The above YouTube date was July 5, 2024. For other notes
from that date, vide The Chinatown Omega.
Vide https://www.nytimes.com/2025/04/11/us/
joseph-boskin-dead-april-fools.html and
related posts tagged Bluefield.
A search in this journal for "Merton College" yields . . .
"Speaking of artificial intelligence, it seems as if the creators of 'Mrs. Davis' have ironically chosen to utilize A.I. in the show's production. During a panel at the film festival South by Southwest, Lindelof mentioned how they used artificial intelligence and said, 'We thought it would be fun to build an A.I. that would title our episodes, and that we just basically said that whatever it comes up with, we have to stick to as long as it is appropriate for whatever barometers of appropriateness exist.' Damon Lindelof continued and explained that in the process of creating the A.I. that would title episodes for the upcoming 'Mrs. Davis,' the artificial intelligence struggled to understand what a title actually was, despite the information that was filtered through the program. Lindelof then said that the entire production crew learned a great deal about algorithms and how A.I. works while attempting to get it to generate episode titles. In the end, Lindelof and the rest of the crew were quite happy with the results, noting that Episode 7 is titled 'Great Gatsby: 2001: A Space Odyssey.' " |
Elsewhere, in the art room . . .
![]() |
"A banana in the hand is worth two in the box." — Plato
The shape of the church in today's "But Seriously" post
is not unlike the 1988 rocket shape below . . .
https://www.atariuptodate.de/img/kidshapes.png —
"Here's to efficient packing."
The rocket and chess images are from a post of November 23. 2024.
See as well the post "Advanced Study" of October 2, 2017, and …
Update . . .
From the above: "electronically published on October 6. 2023."
See as well that date in other Log24 posts tagged The Prize Shining.
A co-author of the book reviewed has appeared here previously.
From "A Four-Color Theorem:
Function Decomposition Over a Finite Field" —
Related material —
An image from Monday's post
"Scholastic Observation" —
" The subject is justified by its usefulness
rather than as a 'rite of passage.' ”.
— The late Martin Muldoon reviewing a book,
From Vector Spaces to Function Spaces:
Introduction to Functional Analysis with Applications ,
by Yutaka Yamamoto (SIAM, 2012)
Such an introduction is properly a rite of pure mathematics —
the passage in the title from vector spaces to function spaces.
That passage is one of mathematical beauty.
Usefulness is Hiroshima.
Muldoon reportedly died on August 1, 2019.
This journal on that date had a post titled
Different Meanings: For Whom the Bell .
The "Bell" in that post was the author of a New York Times book review.
I prefer a Stephen King bell —
"Robert Noel Hall (December 25, 1919 – November 7, 2016)
was an American engineer and applied physicist."
The New York Times on May 10, 2018 —
"A product of his inventive labor can also be found
in most kitchens nowadays: the microwave oven.
Yet for all the widespread familiarity of what Dr. Hall wrought
as a remarkably ingenious physicist, his death, at 96,
on Nov. 7, 2016, gained little notice."
A fictional kitchen —
In memoriam: Kindergarten Relativity .
The title refers to the previous post, which quotes a
remark by a poetry critic in the current New Yorker .
Scholia —
From the post Structure and Sense of June 6, 2016 —
Structure
Sense
From the post Design Cube of July 23, 2015 —
"… the war of 70-some years ago
has already become something like the Trojan War
had been for the Homeric bards:
a major event in the mythic past
that gives structure and sense to our present reality."
— Justin E. H. Smith, a professor of philosophy at
the University of Paris 7–Denis Diderot,
in the New York Times column "The Stone"
(print edition published Sunday, June 5, 2016)
In memory of a British playwright who reportedly
died at 90 this morning —
Structure
Sense
A screenshot of the new page on the eightfold cube at Froebel Decade:
Click screenshot to enlarge.
The New York Times philosophy column "The Stone"
last evening had an essay on art by a sarcastic anarchist,
one Crispin Sartwell—
"… whole generations of art lovers have been
trained in modernist dogma, and arts institutions’
access to various forms of state or foundation
support depend on it completely. One goes to
the museum to gasp at stunning works of
incomparable, super-human genius by beings
who are infinitely more exalted and important
than the mere humans staring at their paintings.
That’s why ordinary people staring at a Picasso
(allegedly) experience a kind of transcendence
or re-articulation of their lives and world."
Cubism Re-Articulated:
Click image for some backstory.
(IMAGE: Walter Gropius and Froebel's Third Gift,
from a Google image search today)
Background: Cubism in this journal and
Pilate Goes to Kindergarten.
Related material: Chesterton + Thursday in this journal.
(Continued from yesterday's posts, "Object of Beauty"
and "Amy's Shadow")
A winner of a Nobel Prize for X-ray crystallography stands
at the head of the New York Times obituary list today.
In memoriam —
X-Ray Vision "Crystal Engineering in Kindergarten," by Bart Kahr:
"If the reader is beginning to suspect that Froebel’s Click images for some backstories. |
Some further background:
The Times follows yesterday's egregious religious error
with an egregious scientific error:
"The technique developed by Dr. Karle and Herbert A. Hauptman,
called X-ray crystallography, is now routinely used by scientists…."
Karle was reportedly born in 1918, Hauptman in 1917.
Wikipedia on the history of X-ray crystallography:
"The idea that crystals could be used as a
diffraction grating for X-rays arose in 1912…."
The Nobel Foundation:
"The Nobel Prize in Physics 1914 was awarded to
Max von Laue 'for his discovery of the diffraction of
X-rays by crystals.'"
"The Nobel Prize in Physics 1915 was awarded jointly to
Sir William Henry Bragg and William Lawrence Bragg
'for their services in the analysis of crystal structure
by means of X-rays.'"
This journal on July 5, 2007 —
“It is not clear why MySpace China will be successful."
— The Chinese magazine Caijing in 2007, quoted in
Asia Sentinel on July 12, 2011
This journal on that same date, July 12, 2011 —
See also the eightfold cube and kindergarten blocks
at finitegeometry.org/sc.
