"It's going to be accomplished in steps,
this establishment of the Talented
in the scheme of things."
— To Ride Pegasus ,
by Anne McCaffrey* (Radcliffe '47)
An AI image created on Feb. 24, 2024, by https://neural.love —
"Lily Collins Playing Chess" —
* Dies Natalis: November 21, 2011.
|
According to Chu Hsi [Zhu Xi],
“Li” is
— Smith, Bol, Adler, and Wyatt, |
But very possibly the earliest use of li is the one instance that
it appears in the Classic of Poetry (Ode 210) where it refers to
the borders or boundary lines marking off areas in a field.
Here it appears in conjunction with chiang and is explained
as 'to divide into lots (or parcels of land)' (fen-ti )."
— P. 33 of "Li Revisited and Other Explorations"
by Allen Wittenborn, Bulletin of Sung and Yüan Studies
No. 17 (1981), pp. 32-48 (17 pages),
https://www.jstor.org/stable/23497457.
An AI image created today by https://neural.love —
"Lily Collins Playing Chess" —
Perhaps some Dreaming Jewels have mated.
|
From The Dreaming Jewels , by Theodore Sturgeon: "Oh. And the crystals make things — even complete things — like Tin Pan Alley makes songs." "Something like it." Zena smiled. It was the first smile in a long while. "Sit down, honey; I'll bring the toast. Now — this is my guess — when two crystals mate, something different happens. They make a whole thing. But they don't make it from just anything the way the single crystals do. First they seem to die together. For weeks they lie like that. After that they begin a together-dream. They find something near them that's alive, and they make it over. They replace it, cell by cell. You can't see the change going on in the thing they're replacing. It might be a dog; the dog will keep on eating and running around; it will howl at the moon and chase cats. But one day — I don't know how long it takes — it will be completely replaced, every bit of it." "Then what?" "Then it can change itself — if it ever thinks of changing itself. It can be almost anything if it wants to be." Bunny stopped chewing, thought, swallowed, and asked, "Change how?" "Oh, it could get bigger or smaller. Grow more limbs. Go into a funny shape — thin and flat, or round like a ball. If it's hurt it can grow new limbs. And it could do things with thought that we can't even imagine. Bunny, did you ever read about werewolves?" "Those nasty things that change from wolves to men and back again?" Zena sipped coffee. "Mmm. Well, those are mostly legends, but they could have started when someone saw a change like that." |
For Focillon's "immobility" that "sparkles with metamorphoses,"
see Theodore Sturgeon's imagined "Dreaming Jewels ."
The Chinese concept of li in yesterday's post "Logos" is related,
if only by metaphor, to the underlying form (sets of "line diagrams")
of patterns in the Cullinane diamond theorem:
"But very possibly the earliest use of li is the one instance that
it appears in the Classic of Poetry (Ode 210) where it refers to
the borders or boundary lines marking off areas in a field.
Here it appears in conjunction with chiang and is explained
as 'to divide into lots (or parcels of land)' (fen-ti )."
— P. 33 of "Li Revisited and Other Explorations"
by Allen Wittenborn, Bulletin of Sung and Yüan Studies
No. 17 (1981), pp. 32-48 (17 pages),
https://www.jstor.org/stable/23497457.
A logo from the previous post —
This suggests a flashback to an image from Log24 on Nov. 6, 2003 —
Moral of the
Entertainment:
According to Chu Hsi [Zhu Xi],
“Li” is
“the principle or coherence
or order or pattern
underlying the cosmos.”
— Smith, Bol, Adler, and Wyatt,
Sung Dynasty Uses of the I Ching ,
Princeton University Press, 1990
"Looking for what was, where it used to be" — Wallace Stevens
— "Is this your business?"
