as far as speculation is concerned— describes some

recent mathematical models for the very origin of the
universe—how the fabric of space, time and matter can
be
created out of absolutely nothing. What could have more
perfect symmetry than absolute nothingness? For the first
time in history, scientists have constructed mathematical
models that account for the very creation of the universe
out
of nothing.

On Grand Unified Theories (GUT's) of physics (ibid., 284)

In spite of the fact that GUTs leave deep puzzles unsolved,
they have gone a long way toward unifying the various
quantum particles. For example, many people are disturbed
by the large numbers of gluons, quarks and leptons. Part of
the appeal of the GUT idea is that this proliferation of
quantum particles is really superficial and that all the gluons
as well at the quarks and leptons may be simply viewed as
components of a few fundamental unifying fields. Under the
GUT symmetry operation these field components transform
into one another. The reason quantum particles appear to
have different properties in nature is that the unifying
symmetry is broken. The various gluons, quarks and leptons
are analogous to the facets of a cut diamond, which appear
differently according to the way the diamond is held but in
fact are all manifestations of the same underlying object.

Related art— Puzzle and Particles…

The Diamond 16 Puzzle (compare with Keane art above)

http://www.log24.com/log/pix11A/110517-Diamond16Puzzle.jpg

—and The Standard Model of particle theory—

http://www.log24.com/log/pix11A/110517-StandardModel.jpg

The fact that both the puzzle and the particles appear
within a 4×4 array is of course completely coincidental.

See also a more literary approach— "The Still Point and the Wheel"—

"Anomalies must be expected along the conceptual frontier between the temporal and the eternal."
The Death of Adam , by Marilynne Robinson, Houghton Mifflin, 1998, essay on Marguerite de Navarre

Friday, May 13, 2011

Apollo’s 13

Filed under: General,Geometry — Tags: — m759 @ 6:36 am

Continued … See related previous posts.

IMAGE- The 13 symmetry axes of the cube

Those who prefer narrative to mathematics
may consult Wikipedia on The Cosmic Cube.

Saturday, May 7, 2011

Annals of Mathematics

Filed under: General — m759 @ 10:35 pm

University Diaries praised today the late Robert Nozick's pedagogical showmanship.

His scholarship was less praiseworthy. His 2001 book Invariances: The Structure of the Objective World  failed, quite incredibly, to mention Hermann Weyl's classic summary of  the connection between invariance and objectivity.  See a discussion of Nozick in The New York Review of Books  of December 19, 2002

"… one should mention, first and foremost, the mathematician Hermann Weyl who was almost obsessed by this connection. In his beautiful little book Symmetry  he tersely says, 'Objectivity means invariance with respect to the group of automorphisms….'"

See also this journal on Dec. 3, 2002, and Feb. 20, 2007.

For some context, see a search on the word stem "objectiv-" in this journal.

Thursday, May 5, 2011

On Art and Magic

Filed under: General,Geometry — Tags: , — m759 @ 10:30 pm

Two Blocks Short of a Design:

A sequel to this morning’s post on Douglas Hofstadter

http://www.log24.com/log/pix11A/110505-ThemeAndVariations-Hofstadter.jpg

Photo of Hofstadter by Mike McGrath taken May 13, 2006

Related material — See Lyche’s  “Theme and Variations” in this journal
and Hofstadter’s “Variations on a Theme as the Essence of Imagination
Scientific American  October 1982

A quotation from a 1985 book by Hofstadter—

“… we need to entice people with the beauties of clarity, simplicity, precision,
elegance, balance, symmetry, and so on.

Those artistic qualities… are the things that I have tried to explore and even
to celebrate in Metamagical Themas .  (It is not for nothing that the word
‘magic’ appears inside the title!)”

The artistic qualities Hofstadter lists are best sought in mathematics, not in magic.

An example from Wikipedia —

http://www.log24.com/log/pix11A/110505-BlockDesignTheory.jpg

Mathematics

http://www.log24.com/log/pix11A/110505-WikipediaFanoPlane.jpg

The Fano plane block design

Magic

http://www.log24.com/log/pix11A/110505-DeathlyHallows.jpg

The Deathly Hallows  symbol—
Two blocks short of  a design.

Thursday, April 28, 2011

Bridal Birthday

Filed under: General — m759 @ 11:02 pm

The Telegraph , April 29th

Catherine Elizabeth "Kate" Middleton, born 9 January 1982,
will marry Prince William of Wales on April 29th, 2011.

This suggests, by a very illogical and roundabout process
of verbal association, a search in this journal.

A quote from that search—

“‘Memory is non-narrative and non-linear.’
— Maya Lin in The Harvard Crimson , Friday, Dec. 2, 2005

A non-narrative image from the same
general time span as the bride's birthday—

IMAGE- 'Solid Symmetry' by Steven H. Cullinane, Dec. 24, 1981

For some context, see Stevens + "The Rock" + "point A".
A post in that search, April 4th's Rock Notes, links to an essay
on physics and philosophy, "The Discrete and the Continuous," by David Deutsch.

See also the article on Deutsch, "Dream Machine," in the current New Yorker 
(May 2, 2011), and the article's author, "Rivka Galchen," in this journal.

Galchen writes very well. For example —

Galchen on quantum theory

"Our intuition, going back forever, is that to move, say, a rock, one has to touch that rock, or touch a stick that touches the rock, or give an order that travels via vibrations through the air to the ear of a man with a stick that can then push the rock—or some such sequence. This intuition, more generally, is that things can only directly affect other things that are right next to them. If A affects B without  being right next to it, then the effect in question must be in direct—the effect in question must be something that gets transmitted by means of a chain of events in which each event brings about the next one directly, in a manner that smoothly spans the distance from A to B. Every time we think we can come up with an exception to this intuition—say, flipping a switch that turns on city street lights (but then we realize that this happens through wires) or listening to a BBC radio broadcast (but then we realize that radio waves propagate through the air)—it turns out that we have not, in fact, thought of an exception. Not, that is, in our everyday experience of the world.

We term this intuition 'locality.'

Quantum mechanics has upended many an intuition, but none deeper than this one."

Monday, April 25, 2011

Poetry and Physics

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

One approach to the storied philosophers' stone, that of Jim Dodge in Stone Junction , was sketched in yesterday's Easter post. Dodge described a mystical "spherical diamond." The symmetries of the sphere form what is called in mathematics a Lie group . The "spherical" of Dodge therefore suggests a review of the Lie group Ein Garrett Lisi's poetic theory of everything.

A check of the Wikipedia article on Lisi's theory yields…

http://www.log24.com/log/pix11A/110425-WikipediaE8.jpg

       Diamond and E8 at Wikipedia

Related material — Eas "a diamond with thousands of facets"—

http://www.log24.com/log/pix11A/110425-Kostant.jpg

Also from the New Yorker  article

“There’s a dream that underlying the physical universe is some beautiful mathematical structure, and that the job of physics is to discover that,” Smolin told me later. “The dream is in bad shape,” he added. “And it’s a dream that most of us are like recovering alcoholics from.” Lisi’s talk, he said, “was like being offered a drink.”

A simpler theory of everything was offered by Plato. See, in the Timaeus , the Platonic solids—

Platonic solids' symmetry groups

Figure from this journal on August 19th, 2008.
See also July 19th, 2008.

It’s all in Plato, all in Plato:
bless me, what do  they
teach them at these schools!”
— C. S. Lewis

Sunday, March 13, 2011

The Counter

Filed under: General,Geometry — m759 @ 11:00 am

"…as we saw, there are two different Latin squares of order 4…."
— Peter J. Cameron, "The Shrikhande Graph," August 26, 2010

Cameron counts Latin squares as the same if they are isotopic .
Some further context for Cameron's remark—

Cover Illustration Number 1 (1976):

http://www.log24.com/log/pix11/110122-DiamondTheoryCover.jpg

Cover Illustration Number 2 (1991):

http://www.log24.com/log/pix11/110313-CombinatorialMatrixTheorySm.jpg

   The Shrikhande Graph

http://www.log24.com/log/pix11/110313-BrualdiRyser153.jpg

______________________________________________________________________________

This post was prompted by two remarks…

1.  In a different weblog, also on August 26, 2010—

    The Accidental Mathematician— "The Girl Who Played with Fermat's Theorem."

"The worst thing about the series is the mathematical interludes in The Girl Who Played With Fire….

Salander is fascinated by a theorem on perfect numbers—
one can verify it for as many numbers as one wishes, and it never fails!—
and then advances through 'Archimedes, Newton, Martin Gardner,*
and a dozen other classical mathematicians,' all the way to Fermat’s last theorem."

2.  "The fact that the pattern retains its symmetry when you permute the rows and columns
     is very well known to combinatorial theorists who work with matrices."
     [My italics; note resemblance to the Brualdi-Ryser title above.]

     –Martin Gardner in 1976 on the diamond theorem

* Compare Eric Temple Bell (as quoted at the MacTutor history of mathematics site)—

    "Archimedes, Newton, and Gauss, these three, are in a class by themselves
     among the great mathematicians, and it is not for ordinary mortals
     to attempt to range them in order of merit."

     This is from the chapter on Gauss in Men of Mathematics .

Friday, February 25, 2011

Diamond Theorem Exposition

Filed under: General,Geometry — m759 @ 11:00 pm

"THE DIAMOND THEOREM AND QUILT PATTERNS
Victoria Blumen, Mathematics, Junior, Benedictine University
Tim Comar, Benedictine University
Mathematics
Secondary Source Research
 
Let D be a 4 by 4 block quilt shape, where each of the 16 square blocks is consists of [sic ] two triangles, one of which is colored red and the other of which is colored blue.  Let G: D -> D_g be a mapping of D that interchanges a pair of columns, rows, or quadrants of D.  The diamond theorem states that G(D) = D_g has either ordinary or color-interchange symmetry.  In this talk, we will prove the diamond theorem and explore symmetries of quilt patterns of the form G(D)."

Exercise Correct the above statement of the theorem.

Background— This is from a Google search result at about 10:55 PM ET Feb. 25, 2011—

[DOC] THE DIAMOND THEOREM AND QUILT PATTERNS – acca.elmhurst.edu
File Format: Microsoft Word – 14 hours ago –
Let G: D -> D_g be a mapping of D that interchanges a pair of columns, rows, or quadrants of D. The diamond theorem states that G(D) = D_g has either
acca.elmhurst.edu/…/victoria_blumen9607_
THE%20DIAMOND%20THEOREM%20AND%20QUILT%20PATTERNS…

The document is from a list of mathematics abstracts for the annual student symposium of the ACCA (Associated Colleges of the Chicago Area) held on April 10, 2010.

Update of Feb. 26For a related remark quoted here  on the date of the student symposium, see Geometry for Generations.

Wednesday, February 9, 2011

An Abstract Power

Filed under: General,Geometry — Tags: , , , — m759 @ 2:45 am

Two characters named “Black” and “White” debate religion and the afterlife in the Cormac McCarthy play “The Sunset Limited.”

The play opened in Chicago in a Steppenwolf Theatre production on May 18, 2006.

A New York Times  theater review from All Hallows’ Eve, 2006—

“…there is an abstract power in the mysteriousness of Mr. McCarthy’s
vision’s allowing for a multitude of interpretations.” –Jason Zinoman

The current New Yorker  (Feb.14) has a note
by Lillian Ross on the same play— “Two-Man Show: O Death

http://www.log24.com/log/pix11/110209-TwoManShow.gif

Some purely visual black-and-white variations that are less dramatic, but have their own “abstract power”—

A book cover pictured here last November to contrast with
“the sound and fury of the rarified Manhattan art world”—

http://www.log24.com/log/pix10B/101027-LangerSymbolicLogic.jpg

and a web page with multiple interpretations of the book cover’s pattern—

http://www.log24.com/log/pix11/110209-SymFrameBWPage.gif

A synchronicity— The first version of “Symmetry Framed” was done
on May 18, 2006— the day “The Sunset Limited” opened.

Another synchronicity relates the mathematics underlying
such patterns to the Halloween date of the above review.
See “To Announce a Faith,” from October 31, 2006.

Thursday, January 20, 2011

Trinity

Filed under: General — Tags: — m759 @ 8:00 pm

Reynolds Price died today. See Lore of the Manhattan Project in this journal.

In memoriam : Descartes's Twelfth Step and Symmetry and a Trinity.

Brightness at Noon, continued

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

"One wild rhapsody a fake for another."

– Wallace Stevens, "Arrival at the Waldorf," in Parts of a World  (1942)

"Camelot is an illusion.

That doesn't matter, according to Catherine.
Camelot is an artificial construction, a public perception.
The things that matter are closer, deeper, self-generated, unkillable.
You've got to grow up to discover what those things are."

— Dan Zak, Washington Post  movie review on Feb. 27, 2009. See also this journal on that date.

See as well a note on symmetry from Christmas Eve, 1981, and Verbum in this journal.

Some philosophical background— Derrida in the Garden.

Some historical background— A Very Private Woman  and Noland.

Wednesday, January 5, 2011

True Grid Example

Filed under: General,Geometry — m759 @ 9:00 pm

See today's earlier posts Ode and True Grid (continued) and, in the latter's
context of tic-tac-toe war games —  Balance, from Halloween 2005 —

IMAGE- The ninefold square

“An asymmetrical balance is sought since it possesses more movement.
This is achieved by the imaginary plotting of the character
upon a nine-fold square, invented by some ingenious writer of the Tang dynasty.
If the square were divided in half or in four, the result would be symmetrical,
but the nine-fold square permits balanced asymmetry."

Paraphrase of a passage in Chiang Yee's Chinese Calligraphy

Monday, December 27, 2010

Church Diamond

Filed under: General,Geometry — Tags: — m759 @ 3:09 pm

IMAGE- The diamond property

Also known, roughly speaking, as confluence  or the Church-Rosser property.

From “NYU Lambda Seminar, Week 2” —

[See also the parent page Seminar in Semantics / Philosophy of Language or:
What Philosophers and Linguists Can Learn From Theoretical Computer Science But Didn’t Know To Ask)
]

A computational system is said to be confluent, or to have the Church-Rosser or diamond property, if, whenever there are multiple possible evaluation paths, those that terminate always terminate in the same value. In such a system, the choice of which sub-expressions to evaluate first will only matter if some of them but not others might lead down a non-terminating path.

The untyped lambda calculus is confluent. So long as a computation terminates, it always terminates in the same way. It doesn’t matter which order the sub-expressions are evaluated in.

A computational system is said to be strongly normalizing if every permitted evaluation path is guaranteed to terminate. The untyped lambda calculus is not strongly normalizing: ω ω doesn’t terminate by any evaluation path; and (\x. y) (ω ω) terminates only by some evaluation paths but not by others.

But the untyped lambda calculus enjoys some compensation for this weakness. It’s Turing complete! It can represent any computation we know how to describe. (That’s the cash value of being Turing complete, not the rigorous definition. There is a rigorous definition. However, we don’t know how to rigorously define “any computation we know how to describe.”) And in fact, it’s been proven that you can’t have both. If a computational system is Turing complete, it cannot be strongly normalizing.

There is no connection, apart from the common reference to an elementary geometric shape, between the use of “diamond” in the above Church-Rosser sense and the use of “diamond” in the mathematics of (Cullinane’s) Diamond Theory.

Any attempt to establish such a connection would, it seems, lead quickly into logically dubious territory.

Nevertheless, in the synchronistic spirit of Carl Jung and Arthur Koestler, here are some links to such a territory —

 Link One — “Insane Symmetry”  (Click image for further details)—

http://www.log24.com/log/pix10B/101227-InsaneSymmetry.jpg

See also the quilt symmetry in this  journal on Christmas Day.

Link Two — Divine Symmetry

(George Steiner on the Name in this journal on Dec. 31 last year (“All about Eve“)) —

“The links are direct between the tautology out of the Burning Bush, that ‘I am’ which accords to language the privilege of phrasing the identity of God, on the one hand, and the presumptions of concordance, of equivalence, of translatability, which, though imperfect, empower our dictionaries, our syntax, our rhetoric, on the other. That ‘I am’ has, as it were, at an overwhelming distance, informed all predication. It has spanned the arc between noun and verb, a leap primary to creation and the exercise of creative consciousness in metaphor. Where that fire in the branches has gone out or has been exposed as an optical illusion, the textuality of the world, the agency of the Logos in logic—be it Mosaic, Heraclitean, or Johannine—becomes ‘a dead letter.'”

George Steiner, Grammars of Creation

(See also, from Hanukkah this year,  A Geometric Merkabah and The Dreidel is Cast.)

Link Three – Spanning the Arc —

Part A — Architect Louis Sullivan on “span” (see also Kindergarten at Stonehenge)

Part B — “Span” in category theory at nLab —

http://www.log24.com/log/pix10B/101227-nLabSpanImage.jpg

Also from nLab — Completing Spans to Diamonds

“It is often interesting whether a given span in some partial ordered set can be completed into a diamond. The property of a collection of spans to consist of spans which are expandable into diamonds is very useful in the theory of rewriting systems and producing normal forms in algebra. There are classical results e.g. Newman’s diamond lemma, Širšov-Bergman’s diamond lemma (Širšov is also sometimes spelled as Shirshov), and Church-Rosser theorem (and the corresponding Church-Rosser confluence property).”

The concepts in this last paragraph may or may not have influenced the diamond theory of Rudolf Kaehr (apparently dating from 2007).

They certainly have nothing to do with the Diamond Theory of Steven H. Cullinane (dating from 1976).

For more on what the above San Francisco art curator is pleased to call “insane symmetry,” see this journal on Christmas Day.

For related philosophical lucubrations (more in the spirit of Kaehr than of Steiner), see the New York Times  “The Stone” essay “Span: A Remembrance,” from December 22—

“To understand ourselves well,” [architect Louis] Sullivan writes, “we must arrive first at a simple basis: then build up from it.”

Around 300 BC, Euclid arrived at this: “A point is that which has no part. A line is breadthless length.”

See also the link from Christmas Day to remarks on Euclid and “architectonic” in Mere Geometry.

Monday, December 13, 2010

Mathematics and Narrative continued…

Filed under: General,Geometry — m759 @ 7:20 am

Apollo's 13: A Group Theory Narrative —

I. At Wikipedia —

http://www.log24.com/log/pix10B/101213-GroupTheory.jpg

II. Here —

See Cube Spaces and Cubist Geometries.

The 13 symmetry axes of the (Euclidean) cube–
exactly one axis for each pair of opposite
subcubes in the 27-part (Galois) 3×3×3 cube–

The 13 symmetry axes of the cube

A note from 1985 describing group actions on a 3×3 plane array—

http://www.log24.com/log/pix10A/100621-VisualizingDetail.gif

Undated software by Ed Pegg Jr. displays
group actions on a 3×3×3 cube that extend the
3×3 group actions from 1985 described above—

Ed Pegg Jr.'s program at Wolfram demonstrating concepts of a 1985<br />
note by Cullinane

Pegg gives no reference to the 1985 work on group actions.

Saturday, December 11, 2010

Dual Duel

Filed under: General,Geometry — m759 @ 7:20 am

"Shifting Amid, and Asserting, His Own Cinema"

— Headline of an essay on Bertolucci in tormorrow's Sunday New York Times

This, together with yesterday's post on the Paris "Symmetry, Duality, and Cinema" conference last June, suggests a review of the phrase "blue diamond" in this journal. The search shows a link to the French art film "Duelle."

Some background for the word and concept from a French dictionary

duel
  adjectif masculin singulier
1 relatif à la dualité, à ce qui est double, constitué de deux éléments distincts
  nom masculin singulier
2 combat opposant deux personnes, à l'arme blanche ou au pistolet, afin de chercher réparation d'un dommage ou d'une injure de l'un des combattants
3 par extension compétition, conflit
4  (linguistique) dans certaines langues, cas de nombre distinct du singulier et du pluriel, correspondant à une action effectuée par deux personnes

duelle
  adjectif féminin singulier
relative à la dualité, à ce qui est double, constitué de deux éléments distincts

For examples of  duel  and duelle  see Evariste Galois
and Helen Mirren (the latter in The Tempest  and in 2010 ).

IMAGE-- Imaginary movie poster- 'The Galois Connection'- from stoneship.org

Image from stoneship.org

Friday, December 10, 2010

Cruel Star, Part II

Filed under: General,Geometry — Tags: — m759 @ 2:00 pm

Symmetry, Duality, and Cinema

— Title of a Paris conference held June 17, 2010

From that conference, Edward Frenkel on symmetry and duality

"Symmetry plays an important role in geometry, number theory, and quantum physics. I will discuss the links between these areas from the vantage point of the Langlands Program. In this context 'duality' means that the same theory, or category, may be described in two radically different ways. This leads to many surprising consequences."

Related material —

http://www.log24.com/log/pix10B/101210-CruelStarPartII.jpg

See also  "Black Swan" in this journal, Ingmar Bergman's production of Yukio Mishima's "Madame de Sade," and Duality and Symmetry, 2001.

This journal on the date of the Paris conference
had a post, "Nighttown," with some remarks about
the duality of darkness and light. Its conclusion—

"By groping toward the light we are made to realize
 how deep the darkness is around us."
  — Arthur Koestler, The Call Girls: A Tragi-Comedy,
      Random House, 1973, page 118

Wednesday, November 10, 2010

Scavenger Hunt

Filed under: General — m759 @ 3:09 am

A description in Pynchon's Against the Day  of William Rowan Hamilton's October 16th, 1843, discovery of quaterions—

"The moment, of course, is timeless. No beginning, no end, no duration, the light in eternal descent, not the result of conscious thought but fallen onto Hamilton, if not from some Divine source then at least when the watchdogs of Victorian pessimism were sleeping too soundly to sense, much less frighten off, the watchful scavengers of Epiphany."

New York Lottery yesterday, on Hermann Weyl's birthday— Midday 106, Evening 865.

http://www.log24.com/log/pix10B/101110-WeylAndDiamond.jpg

Here 106 suggests 1/06, the date of Epiphany, and 865 turns out to be the title number of Weyl's Symmetry  at Princeton University Press—

http://press.princeton.edu/titles/865.html.

Symmetry and quaternions are, of course, closely related.

Friday, November 5, 2010

V Day for Natalie

Filed under: General — Tags: — m759 @ 1:00 pm

This morning's post mentioned the new film "Black Swan," starring Natalie Portman, that opens December 3.

Portman also starred in the 2006 film "V for Vendetta," based very loosely on today's date— November 5, Guy Fawkes Day.

Some background on Alan Moore, the creator of the graphic novel underlying that film—

1. The New York Times , March 12, 2006
2. Panelling Parallax: The Fearful Symmetry of William Blake and Alan Moore
3. This journal on March 24, 2009

Also from March 24, 2009—  An image for what Thomas Pynchon, in this morning's post, called "the watchful scavengers of Epiphany."