Friedrich Froebel, Froebel's Chief Writings on Education ,
Part II, "The Kindergarten," Ch. III, "The Third Play":
"The little ones, who always long for novelty and change,
love this simple plaything in its unvarying form and in its
constant number, even as they love their fairy tales with
the ever-recurring dwarfs…."
This journal, Group Actions, Nov. 14, 2012:
"Those who insist on vulgarizing their mathematics
may regard linear and affine group actions on the eight
cubes as the dance of Snow White (representing (0,0,0))
and the Seven Dwarfs—
The December 2012 Notices of the American
Mathematical Society has an ad on page 1564
(in a review of two books on vulgarized mathematics)
for three workshops next year on “Low-dimensional
Topology, Geometry, and Dynamics”—
(Only the top part of the ad is shown; for further details
see an ICERM page.)
(ICERM stands for Institute for Computational
and Experimental Research in Mathematics.)
The ICERM logo displays seven subcubes of
a 2x2x2 eight-cube array with one cube missing—
The logo, apparently a stylized image of the architecture
of the Providence building housing ICERM, is not unlike
a picture of Froebel’s Third Gift—
© 2005 The Institute for Figuring
Photo by Norman Brosterman from the Inventing Kindergarten
exhibit at The Institute for Figuring (co-founded by Margaret Wertheim)
The eighth cube, missing in the ICERM logo and detached in the
Froebel Cubes photo, may be regarded as representing the origin
(0,0,0) in a coordinatized version of the 2x2x2 array—
in other words the cube invariant under linear , as opposed to
more general affine , permutations of the cubes in the array.
These cubes are not without relevance to the workshops’ topics—
low-dimensional exotic geometric structures, group theory, and dynamics.
See The Eightfold Cube, A Simple Reflection Group of Order 168, and
The Quaternion Group Acting on an Eightfold Cube.
Those who insist on vulgarizing their mathematics may regard linear
and affine group actions on the eight cubes as the dance of
Snow White (representing (0,0,0)) and the Seven Dwarfs—
.
In memory of William S. Knowles, chiral chemist, who died last Wednesday (June 13, 2012)—
Detail from the Harvard Divinity School 1910 bookplate in yesterday morning's post—
"ANDOVER–HARVARD THEOLOGICAL LIBRARY"
Detail from Knowles's obituary in this morning's New York Times—
William Standish Knowles was born in Taunton, Mass., on June 1, 1917. He graduated a year early from the Berkshire School, a boarding school in western Massachusetts, and was admitted to Harvard. But after being strongly advised that he was not socially mature enough for college, he did a second senior year of high school at another boarding school, Phillips Academy in Andover, N.H.
Dr. Knowles graduated from Harvard with a bachelor’s degree in chemistry in 1939….
"This is the relativity problem: to fix objectively a class of equivalent coordinatizations and to ascertain the group of transformations S mediating between them."
— Hermann Weyl, The Classical Groups, Princeton University Press, 1946, p. 16
From Pilate Goes to Kindergarten—
The six congruent quaternion actions illustrated above are based on the following coordinatization of the eightfold cube—
Problem: Is there a different coordinatization
that yields greater symmetry in the pictures of
quaternion group actions?
A paper written in a somewhat similar spirit—
"Chiral Tetrahedrons as Unitary Quaternions"—
ABSTRACT: Chiral tetrahedral molecules can be dealt [with] under the standard of quaternionic algebra. Specifically, non-commutativity of quaternions is a feature directly related to the chirality of molecules….
A web search for the author Cameron McEwen mentioned
in today's noon post was unsuccessful, but it did yield an
essay, quite possibly by a different Cameron McEwen, on
"The fundamental difference between analog
and digital systems may be understood as
underlying philosophical discourse since the Greeks."
The University of Bergen identifies the Wittgenstein
McEwen as associated with InteLex of Charlottesville.
The title of this post may serve to point out an analogy*
between the InteLex McEwen's analog-digital contrast
and the Euclidean-Galois contrast discussed previously
in this journal.
The latter contrast is exemplified in Pilate Goes to Kindergarten.
* An analogy, as it were, between analogies.
"And when he had apprehended him,
he put him in prison, and delivered him
to four quaternions of soldiers to keep him;
intending after Easter to bring him forth to the people."
The following picture provides a new visual approach to
the order-8 quaternion group's automorphisms.
Click the above image for some context.
Here the cube is called "eightfold" because the eight vertices,
like the eight subcubes of a 2×2×2 cube,* are thought of as
independently movable. See The Eightfold Cube.
See also…
Related material: Robin Chapman and Karen E. Smith
on the quaternion group's automorphisms.
* See Margaret Wertheim's Christmas Eve remarks on mathematics
and the following eightfold cube from an institute she co-founded—
Photo by Norman Brosterman
fom the Inventing Kindergarten
exhibit at The Institute for Figuring
(co-founded by Margaret Wertheim)
Good question. See also
Chern died on the evening of Friday, Dec. 3, 2004 (Chinese time).
From the morning of that day (also Chinese time)—
i.e. , the evening of the preceding day here— some poetry.
Part I — Roberta Smith in today's New York Times —
"… the argument that painting may ultimately be about
little more than the communication of some quality of
light and space, however abstract or indirect."
– Review of "Rooms With a View" at the Met
Pictorial version |
|
“Space: what you damn well have to see.”
– James Joyce, Ulysses
Part II — Window from A Crooked House
"Teal lifted the blind a few inches. He saw nothing, and raised it a little more—still nothing. Slowly he raised it until the window was fully exposed. They gazed out at—nothing.
Nothing, nothing at all. What color is nothing? Don't be silly! What shape is it? Shape is an attribute of something . It had neither depth nor form. It had not even blackness. It was nothing ."