— "No, but this is."
| “Zhu Xi maintained that all things are brought into being by the union of two universal aspects of reality: qi, sometimes translated as vital (or physical, material) force; and li, sometimes translated as rational principle (or law).” —Wikipedia |
| “Drop off the key, Lee” — Paul Simon
Reference frame (Click for details.) According to Chu Hsi [Zhu Xi],
“Li” is “the principle or coherence or order or pattern underlying the cosmos.” – Smith, Bol, Adler, and Wyatt, Sung Dynasty Uses of the I Ching, Related material: Dynasty and |
An earlier entry today (“Hollywood Midrash continued“) on a father and son suggests we might look for an appropriate holy ghost. In that context…
A search for further background on Emmanuel Levinas, a favorite philosopher of the late R. B. Kitaj (previous two entries), led (somewhat indirectly) to the following figures of Descartes:
Compare and contrast:
The harmonic-analysis analogy suggests a review of an earlier entry’s
link today to 4/30– Structure and Logic— as well as
re-examination of Symmetry and a Trinity
(Dec. 4, 2002).
See also —
A Four-Color Theorem,
The Diamond Theorem, and
The Most Violent Poem,
From the obituary of Lorraine Hunt Lieberson, who died at 52 on Monday, July 3, 2006, at her home in Santa Fe:
“If she rarely spoke of her private life, few artists have brought such emotional vulnerability to their work, whether it was her sultry portrayal of Myrtle Wilson, the mistress of wealthy Tom Buchanan in John Harbison’s ‘Great Gatsby,’ the role of her 1999 Metropolitan Opera debut, or her shattering performances several years ago in two Bach cantatas for solo voice and orchestra, staged by the director Peter Sellars, seen in Lincoln Center’s New Visions series, with the Orchestra of Emmanuel Music, Craig Smith conducting.
In Cantata No. 82, ‘Ich Habe Genug’ (‘I Have Enough’), Ms. Hunt Lieberson, wearing a flimsy hospital gown and thick woolen socks, her face contorted with pain and yearning, portrayed a terminally ill patient who, no longer able to endure treatments, wants to let go and be comforted by Jesus. During one consoling aria, ‘Schlummert ein, ihr matten Augen’ (‘Slumber now, weary eyes’), she yanked tubes from her arms and sang the spiraling melody with an uncanny blend of ennobling grace and unbearable sadness.”
Related Entertainment
from Nov. 6, 2003
Today’s birthday:
director Mike Nichols
Legacy Codes:
The Most Violent Poem
Lore of the Manhattan Project:
From The Trinity Site —
“I imagined Oppenheimer saying aloud,
‘Batter my heart, three person’d God,”
unexpectedly recalling John Donne’s ‘Holy Sonnet [14],’
and then he knew, ‘ “Trinity” will do.’
Memory has its reasons.
‘Batter my heart’ — I remember these words.
I first heard them on a fall day at Duke University in 1963.
Inside a classroom twelve of us were
seated around a long seminar table
listening to Reynolds Price recite this holy sonnet….
I remember Reynolds saying, slowly, carefully,
‘This is the most violent poem in the English language.’ ”
Related Entertainment
Today’s birthday:
director Mike Nichols
From a dead Righteous Brother:
“If you believe in forever
Then life is just a one-night stand.”
— Bobby Hatfield, found dead
in his hotel room at
7 PM EST Wednesday, Nov. 5, 2003,
before a concert scheduled at
Western Michigan University, Kalamazoo.
From a review of The Matrix Revolutions:
“You’d have to be totally blind at the end
to miss the Christian symbolism….
Trinity gets a glimpse of heaven…. And in the end…
God Put A Rainbow In The Clouds.”
Moral of the
Entertainment:
According to Chu Hsi [Zhu Xi],
“Li” is
“the principle or coherence
or order or pattern
underlying the cosmos.”
— Smith, Bol, Adler, and Wyatt,
Sung Dynasty Uses of the I Ching,
Princeton University Press, 1990
Related Non-Entertainment
Symmetry and a Trinity
(for the dotting-the-eye symbol above)
Introduction to Harmonic Analysis
(for musical and historical background)
Mathematical Proofs
(for the spirit of Western Michigan
University, Kalamazoo)
Moral of the
Non-Entertainment:
“Many kinds of entity
become easier to handle
by decomposing them into
components belonging to spaces
invariant under specified symmetries.”
— The importance of
mathematical conceptualisation
by David Corfield,
Department of History and
Philosophy of Science,
University of Cambridge
See, too,
Symmetry of Walsh Functions and
Geometry of the I Ching.
Powered by WordPress
