Click the "timelessness" quote below for the "Bell, Book and Candle" scene
with Kim Novak and James Stewart atop the Flatiron Building.
"Before time began . . . ." — Optimus Prime
Click the "timelessness" quote below for the "Bell, Book and Candle" scene
with Kim Novak and James Stewart atop the Flatiron Building.
"Before time began . . . ." — Optimus Prime
https://www.imdb.com/title/tt7979142/
|
See as well, in this journal, other posts tagged Night Clerk.
* See images from the film's Berlin premiere on Sunday, Feb. 8, 2015 as well as
Log24 posts tagged Autism Sunday 2015 .
"Spiel ist nicht Spielerei." — Fröbel.
Valentine’s Day, the date of the above post, this year was also
Autism Sunday. Here is a flashback to the Autism Sunday of 2015
and two related links —
Harvard University Press on a book, Persons and Things, it published on March 31, 2010 Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In Persons and Things , Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art “is formed around something missing,” this “void is its vanishing point, not its essence.” She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds. The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson’s caliber could reveal to us. |
I prefer the more straightforward insanity of Operators and Things .
Barbara Johnson reportedly died on Aug. 27, 2009. See that date
in other posts now tagged Autistic Enchantment. (That phrase is
the sort of sneering tag one may expect from deplorable academics.)
See the 27-part structure of
the 3x3x3 Galois cube
as well as Autism Sunday 2015.
The top article in the New York Times Wire list below is about
a new play that opened at the Sheen Center on All Souls' Day.
Log24 on January 31, 2015 —
|
The 1913 puzzle from above, claiming priority —
A more sophisticated puzzle related to the previous post —
“Communications disorders were the overarching theme of my mother’s career.”
— Anne Louise Oaklander, daughter of a famed autism expert, Isabelle Rapin,
who reportedly died at 89 on May 24.
See also a post on Mark Zuckerberg's recent Harvard commencement address.
Some background — Overarching in this journal.
See also Autistic Enchantment in this journal.
A note at the end of an article on architecture historian
Christopher Gray in the current online New Yorker —
This article appears in other versions
of the April 10, 2017, issue, with
the headline “Dem Bones.”
"Defeated, you will rise to your feet as is said of Dry Bones .
These bones will rise again." — Agnes Martin, 1973
Accounting for Taste —
Faye Dunaway and Warren Beatty at the Oscars:
Ben Affleck, star of "The Accountant," at the Oscars:
See also Prisoner + Bones in this journal.
Robert Nye, author of the novel Falstaff , reportedly died
at 77 on July 2, 2016.
Harvey D. Heinz, expert on magic squares, cubes,
tesseracts, etc., reportedly died at 82 on July 6, 2013.
In memoriam —
From the date of Nye's death:
From Nye's book:
From the date of Heinz's death:
* See also a search for the title in this journal.
( Continued )
Log24 on January 31, 2015 —Spellbound (continued)The New York Times this morning, in an “… the first known crossword puzzle appeared in See St. Nicholas magazine, November 1874, p. 59 : For the answer, see this journal on Aug. 29, 2002 |
On that same date …
The Seattle Times , Feb. 8, 2015, updated Feb. 12—
“… you begin by filling in the missing words Dice, yAhtzee, woN, yahTzee, twicE; The capital letters help to show what comes next, You take the first letter of the first inserted word, |
See also two other dates, June 3, 2015, and June 10, 2015,
in this journal and in the life of the puzzle author.
The date of the puzzle’s answer, Feb. 8, 2015, is also
not without interest.
“Click on fanciful .”
From The Daily Princetonian on May 29, 2015:
"… well, isn’t that what Reunions is all about?
Making memories?"
"Try to remember the kind of September …."
From this journal on May 29, 2015:
Openings
|
The Dark Horse Rises
The film "Pawn Sacrifice" reportedly opened in Toronto on September 11, 2014.
See as well Log24 posts of that day and Autistic Enchantment.
For Autism Sunday —
Mathematician John von Neumann
reportedly died on this date.
“He belonged to that so-called
Hungarian phenomenon….”
— A webpage titled
“Von Neumann, Jewish Catholic”
Illustrations of another Hungarian phenomenon:
Or: Spectral Theory
(continued from Oct. 2, 2013, and earlier)
A memorable phrase by Verity Stob
at theregister.co.uk on Jan. 26:
"… remember you're not just an emotionless Dalek.