Part III — Not So Crooked: The Cabinet of Dr. Montessori
An April 5 Wall Street Journal article on Montessori schools, and…
A cabinet from Dr. Montessori's own
explanation of her method
Part IV — Pilate Goes to Kindergarten and The Seven
Your mission, should you choose to accept it…
See also “Mapping Music” from Harvard Magazine , Jan.-Feb. 2007—
“Life inside an orbifold is a non-Euclidean world”
— as well as the cover story “The Shape of Music” from Princeton Alumni Weekly ,
Feb. 9, 2011, and “Bead Game” + music in this journal (click, then scroll down).
Those impressed by the phrase “non-Euclidean” may also enjoy
Non-Euclidean Blocks and Pilate Goes to Kindergarten.
The “Bead Game” + music search above includes, notably, a passage describing a
sort of non-Euclidean abacus in the classic 1943 story “Mimsy Were the Borogoves.”
For a visually related experience, see the video “Chord Geometries Demo: Chopin
on a Mobius Strip” at a music.princeton.edu web page.
* Motto of the American Mathematical Society, said to be also the motto of Plato’s Academy.
The following is a new illustration for Cubist Geometries—
(For elementary cubism, see Pilate Goes to Kindergarten and The Eightfold Cube.
For advanced, see Solomon's Cube and Geometry of the I Ching .)
From Tuesday at the Stephen King Kindergarten —
"They had sung that song all together at the Jack and Jill Nursery School…."
— Stephen King, The Shining
A link introducing Tuesday's kindergarten —
Images from Fare Thee Well —
![]() |
Shakespearean Fool © 2004 Natasha Wescoat |
Dear God, I am not a son of a bitch. Please.
— Jack Torrance in The Shining
* For Agathe von Trapp
Also known, roughly speaking, as confluence or the Church-Rosser property.
From “NYU Lambda Seminar, Week 2” —
[See also the parent page Seminar in Semantics / Philosophy of Language or:
What Philosophers and Linguists Can Learn From Theoretical Computer Science But Didn’t Know To Ask)]
A computational system is said to be confluent, or to have the Church-Rosser or diamond property, if, whenever there are multiple possible evaluation paths, those that terminate always terminate in the same value. In such a system, the choice of which sub-expressions to evaluate first will only matter if some of them but not others might lead down a non-terminating path.
The untyped lambda calculus is confluent. So long as a computation terminates, it always terminates in the same way. It doesn’t matter which order the sub-expressions are evaluated in.
A computational system is said to be strongly normalizing if every permitted evaluation path is guaranteed to terminate. The untyped lambda calculus is not strongly normalizing: ω ω
doesn’t terminate by any evaluation path; and (\x. y) (ω ω)
terminates only by some evaluation paths but not by others.
But the untyped lambda calculus enjoys some compensation for this weakness. It’s Turing complete! It can represent any computation we know how to describe. (That’s the cash value of being Turing complete, not the rigorous definition. There is a rigorous definition. However, we don’t know how to rigorously define “any computation we know how to describe.”) And in fact, it’s been proven that you can’t have both. If a computational system is Turing complete, it cannot be strongly normalizing.
There is no connection, apart from the common reference to an elementary geometric shape, between the use of “diamond” in the above Church-Rosser sense and the use of “diamond” in the mathematics of (Cullinane’s) Diamond Theory.
Any attempt to establish such a connection would, it seems, lead quickly into logically dubious territory.
Nevertheless, in the synchronistic spirit of Carl Jung and Arthur Koestler, here are some links to such a territory —
Link One — “Insane Symmetry” (Click image for further details)—
See also the quilt symmetry in this journal on Christmas Day.
Link Two — Divine Symmetry
(George Steiner on the Name in this journal on Dec. 31 last year (“All about Eve“)) —
“The links are direct between the tautology out of the Burning Bush, that ‘I am’ which accords to language the privilege of phrasing the identity of God, on the one hand, and the presumptions of concordance, of equivalence, of translatability, which, though imperfect, empower our dictionaries, our syntax, our rhetoric, on the other. That ‘I am’ has, as it were, at an overwhelming distance, informed all predication. It has spanned the arc between noun and verb, a leap primary to creation and the exercise of creative consciousness in metaphor. Where that fire in the branches has gone out or has been exposed as an optical illusion, the textuality of the world, the agency of the Logos in logic—be it Mosaic, Heraclitean, or Johannine—becomes ‘a dead letter.'”
– George Steiner, Grammars of Creation
(See also, from Hanukkah this year, A Geometric Merkabah and The Dreidel is Cast.)
Link Three – Spanning the Arc —
Part A — Architect Louis Sullivan on “span” (see also Kindergarten at Stonehenge)
Part B — “Span” in category theory at nLab —
Also from nLab — Completing Spans to Diamonds
“It is often interesting whether a given span in some partial ordered set can be completed into a diamond. The property of a collection of spans to consist of spans which are expandable into diamonds is very useful in the theory of rewriting systems and producing normal forms in algebra. There are classical results e.g. Newman’s diamond lemma, Širšov-Bergman’s diamond lemma (Širšov is also sometimes spelled as Shirshov), and Church-Rosser theorem (and the corresponding Church-Rosser confluence property).”
The concepts in this last paragraph may or may not have influenced the diamond theory of Rudolf Kaehr (apparently dating from 2007).
They certainly have nothing to do with the Diamond Theory of Steven H. Cullinane (dating from 1976).
For more on what the above San Francisco art curator is pleased to call “insane symmetry,” see this journal on Christmas Day.
For related philosophical lucubrations (more in the spirit of Kaehr than of Steiner), see the New York Times “The Stone” essay “Span: A Remembrance,” from December 22—
“To understand ourselves well,” [architect Louis] Sullivan writes, “we must arrive first at a simple basis: then build up from it.”
Around 300 BC, Euclid arrived at this: “A point is that which has no part. A line is breadthless length.”
See also the link from Christmas Day to remarks on Euclid and “architectonic” in Mere Geometry.