Tuesday, October 19, 2010

Savage Logic…

Filed under: General,Geometry — Tags: , — m759 @ 2:22 am

and the New York Lottery

IMAGE-- NY Lottery Oct. 18, 2010-- Midday 069, Evening 359

A search in this journal for yesterday's evening number in the New York Lottery, 359, leads to…

The Cerebral Savage: 
On the Work of Claude Lévi-Strauss

by Clifford Geertz

Shown below is 359, the final page of Chapter 13 in
The Interpretation of Cultures: Selected Essays by Clifford Geertz,
New York, 1973: Basic Books, pp. 345-359 —

http://www.log24.com/log/pix10B/101019-Geertz359.gif

This page number 359 also appears in this journal in an excerpt from Dan Brown's novel Angels & Demons

See this journal's entries for March 1-15, 2009, especially…

Sunday, March 15, 2009  5:24 PM

Philosophy and Poetry:

The Origin of Change

A note on the figure
from this morning's sermon:

Diamond Theory version of 'The Square Inch Space' with yin-yang symbol for comparison

"Two things of opposite natures seem to depend
On one another, as a man depends
On a woman, day on night, the imagined

On the real. This is the origin of change.
Winter and spring, cold copulars, embrace
And forth the particulars of rapture come."

-- Wallace Stevens,
  "Notes Toward a Supreme Fiction,"
   Canto IV of "It Must Change"

Sunday, March 15, 2009  11:00 AM

Ides of March Sermon:

Angels, Demons,
"Symbology"

"On Monday morning, 9 March, after visiting the Mayor of Rome and the Municipal Council on the Capitoline Hill, the Holy Father spoke to the Romans who gathered in the square outside the Senatorial Palace…

'… a verse by Ovid, the great Latin poet, springs to mind. In one of his elegies he encouraged the Romans of his time with these words:

"Perfer et obdura: multo graviora tulisti."

 "Hold out and persist:
  you have got through
  far more difficult situations."

 (Tristia, Liber  V, Elegia  XI, verse 7).'"
 

This journal
on 9 March:

Diamond Theory version of 'The Square Inch Space' with yin-yang symbol for comparison

Note the color-interchange
symmetry
of each symbol
under 180-degree rotation.

Related material:
The Illuminati Diamond:

IMAGE- Illuminati Diamond, pp. 359-360 in 'Angels & Demons,' Simon & Schuster Pocket Books 2005, 448 pages, ISBN 0743412397

The symmetry of the yin-yang symbol, of the diamond-theorem symbol, and of Brown's Illuminati Diamond is also apparent in yesterday's midday New York lottery number (see above).

"Savage logic works like a kaleidoscope…." — Clifford Geertz on Lévi-Strauss

Monday, September 20, 2010

The Unfolding

Filed under: General,Geometry — m759 @ 11:00 am

Two pictures suggested by recent comments on
Peter J. Cameron's Sept. 17 post about T.S. Eliot—

http://www.log24.com/log/pix10B/100920-Hebrews-11-3-Sm.png

http://www.log24.com/log/pix10B/100920-Walsh-Hyperplanes-sm.jpg

For some further background, see Symmetry of Walsh Functions.

Saturday, July 24, 2010

Playing with Blocks

"Many of the finite simple groups can be described as symmetries of finite geometries, and it remains a hot topic in group theory to expand our knowledge of the Classification of Finite Simple Groups using finite geometry."

Finite geometry page at the Centre for the Mathematics of
   Symmetry and Computation at the University of Western Australia
   (Alice Devillers, John Bamberg, Gordon Royle)

For such symmetries, see Robert A. WIlson's recent book The Finite Simple Groups.

The finite simple groups are often described as the "building blocks" of finite group theory.

At least some of these building blocks have their own building blocks. See Non-Euclidean Blocks.

For instance, a set of 24 such blocks (or, more simply, 24 unit squares) appears in the Miracle Octad Generator (MOG) of R.T. Curtis, used in the study of the finite simple group M24.

(The octads  of the MOG illustrate yet another sort of mathematical blocks— those of a block design.)

Thursday, July 22, 2010

Pilate Goes to Kindergarten, continued

Filed under: General,Geometry — Tags: , — m759 @ 2:02 pm

Barnes & Noble has an informative new review today of the recent Galois book Duel at Dawn.

It begins…

"In 1820, the Hungarian noble Farkas Bolyai wrote an impassioned cautionary letter to his son Janos:

'I know this way to the very end. I have traversed this bottomless night, which extinguished all light and joy in my life… It can deprive you of your leisure, your health, your peace of mind, and your entire happiness… I turned back when I saw that no man can reach the bottom of this night. I turned back unconsoled, pitying myself and all mankind. Learn from my example…'

Bolyai wasn't warning his son off gambling, or poetry, or a poorly chosen love affair. He was trying to keep him away from non-Euclidean geometry."

For a less dark view (obtained by simply redefining "non-Euclidean" in a more logical way*) see Non-Euclidean Blocks and Finite Geometry and Physical Space.

* Finite  geometry is not  Euclidean geometry— and is, therefore, non-Euclidean
  in the strictest sense (though not according to popular usage), simply because
  Euclidean  geometry has infinitely many points, and a finite  geometry does not.
  (This more logical definition of "non-Euclidean" seems to be shared by
  at least one other person.)

  And some  finite geometries are non-Euclidean in the popular-usage sense,
  related to Euclid's parallel postulate.

  The seven-point Fano plane has, for instance, been called
  "a non-Euclidean geometry" not because it is finite
  (though that reason would suffice), but because it has no parallel lines.

  (See the finite geometry page at the Centre for the Mathematics
   of Symmetry and Computation at the University of Western Australia.)

By Chance

Filed under: General,Geometry — m759 @ 12:00 pm

PA Lottery 7/21— Midday 312, Evening 357.

Related material:

This journal on 3/12

Image-- Group Characters, from 'Symmetry,' Pergamon Press, 1963

and a .357—

Image-- MTV star spotting-- Lindsay Lohan, Nun with a Gun

Related philosophy—

"Character is fate." — Heraclitus

"Pray for the grace of accuracy." — Robert Lowell

Oh, and a belated happy 7/21 birthday to Ernest Hemingway and Robin Williams.

Monday, June 28, 2010

Shall I Compare Thee

Filed under: General,Geometry — Tags: , — m759 @ 11:02 am

Margaret Soltan on a summer's-day poem by D.A. Powell

first, a congregated light, the brilliance of a meadowland in bloom
and then the image must fail, as we must fail, as we

graceless creatures that we are, unmake and befoul our beds
don’t tell me deluge.     don’t tell me heat, too damned much heat

"Specifically, your trope is the trope of every life:
 the organizing of the disparate parts of a personality
 into a self (a congregated light), blazing youth
 (a meadowland in bloom), and then the failure
 of that image, the failure of that self to sustain itself."

Alternate title for Soltan's commentary, suggested by yesterday's Portrait:

Smart Jewish Girl Fwows Up.

Midrash on Soltan—

Congregated Light

The 13 symmetry axes 
of the cube

Meadowland

Appalachian meadow

Failure

Wert thou my enemy, O thou my friend,
How wouldst thou worse, I wonder, than thou dost
Defeat, thwart me?

Coda

"…meadow-down is not distressed
For a rainbow footing…."

Sunday, June 27, 2010

Sunday at the Apollo

Filed under: General,Geometry — m759 @ 9:00 pm
 

27

 

The 13 symmetry axes of the (Euclidean) cube–
exactly one axis for each pair of opposite
  subcubes in the 27-part (Galois) 3×3×3 cube–

The 13 symmetry axes of the cube

Tuesday, June 22, 2010

Hermeneutics for Bernstein

Filed under: General — Tags: — m759 @ 8:28 pm

J. M. Bernstein (previous post) has written of moving toward "a Marxist hermeneutic."

I prefer lottery hermeneutics.

Some background from Bernstein—

http://www.log24.com/log/pix10A/100622-StoryStatements.gif

I would argue that at least sometimes, lottery numbers may be regarded, according to Bernstein's definition, as story statements. For instance—

Today's New York State Lottery— Midday 389, Evening 828.

For the significance of 389, see

A Mad Day’s Work: From Grothendieck to Connes and Kontsevich.
 The Evolution of Concepts of Space and Symmetry
,”
 by Pierre Cartier, Bulletin of the American Mathematical Society,
 Vol. 38 (2001) No. 4, beginning on page 389.

The philosophical import of page 389 is perhaps merely in Cartier's title (see previous post).

For the significance of 828, see 8/28, the feast of St. Augustine, in 2006.

See also Halloween 2007. (Happy birthday, Dan Brown.)

Wednesday, June 16, 2010

Geometry of Language

Filed under: General,Geometry — Tags: , , — m759 @ 10:31 am

(Continued from April 23, 2009, and February 13, 2010.)

Paul Valéry as quoted in yesterday’s post:

“The S[elf] is invariant, origin, locus or field, it’s a functional property of consciousness” (Cahiers, 15:170 [2: 315])

The geometric example discussed here yesterday as a Self symbol may seem too small to be really impressive. Here is a larger example from the Chinese, rather than European, tradition. It may be regarded as a way of representing the Galois field GF(64). (“Field” is a rather ambiguous term; here it does not, of course, mean what it did in the Valéry quotation.)

From Geometry of the I Ching

Image-- The 64 hexagrams of the I Ching

The above 64 hexagrams may also be regarded as
the finite affine space AG(6,2)— a larger version
of the finite affine space AG(4,2) in yesterday’s post.
That smaller space has a group of 322,560 symmetries.
The larger hexagram  space has a group of
1,290,157,424,640 affine symmetries.

From a paper on GL(6,2), the symmetry group
of the corresponding projective  space PG(5,2),*
which has 1/64 as many symmetries—

(Click to enlarge.)

Image-- Classes of the Group GL(6,)

For some narrative in the European  tradition
related to this geometry, see Solomon’s Cube.

* Update of July 29, 2011: The “PG(5,2)” above is a correction from an earlier error.

Monday, June 14, 2010

Birkhoff on the Galois “Theory of Ambiguity”

Filed under: General,Geometry — m759 @ 9:48 pm

The Principle of Sufficient Reason

by George David Birkhoff

from "Three Public Lectures on Scientific Subjects,"
delivered at the Rice Institute, March 6, 7, and 8, 1940

EXCERPT 1—

My primary purpose will be to show how a properly formulated
Principle of Sufficient Reason plays a fundamental
role in scientific thought and, furthermore, is to be regarded
as of the greatest suggestiveness from the philosophic point
of view.2

In the preceding lecture I pointed out that three branches
of philosophy, namely Logic, Aesthetics, and Ethics, fall
more and more under the sway of mathematical methods.
Today I would make a similar claim that the other great
branch of philosophy, Metaphysics, in so far as it possesses
a substantial core, is likely to undergo a similar fate. My
basis for this claim will be that metaphysical reasoning always
relies on the Principle of Sufficient Reason, and that
the true meaning of this Principle is to be found in the
Theory of Ambiguity” and in the associated mathematical
“Theory of Groups.”

If I were a Leibnizian mystic, believing in his “preestablished
harmony,” and the “best possible world” so
satirized by Voltaire in “Candide,” I would say that the
metaphysical importance of the Principle of Sufficient Reason
and the cognate Theory of Groups arises from the fact that
God thinks multi-dimensionally3 whereas men can only
think in linear syllogistic series, and the Theory of Groups is

2 As far as I am aware, only Scholastic Philosophy has fully recognized and ex-
ploited this principle as one of basic importance for philosophic thought

3 That is, uses multi-dimensional symbols beyond our grasp.
______________________________________________________________________

the appropriate instrument of thought to remedy our deficiency
in this respect.

The founder of the Theory of Groups was the mathematician
Evariste Galois. At the end of a long letter written in
1832 on the eve of a fatal duel, to his friend Auguste
Chevalier, the youthful Galois said in summarizing his
mathematical work,4 “You know, my dear Auguste, that
these subjects are not the only ones which I have explored.
My chief meditations for a considerable time have been
directed towards the application to transcendental Analysis
of the theory of ambiguity. . . . But I have not the time, and
my ideas are not yet well developed in this field, which is
immense.” This passage shows how in Galois’s mind the
Theory of Groups and the Theory of Ambiguity were
interrelated.5

Unfortunately later students of the Theory of Groups
have all too frequently forgotten that, philosophically
speaking, the subject remains neither more nor less than the
Theory of Ambiguity. In the limits of this lecture it is only
possible to elucidate by an elementary example the idea of a
group and of the associated ambiguity.

Consider a uniform square tile which is placed over a
marked equal square on a table. Evidently it is then impossible
to determine without further inspection which one
of four positions the tile occupies. In fact, if we designate
its vertices in order by A, B, C, D, and mark the corresponding
positions on the table, the four possibilities are for the
corners A, B, C, D of the tile to appear respectively in the
positions A, B, C, D;  B, C, D, A;  C, D, A, B; and D, A, B, C.
These are obtained respectively from the first position by a

4 My translation.
5 It is of interest to recall that Leibniz was interested in ambiguity to the extent
of using a special notation v (Latin, vel ) for “or.” Thus the ambiguously defined
roots 1, 5 of x2-6x+5=0 would be written x = l v 5 by him.
______________________________________________________________________

null rotation ( I ), by a rotation through 90° (R), by a rotation
through 180° (S), and by a rotation through 270° (T).
Furthermore the combination of any two of these rotations
in succession gives another such rotation. Thus a rotation R
through 90° followed by a rotation S through 180° is equivalent
to a single rotation T through 270°, Le., RS = T. Consequently,
the "group" of four operations I, R, S, T has
the "multiplication table" shown here:

http://www.log24.com/log/pix10A/100614-BirkhoffTable.jpg
This table fully characterizes the group, and shows the exact
nature of the underlying ambiguity of position.
More generally, any collection of operations such that
the resultant of any two performed in succession is one of
them, while there is always some operation which undoes
what any operation does, forms a "group."
__________________________________________________

EXCERPT 2—

Up to the present point my aim has been to consider a
variety of applications of the Principle of Sufficient Reason,
without attempting any precise formulation of the Principle
itself. With these applications in mind I will venture to
formulate the Principle and a related Heuristic Conjecture
in quasi-mathematical form as follows:

PRINCIPLE OF SUFFICIENT REASON. If there appears
in any theory T a set of ambiguously determined ( i e .
symmetrically entering) variables, then these variables can themselves
be determined only to the extent allowed by the corresponding
group G. Consequently any problem concerning these variables
which has a uniquely determined solution, must itself be
formulated so as to be unchanged by the operations of the group
G ( i e . must involve the variables symmetrically).

HEURISTIC CONJECTURE. The final form of any
scientific theory T is: (1) based on a few simple postulates; and
(2) contains an extensive ambiguity, associated symmetry, and
underlying group G, in such wise that, if the language and laws
of the theory of groups be taken for granted, the whole theory T
appears as nearly self-evident in virtue of the above Principle.

The Principle of Sufficient Reason and the Heuristic Conjecture,
as just formulated, have the advantage of not involving
excessively subjective ideas, while at the same time
retaining the essential kernel of the matter.

In my opinion it is essentially this principle and this
conjecture which are destined always to operate as the basic
criteria for the scientist in extending our knowledge and
understanding of the world.

It is also my belief that, in so far as there is anything
definite in the realm of Metaphysics, it will consist in further
applications of the same general type. This general conclu-
sion may be given the following suggestive symbolic form:

Image-- Birkhoff diagram relating Galois's theory of ambiguity to metaphysics

While the skillful metaphysical use of the Principle must
always be regarded as of dubious logical status, nevertheless
I believe it will remain the most important weapon of the
philosopher.

___________________________________________________________________________

A more recent lecture on the same subject —

"From Leibniz to Quantum World:
Symmetries, Principle of Sufficient Reason
and Ambiguity in the Sense of Galois
"

by Jean-Pierre Ramis (Johann Bernoulli Lecture at U. of Groningen, March 2005)

Theory of Ambiguity

Filed under: General,Geometry — m759 @ 5:01 pm

Théorie de l'Ambiguité

According to a 2008 paper by Yves André of the École Normale Supérieure  of Paris—

"Ambiguity theory was the name which Galois used
 when he referred to his own theory and its future developments."

The phrase "the theory of ambiguity" occurs in the testamentary letter Galois wrote to a friend, Auguste Chevalier, on the night before Galois was shot in a duel.

Hermann Weyl in Symmetry, Princeton University Press, 1952—

"This letter, if judged by the novelty and profundity of ideas it contains, is perhaps
  the most substantial piece of writing in the whole literature of mankind."

Conclusion of the Galois testamentary letter, according to
the 1897 Paris edition of Galois's collected works—

Image-- Galois on his theory of ambiguity, from Collected Works, Paris, 1897

The original—

Image-- Concluding paragraphs, Galois's 'last testament' letter to Chevalier, May 29, 1832

A transcription—

Évariste GALOIS, Lettre-testament, adressée à Auguste Chevalier—

Tu sais mon cher Auguste, que ces sujets ne sont pas les seuls que j'aie
explorés. Mes principales méditations, depuis quelques temps,
étaient dirigées sur l'application à l'analyse transcendante de la théorie de
l'ambiguité. Il s'agissait de voir a priori, dans une relation entre des quantités
ou fonctions transcendantes, quels échanges on pouvait faire, quelles
quantités on pouvait substituer aux quantités données, sans que la relation
put cesser d'avoir lieu. Cela fait reconnaitre de suite l'impossibilité de beaucoup
d'expressions que l'on pourrait chercher. Mais je n'ai pas le temps, et mes idées
ne sont pas encore bien développées sur ce terrain, qui est
immense.

Tu feras imprimer cette lettre dans la Revue encyclopédique.

Je me suis souvent hasardé dans ma vie à avancer des propositions dont je n'étais
pas sûr. Mais tout ce que j'ai écrit là est depuis bientôt un an dans ma
tête, et il est trop de mon intérêt de ne pas me tromper pour qu'on
me soupconne d'avoir énoncé des théorèmes dont je n'aurais pas la démonstration
complète.

Tu prieras publiquement Jacobi et Gauss de donner leur avis,
non sur la vérité, mais sur l'importance des théorèmes.

Après cela, il y aura, j'espère, des gens qui trouveront leur profit
à déchiffrer tout ce gachis.

Je t'embrasse avec effusion.

                                               E. Galois   Le 29 Mai 1832

A translation by Dr. Louis Weisner, Hunter College of the City of New York, from A Source Book in Mathematics, by David Eugene Smith, Dover Publications, 1959–

You know, my dear Auguste, that these subjects are not the only ones I have explored. My reflections, for some time, have been directed principally to the application of the theory of ambiguity to transcendental analysis. It is desired see a priori  in a relation among quantities or transcendental functions, what transformations one may make, what quantities one may substitute for the given quantities, without the relation ceasing to be valid. This enables us to recognize at once the impossibility of many expressions which we might seek. But I have no time, and my ideas are not developed in this field, which is immense.

Print this letter in the Revue Encyclopédique.

I have often in my life ventured to advance propositions of which I was uncertain; but all that I have written here has been in my head nearly a year, and it is too much to my interest not to deceive myself that I have been suspected of announcing theorems of which I had not the complete demonstration.

Ask Jacobi or Gauss publicly to give their opinion, not as to the truth, but as to the importance of the theorems.

Subsequently there will be, I hope, some people who will find it to their profit to decipher all this mess.

J t'embrasse avec effusion.
                        
                                                     E. Galois.   May 29, 1832.

Translation, in part, in The Unravelers: Mathematical Snapshots, by Jean Francois Dars, Annick Lesne, and Anne Papillaut (A.K. Peters, 2008)–

"You know, dear Auguste, that these subjects are not the only ones I have explored. For some time my main meditations have been directed on the application to transcendental analysis of the theory of ambiguity. The aim was to see in a relation between quantities or transcendental functions, what exchanges we could make, what quantities could be substituted to the given quantities without the relation ceasing to take place. In that way we see immediately that many expressions that we might look for are impossible. But I don't have the time and my ideas are not yet developed enough in this vast field."

Another translation, by James Dolan at the n-Category Café

"My principal meditations for some time have been directed towards the application of the theory of ambiguity to transcendental analysis. It was a question of seeing a priori in a relation between quantities or transcendent functions, what exchanges one could make, which quantities one could substitute for the given quantities without the original relation ceasing to hold. That immediately made clear the impossibility of finding many expressions that one could look for. But I do not have time and my ideas are not yet well developed on this ground which is immense."

Related material

"Renormalisation et Ambiguité Galoisienne," by Alain Connes, 2004

"La Théorie de l’Ambiguïté : De Galois aux Systèmes Dynamiques," by Jean-Pierre Ramis, 2006

"Ambiguity Theory, Old and New," preprint by Yves André, May 16, 2008,

"Ambiguity Theory," post by David Corfield at the n-Category Café, May 19, 2008

"Measuring Ambiguity," inaugural lecture at Utrecht University by Gunther Cornelissen, Jan. 16, 2009

Tuesday, June 1, 2010

Annals of Art History

Filed under: General — m759 @ 11:00 am

On Misplaced Concreteness

An excerpt from China and Vietnam: The Politics of Asymmetry, by Brantly Womack (Cambridge U. Press, 2006)—

The book is intended to be a contribution to the general theory of international relations as well as to the understanding of China and Vietnam, but I give greater priority to “the case” rather than to the theory. This is a deliberate methodological decision. As John Gerring has argued, case studies are especially appropriate when exploring new causal mechanisms.2  I would argue more broadly that the “case” is the reality to which the theory is secondary. In international relations theory, “realism” is often contrasted to “idealism,” but surely a more basic and appropriate meaning of “realism” is to give priority to reality rather than to theory. The philosopher Alfred North Whitehead defined the Fallacy of Misplaced Concreteness as “neglecting the degree of abstraction involved when an actual entity is considered merely so far as it exemplifies certain categories of thought.”3 In effect, the concept is taken as the concrete reality, and actual reality is reduced to a mere appendage of data. Misplaced Concreteness may well be the cardinal sin of modern social science. It is certainly pandemic in international relations theory, where a serious consideration of the complexities of real political situations is often dismissed as mere “area studies.” Like the Greek god Anteus who was sustained by touching his Mother Earth, theory is challenged and rejuvenated by planting its feet in thick reality.

2 John Gerring, "What Is a Case Study and What Is It Good For?"
   American Political Science Review  98:2 (May 2004), pp. 341-54
3 Alfred North Whitehead, Process and Reality
   (New York: Harper, 1929), p. 11

Remarks—

"Whitehead defined the Fallacy of Misplaced Concreteness…."

The phrase "misplaced concreteness" occurs in the title of a part of an exhibition, "Theme and Variations," by artist Josefine Lyche (Oslo, 2009). I do not know what Lyche had in mind when she used the phrase. A search for possible meanings yielded the above passage.

"In international relations theory, “realism” is often contrasted to “idealism….”

For a more poetic look at "realism" and "idealism" and international relations theory, see Midsummer Eve's Dream.