You are in the lavender band of the autistic spectrum."
See also lavender in this journal…
("Dalek, Spacek. Spacek, Dalek.")
Verity herself —
Verity's column, illustrated above, on Nov. 12, 2013,
was titled "Three Men in a Tardis."
Connoisseurs of synchronicity may consult my own
remarks on that date. Three men discussed there
are the two X-Men patriarchs Patrick Stewart and
Ian McKellen, as well as a more interesting character,
composer Sir John Tavener.
(Continued from Sept. 3, 2009)
George Steiner on chess:
"At the sight of a set, even the tawdriest of plastic pocket sets,
one’s fingers arch and a coldness as in a light sleep steals over
one’s spine. Not for gain, not for knowledge or reknown, but
in some autistic enchantment, pure as one of Bach’s inverted
canons or Euler’s formula for polyhedra."
— George Steiner in “A Death of Kings,” The New Yorker,
issue dated September 7, 1968, page 133
A related remark from Dudeney:
See also a different context for 16 squares and 322,560 arrangements.
Part I: The New Yorker
Passages from The New Yorker issue dated March 17, 2014—
"Both autism and psychopathy entail a lack of empathy. Psychologists, though, distinguish between the 'cognitive empathy' deficits of autism (difficulty understanding what emotions are, trouble interpreting other people’s nonverbal signs) and the 'emotional empathy' deficits of psychopathy (lack of concern about hurting other people, an inability to share their feelings). The subgroup of people with neither kind of empathy appears to be small, but such people may act out their malice in ways that can feel both guileless and brutal." — "The Reckoning," by Andrew Solomon
"The question of what constitutes a story is troublesome." — "Long Story Short," by Dana Goodyear
Part II: The New York Times
Part III: Log24
From The New York Times Sunday Book Review of Sept. 1, 2013—
THE GAMAL Reviewed by Katharine Weber Ten years ago, when Mark Haddon’s “Curious Incident of the Dog in the Night-Time” turned up on the best-seller list and won a number of literary awards, the novel’s autistic narrator beguiled readers with his unconventional point of view. Today, even as controversy surrounds the revised classification of autism in the latest version of the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders, the quirky yet remarkably perceptive points of view of autistic narrators have become increasingly familiar in every category of fiction, from young adult to science fiction to popular and literary fiction. Like Haddon’s Christopher Boone, the narrator of Ciaran Collins’s remarkable first novel, “The Gamal,” has been encouraged by a mental health professional to write his story for therapeutic purposes. Charlie McCarthy, 25, is known in the West Cork village of Ballyronan as “the gamal,” short for “gamalog,” a term for a fool or simpleton rarely heard beyond the Gaeltacht regions of Ireland. He is in fact a savant, a sensitive oddball whose cheeky, strange, defiant and witty monologue is as disturbing as it is dazzling. … |
The Gamal features a considerable variety of music. See details at a music weblog.
This, together with the narrator's encouragement "by a mental health professional
to write his story for therapeutic purposes" might interest Baz Luhrmann.
See Luhrmann's recent film "The Great Gatsby," with its portrait of
F. Scott Fitzgerald's narrator, and thus Fitzgerald himself, as a sensitive looney.
The Carraway-Daisy-Gatsby trio has a parallel in The Gamal . (Again, see
the music weblog's description.)
The Times reviewer's concluding remarks on truth, lies, and unreliable autistic
narrators may interest some mathematicians. From an Aug. 29 post—
A different gamalog , a website in Mexico, is not entirely unrelated to
issues of lies and truth—
Yesterday's post in memory of Octavio Paz—
… the free-standing, two-sided “Life-Death Figure,” |
An earlier post yesterday, Fashion Notes, linked to a Sting video—
From "Loo Ree," by Zenna Henderson "It's so hard to explain–" "Oh, foof!" I cried defiantly, taking off my glasses and, smearing the tears across both lenses with a tattered Kleenex. "So I'm a dope, a moron! If I can explain protective coloration to my six-year-olds and the interdependence of man and animals, you can tell me something of what the score is!" I scrubbed the back of my hand across my blurry eyes. "If you have to, start out 'Once upon a time."' I sat down– hard. Loo Ree smiled and sat down, too. "Don't cry, teacher. Teachers aren't supposed to have tears." "I know it," I sniffed. "A little less than human-that's us." "A little more than human, sometimes." Loo Ree corrected gently. "Well then, you must understand that I'll have to simplify. You will have to dress the bare bones of the explanation according to your capabilities. "Once upon a time there was a classroom. Oh, cosmic in size, but so like yours that you would smile in recognition if you could see it all. And somewhere in the classroom something was wrong. Not the whispering and murmuring– that's usual. Not the pinching and poking and tattling that goes on until you get so you don't even hear it." I nodded. How well I knew. "It wasn't even the sudden blow across the aisle or the unexpected wrestling match in the back of the room. That happens often, too. But something else was wrong. It was an undercurrent, a stealthy, sly sort of thing that has to be caught early or it disrupts the whole classroom and tarnishes the children with a darkness that will never quite rub off. "The teacher could feel it –as all good teachers can– and she spoke to the principal. He, being a good principal, immediately saw the urgency of the matter and also saw that it was beyond him, so he called in an Expert." "You?" I asked, feeling quite bright because I had followed the analogy so far. Loo Ree smiled. "Well, I'm part of the Expert." |
"If you have to, start out 'Once upon a time.'"