Starring the White Witch of Narnia —
Some background —
Kindergarten at Stonehenge, by Louis Sullivan, and
Underneath the Lintel, by Glen Berger
From "The Stone" (a philosophy series) in today's New York Times —
Louis Sullivan, in his Kindergarten Chats , on the pier and lintel as basic elements of architecture:
… [Sullivan says that the pier] embodies “the simplest physical beginnings"….
Add the lintel and “presto!” ….
But he has a question: what is this sudden coming-into-being of a way of being?
“We have no true name for it in the language. But if you fix the phenomenon well in your thought,
the absence of an exact word for it need not matter much.”
The source —
A related passage —
"Crucial here is the concept of emergence , the sudden coming into being of something that is greater than its component parts (like water is greater than its component parts, hydrogen and oxygen; therefore, water is an emergent property)."
— Article on Bakhtin in The Cervantes Encyclopedia , by Howard Mancing (Greenwood Publishing Group, 2004)
See also "strong emergence" in this journal.
Published on November 10, 2009 —
The above book may be regarded as an ironic answer to a question posed here on that date—
“Public commentators assumed the air of kindergarten teachers who had to protect their children from thinking certain impermissible and intolerant thoughts.” – David Brooks in the Nov. 10, 2009, New York Times What else is new? |
For related kindergarten thoughts, see Finite Geometry and Physical Space.
For the connection of the kindergarten thoughts to reflections, see A Simple Reflection Group of Order 168.
Barnes & Noble has an informative new review today of the recent Galois book Duel at Dawn.
It begins…
"In 1820, the Hungarian noble Farkas Bolyai wrote an impassioned cautionary letter to his son Janos:
'I know this way to the very end. I have traversed this bottomless night, which extinguished all light and joy in my life… It can deprive you of your leisure, your health, your peace of mind, and your entire happiness… I turned back when I saw that no man can reach the bottom of this night. I turned back unconsoled, pitying myself and all mankind. Learn from my example…'
Bolyai wasn't warning his son off gambling, or poetry, or a poorly chosen love affair. He was trying to keep him away from non-Euclidean geometry."
For a less dark view (obtained by simply redefining "non-Euclidean" in a more logical way*) see Non-Euclidean Blocks and Finite Geometry and Physical Space.
* Finite geometry is not Euclidean geometry— and is, therefore, non-Euclidean
in the strictest sense (though not according to popular usage), simply because
Euclidean geometry has infinitely many points, and a finite geometry does not.
(This more logical definition of "non-Euclidean" seems to be shared by
at least one other person.)
And some finite geometries are non-Euclidean in the popular-usage sense,
related to Euclid's parallel postulate.
The seven-point Fano plane has, for instance, been called
"a non-Euclidean geometry" not because it is finite
(though that reason would suffice), but because it has no parallel lines.
(See the finite geometry page at the Centre for the Mathematics
of Symmetry and Computation at the University of Western Australia.)
From Alexandre Borovik's new book
Mathematics Under the Microscope
(American Mathematical Society, 2010)–
Related material:
Finite Geometry and Physical Space
(Good Friday, 2009)
This kindergarten-level discussion of
the simple group of order 168
also illustrates Thoreau's advice:
"Simplicity, simplicity, simplicity!"
“Public commentators assumed the air of kindergarten teachers who had to protect their children from thinking certain impermissible and intolerant thoughts.”
— David Brooks in today’s New York Times
What else is new?
I prefer the impermissible
and intolerant Stan Lee
(author of novels, not comic books):
Dunn’s Conundrum is reportedly
the basis of a screenplay titled,
after the novel’s main character,
“The Garbageman.”
Harvard’s motto is Veritas, i.e., Truth.
Today’s Crimson says a new philosophy professor has joined the Harvard faculty.
The professor, Mark E. Richard, is the author of a 2008 book, When Truth Gives Out.
For related material, see this journal on Oct. 19, 2002: “What Is Truth?.” The conclusion of that entry quotes Jack Nicholson’s classic remark, “You can’t handle the truth.”
For one way to handle the truth, see Pilate Goes to Kindergarten.
Non-Euclidean
Blocks Passages from a classic story: … he took from his pocket a gadget he had found in the box, and began to unfold it. The result resembled a tesseract, strung with beads…. ![]() Tesseract
"Your mind has been conditioned to Euclid," Holloway said. "So this– thing– bores us, and seems pointless. But a child knows nothing of Euclid. A different sort of geometry from ours wouldn't impress him as being illogical. He believes what he sees."
"Are you trying to tell me that this gadget's got a fourth dimensional extension?" Paradine demanded. "Hardening of the thought-arteries," Jane interjected. Paradine was not convinced. "Then a baby could work calculus better than Einstein? No, I don't mean that. I can see your point, more or less clearly. Only–" "Well, look. Let's suppose there are two kinds of geometry– we'll limit it, for the sake of the example. Our kind, Euclidean, and another, which we'll call x. X hasn't much relationship to Euclid. It's based on different theorems. Two and two needn't equal four in it; they could equal y, or they might not even equal. A baby's mind is not yet conditioned, except by certain questionable factors of heredity and environment. Start the infant on Euclid–" "Poor kid," Jane said. Holloway shot her a quick glance. "The basis of Euclid. Alphabet blocks. Math, geometry, algebra– they come much later. We're familiar with that development. On the other hand, start the baby with the basic principles of our x logic–" "Blocks? What kind?" Holloway looked at the abacus. "It wouldn't make much sense to us. But we've been conditioned to Euclid." — "Mimsy Were the Borogoves," Lewis Padgett, 1943 |
For the intuitive basis of one type of non-Euclidean* geometry– finite geometry over the two-element Galois field– see the work of…
Friedrich Froebel
(1782-1852), who
invented kindergarten.
His "third gift" —
Pilate Goes
to Kindergarten
“There is a pleasantly discursive
treatment of Pontius Pilate’s
unanswered question
‘What is truth?’.”