Saturday, May 22, 2010

In the Details

Filed under: General — Tags: — m759 @ 10:31 am

Today's New York Times

Byzantine

"…there were fresh questions about whether the intelligence overhaul that created the post of national intelligence director was fatally flawed, and whether Mr. Obama would move gradually to further weaken the authorities granted to the director and give additional power to individual spy agencies like the Central Intelligence Agency. Mr. Blair and each of his predecessors have lamented openly that the intelligence director does not have enough power to deliver the intended shock therapy to America’s byzantine spying apparatus."

Catch-22 in Doonesbury today—

Image-- Chaplain and doctor in Doonesbury

From Log24 on Jan. 5, 2010—
   Artifice of Eternity

A Medal

In memory of Byzantine scholar Ihor Sevcenko,
who died at 87 on St. Stephen's Day, 2009–

Image-- Cross-in-circle design based on figure in Weyl's 'Symmetry'

Thie above image results from a Byzantine
meditation based on a detail in the previous post

Image-- 'Lyche Gate' with asterisk, from Google Books, digitized April 24, 2008

 

Image-- The Case of the Lyche Gate Asterisk

"This might be a good time to
call it a day." –Today's Doonesbury

"TOMORROW ALWAYS BELONGS TO US"
Title of an exhibition by young Nordic artists
in Sweden during the summer of 2008.

The exhibition included, notably, Josefine Lyche.

Monday, May 17, 2010

Rolling the Stone

Filed under: General,Geometry — m759 @ 10:12 pm

A new NY Times column:

http://www.log24.com/log/pix10A/100517-NYT-Stone.jpg

Today's New York Times
re-edited for philosophers:

http://www.log24.com/log/pix10A/100517-JonesClue.jpg

See also

Eightfold Symmetry,

John Baez's paper
Duality in Logic and Physics
(for a May 29 meeting at Oxford),

The Shining of May 29, and

Lubtchansky's Key, with its links
to Duelle (French, f. adj., dual)
and Art Wars for Trotsky's Birthday.

Sunday, April 4, 2010

URBI ET ORBI

Filed under: General,Geometry — Tags: — m759 @ 11:11 am

URBI
  (Toronto)–

Toronto Globe and Mail: AWB 'Three Sevens' flag

Click on image for some background.

ORBI
   (Globe and Mail)–

From March 19, 2010-- Weyl's 'Symmetry,' the triquetrum, and the eightfold cube

See also Baaad Blake and
Fearful Symmetry.

Tuesday, March 30, 2010

Eightfold Symmetries

Filed under: General,Geometry — Tags: , , , — m759 @ 9:48 pm

Harvard Crimson headline today–
Deconstructing Design

Reconstructing Design

The phrase “eightfold way” in today’s
previous entry has a certain
graphic resonance…

For instance, an illustration from the
Wikipedia article “Noble Eightfold Path” —

Dharma Wheel from Wikipedia

Adapted detail–

Adapted Dharma Wheel detail

See also, from
St. Joseph’s Day

Weyl's 'Symmetry,' the triquetrum, and the eightfold cube

Harvard students who view Christian symbols
with fear and loathing may meditate
on the above as a representation of
the Gankyil rather than of the Trinity.

Lie Groups for Holy Week

Filed under: General,Geometry — Tags: — m759 @ 1:01 pm

Great line reading in 'Angels and Demons'- 'The God PARTICLE?'

Deep Down Things: The Breathtaking Beauty of Particle Physics, by Bruce A. Schumm, Johns Hopkins University Press, hardcover, Oct. 20, 2004, pp. 94-95–

"In the early 1960s, a physicist at the California Institute of Technology by the name of Murray Gell-Mann interpreted the patterns observed in the emerging array of elementary particles as being due to a symmetry….

Gell-Mann's eightfold way was perhaps the first conscious application of the results of the pure mathematical field of group theory and, in particular, the theory of 'Lie groups,' to a problem in physics."

From the preface–

"I didn't come up with the title for this book. For that, I can thank the people at the Johns Hopkins University Press…. my only reservation about the title is that… it implies a degree of literacy to which I can't lay claim."

Amen.

Remedial reading for those who might have fallen for Schumm's damned nonsense–

 "Quantum Mechanics and Group Theory I," by Dallas C. Kennedy

Group Theory and Physics, by Shlomo Sternberg

Saturday, March 13, 2010

Space Cowboy

Filed under: General,Geometry — m759 @ 9:00 am

From yesterday's Seattle Times

According to police, employees of a Second Avenue mission said the suspect, clad in black and covered in duct tape, had come into the mission "and threatened to blow the place up." He then told staffers "that he was a vampire and wanted to eat people."

The man… also called himself "a space cowboy"….

This suggests two film titles…

Plan 9 from Outer Space

Rebecca Goldstein and a Cullinane quaternion

and Apollo's 13

The 13 symmetry axes of the (Euclidean) cube–
exactly one axis for each pair of opposite
  subcubes in the (Galois) 3×3×3 cube–

The 13 symmetry axes of the cube

Friday, March 12, 2010

Group Characters

Filed under: General,Geometry — Tags: , , — m759 @ 11:07 am

Steve Pond on “Crazy Heart”

“… this gentle little movie… is, after all, a character study– and in an alcoholic country singer named Bad Blake, we’ve got one hell of a character.”

And then there’s Baaad Blake–

Group Characters, from 'Symmetry,' Pergamon Press, 1963

Related material:

This journal on the president of
London’s Blake Society
and
Wikipedia on the founder of
Pergamon Press

Monday, March 1, 2010

Visual Group Theory

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

The current article on group theory at Wikipedia has a Rubik's Cube as its logo– 

Wikipedia article 'Group theory' with Rubik Cube and quote from Nathan Carter-- 'What is symmetry?'

 

The article quotes Nathan C. Carter on the question "What is symmetry?"

This naturally suggests the question "Who is Nathan C. Carter?"

A search for the answer yields the following set of images…

Labelings of the eightfold cube

Click image for some historical background.

Carter turns out to be a mathematics professor at Bentley University.  His logo– an eightfold-cube labeling (in the guise of a Cayley graph)– is in much better taste than Wikipedia's.
 

Saturday, February 27, 2010

Cubist Geometries

Filed under: General,Geometry — Tags: , , , — m759 @ 2:01 pm

"The cube has…13 axes of symmetry:
  6 C2 (axes joining midpoints of opposite edges),
4 C3 (space diagonals), and
3C4 (axes joining opposite face centroids)."
–Wolfram MathWorld article on the cube

These 13 symmetry axes can be used to illustrate the interplay between Euclidean and Galois geometry in a cubic model of the 13-point Galois plane.

The geometer's 3×3×3 cube–
27 separate subcubes unconnected
by any Rubik-like mechanism–

The 3x3x3 geometer's cube, with coordinates

The 13 symmetry axes of the (Euclidean) cube–
exactly one axis for each pair of opposite
  subcubes in the (Galois) 3×3×3 cube–

The 13 symmetry axes of the cube

A closely related structure–
the finite projective plane
with 13 points and 13 lines–

Oxley's 2004 drawing of the 13-point projective plane

A later version of the 13-point plane
by Ed Pegg Jr.–

Ed Pegg Jr.'s 2007 drawing of the 13-point projective plane

A group action on the 3×3×3 cube
as illustrated by a Wolfram program
by Ed Pegg Jr. (undated, but closely
related to a March 26, 1985 note
by Steven H. Cullinane)–

Ed Pegg Jr.'s program at Wolfram demonstrating concepts of a 1985 note by Cullinane

The above images tell a story of sorts.
The moral of the story–

Galois projective geometries can be viewed
in the context of the larger affine geometries
from which they are derived.

The standard definition of points in a Galois projective plane is that they are lines through the (arbitrarily chosen) origin in a corresponding affine 3-space converted to a vector 3-space.

If we choose the origin as the center cube in coordinatizing the 3×3×3 cube (See Weyl's relativity problem ), then the cube's 13 axes of symmetry can, if the other 26 cubes have properly (Weyl's "objectively") chosen coordinates, illustrate nicely the 13 projective points derived from the 27 affine points in the cube model.

The 13 lines of the resulting Galois projective plane may be derived from Euclidean planes  through the cube's center point that are perpendicular to the cube's 13 Euclidean symmetry axes.

The above standard definition of points in a Galois projective plane may of course also be used in a simpler structure– the eightfold cube.

(The eightfold cube also allows a less standard way to picture projective points that is related to the symmetries of "diamond" patterns formed by group actions on graphic designs.)

See also Ed Pegg Jr. on finite geometry on May 30, 2006
at the Mathematical Association of America.

Thursday, January 21, 2010

Darkness at Noon

Filed under: General — m759 @ 12:00 pm

A NY Times review dated Jan. 20 has the headline

Trying to Paint the Deity by Numbers
Against a Backdrop of Jewish Culture

By JANET MASLIN

"…this novel’s bracing intellectual energy never flags. Though it is finally more a work of showmanship than scholarship, it affirms Ms. Goldstein’s position as a satirist…."

The title of the book under review is
36 Arguments for the
Existence of God: A Work of Fiction
.

Related "by the numbers" material–

From the I Ching, commentaries on the lines of Hexagram 36–

"Here the Lord of Light is in a subordinate place and is wounded by the Lord of Darkness…."

"The dark power at first held so high a place that it could wound all who were on the side of good and of the light. But in the end it perishes of its own darkness, for evil must itself fall at the very moment when it has wholly overcome the good, and thus consumed the energy to which it owed its duration."

http://www.log24.com/log/pix10/100121-IChing36.jpg


The Times review
of 36 Arguments notes that the book's chapters of fiction number 36, as do the 36 philosophical arguments in the book's title and appendix.

The reviewer– "So much for structure. It is not Ms. Goldstein’s strong suit…."

Some structure related to the above occurrence of 36 in the I Ching

http://www.log24.com/log/pix10/100121-Trigrams.jpg

Another example of eightfold symmetry:

http://www.log24.com/log/pix10/100121-LHCsm.jpg

The Large Hadron Collider

See also Angels & Demons in
Hollywood and in this journal.

Tuesday, January 5, 2010

Artifice of Eternity

Filed under: General,Geometry — Tags: — m759 @ 7:59 am

A Medal

In memory of Byzantine scholar Ihor Sevcenko,
who died at 87 on St. Stephen's Day, 2009–

The image “http://www.log24.com/log/pix06A/060915-Roots.gif” cannot be displayed, because it contains errors.

William Grimes on Sevcenko in this morning's New York Times:

"Perhaps his most fascinating, if uncharacteristic, literary contribution came shortly after World War II, when he worked with Ukrainians stranded in camps in Germany for displaced persons.

In April 1946 he sent a letter to Orwell, asking his permission to translate 'Animal Farm' into Ukrainian for distribution in the camps. The idea instantly appealed to Orwell, who not only refused to accept any royalties but later agreed to write a preface for the edition. It remains his most detailed, searching discussion of the book."

See also a rather different medal discussed
here in the context of an Orwellian headline from
The New York Times on Christmas morning,
the day before Sevcenko died.
That headline, at the top of the online front page,
was "Arthur Koestler, Man of Darkness."

Leibniz, design for medallion showing binary numbers as an 'imago creationis'

The medal, offered as an example of brightness
to counteract the darkness of the Times, was designed
by Leibniz in honor of his discovery of binary arithmetic.
See Brightness at Noon and Brightness continued.

"By groping toward the light we are made to realize
how deep the darkness is around us."
— Arthur Koestler, The Call Girls: A Tragi-Comedy,
Random House, 1973, page 118

Friday, December 25, 2009

Brightness at Noon

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

New York Times online front page
Christmas morning:

"Arthur Koestler, Man of Darkness"–

NY Times front page, Christmas morning 2009

The photo is of Koestler in 1931 on a zeppelin expedition to the North Pole.

"The Act of Creation is, I believe, a more truly creative work than any of Koestler’s novels….  According to him, the creative faculty in whatever form is owing to a circumstance which he calls ‘bisociation.’ And we recognize this intuitively whenever we laugh at a joke, are dazzled by a fine metaphor, are astonished and excited by a unification of styles, or ’see,’ for the first time, the possibility of a significant theoretical breakthrough in a scientific inquiry. In short, one touch of genius—or bisociation—makes the whole world kin. Or so Koestler believes.”

– Henry David Aiken, The Metaphysics of Arthur Koestler, New York Review of Books, Dec. 17, 1964

From Opus Postumum by Immanuel Kant, Eckart Förster, Cambridge U. Press, 1995, p. 260:

"In January 1697, Leibniz accompanied his New Year Congratulations to Rudolf August with the design of a medal with the duke's likeness on one side, and the 'image of Creation' in terms of the binary number system on the other. Concerning the inscription on this side, Leibniz writes: 'I have thought for a while about the Motto dell'impresa and finally have found it good to write this line: omnibus ex nihilo ducendis SUFFICIT UNUM [To make all things from nothing, UNITY SUFFICES], because it clearly indicates what is meant by the symbol, and why it is imago creationis' (G. F. Leibniz, Zwei Briefe über das binäre Zahlensystem und die chinesische Philosophie, ed. Renate Loosen and Franz Vonessen, Chr. Belser Verlag: Stuttgart 1968, p. 21)."

Leibniz, design for medallion showing binary numbers as an 'imago creationis'

Figure from Rudolf  Nolte’s
Gottfried Wilhelms Baron von Leibniz
Mathematischer Beweis der Erschaffung und
Ordnung der Welt in einem Medallion…

(Leipzig: J. C. Langenheim, 1734).

Leibniz, letter of 1697:

"And so that I won’t come entirely empty-handed this time, I enclose a design of that which I had the pleasure of discussing with you recently. It is in the form of a memorial coin or medallion; and though the design is mediocre and can be improved in accordance with your judgment, the thing is such, that it would be worth showing in silver now and unto future generations, if it were struck at your Highness’s command. Because one of the main points of the Christian Faith, and among those points that have penetrated least into the minds of the worldly-wise and that are difficult to make with the heathen is the creation of all things out of nothing through God’s omnipotence, it might be said that nothing is a better analogy to, or even demonstration of such creation than the origin of numbers as here represented, using only unity and zero or nothing. And it would be difficult to find a better illustration of this secret in nature or philosophy; hence I have set on the medallion design IMAGO CREATIONIS [in the image of creation]. It is no less remarkable that there appears therefrom, not only that God made everything from nothing, but also that everything that He made was good; as we can see here, with our own eyes, in this image of creation. Because instead of there appearing no particular order or pattern, as in the common representation of numbers, there appears here in contrast a wonderful order and harmony which cannot be improved upon….

Such harmonious order and beauty can be seen in the small table on the medallion up to 16 or 17; since for a larger table, say to 32, there is not enough room. One can further see that the disorder, which one imagines in the work of God, is but apparent; that if one looks at the matter with the proper perspective, there appears symmetry, which encourages one more and more to love and praise the wisdom, goodness, and beauty of the highest good, from which all goodness and beauty has flowed."

See also Parable.

Sunday, December 6, 2009

Holiday Book, continued

Filed under: General — m759 @ 2:02 pm

From the Red Book of Jung:

The Red Book of Jung

Related material:

Smaug and the Arkenstone
in the Red Book of Bilbo
and Crystal and Dragon.

Monday, October 5, 2009

Monday October 5, 2009

Filed under: General,Geometry — m759 @ 4:00 am
Continued from Saturday— 

Pieces missing from Wechsler block design test and from IZZI puzzle

Context
for the 16:

Block Designs
and Art

Context
for the 70:

Symmetry
and Counting

  “Kunst ist nicht einfach.
— Sondheim in translation
 

Monday, September 28, 2009

Monday September 28, 2009

Filed under: General — Tags: — m759 @ 3:00 am
Symmetry
for Germany

See Annals of Aesthetics,
 January 13, 2009,
which features the following
example of modernism:

Modernist chess set, Lanier Graham, 1966

… and for readers of
the Sunday New York Times

Highgate Cemetery, London, on cover of NY Times Book Review Sept. 27, 2009

The funereal heart illustrates a review of a book titled Her Fearful Symmetry. The book is set, partly, in London's Highgate Cemetery.

The book's author, Audrey Niffenegger, has stated that her title refers to "the doubling and twinning and opposites" that are "essential to the theme and structure of the book." For examples of doubling, twinning, and opposites that I prefer to Niffenegger's, see this journal's Saturday and Sunday entries.

Fans of the New York Times's cultural coverage may prefer Niffenegger's own art work. They may also enjoy images from the weekend's London Art Book Fair that suggested the rather different sort of book in Saturday's entry.

Thursday, July 23, 2009

Thursday July 23, 2009

Filed under: General,Geometry — Tags: , — m759 @ 5:01 am

A Tangled Tale

Proposed task for a quantum computer:

"Using Twistor Theory to determine the plotline of Bob Dylan's 'Tangled up in Blue'"

One approach to a solution:

"In this scheme the structure of spacetime is intrinsically quantum mechanical…. We shall demonstrate that the breaking of symmetry in a QST [quantum space-time] is intimately linked to the notion of quantum entanglement."

— "Theory of Quantum Space-Time," by Dorje C. Brody and Lane P. Hughston, Royal Society of London Proceedings Series A, Vol. 461, Issue 2061, August 2005, pp. 2679-2699

(See also The Klein Correspondence, Penrose Space-Time, and a Finite Model.)

For some less technical examples of broken symmetries, see yesterday's entry, "Alphabet vs. Goddess."

That entry displays a painting in 16 parts by Kimberly Brooks (daughter of Leonard Shlain– author of The Alphabet Versus the Goddess— and wife of comedian Albert Brooks (real name: Albert Einstein)). Kimberly Brooks is shown below with another of her paintings, titled "Blue."

http://www.log24.com/log/pix09A/090722-ArtisticVision-Sm.jpg

Click image to enlarge.

"She was workin' in a topless place
 And I stopped in for a beer,
 I just kept lookin' at the side of her face
 In the spotlight so clear.
 And later on as the crowd thinned out
 I's just about to do the same,
 She was standing there in back of my chair
 Said to me, 'Don't I know your name?'
 I muttered somethin' underneath my breath,
 She studied the lines on my face.
 I must admit I felt a little uneasy
 When she bent down to tie the laces of my shoe,
 Tangled up in blue."

-- Bob Dylan

Further entanglement with blue:

The website of the Los Angeles Police Department, designed by Kimberly Brooks's firm, Lightray Productions.

Further entanglement with shoelaces:

"Entanglement can be transmitted through chains of cause and effect– and if you speak, and another hears, that too is cause and effect.  When you say 'My shoelaces are untied' over a cellphone, you're sharing your entanglement with your shoelaces with a friend."

— "What is Evidence?," by Eliezer Yudkowsky

Friday, July 3, 2009

Friday July 3, 2009

Filed under: General — Tags: — m759 @ 6:00 am
Damnation Morning
continued

“The tigers of wrath are wiser
    than the horses of instruction.”

Blake

“… the moment is not
properly an atom of time
 but an atom of eternity.
 It is the first reflection
 of eternity in time, its first
attempt, as it were, at
       stopping time….”
 
Kierkegaard

Symmetry Axes
of the Square:

Symmetry axes of the square

(Damnation Morning)

From the cover of the
 Martin Cruz Smith novel
Stallion Gate:

Image of an atom from the cover of the novel 'Stallion Gate'

A Monolith
for Kierkegaard:


Images of time and eternity in memory of Michelangelo


Todo lo sé por el lucero puro
que brilla en la diadema de la Muerte.

Rubén Darío

Related material:

The deaths of
 Ernest Hemingway
on the morning of
Sunday, July 2, 1961,
and of Alexis Arguello
on the morning of
Wednesday, July 1, 2009.
See also philosophy professor
Clancy Martin in the
London Review of Books
(issue dated July 9, 2009)
 on AA members as losers
“the ‘last men,’ the nihilists,
 the hopeless ones.”

Thursday, June 4, 2009

Thursday June 4, 2009

Filed under: General,Geometry — Tags: — m759 @ 12:00 am
Steps
continued from
October 16, 2008
 

New collection release:
Pattern in Islamic Art
from David Wade

October 16, 2008

David Wade has partnered with ARTstor to distribute approximately 1,500 images of Islamic art, now available in the Digital Library. These images illustrate patterns and designs found throughout the Islamic world, from the Middle East and Europe to Central and South Asia. They depict works Wade photographed during his travels, as well as drawings and diagrams produced for publication. Reflective of Wade's particular interest in symmetry and geometry, these images analyze and break down common patterns into their basic elements, thereby revealing the underlying principles of order and balance in Islamic art. Islamic artists and craftsmen employed these intricate patterns to adorn all types of surfaces, such as stone, brick, plaster, ceramic, glass, metal, wood, and textiles. The collection contains examples of ornamentation from monumental architecture to the decorative arts.

To view the David Wade: Pattern in Islamic Art collection: go to the ARTstor Digital Library, browse by collection, and click "David Wade: Pattern in Islamic Art;" or enter the Keyword Search: patterninislamicart.

For more detailed information about this collection, visit the David Wade: Pattern in Islamic Art collection page.

 
The above prose illustrates
the institutional mind at work.

Those who actually try to view
the Wade collection will
encounter the following warning:

To access the images in the ARTstor Digital Library you need to be affiliated with a participating institution (university, college, museum, public library or K-12 school).
You say
"go to the ARTstor Digital Library,"
I say
"theatlantic.com/doc/200305/lewis."
 

Wednesday, June 3, 2009

Wednesday June 3, 2009

Filed under: General,Geometry — Tags: — m759 @ 4:00 am
Epigraphs
to Four Quartets:

Epigraphs to Eliot's 'Four Quartets'-- Heraclitus on the common logos and on the way up and the way down


The Dissertations of Maximus Tyrius, translated from the Greek by Thomas Taylor, printed by C. Whittingham, London, for the translator, 1804, Vol. II, p. 55:

"You see the mutation of bodies, and the transition of generation, a path upwards and downwards according to Heraclitus; and again, as he says, one thing living the death, but dying the life of another. Thus fire lives the death of earth, and air lives the death of fire; water lives the death of air, and earth lives the death of water. You see a succession of life, and a mutation of bodies, both of which are the renovation of the whole."

Eight-rayed star of Venus (also the symmetry axes of the square)

 

For an interpretation
of the above figure
in terms of the classical
four elements discussed
in Four Quartets,
in Dissertations, and
in Angels & Demons,
see
Notes on Mathematics
 and Narrative.

For a more entertaining
interpretation, see Fritz Leiber's
classic story "Damnation Morning."

Wednesday, May 20, 2009

Wednesday May 20, 2009

Filed under: General,Geometry — Tags: , , — m759 @ 4:00 pm
From Quilt Blocks to the
Mathieu Group
M24

Diamonds

(a traditional
quilt block):

Illustration of a diamond-theorem pattern

Octads:

Octads formed by a 23-cycle in the MOG of R.T. Curtis

 

Click on illustrations for details.