Yesterday's Paz post was at 6:48 PM EDT.
For the autistic, here is some related mathematics.
Yesterday's Fashion Notes post was at 1:06 PM EDT.
A related chronological note from Rolling Stone yesterday—
"Levon Helm, singer and drummer for the Band,
died on April 19th in New York of throat cancer.
He was 71.
"He passed away peacefully at 1:30 this afternoon…."
Helm and The Band performing "The Weight"—
"I pulled into Nazareth, I was a-feelin' 'bout half past dead…"
See George Steiner on Autistic Enchantment, as well as…
(Click images for further details.)
This year, Autism Awareness Day was April 2.
The twin topics of autism and of narrowing definitions
suggested the following remarks.
The mystical number "318" in the pilot episode
of Kiefer Sutherland's new series about autism, "Touch,"
is so small that it can easily apply (as the pilot
illustrated) to many different things: a date, a
time, a bus number, an address, etc.
The last 3/18 Log24 post— Defining Configurations—
led, after a false start and some further research,
to the writing of the webpage Configurations and Squares.
An image from that page—
Interpreting this, in an autistic manner, as the number
287501346 lets us search for more specific items
than those labeled simply 318.
The search yields, among other things, an offer of
Night Magic Cologne (unsold)—
For further mystery and magic, see, from the date
the Night Magic offer closed— May 8, 2010— "A Better Story."
See also the next day's followup, "The Ninth Gate."
… on Friday, October 30, 2009 ………
(known to some as “Devil’s Night”)………
according to The New York Times…
A search in this journal for “Levi-Strauss” yields various entries, the most recent being “Autistic Enchantment” (Sept. 3, 2009).
Related material:
Today’s New York Times on autism
(A Powerful Identity, a Vanishing Diagnosis)
and Log24 on enchantment.
An instance of the latter (from Feb. 15, 2008):
Door
Step:
“Many dreams have been
brought to your doorstep.
They just lie there
and they die there.”
— Lyricist Ray Evans,
who died at 92
one year ago today
Associated Press –
Feb. 15, 2008
Today in History –
Thought for Today:
Postscript of Nov. 3, 2009:
For more confusion, see
the works of Claude Levi-Strauss.
But according to The Telegraph, Levi-Strauss
died on Saturday, Oct. 31, All Hallows’ Eve.
According to Le Monde, he may have died
even later, on Sunday, Nov. 1, All Saints’ Day.
“Music and mathematics are among the pre-eminent wonders of the race. Levi-Strauss sees in the invention of melody ‘a key to the supreme mystery’ of man– a clue, could we but follow it, to the singular structure and genius of the species. The power of mathematics to devise actions for reasons as subtle, witty, manifold as any offered by sensory experience and to move forward in an endless unfolding of self-creating life is one of the strange, deep marks man leaves on the world. Chess, on the other hand, is a game in which thirty-two bits of ivory, horn, wood, metal, or (in stalags) sawdust stuck together with shoe polish, are pushed around on sixty-four alternately coloured squares. To the addict, such a description is blasphemy. The origins of chess are shrouded in mists of controversy, but unquestionably this very ancient, trivial pastime has seemed to many exceptionally intelligent human beings of many races and centuries to constitute a reality, a focus for the emotions, as substantial as, often more substantial than, reality itself. Cards can come to mean the same absolute. But their magnetism is impure. A mania for whist or poker hooks into the obvious, universal magic of money. The financial element in chess, where it exists at all, has always been small or accidental.