— H. S. M. Coxeter, 1987,
introduction to Trudeau’s
remarks on the “Story Theory“
of truth as opposed to the
“Diamond Theory” of truth in
The Non-Euclidean Revolution
Consider the following question in a paper cited by V. S. Varadarajan:
E. G. Beltrametti, “Can a finite geometry describe physical space-time?” Universita degli studi di Perugia, Atti del convegno di geometria combinatoria e sue applicazioni, Perugia 1971, 57–62.
Simplifying:
“Can a finite geometry describe physical space?”
Simplifying further:
“Yes. Vide ‘The Eightfold Cube.'”
Through the
Looking Glass:
A Sort of Eternity
From the new president’s inaugural address:
“… in the words of Scripture, the time has come to set aside childish things.”
The words of Scripture:
“through a glass”—
[di’ esoptrou].
By means of
a mirror [esoptron].
Childish things:
Not-so-childish:
Three planes through
the center of a cube
that split it into
eight subcubes:
Through a glass, darkly:
A group of 8 transformations is
generated by affine reflections
in the above three planes.
Shown below is a pattern on
the faces of the 2x2x2 cube
that is symmetric under one of
these 8 transformations–
a 180-degree rotation:
(Click on image
for further details.)
But then face to face:
A larger group of 1344,
rather than 8, transformations
of the 2x2x2 cube
is generated by a different
sort of affine reflections– not
in the infinite Euclidean 3-space
over the field of real numbers,
but rather in the finite Galois
3-space over the 2-element field.
Galois age fifteen,
drawn by a classmate.
These transformations
in the Galois space with
finitely many points
produce a set of 168 patterns
like the one above.
For each such pattern,
at least one nontrivial
transformation in the group of 8
described above is a symmetry
in the Euclidean space with
infinitely many points.
For some generalizations,
see Galois Geometry.
Related material:
The central aim of Western religion–
"Each of us has something to offer the Creator... the bridging of masculine and feminine, life and death. It's redemption.... nothing else matters." -- Martha Cooley in The Archivist (1998) The central aim of Western philosophy– Dualities of Pythagoras as reconstructed by Aristotle: Limited Unlimited Odd Even Male Female Light Dark Straight Curved ... and so on .... “Of these dualities, the first is the most important; all the others may be seen as different aspects of this fundamental dichotomy. To establish a rational and consistent relationship between the limited [man, etc.] and the unlimited [the cosmos, etc.] is… the central aim of all Western philosophy.” — Jamie James in The Music of the Spheres (1993) “In the garden of Adding — The Midrash Jazz Quartet in City of God, by E. L. Doctorow (2000) A quotation today at art critic Carol Kino’s website, slightly expanded: “Art inherited from the old religion — Octavio Paz,”Seeing and Using: Art and Craftsmanship,” in Convergences: Essays on Art and Literature (New York: Harcourt Brace Jovanovich 1987), 52 From Brian O’Doherty’s 1976 Artforum essays– not on museums, but rather on gallery space: “We have now reached “Space: what you — James Joyce, Ulysses |
Wikipedia on Rubik's 2×2×2 "Pocket Cube"–
"Any permutation of the 8 corner cubies is possible (8! positions)."
Some pages related to this claim–
Analyzing Rubik's Cube with GAP
Online JavaScript Pocket Cube.
The claim is of course trivially true for the unconnected subcubes of Froebel's Third Gift:
See also:
and
"Ad Reinhardt and Tony Smith:
A Dialogue,"
an exhibition opening today
at Pace Wildenstein.
For a different sort
of dialogue, click on the
artists' names above.
For a different
approach to S8,
see Symmetries.
"With humor, my dear Zilkov.
Always with a little humor."
-- The Manchurian Candidate
On a book by Margaret Wertheim:
“She traces the history of space beginning with the cosmology of Dante. Her journey continues through the historical foundations of celestial space, relativistic space, hyperspace, and, finally, cyberspace.” –Joe J. Accardi, Northeastern Illinois Univ. Lib., Chicago, in Library Journal, 1999 (quoted at Amazon.com)
There are also other sorts of space.
This photo may serve as an
introduction to a different
sort of space.
See The Eightfold Cube.
For the religious meaning
of this small space, see
For a related larger space,
see the entry and links of
St. Augustine’s Day, 2006.
Last night's entry presented a
short story summarized by
four lottery numbers.
Today's mid-day lotteries
and associated material:
Pennsylvania, 201– i.e., 2/01:
Kindergarten Theology —
"In a game of chess, the knight's move is unique because it alone goes around corners. In this way, it combines the continuity of a set sequence with the discontinuity of an unpredictable turn in the middle. This meaningful combination of continuity and discontinuity in an otherwise linear set of possibilities has led some to refer to the creative act of discovery in any field of research as a 'knight's move' in intelligence."
"One must join forces with friends of like mind"
Related material:
"Schizophrenia is not a psychological disorder peculiar to human beings. Schizophrenia is not a disease at all but rather a localized traveling discontinuity of the space time matrix itself. It is like a travelling whirl-wind of radical understanding that haunts time. It haunts time in the same way that Alfred North Whitehead said that the color dove grey 'haunts time like a ghost.'"
"'Knight's move thinking' is a psychiatric term describing a thought disorder where in speech the usual logical sequence of ideas is lost, the sufferer jumping from one idea to another with no apparent connection. It is most commonly found in schizophrenia."
I know more than Apollo,
For oft when he lies sleeping
I see the stars at mortal wars
In the wounded welkin weeping.
For more on the sleep of Apollo,
see the front page of today's
New York Times Book Review.
Garrison Keillor's piece there,
"Dying of the Light," is
about the fear of death felt
by an agnostic British twit.