The connection:

The four-diamond figure is related to the finite geometry PG(3,2). (See "Symmetry Invariance in a Diamond Ring," AMS Notices, February 1979, A193-194.) PG(3,2) is in turn related to the 759 octads of the Steiner system S(5,8,24). (See "Generating the Octad Generator," expository note, 1985.)

The relationship of S(5,8,24) to the finite geometry PG(3,2) has also been discussed in–
  • "A Geometric Construction of the Steiner System S(4,7,23)," by Alphonse Baartmans, Walter Wallis, and Joseph Yucas, Discrete Mathematics 102 (1992) 177-186.

Abstract: "The Steiner system S(4,7,23) is constructed from the geometry of PG(3,2)."

  • "A Geometric Construction of the Steiner System S(5,8,24)," by R. Mandrell and J. Yucas, Journal of Statistical Planning and Inference 56 (1996), 223-228.

Abstract: "The Steiner system S(5,8,24) is constructed from the geometry of PG(3,2)."

For the connection of S(5,8,24) with the Mathieu group M24, see the references in The Miracle Octad Generator.

Sunday, May 17, 2009

Sunday May 17, 2009

Filed under: General,Geometry — Tags: , — m759 @ 7:59 am
Design Theory

Laura A. Smit, Calvin College, "Towards an Aesthetic Teleology: Romantic Love, Imagination and the Beautiful in the Thought of Simone Weil and Charles Williams"–

"My work is motivated by a hope that there may be a way to recapture the ancient and medieval vision of both Beauty and purpose in a way which is relevant to our own century. I even dare to hope that the two ideas may be related, that Beauty is actually part of the meaning and purpose of life."

 

Hans Ludwig de Vries, "On Orthogonal Resolutions of the Classical Steiner Quadruple System SQS(16)," Designs, Codes and Cryptography Vol. 48, No. 3 (Sept. 2008) 287-292 (DOI 10.1007/s10623-008-9207-5)–

"The Reverend T. P. Kirkman knew in 1862 that there exists a group of degree 16 and order 322560 with a normal, elementary abelian, subgroup of order 16 [1, p. 108]. Frobenius identified this group in 1904 as a subgroup of the Mathieu group M24 [4, p. 570]…."

1. Biggs N.L., "T. P. Kirkman, Mathematician," Bulletin of the London Mathematical Society 13, 97–120 (1981).

4. Frobenius G., "Über die Charaktere der mehrfach transitiven Gruppen," Sitzungsber. Königl. Preuss. Akad. Wiss. zu Berlin, 558–571 (1904). Reprinted in Frobenius, Gesammelte Abhandlungen III (J.-P. Serre, editor), pp. 335–348. Springer, Berlin (1968).

Olli Pottonen, "Classification of Steiner Quadruple Systems" (Master's thesis, Helsinki, 2005)–

"The concept of group actions is very useful in the study of isomorphisms of combinatorial structures."

Olli Pottonen,  'Classification of Steiner Quadruple Systems'

"Simplify, simplify."
Thoreau

"Beauty is bound up
with symmetry."
Weyl

Sixteen points in a 4x4 array

Pottonen's thesis is
 dated Nov. 16, 2005.

For some remarks on
images and theology,
see Log24 on that date.

Click on the above image
 for some further details.

Tuesday, March 24, 2009

Tuesday March 24, 2009

Filed under: General — m759 @ 9:00 am

The Child Trap

See E! Online, March 18 — Lindsay Lohan Remembers Parent Trap Mum

See also
 
http://www.log24.com/log/pix09/090324-ChildTrap.jpg

For those who like such things, an excellent Marxist analysis of Watchmen from another fan:

Whitson, Roger. “Panelling Parallax: The Fearful Symmetry of Alan Moore and William Blake.” ImageTexT: Interdisciplinary Comics Studies Vol. 3 No. 2 (2007). Dept. of English, University of Florida.

Whitson’s subject, Alan Moore, is the author of the Watchmen graphic novel. Moore’s style seems less suited to the Forth family pictured above than to Lindsay Lohan fans– who may also enjoy another graphic novel by Moore, Lost Girls.

More Lohan material related to her role in “Georgia Rule“–

Damnation Morning Continued (March 16).

Further background:

“The film realizes that if people actually fought crime, they’d most likely be crazy. Take The Comedian for an example. He fights crime, sure. He’s also a raging alcoholic.” –“‘Watchmen’ a flawed masterpiece,” by Ryan Michaels

See also the following expanded version of a link from Sunday morning, March 22:

Watchman, what of the night?

Sunday, March 15, 2009

Sunday March 15, 2009

Filed under: General,Geometry — Tags: , — m759 @ 11:00 am

Angels, Demons,
"Symbology"

"On Monday morning, 9 March, after visiting the Mayor of Rome and the Municipal Council on the Capitoline Hill, the Holy Father spoke to the Romans who gathered in the square outside the Senatorial Palace…

'… a verse by Ovid, the great Latin poet, springs to mind. In one of his elegies he encouraged the Romans of his time with these words:

"Perfer et obdura: multo graviora tulisti."

 "Hold out and persist:
  you have got through
  far more difficult situations."

 (Tristia, Liber  V, Elegia  XI, verse 7).'"

This journal
on 9 March:

Diamond Theory version of 'The Square Inch Space' with yin-yang symbol for comparison

Note the color-interchange
symmetry
of each symbol
under 180-degree rotation.

Related material:
The Illuminati Diamond:

IMAGE- Illuminati Diamond, pp. 359-360 in 'Angels & Demons,' Simon & Schuster Pocket Books 2005, 448 pages, ISBN 0743412397

Dan Brown's novel Angels & Demons introduced in the year 2000 the fictional academic discipline of "symbology" and a fictional Harvard professor of that discipline, Robert Langdon (named after ambigram* artist John Langdon).

Fictional Harvard professor of symbology Robert Langdon, as portrayed by Tom Hanks

Tom Hanks as Robert Langdon


A possible source for Brown's term "symbology" is a 1995 web page, "The Rotation of the Elements," by one "John Opsopaus." (Cf. Art History Club.)

"The four qualities are the key to understanding the rotation of the elements and many other applications of the symbology of the four elements." –John Opsopaus

* "…ambigrams were common in symbology…." —Angels & Demons
 

Thursday, March 12, 2009

Thursday March 12, 2009

Filed under: General — m759 @ 8:30 pm
Aesthetics
 of Matter,

continued

Bill Murray and Scarlett Johansson in 'Lost in Translation'

International

The Klein Four-Group (Click for details.)

Klein

 

Blue

Related material:

Aspects of Symmetry,
from the day that
Scarlett Johansson
turned 23, and…

"…A foyer of the spirit in a landscape
Of the mind, in which we sit
And wear humanity's bleak crown;

In which we read the critique of paradise
And say it is the work
Of a comedian, this critique…."

— "Crude Foyer," by Wallace Stevens

Tuesday, February 17, 2009

Tuesday February 17, 2009

Filed under: General,Geometry — Tags: , , , , — m759 @ 1:06 pm

Diamond-Faceted:
Transformations
of the Rock

A discussion of Stevens's late poem "The Rock" (1954) in Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 120:

For Stevens, the poem "makes meanings of the rock." In the mind, "its barrenness becomes a thousand things/And so exists no more." In fact, in a peculiar irony that only a poet with Stevens's particular notion of the imagination's function could develop, the rock becomes the mind itself, shattered into such diamond-faceted brilliance that it encompasses all possibilities for human thought:

The rock is the gray particular of man's life,
The stone from which he rises, up—and—ho,
The step to the bleaker depths of his descents ...

The rock is the stern particular of the air,
The mirror of the planets, one by one,
But through man's eye, their silent rhapsodist,

Turquoise the rock, at odious evening bright
With redness that sticks fast to evil dreams;
The difficult rightness of half-risen day.

The rock is the habitation of the whole,
Its strength and measure, that which is near,
     point A
In a perspective that begins again

At B: the origin of the mango's rind.

                    (Collected Poems, 528)

A mathematical version of
this poetic concept appears
in a rather cryptic note
from 1981 written with
Stevens's poem in mind:

http://www.log24.com/log/pix09/090217-SolidSymmetry.jpg

For some explanation of the
groups of 8 and 24
motions referred to in the note,
see an earlier note from 1981.

For the Perlis "diamond facets,"
see the Diamond 16 Puzzle.

For a much larger group
of motions, see
Solomon's Cube.

As for "the mind itself"
and "possibilities for
human thought," see
Geometry of the I Ching.

Thursday, February 5, 2009

Thursday February 5, 2009

Through the
Looking Glass:

A Sort of Eternity

From the new president’s inaugural address:

“… in the words of Scripture, the time has come to set aside childish things.”

The words of Scripture:

9 For we know in part, and we prophesy in part.
10 But when that which is perfect is come, then that which is in part shall be done away.
11 When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things.
12 For now we see through a glass, darkly, but then face to face: now I know in part; but then shall I know even as also I am known. 

First Corinthians 13

“through a glass”

[di’ esoptrou].
By means of
a mirror [esoptron]
.

Childish things:

Froebel's third gift, the eightfold cube
© 2005 The Institute for Figuring
Photo by Norman Brosterman
fom the Inventing Kindergarten
exhibit at The Institute for Figuring
(co-founded by Margaret Wertheim)
 

Not-so-childish:

Three planes through
the center of a cube
that split it into
eight subcubes:
Cube subdivided into 8 subcubes by planes through the center
Through a glass, darkly:

A group of 8 transformations is
generated by affine reflections
in the above three planes.
Shown below is a pattern on
the faces of the 2x2x2 cube
that is symmetric under one of
these 8 transformations–
a 180-degree rotation:

Design Cube 2x2x2 for demonstrating Galois geometry

(Click on image
for further details.)

But then face to face:

A larger group of 1344,
rather than 8, transformations
of the 2x2x2 cube
is generated by a different
sort of affine reflections– not
in the infinite Euclidean 3-space
over the field of real numbers,
but rather in the finite Galois
3-space over the 2-element field.

Galois age fifteen, drawn by a classmate.

Galois age fifteen,
drawn by a classmate.

These transformations
in the Galois space with
finitely many points
produce a set of 168 patterns
like the one above.
For each such pattern,
at least one nontrivial
transformation in the group of 8
described above is a symmetry
in the Euclidean space with
infinitely many points.

For some generalizations,
see Galois Geometry.

Related material:

The central aim of Western religion– 

"Each of us has something to offer the Creator...
the bridging of
 masculine and feminine,
 life and death.
It's redemption.... nothing else matters."
-- Martha Cooley in The Archivist (1998)

The central aim of Western philosophy–

 Dualities of Pythagoras
 as reconstructed by Aristotle:
  Limited Unlimited
  Odd Even
  Male Female
  Light Dark
  Straight Curved
  ... and so on ....

“Of these dualities, the first is the most important; all the others may be seen as different aspects of this fundamental dichotomy. To establish a rational and consistent relationship between the limited [man, etc.] and the unlimited [the cosmos, etc.] is… the central aim of all Western philosophy.”

— Jamie James in The Music of the Spheres (1993)

“In the garden of Adding
live Even and Odd…
And the song of love’s recision
is the music of the spheres.”

— The Midrash Jazz Quartet in City of God, by E. L. Doctorow (2000)

A quotation today at art critic Carol Kino’s website, slightly expanded:

“Art inherited from the old religion
the power of consecrating things
and endowing them with
a sort of eternity;
museums are our temples,
and the objects displayed in them
are beyond history.”

— Octavio Paz,”Seeing and Using: Art and Craftsmanship,” in Convergences: Essays on Art and Literature (New York: Harcourt Brace Jovanovich 1987), 52

From Brian O’Doherty’s 1976 Artforum essays– not on museums, but rather on gallery space:

Inside the White Cube

“We have now reached
a point where we see
not the art but the space first….
An image comes to mind
of a white, ideal space
that, more than any single picture,
may be the archetypal image
of 20th-century art.”

http://www.log24.com/log/pix09/090205-cube2x2x2.gif

“Space: what you
damn well have to see.”

— James Joyce, Ulysses  

Thursday, January 15, 2009

Thursday January 15, 2009

Filed under: General,Geometry — Tags: — m759 @ 2:45 am
Gate
 or, Everybody
Comes to Rick’s
(abstract version)

For Mary Gaitskill,
continued from
June 21, 2008:
 
Designer's grid-- 6x4 array of squares, each with 4 symmetry axes

This minimal art
is the basis of the
chess set image
from Tuesday:

 Chess set design by F. Lanier Graham, 1967

Related images:

Doors of Rick's Cafe Americain in 'Casablanca'

Bogart and Lorre in 'Casablanca' with chessboard and cocktail

The key is the
cocktail that begins
the proceedings.”

— Brian Harley,
Mate in Two Moves

Sunday, December 14, 2008

Sunday December 14, 2008

Filed under: General — m759 @ 2:00 am
Symmetry
and
Reflections

A figure from
Nobel Prize day, December 10,
and from Eugene Wigner‘s
birthday, November 17:

The 3x3 square

Also on December 10:
  the death of Constantine–

Mildred Constantine, 95, MoMA Curator, Is Dead

(Click for details.)

Related material:

Tina Modotti: A Fragile Life,
Photos by Tina Modotti,
Art Wars for Trotsky’s Birthday,
as well as
Art Wars, June 1-15, 2007:

Diego Rivera and Frida Kahlo

  “Ay que bonito es volar  
    A las dos de la mañana
….”
— “La Bruja

Sunday, November 16, 2008

Sunday November 16, 2008

Filed under: General,Geometry — Tags: , — m759 @ 8:00 pm
Art and Lies

Observations suggested by an article on author Lewis Hyde– "What is Art For?"–  in today's New York Times Magazine:

Margaret Atwood (pdf) on Lewis Hyde's
Trickster Makes This World: Mischief, Myth, and Art

"Trickster," says Hyde, "feels no anxiety when he deceives…. He… can tell his lies with creative abandon, charm, playfulness, and by that affirm the pleasures of fabulation." (71) As Hyde says, "…  almost everything that can be said about psychopaths can also be said about tricksters," (158), although the reverse is not the case. "Trickster is among other things the gatekeeper who opens the door into the next world; those who mistake him for a psychopath never even know such a door exists." (159)

What is "the next world"? It might be the Underworld….

The pleasures of fabulation, the charming and playful lie– this line of thought leads Hyde to the last link in his subtitle, the connection of the trickster to art. Hyde reminds us that the wall between the artist and that American favourite son, the con-artist, can be a thin one indeed; that craft and crafty rub shoulders; and that the words artifice, artifact, articulation and art all come from the same ancient root, a word meaning to join, to fit, and to make. (254) If it’s a seamless whole you want, pray to Apollo, who sets the limits within which such a work can exist. Tricksters, however, stand where the door swings open on its hinges and the horizon expands: they operate where things are joined together, and thus can also come apart.

For more about
"where things are
joined together," see
 Eight is a Gate and
The Eightfold Cube.
Related material:

The Trickster
and the Paranormal

and
Martin Gardner on
   a disappearing cube —

"What happened to that… cube?"

Apollinax laughed until his eyes teared. "I'll give you a hint, my dear. Perhaps it slid off into a higher dimension."

"Are you pulling my leg?"

"I wish I were," he sighed. "The fourth dimension, as you know, is an extension along a fourth coordinate perpendicular to the three coordinates of three-dimensional space. Now consider a cube. It has four main diagonals, each running from one corner through the cube's center to the opposite corner. Because of the cube's symmetry, each diagonal is clearly at right angles to the other three. So why shouldn't a cube, if it feels like it, slide along a fourth coordinate?"

— "Mr. Apollinax Visits New York," by Martin Gardner, Scientific American, May 1961, reprinted in The Night is Large


For such a cube, see

Cube with its four internal diagonals


ashevillecreative.com

this illustration in


The Religion of Cubism
(and the four entries
preceding it —
 Log24, May 9, 2003).

Beware of Gardner's
"clearly" and other lies.

Thursday, October 23, 2008

Thursday October 23, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 2:29 am
Along Came
a Spider

Symmetry axes of the square

A phrase from 1959
("Damnation Morning"),
from Monday
("Me and My Shadow"),
and from Sept. 28
("Buffalo Soldier") —

"Look, Buster,
do you want to live?"

A closely related phrase:

… Todo lo sé
por el lucero puro
que brilla en la diadema

de la Muerte.

Rubén Darío

The link to
"Buffalo Soldier"
in this entry
is in memory of
Vittorio Foa, who

died Monday
at his home
 outside Rome.

Wednesday, August 20, 2008

Wednesday August 20, 2008

Filed under: General — m759 @ 11:29 pm
For Madeleine L’Engle,
wherever she may be

The entries of yesterday (updated today) and the day before suggest a flashback to the five “Dungeons & Dragons” entries ending on March 6, 2008.  For more about dungeons, see Jan. 7, 2007. For more about dragons, see Crystal and Dragon: The Cosmic Dance of Symmetry and Chaos in Nature, Art and Consciousness, by David Wade.

Tuesday, August 19, 2008

Tuesday August 19, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 8:30 am
Three Times

"Credences of Summer," VII,

by Wallace Stevens, from
Transport to Summer (1947)

"Three times the concentred
     self takes hold, three times
The thrice concentred self,
     having possessed
The object, grips it
     in savage scrutiny,
Once to make captive,
     once to subjugate
Or yield to subjugation,
     once to proclaim
The meaning of the capture,
     this hard prize,
Fully made, fully apparent,
     fully found."

Stevens does not say what object he is discussing.

One possibility —

Bertram Kostant, Professor Emeritus of Mathematics at MIT, on an object discussed in a recent New Yorker:

"A word about E(8). In my opinion, and shared by others, E(8) is the most magnificent 'object' in all of mathematics. It is like a diamond with thousands of facets. Each facet offering a different view of its unbelievable intricate internal structure."

Another possibility —
 

The 4x4 square

  A more modest object —
the 4×4 square.

Update of Aug. 20-21 —

Symmetries and Facets

Kostant's poetic comparison might be applied also to this object.

The natural rearrangements (symmetries) of the 4×4 array might also be described poetically as "thousands of facets, each facet offering a different view of… internal structure."

More precisely, there are 322,560 natural rearrangements– which a poet might call facets*— of the array, each offering a different view of the array's internal structure– encoded as a unique ordered pair of symmetric graphic designs. The symmetry of the array's internal structure is reflected in the symmetry of the graphic designs. For examples, see the Diamond 16 Puzzle.

For an instance of Stevens's "three times" process, see the three parts of the 2004 web page Ideas and Art.

* For the metaphor of rearrangements as facets, note that each symmetry (rearrangement) of a Platonic solid corresponds to a rotated facet: the number of symmetries equals the number of facets times the number of rotations (edges) of each facet–

Platonic solids' symmetry groups

The metaphor of rearrangements as facets breaks down, however, when we try to use it to compute, as above with the Platonic solids, the number of natural rearrangements, or symmetries, of the 4×4 array. Actually, the true analogy is between the 16 unit squares of the 4×4 array, regarded as the 16 points of a finite 4-space (which has finitely many symmetries), and the infinitely many points of Euclidean 4-space (which has infinitely many symmetries).

If Greek geometers had started with a finite space (as in The Eightfold Cube), the history of mathematics might have dramatically illustrated Halmos's saying (Aug. 16) that

"The problem is– the genius is– given an infinite question, to think of the right finite question to ask. Once you thought of the finite answer, then you would know the right answer to the infinite question."

The Greeks, of course, answered the infinite questions first– at least for Euclidean space. Halmos was concerned with more general modern infinite spaces (such as Hilbert space) where the intuition to be gained from finite questions is still of value.
 

Saturday, August 16, 2008

Saturday August 16, 2008

Filed under: General,Geometry — Tags: — m759 @ 8:00 am

Seeing the Finite Structure

The following supplies some context for remarks of Halmos on combinatorics.

From Paul Halmos: Celebrating 50 years of Mathematics, by John H. Ewing, Paul Richard Halmos, Frederick W. Gehring, published by Springer, 1991–

Interviews with Halmos, “Paul Halmos by Parts,” by Donald J. Albers–

“Part II: In Touch with God*“– on pp. 27-28:

The Root of All Deep Mathematics

Albers. In the conclusion of ‘Fifty Years of Linear Algebra,’ you wrote: ‘I am inclined to believe that at the root of all deep mathematics there is a combinatorial insight… I think that in this subject (in every subject?) the really original, really deep insights are always combinatorial, and I think for the new discoveries that we need– the pendulum needs– to swing back, and will swing back in the combinatorial direction.’ I always thought of you as an analyst.

Halmos: People call me an analyst, but I think I’m a born algebraist, and I mean the same thing, analytic versus combinatorial-algebraic. I think the finite case illustrates and guides and simplifies the infinite.

Some people called me full of baloney when I asserted that the deep problems of operator theory could all be solved if we knew the answer to every finite dimensional matrix question. I still have this religion that if you knew the answer to every matrix question, somehow you could answer every operator question. But the ‘somehow’ would require genius. The problem is not, given an operator question, to ask the same question in finite dimensions– that’s silly. The problem is– the genius is– given an infinite question, to think of the right finite question to ask. Once you thought of the finite answer, then you would know the right answer to the infinite question.

Combinatorics, the finite case, is where the genuine, deep insight is. Generalizing, making it infinite, is sometimes intricate and sometimes difficult, and I might even be willing to say that it’s sometimes deep, but it is nowhere near as fundamental as seeing the finite structure.”

Finite Structure
 on a Book Cover:

Walsh Series: An Introduction to Dyadic Harmonic Analysis, by F. Schipp et. al.

Walsh Series: An Introduction
to Dyadic Harmonic Analysis
,
by F. Schipp et al.,
Taylor & Francis, 1990

Halmos’s above remarks on combinatorics as a source of “deep mathematics” were in the context of operator theory. For connections between operator theory and harmonic analysis, see (for instance) H.S. Shapiro, “Operator Theory and Harmonic Analysis,” pp. 31-56 in Twentieth Century Harmonic Analysis– A Celebration, ed. by J.S. Byrnes, published by Springer, 2001.


Walsh Series
states that Walsh functions provide “the simplest non-trivial model for harmonic analysis.”

The patterns on the faces of the cube on the cover of Walsh Series above illustrate both the Walsh functions of order 3 and the same structure in a different guise, subspaces of the affine 3-space over the binary field. For a note on the relationship of Walsh functions to finite geometry, see Symmetry of Walsh Functions.

Whether the above sketch of the passage from operator theory to harmonic analysis to Walsh functions to finite geometry can ever help find “the right finite question to ask,” I do not know. It at least suggests that finite geometry (and my own work on models in finite geometry) may not be completely irrelevant to mathematics generally regarded as more deep.

* See the Log24 entries following Halmos’s death.

Friday, August 8, 2008

Friday August 8, 2008

Filed under: General,Geometry — Tags: — m759 @ 8:08 am
Weyl on symmetry, the eightfold cube, the Fano plane, and trigrams of the I Ching

Click on image for details.