For relevant remarks by
a British non-twit, see
William Dunbar–
The Fuehrer's wisdom seems especially appropriate today, in light of John McCain's recent "sex education for kindergarteners" and "lipstick" ads:
"… thus in the primitive simplicity of their minds they more readily fall victims to the big lie than the small lie, since they themselves often tell small lies in little matters but would be ashamed to resort to large-scale falsehoods. It would never come into their heads to fabricate colossal untruths, and they would not believe that others could have the impudence to distort the truth so infamously…. The grossly impudent lie always leaves traces behind it, even after it has been nailed down."
Preview of a Tom Stoppard play presented at Town Hall in Manhattan on March 14, 2008 (Pi Day and Einstein's birthday):
The play's title, "Every Good Boy Deserves Favour," is a mnemonic for the notes of the treble clef EGBDF.
The place, Town Hall, West 43rd Street. The time, 8 p.m., Friday, March 14. One single performance only, to the tinkle– or the clang?– of a triangle. Echoing perhaps the clang-clack of Warsaw Pact tanks muscling into Prague in August 1968.
The “u” in favour is the British way, the Stoppard way, "EGBDF" being "a Play for Actors and Orchestra" by Tom Stoppard (words) and André Previn (music).
And what a play!– as luminescent as always where Stoppard is concerned. The music component of the one-nighter at Town Hall– a showcase for the Boston University College of Fine Arts– is by a 47-piece live orchestra, the significant instrument being, well, a triangle.
When, in 1974, André Previn, then principal conductor of the London Symphony, invited Stoppard "to write something which had the need of a live full-time orchestra onstage," the 36-year-old playwright jumped at the chance.
One hitch: Stoppard at the time knew "very little about 'serious' music… My qualifications for writing about an orchestra," he says in his introduction to the 1978 Grove Press edition of "EGBDF," "amounted to a spell as a triangle player in a kindergarten percussion band."
Review of the same play as presented at Chautauqua Institution on July 24, 2008:
"Stoppard's modus operandi– to teasingly introduce numerous clever tidbits designed to challenge the audience."
— Jane Vranish, Pittsburgh Post-Gazette, Saturday, August 2, 2008
"The leader of the band is tired
And his eyes are growing old
But his blood runs through
My instrument
And his song is in my soul."
— Dan Fogelberg
"He's watching us all the time."
Finnegans Wake, Book II, Episode 2, pp. 296-297:
I'll make you to see figuratleavely the whome of your eternal geomater. And if you flung her headdress on her from under her highlows you'd wheeze whyse Salmonson set his seel on a hexengown.1 Hissss!, Arrah, go on! Fin for fun! 1 The chape of Doña Speranza of the Nacion. |
Reciprocity From my entry of Sept. 1, 2003:
"…the principle of taking and giving, of learning and teaching, of listening and storytelling, in a word: of reciprocity…. … E. M. Forster famously advised his readers, 'Only connect.' 'Reciprocity' would be Michael Kruger's succinct philosophy, with all that the word implies." — William Boyd, review of Himmelfarb, a novel by Michael Kruger, in The New York Times Book Review, October 30, 1994 Last year's entry on this date:
The picture above is of the complete graph K6 … Six points with an edge connecting every pair of points… Fifteen edges in all. Diamond theory describes how the 15 two-element subsets of a six-element set (represented by edges in the picture above) may be arranged as 15 of the 16 parts of a 4×4 array, and how such an array relates to group-theoretic concepts, including Sylvester's synthematic totals as they relate to constructions of the Mathieu group M24. If diamond theory illustrates any general philosophical principle, it is probably the interplay of opposites…. "Reciprocity" in the sense of Lao Tzu. See Reciprocity and Reversal in Lao Tzu. For a sense of "reciprocity" more closely related to Michael Kruger's alleged philosophy, see the Confucian concept of Shu (Analects 15:23 or 24) described in Kruger's novel is in part about a Jew: the quintessential Jewish symbol, the star of David, embedded in the K6 graph above, expresses the reciprocity of male and female, as my May 2003 archives illustrate. The star of David also appears as part of a graphic design for cubes that illustrate the concepts of diamond theory: Click on the design for details. Those who prefer a Jewish approach to physics can find the star of David, in the form of K6, applied to the sixteen 4×4 Dirac matrices, in
A Graphical Representation The star of David also appears, if only as a heuristic arrangement, in a note that shows generating partitions of the affine group on 64 points arranged in two opposing triplets. Having thus, as the New York Times advises, paid tribute to a Jewish symbol, we may note, in closing, a much more sophisticated and subtle concept of reciprocity due to Euler, Legendre, and Gauss. See |
"Finn MacCool ate the Salmon of Knowledge."
Wikipedia:
"George Salmon spent his boyhood in Cork City, Ireland. His father was a linen merchant. He graduated from Trinity College Dublin at the age of 19 with exceptionally high honours in mathematics. In 1841 at age 21 he was appointed to a position in the mathematics department at Trinity College Dublin. In 1845 he was appointed concurrently to a position in the theology department at Trinity College Dublin, having been confirmed in that year as an Anglican priest."
Related material:
Arrangements for
56 Triangles.
For more on the
arrangement of
triangles discussed
in Finnegans Wake,
see Log24 on Pi Day,
March 14, 2008.
Happy birthday,
Martin Sheen.
"Hmm, next paper… maybe
'An Unusually Complicated
Theory of Something.'"
Something:
From Friedrich Froebel,
who invented kindergarten:
Click on image for details.
An Unusually
Complicated Theory:
From Christmas 2005:
Click on image for details.
For the eightfold cube
as it relates to Klein's
simple group, see
"A Reflection Group
of Order 168."
For an even more
complicated theory of
Klein's simple group, see
Click on image for details.
Click on images for details.
Related material:
The conclusion of yesterday’s commentary on the May 30-31 Pennsylvania Lottery numbers:
Thomas Pynchon, Gravity’s Rainbow:
“The fear balloons again inside his brain. It will not be kept down with a simple Fuck You…. A smell, a forbidden room, at the bottom edge of his memory. He can’t see it, can’t make it out. Doesn’t want to. It is allied with the Worst Thing.
He knows what the smell has to be: though according to these papers it would have been too early for it, though he has never come across any of the stuff among the daytime coordinates of his life, still, down here, back here in the warm dark, among early shapes where the clocks and calendars don’t mean too much, he knows that’s what haunting him now will prove to be the smell of Imipolex G.
Then there’s this recent dream he is afraid of having again. He was in his old room, back home. A summer afternoon of lilacs and bees and
286”
What are we to make of this enigmatic 286? (No fair peeking at page 287.)
One possible meaning, given The Archivist‘s claim that “existence is infinitely cross-referenced”–
Page 286 of Ernest G. Schachtel, Metamorphosis: On the Conflict of Human Development and the Psychology of Creativity (first published in 1959), Hillsdale NJ and London, The Analytic Press, 2001 (chapter– “On Memory and Childhood Amnesia”):
“Both Freud and Proust speak of the autobiographical [my italics] memory, and it is only with regard to this memory that the striking phenomenon of childhood amnesia and the less obvious difficulty of recovering any past experience may be observed.”
The concluding “summer afternoon of lilacs and bees” suggests that 286 may also be a chance allusion to the golden afternoon of Disney’s Alice in Wonderland. (Cf. St. Sarah’s Day, 2008)
Some may find the Disney afternoon charming; others may see it as yet another of Paul Simon’s dreaded cartoon graveyards.
More tastefully, there is poem 286 in the 1919 Oxford Book of English Verse– “Love.”
For a midrash on this poem, see Simone Weil, who became acquainted with the poem by chance:
“I always prefer saying chance rather than Providence.”
— Simone Weil, letter of about May 15, 1942
Weil’s brother André might prefer Providence (source of the Bulletin of the American Mathematical Society.)
For more on the mathematical significance of this figure, see (for instance) Happy Birthday, Hassler Whitney, and Combinatorics of Coxeter Groups, by Anders Björner and Francesco Brenti, Graduate Texts in Mathematics, vol. 231, Springer, New York, 2005.
This book is reviewed in the current issue (July 2008) of the above-mentioned Providence Bulletin.
The review in the Bulletin discusses reflection groups in continuous spaces.
From the five entries ending
on St. Bridget's Day, 2008:
"At his memorial service his daughter Tami told the story of 'little Jimmy,' whose kindergarten teacher recognized a special quality of mind that set him apart. 'Every day we read a story, and after the story is over, Jimmy gets up and wants to tell us what the story means.'"
"I confess I do not believe in time."
— Nabokov, Speak, Memory
From May 20:
"Welcome to the
Garden Club, Pilgrim."
"The drum beats out of time"
— Song lyric, Cyndi Lauper
For further details, see
Gift of the Third Kind
and
Kindergarten Relativity.
Related material:
"An acute study of the links
between word and fact"
— Nina daVinci Nichols
Virginia | /391062427/item.html? | 2/22/2008 7:37 PM |
Johnny Cash:
"And behold,
a white horse."
Chess Knight
(in German, Springer)
"Liebe Frau vBayern,
mich würde interessieren wie man
mit diesem Hintergrund
(vonbayern.de/german/anna.html)
zu Springer kommt?"
Background of "Frau vBayern" from thePeerage.com:
Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg
F, #64640, b. 15 March 1978Last Edited=20 Oct 2005
Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg was born on 15 March 1978. She is the daughter of Ludwig Ferdinand Prinz zu Sayn-Wittgenstein-Berleburg and Countess Yvonne Wachtmeister af Johannishus. She married Manuel Maria Alexander Leopold Jerg Prinz von Bayern, son of Leopold Prinz von Bayern and Ursula Mohlenkamp, on 6 August 2005 at Nykøping, Södermanland, Sweden.
The date of the above "Liebe Frau vBayern" inquiry, Feb. 1, 2007, suggests the following:
From Log24 on
St. Bridget's Day, 2007:
The quotation
"Science is a Faustian bargain"
and the following figure–
Change
From a short story by
the above Princess:
"'I don't even think she would have wanted to change you. But she for sure did not want to change herself. And her values were simply a part of her.' It was true, too. I would even go so far as to say that they were her basis, if you think about her as a geometrical body. That's what they couldn't understand, because in this age of the full understanding for stretches of values in favor of self-realization of any kind, it was a completely foreign concept."
To make this excellent metaphor mathematically correct,
change "geometrical body" to "space"… as in
"For Princeton's Class of 2007"—
Review of a 2004 production of a 1972 Tom Stoppard play, "Jumpers"–
Related material:
Knight Moves (Log24, Jan. 16),
Kindergarten Theology (St. Bridget's Day, 2008),
and
For a related story about
knight moves and kindergarten,
see Knight Moves: The Relativity
Theory of Kindergarten Blocks,
and Log24, Jan. 16, 17, and 18.
See also Loder’s book
(poorly written, but of some
interest in light of the above):
“In a game of chess, the knight’s move is unique because it alone goes around corners. In this way, it combines the continuity of a set sequence with the discontinuity of an unpredictable turn in the middle. This meaningful combination of continuity and discontinuity in an otherwise linear set of possibilities has led some to refer to the creative act of discovery in any field of research as a ‘knight’s move’ in intelligence.
— James E. Loder and W. Jim Neidhardt (Helmers & Howard Publishing, 1992)
For a discussion, see Triplett’s
“Thinking Critically as a Christian.”
Many would deny that such
a thing is possible; let them
read the works of T. S. Eliot.
Related material:
The Knight’s Move
discusses (badly) Hofstadter’s
“strange loop” concept; see
Not Mathematics but Theology
(Log24, July 12, 2007).
M. Scott Peck,
People of the Lie
"Far in the woods they sang their unreal songs, Secure. It was difficult to sing in face Of the object. The singers had to avert themselves Or else avert the object."
— Wallace Stevens, |
Today is June 25,
anniversary of the
birth in 1908 of
Willard Van Orman Quine.
Quine died on
Christmas Day, 2000.