Saturday, August 2, 2008

Saturday August 2, 2008

Filed under: General,Geometry — m759 @ 6:23 am
Prattle

There is an article in today’s Telegraph on mathematician Simon Phillips Norton– co-author, with John Horton Conway, of the rather famous paper “Monstrous Moonshine” (Bull. London Math. Soc. 11, 308–339, 1979).
“Simon studies one of the most complicated groups of all: the Monster. He is, still, the world expert on it ….

Simon tells me he has a quasi-religious faith in the Monster. One day, he says, … the Monster will expose the structure of the universe.

… although Simon says he is keen for me to write a book about him and his work on the Monster and his obsession with buses, he doesn’t like talking, has no sense of anecdotes or extended conversation, and can’t remember (or never paid any attention to) 90 per cent of the things I want him to tell me about in his past. It is not modesty. Simon is not modest or immodest: he just has no self-curiosity. To Simon, Simon is a collection of disparate facts and no interpretative glue. He is a man without adjectives. His speech is made up almost entirely of short bursts of grunts and nouns.

This is the main reason why we spent three weeks together …. I needed to find a way to make him prattle.”

Those in search of prattle and interpretive glue should consult Anthony Judge’s essay “Potential Psychosocial Significance of Monstrous Moonshine: An Exceptional Form of Symmetry as a Rosetta Stone for Cognitive Frameworks.”  This was cited here in Thursday’s entry “Symmetry in Review.”  (That entry is just a list of items related in part by synchronicity, in part by mathematical content. The list, while meaningful to me and perhaps a few others, is also lacking in prattle and interpretive glue.)

Those in search of knowledge, rather than glue and prattle, should consult Symmetry and the Monster, by Mark Ronan.  If they have a good undergraduate education in mathematics, Terry Gannon‘s survey paper “Monstrous Moonshine: The First Twenty-Five Years” (pdf) and book– Moonshine Beyond the Monster— may also be of interest.

Thursday, July 31, 2008

Thursday July 31, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm
Symmetry in Review

“Put bluntly, who is kidding whom?”

Anthony Judge, draft of
“Potential Psychosocial Significance
of Monstrous Moonshine:
An Exceptional Form of Symmetry
as a Rosetta Stone for
Cognitive Frameworks,”
dated September 6, 2007.

Good question.

Also from
September 6, 2007 —
the date of
Madeleine L’Engle‘s death —

 
Pavarotti takes a bow
Related material:

1. The performance of a work by
Richard Strauss,
Death and Transfiguration,”
(Tod und Verklärung, Opus 24)
by the Chautauqua Symphony
at Chautauqua Institution on
July 24, 2008

2. Headline of a music review
in today’s New York Times:

Welcoming a Fresh Season of
Transformation and Death

3. The picture of the R. T. Curtis
Miracle Octad Generator
on the cover of the book
Twelve Sporadic Groups:

Cover of 'Twelve Sporadic Groups'

4. Freeman Dyson’s hope, quoted by
Gorenstein in 1986, Ronan in 2006,
and Judge in 2007, that the Monster
group is “built in some way into
the structure of the universe.”

5. Symmetry from Plato to
the Four-Color Conjecture

6. Geometry of the 4×4 Square

7. Yesterday’s entry,
Theories of Everything

Coda:

There is such a thing

Tesseract
     as a tesseract.

— Madeleine L’Engle

Cover of The New Yorker, April 12, 2004-- Roz Chast, Easter Eggs

For a profile of
L’Engle, click on
the Easter eggs.

Wednesday, July 30, 2008

Wednesday July 30, 2008

Filed under: General,Geometry — Tags: — m759 @ 11:48 am
Theories of Everything

Ashay Dharwadker now has a Theory of Everything.
Like Garrett Lisi’s, it is based on an unusual and highly symmetric mathematical structure. Lisi’s approach is related to the exceptional simple Lie group E8.* Dharwadker uses a structure long associated with the sporadic simple Mathieu group M24.

GRAND UNIFICATION

OF THE STANDARD MODEL WITH QUANTUM GRAVITY

by Ashay Dharwadker

Abstract

“We show that the mathematical proof of the four colour theorem [1] directly implies the existence of the standard model, together with quantum gravity, in its physical interpretation. Conversely, the experimentally observable standard model and quantum gravity show that nature applies the mathematical proof of the four colour theorem, at the most fundamental level. We preserve all the established working theories of physics: Quantum Mechanics, Special and General Relativity, Quantum Electrodynamics (QED), the Electroweak model and Quantum Chromodynamics (QCD). We build upon these theories, unifying all of them with Einstein’s law of gravity. Quantum gravity is a direct and unavoidable consequence of the theory. The main construction of the Steiner system in the proof of the four colour theorem already defines the gravitational fields of all the particles of the standard model. Our first goal is to construct all the particles constituting the classic standard model, in exact agreement with t’Hooft’s table [8]. We are able to predict the exact mass of the Higgs particle and the CP violation and mixing angle of weak interactions. Our second goal is to construct the gauge groups and explicitly calculate the gauge coupling constants of the force fields. We show how the gauge groups are embedded in a sequence along the cosmological timeline in the grand unification. Finally, we calculate the mass ratios of the particles of the standard model. Thus, the mathematical proof of the four colour theorem shows that the grand unification of the standard model with quantum gravity is complete, and rules out the possibility of finding any other kinds of particles.”

* See, for instance, “The Scientific Promise of Perfect Symmetry” in The New York Times of March 20, 2007.

Friday, July 25, 2008

Friday July 25, 2008

56 Triangles

Greg Egan's drawing of the 56 triangles on the Klein quartic 3-hole torus

John Baez on
Klein's quartic:

"This wonderful picture was drawn by Greg Egan with the help of ideas from Mike Stay and Gerard Westendorp. It's probably the best way for a nonmathematician to appreciate the symmetry of Klein's quartic. It's a 3-holed torus, but drawn in a way that emphasizes the tetrahedral symmetry lurking in this surface! You can see there are 56 triangles: 2 for each of the tetrahedron's 4 corners, and 8 for each of its 6 edges."

Exercise:

The Eightfold Cube: The Beauty of Klein's Simple Group

Click on image for further details.

Note that if eight points are arranged
in a cube (like the centers of the
eight subcubes in the figure above),
there are 56 triangles formed by
the 8 points taken 3 at a time.

Baez's discussion says that the Klein quartic's 56 triangles can be partitioned into 7 eight-triangle Egan "cubes" that correspond to the 7 points of the Fano plane in such a way that automorphisms of the Klein quartic correspond to automorphisms of the Fano plane. Show that the 56 triangles within the eightfold cube can also be partitioned into 7 eight-triangle sets that correspond to the 7 points of the Fano plane in such a way that (affine) transformations of the eightfold cube induce (projective) automorphisms of the Fano plane.

Saturday, July 19, 2008

Saturday July 19, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 2:00 pm
Hard Core

(continued from yesterday)

Bertram Kostant, Professor Emeritus of Mathematics at MIT, on an object discussed in this week's New Yorker:

"A word about E(8). In my opinion, and shared by others, E(8) is the most magnificent 'object' in all of mathematics. It is like a diamond with thousands of facets. Each facet offering a different view of its unbelievable intricate internal structure."

Hermann Weyl on the hard core of objectivity:

"Perhaps the philosophically most relevant feature of modern science is the emergence of abstract symbolic structures as the hard core of objectivity behind– as Eddington puts it– the colorful tale of the subjective storyteller mind." (Philosophy of Mathematics and Natural Science, Princeton, 1949, p. 237)


Steven H. Cullinane on the symmetries of a 4×4 array of points:

A Structure-Endowed Entity

"A guiding principle in modern mathematics is this lesson: Whenever you have to do with a structure-endowed entity S, try to determine its group of automorphisms, the group of those element-wise transformations which leave all structural relations undisturbed.  You can expect to gain a deep insight into the constitution of S in this way."

— Hermann Weyl in Symmetry

Let us apply Weyl's lesson to the following "structure-endowed entity."

4x4 array of dots

What is the order of the resulting group of automorphisms?

The above group of
automorphisms plays
a role in what Weyl,
following Eddington,
  called a "colorful tale"–

The Diamond 16 Puzzle

The Diamond 16 Puzzle

This puzzle shows
that the 4×4 array can
also be viewed in
thousands of ways.

"You can make 322,560
pairs of patterns. Each
 pair pictures a different
symmetry of the underlying
16-point space."

— Steven H. Cullinane,
July 17, 2008

For other parts of the tale,
see Ashay Dharwadker,
the Four-Color Theorem,
and Usenet Postings
.

Sunday, July 13, 2008

Sunday July 13, 2008

Filed under: General — m759 @ 8:00 pm
Indefinable?

C. P. Snow on G. H. Hardy:

“This was 1931, and the phrase was not yet in English use, but in later days they would have said that in some indefinable way he had star quality.”

From the Feast of the
Transfiguration, 2007
:

 Symmetry axes
of the square:

Symmetry axes of the square

See Damnation Morning.

See also today’s
previous three entries
.

Happy birthday,
Harrison Ford.

Thursday, June 26, 2008

Thursday June 26, 2008

Filed under: General — m759 @ 10:04 am
Review
 
Yesterday, June 25, was the 100th anniversay of W.V. Quine's birth and also the day on the calendar opposite Christmas–  In the parlance of Quine's son Douglas, AntiChristmas.

Having survived that ominous date, I feel it is fitting to review what Wallace Stevens called "Credences of Summer"– religious principles for those who feel that faith and doubt are best reconciled by art.

 

"Credences of Summer," VII,

by Wallace Stevens, from
Transport to Summer (1947)

"Three times the concentred
     self takes hold, three times
The thrice concentred self,
     having possessed
The object, grips it
     in savage scrutiny,
Once to make captive,
     once to subjugate
Or yield to subjugation,
     once to proclaim
The meaning of the capture,
     this hard prize,
Fully made, fully apparent,
     fully found."

Definition of Epiphany

From James Joyce's Stephen Hero, first published posthumously in 1944. The excerpt below is from a version edited by John J. Slocum and Herbert Cahoon (New York: New Directions Press, 1959).

Three Times:

… By an epiphany he meant a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind itself. He believed that it was for the man of letters to record these epiphanies with extreme care, seeing that they themselves are the most delicate and evanescent of moments. He told Cranly that the clock of the Ballast Office was capable of an epiphany. Cranly questioned the inscrutable dial of the Ballast Office with his no less inscrutable countenance:

— Yes, said Stephen. I will pass it time after time, allude to it, refer to it, catch a glimpse of it. It is only an item in the catalogue of Dublin's street furniture. Then all at once I see it and I know at once what it is: epiphany.

— What?

— Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised. It is just in this epiphany that I find the third, the supreme quality of beauty.

— Yes? said Cranly absently.

— No esthetic theory, pursued Stephen relentlessly, is of any value which investigates with the aid of the lantern of tradition. What we symbolise in black the Chinaman may symbolise in yellow: each has his own tradition. Greek beauty laughs at Coptic beauty and the American Indian derides them both. It is almost impossible to reconcile all tradition whereas it is by no means impossible to find the justification of every form of beauty which has ever been adored on the earth by an examination into the mechanism of esthetic apprehension whether it be dressed in red, white, yellow or black. We have no reason for thinking that the Chinaman has a different system of digestion from that which we have though our diets are quite dissimilar. The apprehensive faculty must be scrutinised in action.

— Yes …

— You know what Aquinas says: The three things requisite for beauty are, integrity, a wholeness, symmetry and radiance. Some day I will expand that sentence into a treatise. Consider the performance of your own mind when confronted with any object, hypothetically beautiful. Your mind to apprehend that object divides the entire universe into two parts, the object, and the void which is not the object. To apprehend it you must lift it away from everything else: and then you perceive that it is one integral thing, that is a thing. You recognise its integrity. Isn't that so?

— And then?

— That is the first quality of beauty: it is declared in a simple sudden synthesis of the faculty which apprehends. What then? Analysis then. The mind considers the object in whole and in part, in relation to itself and to other objects, examines the balance of its parts, contemplates the form of the object, traverses every cranny of the structure. So the mind receives the impression of the symmetry of the object. The mind recognises that the object is in the strict sense of the word, a thing, a definitely constituted entity. You see?

— Let us turn back, said Cranly.

They had reached the corner of Grafton St and as the footpath was overcrowded they turned back northwards. Cranly had an inclination to watch the antics of a drunkard who had been ejected from a bar in Suffolk St but Stephen took his arm summarily and led him away.

— Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.

Having finished his argument Stephen walked on in silence. He felt Cranly's hostility and he accused himself of having cheapened the eternal images of beauty. For the first time, too, he felt slightly awkward in his friend's company and to restore a mood of flippant familiarity he glanced up at the clock of the Ballast Office and smiled:

— It has not epiphanised yet, he said.

Under the Volcano,

by Malcolm Lowry,
1947, Chapter VI:

"What have I got out of my life? Contacts with famous men… The occasion Einstein asked me the time, for instance. That summer evening…. smiles when I say I don't know. And yet asked me. Yes: the great Jew, who has upset the whole world's notions of time and space, once leaned down… to ask me… ragged freshman… at the first approach of the evening star, the time. And smiled again when I pointed out the clock neither of us had noticed."

An approach of
the evening star yesterday:

Four-elements figure from webpage 'The Rotation of the Elements'

This figure is from a webpage,
"The Rotation of the Elements,"
cited here yesterday evening.

As noted in yesterday's early-
morning entry on Quine
, the
figure is (without the labels)
a classic symbol of the
evening star.

"The appearance of the evening star brings with it long-standing notions of safety within and danger without. In a letter to Harriet Monroe, written December 23, 1926, Stevens refers to the Sapphic fragment that invokes the genius of evening: 'Evening star that bringest back all that lightsome Dawn hath scattered afar, thou bringest the sheep, thou bringest the goat, thou bringest the child home to the mother.' Christmas, writes Stevens, 'is like Sappho's evening: it brings us all home to the fold' (Letters of Wallace Stevens, 248)."

— Barbara Fisher,
"The Archangel of Evening,"
Chapter 5 of Wallace Stevens:
The Intensest Rendezvous
,
The University Press of Virginia, 1990

Saturday, June 21, 2008

Saturday June 21, 2008

Filed under: General — Tags: , — m759 @ 8:00 pm
For Mary Gaitskill

(See Eight is a Gate and
Faith, Doubt, Art, and
The New Yorker
.)

A sructure from
today's previous entry:

http://www.log24.com/log/pix08/080621-Gates.gif
 

From Notre-Dame de Paris:

"Un cofre de gran riqueza        
Hallaron dentro un pilar,       
Dentro del, nuevas banderas 
Con figuras de espantar."      

"A coffer of great richness   
     In a pillar's heart they found,
Within it lay new banners,
With figures to astound."  

For some further details, see
the brief Log24 narrative
"Indiana Jones and
the Hidden Coffer
" as well as
Symmetry Framed and
the design of the doors
to Rick's Cafe Americain:

IMAGE- The perception of doors in 'Casablanca'


Everyone comes to Rick's.

Wednesday, June 18, 2008

Wednesday June 18, 2008

Filed under: General,Geometry — m759 @ 3:00 pm
CHANGE
 FEW CAN BELIEVE IN

What I Loved, a novel by Siri Hustvedt (New York, Macmillan, 2003), contains a paragraph on the marriage of a fictional artist named Wechsler–

Page 67 —

“… Bill and Violet were married. The wedding was held in the Bowery loft on June 16th, the same day Joyce’s Jewish Ulysses had wandered around Dublin. A few minutes before the exchange of vows, I noted that Violet’s last name, Blom, was only an o away from Bloom, and that meaningless link led me to reflect on Bill’s name, Wechsler, which carries the German root for change, changing, and making change. Blooming and changing, I thought.”

For Hustvedt’s discussion of Wechsler’s art– sculptured cubes, which she calls “tightly orchestrated semantic bombs” (p. 169)– see Log24, May 25, 2008.

Related material:

Wechsler cubes

(after David Wechsler,
1896-1981, chief
psychologist at Bellevue)

Wechsler blocks for psychological testing

These cubes are used to
make 3×3 patterns for
psychological testing.

Related 3×3 patterns appear
in “nine-patch” quilt blocks
and in the following–

Don Park at docuverse.com, Jan. 19, 2007:

“How to draw an Identicon

Designs from a web page on Identicons

A 9-block is a small quilt using only 3 types of patches, out of 16 available, in 9 positions. Using the identicon code, 3 patches are selected: one for center position, one for 4 sides, and one for 4 corners.

Positions and Rotations

For center position, only a symmetric patch is selected (patch 1, 5, 9, and 16). For corner and side positions, patch is rotated by 90 degree moving clock-wise starting from top-left position and top position respectively.”

    

From a weblog by Scott Sherrill-Mix:

“… Don Park came up with the original idea for representing users with geometric shapes….”

Claire | 20-Dec-07 at 9:35 pm | Permalink

“This reminds me of a flash demo by Jarred Tarbell
http://www.levitated.net/daily/lev9block.html

ScottS-M | 21-Dec-07 at 12:59 am | Permalink

    

Jared Tarbell at levitated.net, May 15, 2002:

“The nine block is a common design pattern among quilters. Its construction methods and primitive building shapes are simple, yet produce millions of interesting variations.

Designs from a web page by Jared Tarbell
Figure A. Four 9 block patterns,
arbitrarily assembled, show the
grid composition of the block.

Each block is composed of 9 squares, arranged in a 3 x 3 grid. Each square is composed of one of 16 primitive shapes. Shapes are arranged such that the block is radially symmetric. Color is modified and assigned arbitrarily to each new block.

The basic building blocks of the nine block are limited to 16 unique geometric shapes. Each shape is allowed to rotate in 90 degree increments. Only 4 shapes are allowed in the center position to maintain radial symmetry.

Designs from a web page by Jared Tarbell

Figure B. The 16 possible shapes allowed
for each grid space. The 4 shapes allowed
in the center have bold numbers.”

   
Such designs become of mathematical interest when their size is increased slightly, from square arrays of nine blocks to square arrays of sixteen.  See Block Designs in Art and Mathematics.

(This entry was suggested by examples of 4×4 Identicons in use at Secret Blogging Seminar.)

Tuesday, May 20, 2008

Tuesday May 20, 2008

Filed under: General — Tags: — m759 @ 1:06 pm
The Unembarrassed Peddler

(For readers of
the previous entry
who would like to
know more about
purchasing the
Brooklyn Bridge)


From yesterday’s New York Times, in an obituary of a teacher of reporters:

“He was a stickler for spelling, insisting that students accurately compose dictated sentences, like this one: ‘Outside a cemetery sat a harassed cobbler and an embarrassed peddler, gnawing on a desiccated potato and gazing on the symmetry of a lady’s ankle with unparalleled ecstasy.'”

Spelling Your Way
To Success

Chapter I:
“gnawing on a  
  desiccated potato”

From the website
Blue Star Traders:
How the ancient crystal skull Synergy came to the Western World…

This skull first came to light when it was acquired about two and a half decades ago by a European businessman and avid hiker, as he traveled around Central and South America.  He acquired the skull from a very old native man, in a tiny village in the Andes, near the borders of Peru, Bolivia and Chile. He was just passing through, and had come upon the small settlement while looking for a place to stay for the night.  He wandered into the village and was greeted with smiles and an invitation to share a meal.

This gentleman, George, speaks several languages, and he usually has at least a few words in common with most of the people he meets in his travels– enough to get by, anyway.  Although he didn’t speak the same language as most of the people in this isolated village, there was an instant connection between them, and they managed with the smattering of Spanish and Portuguese that a few of them knew. In need of shelter for the night, George was offered a spot for his sleeping bag, near the fire, in the dwelling of an elderly man.

After a peaceful evening in the old man’s company, George gratefully accepted a simple breakfast and got ready to take his leave.  As he thanked the man for his generous hospitality, the elder led George to an old chest. Opening the crumbling wooden lid, he took out the crystal skull, touched it reverently, and handed it to George.  Awed by an artifact of such obvious antiquity, beauty and value, yet uncertain what he was expected to do with it, George tried to hand it back.  But the old man urged it upon him, making it clear that he was to take it with him. 

Curious about the history of such a thing, George tried to find out what the villagers knew about it. One young fellow explained in halting Spanish that  the skull had come into the possession of a much loved Catholic nun, in Peru.  She was quite old when she died in the early 1800’s, and she had given it to the old man’s “Grandfather” when he was just a boy.  (Note: It’s hard to say if this was really the man’s grandfather, or just the honorary title that many natives use to designate an ancestor or revered relative.)  The nun told the boy and his father that the skull was “an inheritance from a lost civilization” and, like the Christian cross, it was a symbol of the transcendence of Soul over death.  She said that it carried the message of immortal life and the illumination that we may discover when we lose our fear of death.  She gave it to the boy and his father, asking them to safeguard it until the “right” person came to get it– and share its message with the world.  It had been brought to that land from “somewhere else” and needed to wait until the right person could help it to continue its journey. “Your heart will know the person,” she said. 

“What a strange story,” thought George.

From elespectador.com:

“… ‘Supercholita’  tiene sobre todo una clara vocación divulgadora de la cultura andina. No en vano Valdez recibió su primer premio por explicar mediante este personaje cómo se cocina el ‘chuño,’ una típica patata deshidratada muy consumida en el altiplano boliviano.”

Chapter II:
“gazing on the symmetry
 of a lady’s ankle”

From “Sinatra: A Man
and His Music, Part II”
(reshown. prior to
“It Happened in Brooklyn,”
by Turner Classic Movies
on Sunday, May 11, 2008):

“Luck, be a lady tonight.”

From wordinfo.info:

astragalo-, astragal-
(Greek: anklebone, talus ball of ankle joint; dice, die [the Greeks made these from ankle bones])

astragalomancy, astragyromancy
Divination with dice, knuckle bones, stones, small pieces of wood, or ankle bones which were marked with letters, symbols, or dots. Using dice for divination is a form of astragalomancy.

Chapter III:
“unparalleled ecstasy”


Bright Star —

Todo lo sé por el lucero puro
que brilla en la diadema de la Muerte

— Rubén Darío  

Bright Star and Crystal Skull

Image adapted from
Blue Star Traders


Related material:

The New York Lottery
  mid-day number yesterday–
719– and 7/19.

Monday, May 19, 2008

Monday May 19, 2008

Filed under: General — m759 @ 9:49 am
Special to The Brooklyn Eagle

The Cobbler, the Peddler,
and the Cemetery

Today’s New York Times, in an obituary of a teacher of reporters:

“He was a stickler for spelling, insisting that students accurately compose dictated sentences, like this one: ‘Outside a cemetery sat a harassed cobbler and an embarrassed peddler, gnawing on a desiccated potato and gazing on the symmetry of a lady’s ankle with unparalleled ecstasy.'”

Related Material:

Don Ameche and Joe Mantegna in 'Things Change'

and

There’s a place for us.