Today, Quine's birthday, is,
as has been noted by
Quine's son, the point of the
calendar opposite Christmas–
i.e., "AntiChristmas."
If the Anti-Christ is,
as M. Scott Peck claims,
a spirit of unreality, it seems
fitting today to invoke
Quine, a student of reality,
and to borrow the title of
Quine's Word and Object…
Word:
An excerpt from
"Credences of Summer"
by Wallace Stevens:
"Three times the concentred self takes hold, three times The thrice concentred self, having possessed
The object, grips it
— "Credences of Summer," VII, |
Object:
From Friedrich Froebel,
who invented kindergarten:
From Christmas 2005:
Click on the images
for further details.
For a larger and
more sophisticaled
relative of this object,
see yesterday's entry
At Midsummer Noon.
The object is real,
not as a particular
physical object, but
in the way that a
mathematical object
is real — as a
pure Platonic form.
"It's all in Plato…."
— C. S. Lewis
Gift of the Third Kind
Background:
Art Wars and
Russell Crowe as
Santa's Helper.
From Christmas 2005:
Related material from
Pittsburgh:
… and from Grand Rapids:
Related material
for Holy Saturday:
"Contemporary literary theory did not emerge in an intellectual and cultural vacuum. The subordination of art to argument and ideas has been a long time in the works. In The Painted Word, a rumination on the state of American painting in the 1970s, Tom Wolfe described an epiphany he had one Sunday morning while reading an article in the New York Times on an exhibit at Yale University. To appreciate contemporary art– the paintings of Jackson Pollock and still more so his followers– which to the naked eye appeared indistinguishable from kindergarten splatterings and which provided little immediate pleasure or illumination, it was 'crucial,' Wolfe realized, to have a 'persuasive theory,' a prefabricated conceptual lens to make sense of the work and bring into focus the artist's point. From there it was just a short step to the belief that the critic who supplies the theories is the equal, if not the superior, of the artist who creates the painting."
— Peter Berkowitz, "Literature in Theory"
Cover art by Rea Irvin
On this date in 1925,
The New Yorker
first appeared.
Related material:
Aldous Huxley on
The Perennial Philosophy
(ART WARS, March 13, 2003)
and William James on religion:
For an experience that is
perhaps more effable,
see the oeuvre of
Jill St. John.
Related material:
A drama for Mardi Gras,
The Crimson Passion,
and (postscript of 2:56 PM)
today's Harvard Crimson
(pdf, 843k)
— Silvia Evangelisti in
Historiographical Reviews
Related material:
Arts & Letters Daily
(Feb. 8, 2006) annotated: Dan Brown is not the first to have suggested that Jesus had a sex life– even Martin Luther said it. So what about the lady, Mary Magdalene?… more
For literature profs of today, Theory is what the Dialectic was to Marxist intellectuals of the past: the key to almost everything… more
The idea that anyone, regardless of learning or class, could “come to Christ” went along with the idea of equal rights in America. William Jennings Bryan… more
|
And from non-Protestantism, for the birthday of
Sanctus from Missa “Veni Sponsa Christi” (pdf), by Manuel Cardoso (1566-1650).
Related material: Catholic Tastes and
A Mass for Lucero.
The Quality of Diamond
On February 3, 2004, archivist and abstract painter Ward Jackson died at 75. From today’s New York Times:
“Inspired by painters like Piet Mondrian and Josef Albers, Mr. Jackson made austere, hard-edged geometric compositions, typically on diamond-shaped canvases.”
On a 2003 exhibit by Pablo Helguera that included Mr. Jackson: Parallel Lives recounts and recontextualizes real episodes from the lives of five disparate individuals including Florence Foster Jenkins, arguably the world’s worst opera singer; Giulio Camillo, a Renaissance mystic who aimed to build a memory container for all things; Friedrich Froebel, the inventor of the kindergarten education system, the members of the last existing Shaker community, and Ward Jackson, the lifelong archivist of the Solomon R. Guggenheim Museum. Parallel Lives pays homage to Hans-Georg Gadamer (1900-2002) and his system of philosophical hermeneutics built through an exploration of historicity, language, and art. This exhibition, which draws its title from the classic work by Plutarch, is a project that explores biography as a medium, drawing from the earlier innovation of the biographical practice in works like Marcel Schwob’s “Imaginary Lives” (1896) and John Aubrey’s “Brief Lives” (1681). Through display means, the project blends the lives of these individuals into one basic story, visually stating the relationship between individualism and society as best summarized by Gadamer’s famous phrase: “we all are others, and we all are a self.” |
On February 3, the day that Jackson died, there were five different log24.net entries:
Parallels with the Helguera exhibit:
Florence Foster Jenkins: Janet Jackson in (2) above.
Giulio Camillo: Myself as compiler of the synchronistic excerpts in (5).
Friedrich Froebel: David Wade in (4).
The last Shakers: Christopher Alexander and his acolytes in (1).
Ward Jackson: On Feb. 3, Jackson became a permanent part of
Some thoughts of Hans-Georg Gadamer
relevant to Jackson’s death:
by G.T. Karnezis The pleasure it [art] elicits “is the joy of knowledge.” It does not operate as an enchantment but “a transformation into the true.” Art, then, would seem to be an essentializing agent insofar as it reveals what is essential. Gadamer asks us to see reality as a horizon of “still undecided possibilities,” of unfulfilled expectations, of contingency. If, in a particular case, however, “a meaningful whole completes and fulfills itself in reality,” it is like a drama. If someone sees the whole of reality as a closed circle of meaning” he will be able to speak “of the comedy and tragedy of life” (genres becoming ways of conceiving reality). In such cases where reality “is understood as a play, there emerges the reality of what play is, which we call the play of art.” As such, art is a realization: “By means of it everyone recognizes that that is how things are.” Reality, in this viewpoint, is what has not been transformed. Art is defined as “the raising up of this reality to its truth.” |
As noted in entry (3) above
on the day that Jackson died,
“All the world’s a stage.”
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