Wednesday, April 23, 2008

Wednesday April 23, 2008

Filed under: General — Tags: , — m759 @ 9:00 am

Upscale Realism

or, "Have some more
wine and cheese, Barack."

(See April 15, 5:01 AM)

  Allyn Jackson on Rebecca Goldstein
in the April 2006 AMS Notices (pdf)

"Rebecca Goldstein’s 1983 novel The Mind-Body Problem has been widely admired among mathematicians for its authentic depiction of academic life, as well as for its exploration of how philosophical issues impinge on everyday life. Her new book, Incompleteness: The Proof and Paradox of Kurt Gödel, is a volume in the 'Great Discoveries' series published by W. W. Norton….

In March 2005 the Mathematical Sciences Research Institute (MSRI) in Berkeley held a public event in which its special projects director, Robert Osserman, talked with Goldstein about her work. The conversation, which took place before an audience of about fifty people at the Commonwealth Club in San Francisco, was taped….

A member of the audience posed a question that has been on the minds of many of Goldstein’s readers: Is The Mind-Body Problem based on her own life? She did indeed study philosophy at Princeton, finishing her Ph.D. in 1976 with a thesis titled 'Reduction, Realism, and the Mind.' She said that while there are correlations between her life and the novel, the book is not autobiographical….

She… talked about the relationship between Gödel and his colleague at the Institute for Advanced Study, Albert Einstein. The two were very different: As Goldstein put it, 'Einstein was a real mensch, and Gödel was very neurotic.' Nevertheless, a friendship sprang up between the two. It was based in part, Goldstein speculated, on their both being exiles– exiles from Europe and intellectual exiles. Gödel's work was sometimes taken to mean that even mathematical truth is uncertain, she noted, while Einstein's theories of relativity were seen as implying the sweeping view that 'everything is relative.' These misinterpretations irked both men, said Goldstein. 'Einstein and Gödel were realists and did not like it when their work was put to the opposite purpose.'"


Related material:

From Log24 on
March 22 (Tuesday of
Passion Week), 2005:

 
"'What is this Stone?' Chloe asked…. 'It is told that, when the Merciful One made the worlds, first of all He created that Stone and gave it to the Divine One whom the Jews call Shekinah, and as she gazed upon it the universes arose and had being.'"

Many Dimensions,
by Charles Williams, 1931

For more on this theme
appropriate to Passion Week
Jews playing God — see

The image “http://www.log24.com/log/pix05/050322-Trio.jpg” cannot be displayed, because it contains errors.

Rebecca Goldstein
in conversation with
Bob Osserman
of the
Mathematical Sciences
Research Institute
at the
Commonwealth Club,
San Francisco,
Tuesday, March 22.

Wine and cheese
reception at 5:15 PM
(San Francisco time).

From
UPSCALE,
a website of the
physics department at
the University of Toronto:

Mirror Symmetry

 

Robert Fludd: Universe as mirror image of God

"The image [above]
is a depiction of
the universe as a
mirror image of God,
drawn by Robert Fludd
in the early 17th century.

The caption of the
upper triangle reads:

'That most divine and beautiful
counterpart visible below in the
flowing image of the universe.'

The caption of the
lower triangle is:

'A shadow, likeness, or
reflection of the insubstantial*
triangle visible in the image
of the universe.'"

* Sic. The original is incomprehensibilis, a technical theological term. See Dorothy Sayers on the Athanasian Creed and John 1:5.

For further iconology of the
above equilateral triangles,
see Star Wars (May 25, 2003),
Mani Padme (March 10, 2008),
Rite of Sping (March 14, 2008),
and
Art History: The Pope of Hope
(In honor of John Paul II
three days after his death
in April 2005).

Happy Shakespeare's Birthday.

Thursday, March 6, 2008

Thursday March 6, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

This note is prompted by the March 4 death of Richard D. Anderson, writer on geometry, President (1981-82) of the Mathematical Association of America (MAA), and member of the MAA's Icosahedron Society.

Royal Road

"The historical road
from the Platonic solids
to the finite simple groups
is well known."

— Steven H. Cullinane,
November 2000,
Symmetry from Plato to
the Four-Color Conjecture

Euclid is said to have remarked that "there is no royal road to geometry." The road to the end of the four-color conjecture may, however, be viewed as a royal road from geometry to the wasteland of mathematical recreations.* (See, for instance, Ch. VIII, "Map-Colouring Problems," in Mathematical Recreations and Essays, by W. W. Rouse Ball and H. S. M. Coxeter.) That road ended in 1976 at the AMS-MAA summer meeting in Toronto– home of H. S. M. Coxeter, a.k.a. "the king of geometry."

See also Log24, May 21, 2007.

A different road– from Plato to the finite simple groups– is, as I noted in November 2000, well known. But new roadside attractions continue to appear. One such attraction is the role played by a Platonic solid– the icosahedron– in design theory, coding theory, and the construction of the sporadic simple group M24.

"By far the most important structure in design theory is the Steiner system S(5, 8, 24)."

— "Block Designs," by Andries E. Brouwer (Ch. 14 (pp. 693-746) of Handbook of Combinatorics, Vol. I, MIT Press, 1995, edited by Ronald L. Graham, Martin Grötschel, and László Lovász, Section 16 (p. 716))

This Steiner system is closely connected to M24 and to the extended binary Golay code. Brouwer gives an elegant construction of that code (and therefore of  M24):

"Let N be the adjacency matrix of the icosahedron (points: 12 vertices, adjacent: joined by an edge). Then the rows of the 12×24 matrix (I  J-N) generate the extended binary Golay code." [Here I is the identity matrix and J is the matrix of all 1's.]

Op. cit., p. 719

Related material:

Finite Geometry of
the Square and Cube

and
Jewel in the Crown

"There is a pleasantly discursive
treatment of Pontius Pilate's
unanswered question
'What is truth?'"
— H. S. M. Coxeter, 1987,
introduction to Trudeau's
"story theory" of truth

Those who prefer stories to truth
may consult the Log24 entries
 of March 1, 2, 3, 4, and 5.

They may also consult
the poet Rubén Darío:

Todo lo sé por el lucero puro
que brilla en la diadema de la Muerte.


* For a road out of this wasteland, back to geometry, see The Kaleidoscope Puzzle and Reflection Groups in Finite Geometry.

Friday, February 29, 2008

Friday February 29, 2008

Filed under: General — m759 @ 11:32 am

I Have a
Dreamtime
 
http://www.log24.com/log/pix08/080229-Doonesbury3.jpg

Noting today that the time was 11:32 (AM ET),  a portentous number in Finnegans Wake, I decided to practice a bit of chronomancy (use of time for augury).  My weblog's server infomed me when I pressed "enter" that it thought the exact time was 11:32:39.  Consulting (as in Symmetry and Change in the Dreamtime) the I Ching for the meaning of (hexagram) 39, I found the following:

The hexagram pictures a dangerous abyss lying before us and a steep, inaccessible mountain rising behind us…. One must join forces with friends of like mind and put himself under the leadership of a man equal to the situation: then one will succeed in removing the obstacles.

For the abyss and the mountain, see the five log24 entries ending on July 5, 2005, with "The Edge of Eternity." As for "friends of like mind," see the previous entry's references to July 2005.  "The leadership of a man equal to the situation" is more difficult to interpret.  Perhaps it refers, as a politician recently noted, to "a king who took us to the mountain-top and pointed the way to the promised land." Or perhaps to a different king.

http://www.log24.com/log/pix08/080229-Obama.gif

Click on image for details.
Note the time: 11:32 (of 13:09).
The moment is that of the syllable
"mount" in the quotation above.

Thursday, February 28, 2008

Thursday February 28, 2008

Filed under: General,Geometry — Tags: — m759 @ 7:20 pm
Popularity of MUB’s

From an entry today at the weblog of Lieven Le Bruyn (U. of Antwerp):

“MUBs (for Mutually Unbiased Bases) are quite popular at the moment. Kea is running a mini-series Mutual Unbias….”

The link to Kea (Marni Dee Sheppeard (pdf) of New Zealand) and a link in her Mutual Unbias III (Feb. 13) lead to the following illustration, from a talk, “Discrete phase space based on finite fields,” by William Wootters at the Perimeter Institute in 2005:

http://www.log24.com/log/pix08/080228-Wooters2.jpg

This illustration makes clear the
close relationship of MUB’s to the
finite geometry of the 4×4 square.

The Wootters talk was on July 20, 2005. For related material from that July which some will find more entertaining, see “Steven Cullinane is a Crank,” conveniently reproduced as a five-page thread in the Mathematics Forum at groupsrv.com.

Thursday, November 22, 2007

Thursday November 22, 2007

Filed under: General — m759 @ 4:44 am
Aspects of Symmetry

For theoretical physicist
Sidney Coleman,

Sidney Coleman (photo from Harvard  home page)

who died on Sunday
(Nov. 18, 2007)

A comment at Peter Woit’s weblog today:

T says (3:43 AM today)

I still don’t quite understand what *EXACTLY* Sidney Coleman contributed that merits such deep reverence for him after his demise; was he like Weinberg – i.e. a very intuitive and thoughtful field theorist – or Feynman – a highly creative and original thinker; or simply a good teacher who taught at (world-famous) Harvard – and hence his stature?

My reply (4:26 AM today, awaiting moderation):

T: The following quotes may be of interest.

“Sidney Coleman comes as close as any active physicist to assuming the mantle of Wolfgang Pauli as a trenchant critic of research and as an expositor of ongoing developments in theoretical physics.” –Book review of Aspects of Symmetry

“He has… played the role of Wolfgang Pauli of his generation; he liked to disprove ideas, and he was also a genius in explaining things to others.” –Lubos Motl

Related material:

Faust in Copenhagen

and

Kernel of Eternity

Wednesday, October 24, 2007

Wednesday October 24, 2007

Filed under: General,Geometry — Tags: , , , — m759 @ 11:11 pm
Descartes’s Twelfth Step

An earlier entry today (“Hollywood Midrash continued“) on a father and son suggests we might look for an appropriate holy ghost. In that context…

Descartes

A search for further background on Emmanuel Levinas, a favorite philosopher of the late R. B. Kitaj (previous two entries), led (somewhat indirectly) to the following figures of Descartes:

The color-analogy figures of Descartes
This trinity of figures is taken from Descartes’ Rule Twelve in Rules for the Direction of the Mind. It seems to be meant to suggest an analogy between superposition of colors and superposition of shapes.Note that the first figure is made up of vertical lines, the second of vertical and horizontal lines, and the third of vertical, horizontal, and diagonal lines. Leon R. Kass recently suggested that the Descartes figures might be replaced by a more modern concept– colors as wavelengths. (Commentary, April 2007). This in turn suggests an analogy to Fourier series decomposition of a waveform in harmonic analysis. See the Kass essay for a discussion of the Descartes figures in the context of (pdf) Science, Religion, and the Human Future (not to be confused with Life, the Universe, and Everything).

Compare and contrast:

The harmonic-analysis analogy suggests a review of an earlier entry’s
link today to 4/30–  Structure and Logic— as well as
re-examination of Symmetry and a Trinity


(Dec. 4, 2002).

See also —

A Four-Color Theorem,
The Diamond Theorem, and
The Most Violent Poem,

Emma Thompson in 'Wit'

from Mike Nichols’s birthday, 2003.

Sunday, August 19, 2007

Sunday August 19, 2007

Filed under: General — m759 @ 8:19 am
Symmetry and Mirroring

Deutsche Bank Logo

Logo design by Anton Stankowski

"… at the beginning of the thirties… Stankowski began to work as a typographer and graphic designer in a Zurich advertising agency. Together with a group of friends– they were later to be known as the 'Zurich Concretists'– he explored the possibilities of symmetry and mirroring in the graphic arts. Stankowski experimented with squares and diagonals, making them the hallmarks of his art. Of his now world-famous logo for the Deutsche Bank— the soaring diagonal in the stable square– he proudly said in 1974: 'The company logo is a trade-mark that sends out a signal.'"

Deutsche Bank Collection

New York firefighters
killed at Deutsche Bank

From RTE News, Ireland:

Fire at Deutsche Bank Aug. 18, 2007

"Two New York fire fighters were killed while trying to douse a blaze in the former Deutsche Bank building in the city.

The fire broke out on 14th and 15th floors yesterday afternoon and spread to several floors before it was brought under control about five hours later.

The building had been heavily damaged during the 11 September, 2001 terrorist attacks.

The building, which was damaged by falling debris of the twin towers that had collapsed in 2001 when terrorists flew hijacked planes into them, was being 'deconstructed' to make way for construction of a new Freedom Tower."

Related material

From August 1
 
SPORTS OF THE TIMES

Restoring the Faith
After Hitting the Bottom

By SELENA ROBERTS
The New York Times
Published: August 1, 2007

What good is a nadir if it's denied or ignored? What's the value of reaching the lowest of the low if it can't buy a cheap epiphany?

 

Hallmark Card logo

When you care enough
to send the very best…

See also
"Cheap Epiphany, continued,"
from Aug. 3, as well as
A Writer's Reflections
(Aug. 14):

New Yorker cover, Aug. 20, 2007 (echoing Hexagram 14 in the box-style I Ching)

"Summer Reading,"
by Joost Swarte

Monday, August 6, 2007

Monday August 6, 2007

Filed under: General — Tags: — m759 @ 8:00 am
The Divine Universals

"The tigers of wrath          
 are wiser than                
 the horses of instruction."

— William Blake,
Proverbs of Hell

From Shining Forth:

  The Place of the Lion, by Charles Williams, 1931, Chapter Eight:

"Besides, if this fellow were right, what harm would the Divine Universals do us? I mean, aren't the angels supposed to be rather gentle and helpful and all that?"

"You're doing what Marcellus warned you against… judging them by English pictures. All nightgowns and body and a kind of flacculent sweetness. As in cemeteries, with broken bits of marble. These are Angels– not a bit the same thing. These are the principles of the tiger and the volcano and the flaming suns of space."

 Under the Volcano, Chapter Two:

"But if you look at that sunlight there, then perhaps you'll get the answer, see, look at the way it falls through the window: what beauty can compare to that of a cantina in the early morning? Your volcanoes outside? Your stars– Ras Algethi? Antares raging south southeast? Forgive me, no." 

 A Spanish-English dictionary:

lucero m.
morning or evening star:
any bright star….
hole in a window panel
     for the admission of light….

Look at the way it
falls through the window….

— Malcolm Lowry

How art thou fallen from heaven,
O Lucifer, son of the morning!
— Isaiah 14:12

For more on Spanish
and the evening star,
see Plato, Pegasus, and
the Evening Star.

 Symmetry axes
of the square:

Symmetry axes of the square

(See Damnation Morning.)

From the cover of the
 Martin Cruz Smith novel
Stallion Gate:

Atom on cover of Stallion

"That old Jew
gave me this here."

Dialogue from the
Robert Stone novel
A Flag for Sunrise.

Related material:

A Mass for Lucero,

Log24, Sept. 13, 2006

Mathematics, Religion, Art

— and this morning's online
New York Times obituaries:

Cardinal Lustiger of Paris and jazz pianist Sal Mosca, New York Times obituaries on August 6, 2007

The above image contains summary obituaries for Cardinal Lustiger, Archbishop of Paris, 1981-2005, and for Sal Mosca, jazz pianist and teacher. In memory of the former, see all of the remarks preceding the image above. In memory of the latter, the remarks of a character in Martin Cruz Smith's Stallion Gate on jazz piano may have some relevance:

"I hate arguments. I'm a coward. Arguments are full of words, and each person is sure he's the only one who knows what the words mean. Each word is a basket of eels, as far as I'm concerned. Everybody gets to grab just one eel and that's his interpretation and he'll fight to the death for it…. Which is why I love music. You hit a C and it's a C and that's all it is. Like speaking clearly for the first time. Like being intelligent. Like understanding. A Mozart or an Art Tatum sits at the piano and picks out the undeniable truth."

Wednesday, July 25, 2007

Wednesday July 25, 2007

Filed under: General,Geometry — Tags: , — m759 @ 9:00 am
The Comedy of
George Tabori

George Tabori

From AP “Obituaries in the News”–
Filed with The New York Times
at 11:16 p.m. ET July 24, 2007–

George Tabori

“BERLIN (AP) — Hungarian-born playwright and director George Tabori, a legend in Germany’s postwar theater world whose avant-garde works confronted anti-Semitism, died Monday [July 23, 2007]. He was 93.

Tabori, who as recently as three years ago dreamed of returning to stage to play the title role in Shakespeare’s ‘King Lear,’ died in his apartment near the theater, the Berliner Ensemble said Tuesday, noting that friends and family had accompanied him through his final days. No cause of death was given.

Born into a Jewish family in Budapest on May 24, 1914, Tabori fled in 1936 to London, where he started working for the British Broadcasting Corp., and became a British citizen. His father, and other members of his family, were killed at Auschwitz.

Tabori moved to Hollywood in the 1950s, where he worked as a scriptwriter, most notably co-writing the script for Alfred Hitchcock’s 1953 film, ‘I Confess.’

He moved to Germany in the 1970s and launched a theater career that spanned from acting to directing to writing. He used sharp wit and humor in his plays to examine the relationship between Germany and the Jews, as well as attack anti-Semitism.

Among his best-known works are ‘Mein Kampf,’ set in the Viennese hostel where Adolf Hitler lived from 1910-1913, and the ‘Goldberg Variations,’ both dark farces that poke fun at the Nazis.”

From Year of Jewish Culture:

“The year 2006 marks the 100th anniversary of the establishment of the Jewish Museum in Prague.”

From the related page Programme (October-December):

Divadlo v Dlouhé
George Tabori: GOLDBERGOVSKÉ VARIACE / THE GOLDBERG VARIATIONS, 19 October, 7 p.m. A comedy on creation and martyrdom.”

Variations on
Birth and Death

From Log24 on the date of
the Prague production of the
Tabori “Goldberg Variations,”
an illustration in honor of
Sir Thomas Browne, who
was born, and died,
on that date:

Laves tiling

The above is from
Variable Resolution 4–k Meshes:
Concepts and Applications
(pdf),
by Luiz Velho and Jonas Gomes.

See also Symmetry Framed
and The Garden of Cyrus.

Variations on
the Afterlife

 From Log24
on the date of
Tabori’s death:

Theme

(Plato, Meno)

Plato's Diamond colored

and Variations:

Diamond Theory cover, 1976

Click on “variations” above
for some material on
the “Goldberg Variations”
of Johann Sebastian Bach.

 

Thursday, June 21, 2007

Thursday June 21, 2007

Filed under: General,Geometry — Tags: , , , , — m759 @ 12:07 pm

Let No Man
Write My Epigraph

(See entries of June 19th.)

"His graceful accounts of the Bach Suites for Unaccompanied Cello illuminated the works’ structural logic as well as their inner spirituality."

Allan Kozinn on Mstislav Rostropovich in The New York Times, quoted in Log24 on April 29, 2007

"At that instant he saw, in one blaze of light, an image of unutterable conviction…. the core of life, the essential pattern whence all other things proceed, the kernel of eternity."

— Thomas Wolfe, Of Time and the River, quoted in Log24 on June 9, 2005

"… the stabiliser of an octad preserves the affine space structure on its complement, and (from the construction) induces AGL(4,2) on it. (It induces A8 on the octad, the kernel of this action being the translation group of the affine space.)"

— Peter J. Cameron, "The Geometry of the Mathieu Groups" (pdf)

"… donc Dieu existe, réponse!"

— Attributed, some say falsely,
to Leonhard Euler
 
"Only gradually did I discover
what the mandala really is:
'Formation, Transformation,
Eternal Mind's eternal recreation'"

(Faust, Part Two, as
quoted by Jung in
Memories, Dreams, Reflections)

 

Wolfgang Pauli as Mephistopheles

"Pauli as Mephistopheles
in a 1932 parody of
Goethe's Faust at Niels Bohr's
institute in Copenhagen.
The drawing is one of
many by George Gamow
illustrating the script."
Physics Today

 

"Borja dropped the mutilated book on the floor with the others. He was looking at the nine engravings and at the circle, checking strange correspondences between them.

'To meet someone' was his enigmatic answer. 'To search for the stone that the Great Architect rejected, the philosopher's stone, the basis of the philosophical work. The stone of power. The devil likes metamorphoses, Corso.'"

The Club Dumas, basis for the Roman Polanski film "The Ninth Gate" (See 12/24/05.)


"Pauli linked this symbolism
with the concept of automorphism."

The Innermost Kernel
 (previous entry)

And from
"Symmetry in Mathematics
and Mathematics of Symmetry
"
(pdf), by Peter J. Cameron,
a paper presented at the
International Symmetry Conference,
Edinburgh, Jan. 14-17, 2007,
we have

The Epigraph–

Weyl on automorphisms
(Here "whatever" should
of course be "whenever.")

Also from the
Cameron paper:

Local or global?

Among other (mostly more vague) definitions of symmetry, the dictionary will typically list two, something like this:

• exact correspondence of parts;
• remaining unchanged by transformation.

Mathematicians typically consider the second, global, notion, but what about the first, local, notion, and what is the relationship between them?  A structure M is homogeneous if every isomorphism between finite substructures of M can be extended to an automorphism of M; in other words, "any local symmetry is global."

Some Log24 entries
related to the above politically
(women in mathematics)–

Global and Local:
One Small Step

and mathematically–

Structural Logic continued:
Structure and Logic
(4/30/07):

This entry cites
Alice Devillers of Brussels–

Alice Devillers

"The aim of this thesis
is to classify certain structures
which are, from a certain
point of view, as homogeneous
as possible, that is which have
  as many symmetries as possible."

"There is such a thing
as a tesseract."

Madeleine L'Engle 

Tuesday, June 5, 2007

Tuesday June 5, 2007

Filed under: General — m759 @ 11:08 am
Princeton:
A Whirligig Tour

Symbol from a
website on
“Presbyterian
Creedal Standards”

The above symbol
appeared here
on 11/8/02.

Related material:

1. The remarks of
Bradley Whitford

at Princeton’s
Class Day yesterday:

The image “http://www.log24.com/log/pix07/070605-Whitford.jpg” cannot be displayed, because it contains errors.

2. An illustration from
Log 24 on 11/10/06:

Paul Robeson in
King Solomon’s
Mines

Counterchange
symmetry

3. The Whirligig of Time
(1/5/03):

The image “http://www.log24.com/log/pix07/070605-Whirligig.jpg” cannot be displayed, because it contains errors.

4. Natalie Angier, priestess of Scientism
  (5/26/07), and her new book
The Canon: A Whirligig Tour of
the Beautiful Basics of Science
(available as a special from
Amazon.com):

Better Together Buy this book with
God Is Not Great:
How Religion Poisons Everything
by Christopher Hitchens today!

The Canon: A Whirligig Tour of the Beautiful Basics of Science God Is Not Great: How Religion Poisons Everything

Buy Together Today: $31.19


Customers who bought this item
also bought

God Is Not Great:
How Religion Poisons Everything
by Christopher Hitchens

Thursday, May 31, 2007

Thursday May 31, 2007

Filed under: General,Geometry — Tags: , — m759 @ 8:06 pm

Blitz by anonymous
New Delhi user

From Wikipedia on 31 May, 2007:

Shown below is a list of 25 alterations to Wikipedia math articles made today by user 122.163.102.246.

All of the alterations involve removal of links placed by user Cullinane (myself).

The 122.163… IP address is from an internet service provider in New Delhi, India.

The New Delhi anonymous user was apparently inspired by an earlier blitz by Wikipedia administrator Charles Matthews. (See User talk: Cullinane.)

Related material:

Ashay Dharwadker and Usenet Postings
and Talk: Four color theorem/Archive 2.
See also some recent comments from 122.163…
at Talk: Four color theorem.

May 31, 2007, alterations by
user 122.163.102.246:

  1. 17:17 Orthogonality (rm spam)
  2. 17:16 Symmetry group (rm spam)
  3. 17:14 Boolean algebra (rm spam)
  4. 17:12 Permutation (rm spam)
  5. 17:10 Boolean logic (rm spam)
  6. 17:08 Gestalt psychology (rm spam)
  7. 17:05 Tesseract (rm spam)
  8. 17:02 Square (geometry) (rm spam)
  9. 17:00 Fano plane (rm spam)
  10. 16:55 Binary Golay code (rm spam)
  11. 16:53 Finite group (rm spam)
  12. 16:52 Quaternion group (rm spam)
  13. 16:50 Logical connective (rm spam)
  14. 16:48 Mathieu group (rm spam)
  15. 16:45 Tutte–Coxeter graph (rm spam)
  16. 16:42 Steiner system (rm spam)
  17. 16:40 Kaleidoscope (rm spam)
  18. 16:38 Efforts to Create A Glass Bead Game (rm spam)
  19. 16:36 Block design (rm spam)
  20. 16:35 Walsh function (rm spam)
  21. 16:24 Latin square (rm spam)
  22. 16:21 Finite geometry (rm spam)
  23. 16:17 PSL(2,7) (rm spam)
  24. 16:14 Translation plane (rm spam)
  25. 16:13 Block design test (rm spam)

The deletions should please Charles Matthews and fans of Ashay Dharwadker’s work as a four-color theorem enthusiast and as editor of the Open Directory sections on combinatorics and on graph theory.

There seems little point in protesting the deletions while Wikipedia still allows any anonymous user to change their articles.

Cullinane 23:28, 31 May 2007 (UTC)

Wednesday, May 23, 2007

Wednesday May 23, 2007

Filed under: General — m759 @ 4:29 am
Devil in the Details
 
(cont. from May 18)

From the May 18 Harvard Crimson:

“Paul B. Davis ’07-’08, who contributed to a collection of student essays written in 2005 on the purpose and structure of a Harvard education, said that ‘the devil is in the details’….”

Related material:

“In philosophy, reductionism is a theory that asserts that the nature of complex things is reduced to the nature of sums of simpler or more fundamental things.” —Wikipedia

“In the 1920’s… the discovery of quantum mechanics went a very long way toward reducing chemistry to the solution of well-defined mathematical problems. Indeed, only the extreme difficulty of many of these problems prevents the present day theoretical chemist from being able to predict the outcome of every laboratory experiment by making suitable calculations. More recently the molecular biologists have made startling progress in reducing the study of life back to the study of chemistry. The living cell is a miniature but extremely active and elaborate chemical factory and many, if not most, biologists today are confident that there is no mysterious ‘vital principle,’ but that life is just very complicated chemistry. With biology reduced to chemistry and chemistry to mathematics, the measurable aspects of the world become quite pervasive.” –Harvard mathematician George Mackey, “What Do Mathematicians Do?

Opposed to reductionism are “emergence” and “strong emergence“–

“Although strong emergence is logically possible, it is uncomfortably like magic.” —Mark A. Bedau

Or comfortably.

Friday, April 20, 2007

Friday April 20, 2007

Filed under: General — m759 @ 11:07 am
Icons

Part I

The Library of Congress
Today in History, April 20:

“American sculptor Daniel Chester French was born in Exeter, New Hampshire on April 20, 1850. His colossal seated figure of Abraham Lincoln presides over the Lincoln Memorial.

Reared in Cambridge and Concord, Massachusetts, he was embraced by members of the Transcendentalist community including Ralph Waldo Emerson. Author and fellow Concord resident Louisa May Alcott encouraged young French to pursue a career as an artist. Louisa’s sister, artist May Alcott, was his early teacher.

French studied in Boston and New York prior to receiving his first commission for the 1875 statue The Minute Man. Standing near the North Bridge in Concord, in the Minute Man National Historical Park, this work commemorates events at the North Bridge, the site of ‘the shot heard ’round the world.’ An American icon, images derivative of The Minute Man statue appeared on defense bonds, stamps, and posters during World War II.”

Part II:

Entertainment Weekly,

November 7, 2003

Keanu Reeves, Entertainment Weekly, Nov. 7, 2003

Part III:

Log24 on the anniversary of
Lincoln’s assassination —

Saturday, April 14, 2007  4:30 AM

The Sun Also Sets, or…

This Way to
the Egress

Continued from April 12:

“I have only come here 
seeking knowledge,
 Things they would not   
       teach me of in college….”
 
— Synchronicity
lyrics

Quoted in Log24,
Time’s Labyrinth continued:

“The sacred axe was used to kill the King. The ritual had been the same since the beginning of time. The game of chess was merely a reenactment. Why hadn’t I recognized it before?”

— Katherine Neville,
The Eight,

Ballantine reprint, 1990,


“Know the one about
the Demiurge and the
Abridgment of Hope?”

— Robert Stone,
A Flag for Sunrise,
Knopf, 1981,
the final page

Part IV:

Log24 entry of

November 7, 2003

Nixon's the One button

— and a
student play from
Virginia Tech:

Play by Virginia Tech student

Part V:


Symmetry
for Beavis and Butt-Head

and
The Rhetoric of Scientism:

It’s a very ancient saying,
But a true and honest thought,
That if you become a teacher,
By your pupils you’ll be taught.

— Oscar Hammerstein,
“Getting to Know You”

Saturday, April 14, 2007

Saturday April 14, 2007

Filed under: General — m759 @ 4:06 am

“I sit now in a little room off the bar at four-thirty in the morning drinking ochas and then mescal and writing this on some Bella Vista notepaper I filched the other night…. But this is worst of all, to feel your soul dying. I wonder if it is because to-night my soul has really died that I feel at the moment something like peace. Or is it because right through hell there is a path, as Blake well knew, and though I may not take it, sometimes lately in dreams I have been able to see it? …And this is how I sometimes think of myself, as a great explorer who has discovered some extraordinary land from which he can never return to give his knowledge to the world: but the name of this land is hell. It is not Mexico of course but in the heart.”

— Malcolm Lowry, Under the Volcano 

Related material:
The time of this entry,
4:06:26 AM ET, and
Symmetry and Change
in the Dreamtime

Monday, April 9, 2007

Monday April 9, 2007

Filed under: General — m759 @ 7:20 pm
Symmetry
for Beavis and Butt-Head

7:20 in the Book
(An illustration from
Mathematics and Narrative;
the “Book” is The Gospel
According to St. Matthew
.)

From Ian Stewart’s new book,
Why Beauty is Truth:
A History of Symmetry

Beauty, Truth, Symmetry

Is Beauty Truth and Truth Beauty?,”
a review by famed vulgarizer
Martin Gardner of the new book
by his fellow vulgarizer Ian Stewart
in the April 2007 Scientific American:

“Associated with every kind of symmetry is a ‘group.’ Stewart explains the group concept in a simple way by considering operations on an equilateral triangle. Rotate it 60 degrees in either direction, and it looks the same. Every operation has an ‘inverse,’ that cancels the operation. Imagine the corners of the triangle labeled A, B and C. A 60-degree clockwise rotation alters the corners’ positions. If this is followed by a similar rotation the other way, the original positions are restored. If you do nothing to the triangle, this is called the ‘identity’ operation. The set of all symmetry transformations of the triangle constitutes its group.”

“Is Beauty Truth?”
asked jesting Gardner…

The reasoned reply of
Beavis and Butt-Head:

“Sixty degrees, a hundred
and twenty degrees, who
gives a rat’s ass?”

Wednesday, March 21, 2007

Wednesday March 21, 2007

Filed under: General,Geometry — Tags: — m759 @ 7:29 pm
Art Appreciation

A rectangle in memory of
Harvard mathematician
George Mackey:

The five Log24 entries ending at
7:00 PM on March 14, 2006,
the last day of Mackey's life:


A rectangle in memory of
artist Mark Rothko:

The image “http://www.log24.com/log/pix07/070321-Rothko.jpg” cannot be displayed, because it contains errors.
Sotheby's

  Rothko Painting
Is Up for Auction

 By CAROL VOGEL of
THE NEW YORK TIMES,
March 21, 5:35 PM ET

"David Rockefeller plans to sell
a seminal painting by Mark Rothko
for what Sotheby's hopes will be
more than $40 million. Above,
a detail from the painting."

From the story:

"Mr. Rockefeller has owned the
painting since 1960, when he
bought it for less than $10,000….
He said that in November, during a
periodic appraisal of his art collection,
he noticed to his surprise that of all
his paintings, the Rothko had
appreciated in value the most.
'That got me thinking,' he said."

Art appreciation:

When Crayolas worked, I dreamed an angel,
a bar of light, your messenger,
beckoning from a wallpaper corner,
blushing in the porcelain gas glow.

When Crayolas worked and chariots swung low,
and America was beautiful and time was slow.

Then all that died in life's longer year.
Autumn came, colors turned sere.
Brittle Crayolas crumbled when touched.
The friends of life were cold and hushed.

Still you were there, shining and warm
behind snow clouds, safe from our harm.
The seed I am again burst out,
drank your heat, suckled your light

in another fair spring to live again
on billowing oceans of bottomless green.

— Excerpt from C. K. Latham's
   When Crayolas Worked,
   from Shiva Dancing:
   The Rothko Chapel Songs,
   1972-1997

Tuesday, February 20, 2007

Tuesday February 20, 2007

Filed under: General,Geometry — m759 @ 7:09 am
Symmetry

Today is the 21st birthday of my note “The Relativity Problem in Finite Geometry.”

Some relevant quotations:

“This is the relativity problem: to fix objectively a class of equivalent coordinatizations and to ascertain the group of transformations S mediating between them.”

— Hermann Weyl, The Classical Groups, Princeton University Press, 1946, p. 16

Describing the branch of mathematics known as Galois theory, Weyl says that it

“… is nothing else but the relativity theory for the set Sigma, a set which, by its discrete and finite character, is conceptually so much simpler than the infinite set of points in space or space-time dealt with by ordinary relativity theory.”

— Weyl, Symmetry, Princeton University Press, 1952, p. 138

Weyl’s set Sigma is a finite set of complex numbers.   Some other sets with “discrete and finite character” are those of 4, 8, 16, or 64 points, arranged in squares and cubes.  For illustrations, see Finite Geometry of the Square and Cube.  What Weyl calls “the relativity problem” for these sets involves fixing “objectively” a class of equivalent coordinatizations.  For what Weyl’s “objectively” means, see the article “Symmetry and Symmetry  Breaking,” by Katherine Brading and Elena Castellani, in the Stanford Encyclopedia of Philosophy:

“The old and natural idea that what is objective should not depend upon the particular perspective under which it is taken into consideration is thus reformulated in the following group-theoretical terms: what is objective is what is invariant with respect to the transformation group of reference frames, or, quoting Hermann Weyl (1952, p. 132), ‘objectivity means invariance with respect to the group of automorphisms [of space-time].‘[22]

22. The significance of the notion of invariance and its group-theoretic treatment for the issue of objectivity is explored in Born (1953), for example. For more recent discussions see Kosso (2003) and Earman (2002, Sections 6 and 7).

References:

Born, M., 1953, “Physical Reality,” Philosophical Quarterly, 3, 139-149. Reprinted in E. Castellani (ed.), Interpreting Bodies: Classical and Quantum Objects in Modern Physics, Princeton, NJ: Princeton University Press, 1998, pp. 155-167.

Earman, J., 2002, “Laws, Symmetry, and Symmetry Breaking; Invariance, Conservation Principles, and Objectivity,’ PSA 2002, Proceedings of the Biennial Meeting of the Philosophy of Science Association 2002, forthcoming [Abstract/Preprint available online]

Kosso, P., 2003, “Symmetry, objectivity, and design,” in K. Brading and E. Castellani (eds.), Symmetries in Physics: Philosophical Reflections, Cambridge: Cambridge University Press, pp. 410-421.

Weyl, H., 1952, Symmetry, Princeton, NJ: Princeton University Press.

See also

Archives Henri Poincaré (research unit UMR 7117, at Université Nancy 2, of the CNRS)–

Minkowski, Mathematicians, and the Mathematical Theory of Relativity,” by Scott Walter, in The Expanding Worlds of General Relativity (Einstein Studies, volume 7), H. Goenner, J. Renn, J. Ritter and T. Sauer, editors, Boston/Basel: Birkhäuser, 1999, pp. 45-86–

“Developing his ideas before Göttingen mathematicians in April 1909, Klein pointed out that the new theory based on the Lorentz group (which he preferred to call ‘Invariantentheorie’) could have come from pure mathematics (1910: 19). He felt that the new theory was anticipated by the ideas on geometry and groups that he had introduced in 1872, otherwise known as the Erlangen program (see Gray 1989: 229).”

References:

Gray, Jeremy J. (1989). Ideas of Space. 2d ed. Oxford: Oxford University Press.

Klein, Felix. (1910). “Über die geometrischen Grundlagen der Lorentzgruppe.” Jahresbericht der deutschen Mathematiker-Vereinigung 19: 281-300. [Reprinted: Physikalische Zeitschrift 12 (1911): 17-27].

Related material: A pathetically garbled version of the above concepts was published in 2001 by Harvard University Press.  See Invariances: The Structure of the Objective World, by Robert Nozick.

Monday, November 20, 2006

Monday November 20, 2006

Filed under: General — Tags: — m759 @ 7:20 pm

Triumphs

Yesterday's link to a Log24 entry for the Feast of the Triumph of the Cross led to the following figure:
 

Primitive roots modulo 17
(Based on Weyl's Symmetry)

Today, an entry in the The New Criterion's weblog tells of Hilton Kramer's new collection of essays on art, The Triumph of Modernism.

From a Booklist review:

Kramer "celebrates the revelations of modern art, defining modernism as nothing less than 'the discipline of truthfulness, the rigor of honesty.'"

Further background: Kramer opposes

"willed frivolity and politicized vulgarization as fashionable enemies of high culture as represented in the recent past by the integrity of modernism."

 

— "25 Years of The New Criterion"

Perhaps Kramer would agree that such integrity is exemplified by "Two Giants" of modernism described by Roberta Smith in The New York Times recently (Nov. 3– birthdate of A. B. Coble, an artist of a different kind). She is reviewing an exhibit, ''Albers and Moholy-Nagy: From the Bauhaus to the New World,'' that continues through Jan. 21 at the Whitney Museum of American Art,

945 Madison Avenue: '945' as an 'artist's signature'

 945
Madison Avenue.

This instance of the number 945 as an "artists' signature" is perhaps more impressive than the instances cited in yesterday's Log24 entry, Signature.
 

Thursday, November 16, 2006

Thursday November 16, 2006

Filed under: General,Geometry — m759 @ 12:00 pm
“Let all thy words be counted.”
Dante, Inf., canto X.

Words
for
G. Robert Crowningshield,
a developer of the

International Diamond
Grading System

According to a
press release,
Crowningshield
died on
November 8.

See Grave Matters,
an entry of that date,
and its links to
Geometry’s Tombstones,
Birth, Death, and Symmetry
,
and
Religious Symbolism
at Princeton
.

Dante, Inferno, Canto X, 37-39:

E l’animose man del duca e pronte
mi spinser tra le sepulture a lui,
dicendo: “Le parole tue sien conte.”

And the bold and ready hands
    of my Leader
pushed me between the tombs to him,
saying: “Let thy words be fitting”.

“Make your words count,”
 Virgil instructs Dante:
“Speak aptly, make what you say
 appropriate to the situation.”

Perhaps Crowningshield’s
Leader will be…

The image “http://www.log24.com/log/pix06B/061116-Niemoller.jpg” cannot be displayed, because it contains errors.

Niemoller is noted for his role in
the movement that led to the
Barmen Declaration, discussed in
Presbyterian Creedal Standards
linked to in the above-cited
Religious Symbolism
at Princeton

(…that lay in the house
that Jack built).

The image “http://www.log24.com/log/pix06B/Jack.gif” cannot be displayed, because it contains errors.

Friday, November 10, 2006

Friday November 10, 2006

Filed under: General,Geometry — Tags: — m759 @ 11:20 pm
Today's
numbers:

PA lottery Nov. 10, 2006: Mid-day 588, Evening 004

Today is the day that
Stanley found Livingstone.

The image “http://www.log24.com/log/pix06B/061110-Stone588.jpg” cannot be displayed, because it contains errors.
Click on picture for details.

"Stone 588,
   I presume?"

Related material:

This afternoon's entry
on color symmetry

and

The image “http://www.log24.com/theory/images/Elements-Head.gif” cannot be displayed, because it contains errors.
Click on picture for details.

See, too, the following from
  a Log24 entry of last Monday–

"To von Eschenbach, the Grail
was never really a material cup,
but a jewel like the
jewel in the lotus,

a symbol of enlightenment,
of something intangible
and always
beyond reach."
Arcadian Functor

— in this context:

"Philosophers ponder the idea
of identity: what it is to give
something a name
on Monday
and have it respond
to that name
  on Friday…."
 
  — Bernard Holland in
  The New York Times
  Monday, May 20, 1996

Friday November 10, 2006

Filed under: General — m759 @ 3:31 pm

Livingstone

On this date:

In 1871, journalist-explorer Henry M. Stanley found Scottish missionary David Livingstone, who had not been heard from for years, near Lake Tanganyika in central Africa.

— AP “Today in History,” Nov. 10

Related material:

The history
of Princeton’s
Witherspoon Street
Presbyterian Church

1 Peter 2, on the
“living stone.”
NIV Bible

“Counter-change is
sometimes known as
Robbing Peter to Pay Paul.”
 — Helen Kelley Patchwork

Paul Robeson in
King Solomon’s
Mines

Counterchange
symmetry

See also Wednesday’s
Grave Matters.

Wednesday, November 8, 2006

Wednesday November 8, 2006

Filed under: General,Geometry — m759 @ 8:00 pm
Grave Matters

See Log24 four years ago
on this date:
Religious Symbolism
at Princeton
.

Compare and contrast
with last month’s entries
related to a Princeton
Coxeter colloquium:

Geometry’s Tombstones
and
Birth, Death, and Symmetry.

Saturday, October 21, 2006

Saturday October 21, 2006

Filed under: General,Geometry — m759 @ 8:23 am
Reflections on Symmetry
(continued from July 18, 2004)

An application of the finite geometry underlying the diamond theorem:

Qubits in phase space: Wigner function approach to quantum error correction and the mean king problem,” by Juan Pablo Paz, Augusto Jose Roncaglia, and Marcos Saraceno (arXiv:quant-ph/0410117 v2 4 Nov 2004) (pdf)

Thursday, October 19, 2006

Thursday October 19, 2006

Filed under: General,Geometry — Tags: — m759 @ 7:59 pm
King of Infinite Space
 
  (continued from Sept. 5):

The image “http://www.log24.com/log/pix06A/061019-Coxeter.jpg” cannot be displayed, because it contains errors.

Thanks to Peter Woit’s weblog
for a link to the above illustration.

This picture of
“Coxeter Exhuming Geometry”
suggests the following comparison:

The image “http://www.log24.com/log/pix06A/061019-Tombstones.jpg” cannot be displayed, because it contains errors.

For the second tombstone,
see this morning’s entry,
Birth, Death, and Symmetry.

Further details on the geometry
underlying the second tombstone:

The image “http://www.log24.com/theory/images/LavesTiling.jpg” cannot be displayed, because it contains errors.

The above is from
Variable Resolution 4–k Meshes:
Concepts and Applications
(pdf),
by Luiz Velho and Jonas Gomes.

See also Symmetry Framed
and The Garden of Cyrus.

 “That corpse you planted
          last year in your garden,
  Has it begun to sprout?
          Will it bloom this year? 
  Or has the sudden frost
          disturbed its bed?”

— T. S. Eliot, “The Waste Land

Thursday October 19, 2006

Filed under: General,Geometry — Tags: — m759 @ 7:59 am
For Sir Thomas Browne

(Born Oct. 19, 1605,
  died  Oct. 19, 1682)

The image “http://www.log24.com/theory/images/Weyl-lattice2.gif” cannot be displayed, because it contains errors.

Browne is noted for
Hydriotaphia (Urne-Buriall)
and The Garden of Cyrus.

Related material:

The image “http://www.log24.com/log/pix06A/060902-StarAndDiamond2.gif” cannot be displayed, because it contains errors.

Tombstone
and
Symmetry Framed

Tuesday, October 3, 2006

Tuesday October 3, 2006

Filed under: General,Geometry — Tags: , , , — m759 @ 9:26 am

Serious

"I don't think the 'diamond theorem' is anything serious, so I started with blitzing that."

Charles Matthews at Wikipedia, Oct. 2, 2006

"The 'seriousness' of a mathematical theorem lies, not in its practical consequences, which are usually negligible, but in the significance of the mathematical ideas which it connects. We may say, roughly, that a mathematical idea is 'significant' if it can be connected, in a natural and illuminating way, with a large complex of other mathematical ideas."

— G. H. Hardy, A Mathematician's Apology

Matthews yesterday deleted references to the diamond theorem and related material in the following Wikipedia articles:

Affine group‎
Reflection group‎
Symmetry in mathematics‎
Incidence structure‎
Invariant (mathematics)‎
Symmetry‎
Finite geometry‎
Group action‎
History of geometry‎

This would appear to be a fairly large complex of mathematical ideas.

See also the following "large complex" cited, following the above words of Hardy, in Diamond Theory:

Affine geometry, affine planes, affine spaces, automorphisms, binary codes, block designs, classical groups, codes, coding theory, collineations, combinatorial, combinatorics, conjugacy classes, the Conwell correspondence, correlations, design theory, duads, duality, error correcting codes, exceptional groups, finite fields, finite geometry, finite groups, finite rings, Galois fields, generalized quadrangles, generators, geometry, GF(2), GF(4), the (24,12) Golay code, group actions, group theory, Hadamard matrices, hypercube, hyperplanes, hyperspace, incidence structures, invariance, Karnaugh maps, Kirkman's schoolgirl problem, Latin squares, Leech lattice, linear groups, linear spaces, linear transformations, Mathieu groups, matrix theory, Meno, Miracle Octad Generator, MOG, multiply transitive groups, octads, the octahedral group, orthogonal arrays, outer automorphisms, parallelisms, partial geometries, permutation groups, PG(3,2), polarities, Polya-Burnside theorem, projective geometry, projective planes, projective spaces, projectivities, Reed-Muller codes, the relativity problem, Singer cycle, skew lines,  sporadic simple groups, Steiner systems, symmetric, symmetry, symplectic, synthemes, synthematic, tesseract, transvections, Walsh functions, Witt designs.

Thursday, September 14, 2006

Thursday September 14, 2006

Filed under: General — Tags: — m759 @ 7:11 pm
Today is the Feast of the
Triumph of the Cross

Primitive roots modulo 17
(Based on Weyl's Symmetry)

and the birthday of
an expert on primitive roots,
the late I. M. Vinogradov.

Elements of Number Theory, by Vinogradov

Happy birthday.

Click on pictures
for further details.
 

Sunday, September 10, 2006

Sunday September 10, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 4:00 am

And the
"
Meet Max Black"
Award goes to…

The image “http://www.log24.com/log/pix06A/060910-Obits.jpg” cannot be displayed, because it contains errors.

"For the Aeron and other designs,
Mr. Stumpf won this year’s
National Design Award
in Product Design
,
which is to be presented
posthumously on Oct. 18
by the Cooper-Hewitt
National Design Museum
in Manhattan."

— Today's New York Times

Stumpf died on August 30,
the date of the Log24 entry
"The Seventh Symbol."

Related material:

From
Geometry of the I Ching,
a chessboard:

I Ching chessboard (original 1989 arrangement)

From the
 National Design Museum:

The image “http://www.log24.com/log/pix06A/060910-DesignAwards.gif” cannot be displayed, because it contains errors.

 From Log24 on the
date of Stumpf's death,

The Seventh Symbol:

The image “http://www.log24.com/log/pix06A/060910-Box121.jpg” cannot be displayed, because it contains errors.

Pictorial version of
Hexagram 20,
Contemplation (View)

See also
Fearful Symmetry
and
Symmetry Framed.

Saturday, September 2, 2006

Saturday September 2, 2006

Filed under: General — Tags: , — m759 @ 7:31 am
Today's birthdays:

Salma Hayek
("
Frida")

Salma Hayek and Julie Taymor

"Shinin' like a diamond
 she had tombstones
in her eyes.
"

The image “http://www.log24.com/log/pix06A/060902-StarAndDiamond2.gif” cannot be displayed, because it contains errors.

(For the above figures,
see Log24, 5/17/06,
"Tombstone," and
Log24, 9/13/03,
"For the Man in Black.")

and Keanu Reeves
("
Constantine")

 

The image “http://www.log24.com/log/pix05/050218-Highwater.jpg” cannot be displayed, because it contains errors.

(For the above figure,
see Log24, 2/18/05,
"In Hoc Signo.")

Related material:

From Notre-Dame de Paris:

"Un cofre de gran riqueza        
Hallaron dentro un pilar,       
Dentro del, nuevas banderas 
Con figuras de espantar."      

"A coffer of great richness   
     In a pillar's heart they found,
Within it lay new banners,
With figures to astound."  

For some further details, see
the brief Log24 narrative
"Indiana Jones and
the Hidden Coffer
" as well as
Symmetry Framed and
the design of the doors
to Rick's Cafe Americain:

The image “http://www.log24.com/log/pix06A/060902-Ricks.jpg” cannot be displayed, because it contains errors.

Friday, August 11, 2006

Friday August 11, 2006

Filed under: General — Tags: — m759 @ 11:07 pm

Under God

Adapted from August 7:

 The image “http://www.log24.com/log/pix06A/060811-Glyphs2.jpg” cannot be displayed, because it contains errors.

“Saomai, the Vietnamese name
for the planet Venus, was the
eighth major storm to hit China
during an unusually violent
typhoon season.”

AP online tonight 

Memorable Quotes 

Lieutenant Daniel Taylor:
Where the Hell is
this God of yours?
 
Forrest Gump:
[narrating]
It’s funny Lieutenant Dan
said that, ’cause right then,
God showed up.

 Wind and thunder:
the image of Increase.
Thus the superior man:
If he sees good,
he imitates it;
If he has faults,
he rids himself of them.

Hexagram 42 

For further details,
see
recent entries
(August 7-11)
and also

Symmetry and Change
In the Dreamtime
.

Update of 1:06 AM ET
from KHYI:

Mercy Now 
Written by Mary Gauthier

My father could use a little mercy now
The fruits of his labor
Fall and rot slowly on the ground
His work is almost over
It won’t be long and he won’t be around
I love my father, and he could use some mercy now

My brother could use a little mercy now
He’s a stranger to freedom
He’s shackled to his fears and doubts
The pain that he lives in is
Almost more than living will allow
I love my brother, and he could use some mercy now

My church and my country could use a little mercy now
As they sink into a poisoned pit
That’s going to take forever to climb out
They carry the weight of the faithful
Who follow them down
I love my church and country, and they could use some mercy now

Every living thing could use a little mercy now
Only the hand of grace can end the race
Towards another mushroom cloud
People in power, well
They’ll do anything to keep their crown
I love life, and life itself could use some mercy now

Yeah, we all could use a little mercy now
I know we don’t deserve it
But we need it anyhow
We hang in the balance
Dangle ‘tween hell and hallowed ground
Every single one of us could use some mercy now
Every single one of us could use some mercy now
Every single one of us could use some mercy now

Wednesday, August 9, 2006

Wednesday August 9, 2006

Filed under: General — Tags: — m759 @ 2:02 pm
Two-Bar Hook
 

Wikipedia on Mel Gibson:

"The arrest was supported by…
an open container… 75% full,
labeled 'Cazador [sic] tequila'
(a strong type of mezcal)."

Today's New York Times:

Refined Tequilas,
Meant to be Savored:

The image “http://www.log24.com/log/pix06A/060809-Bottle.jpg” cannot be displayed, because it contains errors.
 
Photo by Lars Klove for
The New York Times

— Essay by Eric Asimov,
  "Spirits of the Times"

"Remember that we deal with
Herb Alpert–

The image “http://www.log24.com/log/pix06A/060809-Alpert.jpg” cannot be displayed, because it contains errors.
First album, 1962

cunning, baffling, and powerful."

(Adapted from Chapter 5
of Alcoholics Anonymous)

Related Material:

"Tequila,"
by The Champs
(1958)

The Spirituality of
Addiction and Recovery

Kylie on Tequila:

"Turns out she's a party girl
who loves Tequila:
'Time disappears with Tequila.
It goes elastic, then vanishes.'"

Yvonne returns to the Bella Vista
in Under the Volcano:

"… a glass partition
that divided the room
(from yet another bar,
she remembered now,
giving on a side street)"

David Sanborn
(a reply to Alpert's
Lonely Bull ):

The image “http://www.log24.com/log/pix06A/Closer.jpg” cannot be displayed, because it contains errors.

"Just listen to how he attacks the two-bar hook of  'Tequila.' After planting it firmly in our brains, he finds new ending notes for each measure; then he drops half a bar by an octave; then he substitutes a new melodic detour for the first bar, retaining the second; then he inverts that approach. He keeps twisting the phrase into new melodic shapes, but he never obscures the original motif and he never loses the beat."

Review of Sanborn's album "Timeagain"
    by Geoffrey Himes in Jazz Times,
    June 2003

Update of 3:57 PM:
Robin Williams in Rehab

"It may be that Kylie is,
in her own way, an artist…
with a 357."

Symmetry and Change

Thursday, July 20, 2006

Thursday July 20, 2006

Filed under: General — Tags: , , , — m759 @ 2:00 am

Bead Game

Those who clicked on Rieff’s concept in the previous entry will know about the book that Rieff titled Sacred Order/Social Order: My Life among the Deathworks.

That entry, from Tuesday, July 18, was titled “Sacred Order,” and gave as an example the following figure:

The image “http://www.log24.com/log/pix06A/060604-Roots.jpg” cannot be displayed, because it contains errors.
(Based on Weyl’s Symmetry)

For the use of this same figure to represent a theatrical concept–

“It’s like stringing beads on a necklace. By the time the play ends, you have the whole necklace.”

— see Ursprache Revisited (June 9, 2006).

Of course, the figure also includes a cross– or “deathwork”– of sorts.  These incidental social properties of the figure (which is purely mathematical in origin) make it a suitable memorial for a theatre critic who died on the date of the previous entry– July 18– and for whom the American Theatre Wing’s design awards, the Henry Hewes Awards, are named.

“The annual awards honor designers… recognizing not only the traditional design categories of sets, costumes and lighting, but also ‘Notable Effects,’ which encompasses sound, music, video, puppets and other creative elements.” —BroadwayWorld.com

For more on life among the deathworks, see an excellent review of the Rieff book mentioned above.

 

Monday, June 26, 2006

Monday June 26, 2006

Filed under: General — Tags: — m759 @ 9:29 am

A Little Extra Reading

In memory of
Mary Martin McLaughlin,
a scholar of Heloise and Abelard.
McLaughlin died on June 8, 2006.

"Following the parade, a speech is given by Charles Williams, based on his book The Place of the Lion. Williams explains the true meaning of the word 'realism' in both philosophy and theology. His guard of honor, bayonets gleaming, is led by William of Ockham."

Midsummer Eve's Dream

A review by John D. Burlinson of Charles Williams's novel The Place of the Lion:

"… a little extra reading regarding Abelard's take on 'universals' might add a little extra spice– since Abelard is the subject of the heroine's … doctoral dissertation. I'd suggest the article 'The Medieval Problem of Universals' in the online Stanford Encyclopedia of Philosophy."

Michael L. Czapkay, a student of philosophical theology at Oxford:

"The development of logic in the schools and universities of western Europe between the eleventh and fifteenth centuries constituted a significant contribution to the history of philosophy. But no less significant was the influence of this development of logic on medieval theology. It provided the necessary conceptual apparatus for the systematization of theology. Abelard, Ockham, and Thomas Aquinas are paradigm cases of the extent to which logic played an active role in the systematic formulation of Christian theology. In fact, at certain points, for instance in modal logic, logical concepts were intimately related to theological problems, such as God's knowledge of future contingent truths."

The Medieval Problem of Universals, by Fordham's Gyula Klima, 2004:

"… for Abelard, a status is an object of the divine mind, whereby God preconceives the state of his creation from eternity."

Status Symbol

(based on Weyl's Symmetry):

The image “http://www.log24.com/log/pix06A/060604-Roots.jpg” cannot be displayed, because it contains errors.

"… for then we would know

the mind of God"
Stephen Hawking, 1988

For further details,
click on the picture.

Tuesday, June 6, 2006

Tuesday June 6, 2006

Filed under: General — Tags: — m759 @ 5:01 am
D-Day Morning,
62 Years Later

Review: ART WARS
on Sept. 12, 2002:

Und was fur ein Bild des Christentums 
ist dabei herausgekommen?

The image “http://www.log24.com/log/pix06A/060606-FrenchWorkers.jpg” cannot be displayed, because it contains errors.

(Pentecost was Sunday, June 4, 2006.
The following Monday was formerly a
French public holiday.)

This morning's meditation:

Sous Rature

"… words must be written
sous rature, or 'under erasure.'"

Deconstruction:
 Derrida, Theology,
and John of the Cross

The image “http://www.log24.com/log/pix06A/060604-Roots.jpg” cannot be displayed, because it contains errors.

The above Bild, based
 on Weyl's Symmetry,
might be titled
Rature sous Rature.
 

Sunday, June 4, 2006

Sunday June 4, 2006

Filed under: General — m759 @ 1:00 pm
Images
and Words
for Baccalaureate
Day at Princeton

The image “http://www.log24.com/log/pix06A/060604-Weyl16.jpg” cannot be displayed, because it contains errors.

From Hermann Weyl’s
Symmetry,
Princeton University
Press, page 140

The image �http://www.log24.com/log/pix03A/030909-SpiritWhole.jpg� cannot be displayed, because it contains errors.

Adapted from the
cover of Alan Watts’s
The Spirit of Zen

The image �http://www.log24.com/log/pix06A/060604-RomaniFlag.gif� cannot be displayed, because it contains errors.

Romani flag, courtesy of

The image “http://www.log24.com/log/pix06A/060604-Armando.jpg” cannot be displayed, because it contains errors.

myspace.com/RomArmando

Related material:

“The Scholar Gypsy”
in The Oxford Book
of English Prose
, 1923,
edited by
Sir Arthur Quiller-Couch

This is available online:

From The Vanity of Dogmatizing,
by Joseph Glanvill
(London, printed by E.C. for
Henry Eversden at the Grey-Hound
in St.Pauls-Church-Yard,  1661)

Pages 195-201:

That one man should be able to bind the thoughts of another, and determine them to their particular objects; will be reckon’d in the first rank of Impossibles: Yet by the power of advanc’d Imagination it may very probably be effected; and story abounds with Instances. I’le trouble the Reader but with one; and the hands from which I had it, make me secure of the truth on’t. There was very lately a Lad in the University of Oxford, who being of very pregnant and ready parts, and yet wanting the encouragement of preferment; was by his poverty forc’d to leave his studies there, and to cast himself upon the wide world for a livelyhood. Now, his necessities growing dayly on him, and wanting the help of friends to relieve him; he was at last forced to joyn himself to a company of Vagabond Gypsies, whom occasionally he met with, and to follow their Trade for a maintenance. Among these extravagant people, and by the insinuating subtilty of his carriage, he quickly got so much of their love, and esteem; as that they discover’d to him their Mystery: in the practice of which, by the pregnancy of his wit and parts he soon grew so good a proficient, as to be able to out-do his Instructors. After he had been a pretty while exercis’d in the Trade; there chanc’d to ride by a couple of Scholars who had formerly bin of his acquaintance. The Scholars had quickly spyed out their old friend, among the Gypsies; and their amazement to see him among such society, had well-nigh discover’d him: but by a sign he prevented their owning him before that Crew: and taking one of them aside privately, desired him with his friend to go to an Inn, not far distant thence, promising there to come to them. They accordingly went thither, and he follows: after their first salutations, his friends enquire how he came to lead so odd a life as that was, and to joyn himself with such a cheating beggarly company. The Scholar-Gypsy having given them an account of the necessity, which drove him to that kind of life; told them, that the people he went with were not such Impostours as they were taken for, but that they had a traditional kind of learning among them, and could do wonders by the power of Imagination, and that himself had learnt much of their Art, and improved in further than themselves could. And to evince the truth of what he told them, he said, he’d remove into another room, leaving them to discourse together; and upon his return tell them the sum of what they had talked of: which accordingly he perform’d, giving them a full acount of what had pass’d between them in his absence. The Scholars being amaz’d at so unexpected a discovery, ernestly desir’d him to unriddle the mystery. In which he gave them satisfaction, by telling them, that what he did was by the power of Imagination, his Phancy binding theirs; and that himself had dictated to them the discourse, they held together, while he was from them: That there were warrantable wayes of heightening the Imagination to that pitch, as to bind anothers; and that when he had compass’d the whole secret, some parts of which he said he was yet ignorant of, he intended to give the world an account of what he had learned.

Now that this strange power of the Imagination is no Impossibility; the wonderful signatures in the Foetus caus’d by the Imagination of the Mother, is no contemptible Item. The sympathies of laughing & gaping together, are resolv’d into this Principle: and I see not why the phancy of one man may not determine the cogitation of another rightly qualified, as easily as his bodily motion. This influence seems to be no more unreasonable, then [sic] that of one string of a Lute upon another; when a stroak on it causeth a proportionable motion in the sympathizing confort, which is distant from it and not sensibly touched. Now if this notion be strictly verifiable; ’twill yeeld us a good account of how Angels inject thoughts into our minds, and know our cogitations: and here we may see the source of some kinds of fascination. If we are prejudic’d against the speculation, because we cannot conceive the manner of so strange an operation; we shall indeed receive no help from the common Philosophy: But yet the Hypothesis of a Mundane soul, lately reviv’d by that incomparable Platonist and Cartesian, Dr. H. More, will handsomely relieve us. Or if any would rather have a Mechanical account; I think it may probably be made out some such way as follow. Imagination is inward Sense. To Sense is required a motion of certain Filaments of the Brain; and consequently in Imagination there’s the like: they only differing in this, that the motion of the one proceeds immediately from external objects; but that of the other hath its immediate rise within us. Now then, when any part of the Brain is stringly agitated; that, which is next and most capable to receive the motive Impress, must in like manner be moved. Now we cannot conceive any thing more capable of motion, then the fluid matter, that’s interspers’d among all bodies, and contiguous to them. So then, the agitated parts of the Brain begetting a motion in the proxime Aether; it is propagated through the liquid medium, as we see the motion is which is caus’d by a stone thrown into the water. Now, when the thus moved matter meets with anything like that, from which it received its primary impress; it will proportionably move it, as it is in Musical strings tuned Unisons. And thus the motion being convey’d, from the Brain of one man to the Phancy of another; it is there receiv’d from the instrument of conveyance, the subtil matter; and the same kind of strings being moved, and much of whay after the same manner as in the first Imaginant; the Soul is awaken’d to the same apprehensions, as were they that caus’d them. I pretend not to any exactness or infallibility in this account, fore-seeing many scruples that must be removed to make it perfect: ‘Tis only a hint of the possibility of mechanically solving the Phaenomenon; though very likely it may require many other circumstances completely to make it out. But ’tis not my business here to follow it: I leave it therefore to receive accomplishment from maturer Inventions.

Thursday, May 18, 2006

Thursday May 18, 2006

Filed under: General — Tags: — m759 @ 4:00 pm
 

 Symmetry Framed

Saturday, April 29, 2006

Saturday April 29, 2006

Filed under: General — m759 @ 2:00 pm
In Memoriam


Harvard mathematician
George Mackey

The five Log24 entries ending at
7:00 PM on March 14, 2006,
the last day of Mackey’s life:

Monday, April 10, 2006

Monday April 10, 2006

Filed under: General,Geometry — Tags: — m759 @ 9:20 pm
Club
continued
"What other colleges call fraternities,
Princeton calls Eating Clubs."

Illustrated below:
The Restaurant Quarré in Berlin,
with a view of the Brandenburg Gate.

The image “http://www.log24.com/log/pix06/060410-HotelAdlon2.jpg” cannot be displayed, because it contains errors.

Related etymology:
OF. quarré square, F. carré,
 from L. quadratus square…
Webster's Revised  
Unabridged Dictionary, 1913

Related material:

(1) A symbol of symmetry
that might have pleased
Hermann Weyl:

The image “http://www.log24.com/log/pix06/060410-SmithFugue.jpg” cannot be displayed, because it contains errors.

Source —
Timothy A. Smith on
Bach's Fugue No. 21,
the Well-Tempered
Clavier, Book II
(pdf or Shockwave)

(2) The remarks of Noam D. Elkies
on his
"Brandenburg Concerto No. 7":

"It is of course an act of chutzpah,
some would say almost heresy,
to challenge Bach so explicitly
on his own turf."

(3) The five Log24 entries
culminating on Pi Day,
March 14, 2006

(4) The following event at the
Harvard University
mathematics department
on March 14, 2006, also
featuring Noam D. Elkies:

The image “http://www.log24.com/log/pix06/060315-Pie2.jpg” cannot be displayed, because it contains errors.

"At 3:14 p.m., six contestants began
a pie-eating contest…. Contestants had
exactly three minutes and 14 seconds
to eat as much pie as they could.

'Five, four, pi, three, two, one,'
 Elkies counted down as the
contestants shoved the last
mouthful of pie
    into their mouths…."

The image “http://www.log24.com/log/pix06/060410-Elkies3.jpg” cannot be displayed, because it contains errors.

Noam D. Elkies

(5) The Magic Schmuck    

Sunday, March 19, 2006

Sunday March 19, 2006

Filed under: General — m759 @ 6:09 pm
Readings for
St. Joseph’s Day

Cut Numbers and
In the Hand of Dante,
both by Nick Tosches,

The image “http://www.log24.com/log/pix06/060319-Dante3.jpg” cannot be displayed, because it contains errors.

and Symmetry,
by Hermann Weyl:

The image “http://www.log24.com/log/pix06/060319-Weyl.jpg” cannot be displayed, because it contains errors.

Related material:
Kernel of Eternity
(a Log24 entry of June 9, 2005)
and the comment on that entry
by ItAlIaNoBoI.

Friday, March 17, 2006

Friday March 17, 2006

Filed under: General,Geometry — m759 @ 2:28 am
George W. Mackey,
Harvard mathematician,
is dead at 90.

Mackey was born, according to Wikipedia, on Feb. 1, 1916.  He died, according to Harvard University, on the night of March 14-15, 2006.  He was the author of, notably, “Harmonic Analysis as the Exploitation of Symmetry — A Historical Survey,” pp. 543-698 in Bulletin of the American Mathematical Society (New Series), Vol. 3, No. 1, July 1980.  This is available in a hardcover book published in 1992 by the A.M.S., The Scope and History of Commutative and Noncommutative Harmonic Analysis. (370 pages, ISBN 0-8218-9903-1).  A paperback edition of this book will apparently be published this month by Oxford University Press (ISBN 978-0-8218-3790-7). 

From Oxford U.P.–

Contents

  • Introduction
  • Harmonic analysis as the exploitation of symmetry: A historical survey
  • Herman Weyl and the application of group theory to quantum mechanics
  • The significance of invariant measures for harmonic analysis
  • Weyl’s program and modern physics
  • Induced representations and the applications of harmonic analysis
  • Von Neumann and the early days of ergodic theory
  • Final remarks

Related material:
Log24, Oct. 22, 2002.
Women’s history month continues.

Tuesday, March 14, 2006

Tuesday March 14, 2006

Filed under: General — m759 @ 12:00 pm
Fearful Symmetry
and Minkowski Space-Time

(For the tigers of Princeton,
a selection suggested by
the work of Richard Parker
 on Lorentzian lattices)

The image “http://www.log24.com/log/pix06/060314-Lorentzian.jpg” cannot be displayed, because it contains errors.

Thursday, March 9, 2006

Thursday March 9, 2006

Filed under: General,Geometry — Tags: , — m759 @ 2:56 pm

Finitegeometry.org Update

(Revised May 21, 2006)

Finitegeometry.org now has permutable JavaScript views of the 2x2x2 and 4x4x4 design cubes.  Solomon’s Cube presented a claim that the 4x4x4 design cube retains symmetry under a group of about 1.3 trillion transformations.  The JavaScript version at finitegeometry.org/sc/64/view/ lets the reader visually verify this claim.  The reader should first try the Diamond 16 Puzzle.  The simpler 2x2x2 design cube, with its 1,344 transformations, was described in Diamonds and Whirls; the permutable JavaScript version is at finitegeometry.org/sc/8/view/.

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