To a true chess player, the pushing about of thirty-two counters on 8×8 squares is an end in itself, a whole world next to which that of a mere biological or political or social life seems messy, stale, and contingent. Even the patzer, the wretched amateur who charges out with his knight pawn when the opponent’s bishop decamps to R4, feels this daemonic spell. There are siren moments when quite normal creatures otherwise engaged, men such as Lenin and myself, feel like giving up everything– marriage, mortgages, careers, the Russian Revolution– in order to spend their days and nights moving little carved objects up and down a quadrate board. At the sight of a set, even the tawdriest of plastic pocket sets, one’s fingers arch and a coldness as in a light sleep steals over one’s spine. Not for gain, not for knowledge or reknown, but in some autistic enchantment, pure as one of Bach’s inverted canons or Euler’s formula for polyhedra.”
— George Steiner in “A Death of Kings,” The New Yorker, issue dated September 7, 1968, page 133
“Examples are the stained-glass windows of knowledge.” —Nabokov
Click above images for some context.
"Have your people
call my people."
— George Carlin
Diamond life, lover boy;
we move in space
with minimum waste
and maximum joy.
— Sade, quoted here on
Lincoln's Birthday, 2003
This is perhaps suitable
for the soundtrack of
the film "Blockheads"
(currently in development)–
Related material from Wikipedia:
"Uta Frith, in her book Autism: Explaining the Enigma,[5] addresses the superior performance of autistic individuals on the block design [link not in Wikipedia] test. This was also addressed in [an] earlier paper.[6] A particularly interesting article demonstrates the differences in construction time in the performance of the block design task by Asperger syndrome individuals and non-Asperger's individuals. An essential point here is that in an unsegmented version of the task, Asperger's individuals performed dramatically faster than non-Asperger's individuals: [7]."
5. Frith, Uta (2003). Autism: explaining the enigma (2nd ed. ). Cambridge, MA: Blackwell Pub. ISBN 0-631-22901-9.
6. Shah A, Frith U (Nov 1993). "Why do autistic individuals show superior performance on the block design task?". J Child Psychol Psychiatry 34 (8): 1351–64. PMID 8294523.
7. Caron MJ, Mottron L, Berthiaume C, Dawson M (Jul 2006). "Cognitive mechanisms, specificity and neural underpinnings of visuospatial peaks in autism". Brain 129 (Pt 7): 1789–802. doi: . PMID 16597652. "Fig 3".
Related material from a film (see Calvinist Epiphany, June 17):
For the relevance of this maxim to autism, see Markoff Process (March 4, 2009).
Welcome to the
Black Hole Café
"Our lifelong friendship made me not only an admirer of the depth, scholarship, and sheer energy of his mathematical work (and of his ceaseless activities as an editorial entrepreneur on behalf of mathematics) but one in awe of his status as the ultimate relaxed sophisticate."
Psychoshop
by Alfred Bester
|
"For every kind of vampire,
there is a kind of cross."
— Thomas Pynchon
"… in some autistic enchantment, pure as one of Bach's inverted canons or Euler's formula for polyhedra."
— George Steiner, "A Death of Kings," in The New Yorker, issue dated Sept. 7, 1968
A correspondence underlying
The Steiner here is
Jakob, not George.
See "Pope to Pray on
Autism Sunday 2009."
See also Log24 on that
Sunday– February 8:
“Music, mathematics, and chess are in vital respects dynamic acts of location. Symbolic counters are arranged in significant rows. Solutions, be they of a discord, of an algebraic equation, or of a positional impasse, are achieved by a regrouping, by a sequential reordering of individual units and unit-clusters (notes, integers, rooks or pawns). The child-master, like his adult counterpart, is able to visualize in an instantaneous yet preternaturally confident way how the thing should look several moves hence. He sees the logical, the necessary harmonic and melodic argument as it arises out of an initial key relation or the preliminary fragments of a theme. He knows the order, the appropriate dimension, of the sum or geometric figure before he has performed the intervening steps. He announces mate in six because the victorious end position, the maximally efficient configuration of his pieces on the board, lies somehow ‘out there’ in graphic, inexplicably clear sight of his mind….”
“… in some autistic enchantment, pure as one of Bach’s inverted canons or Euler’s formula for polyhedra.”
— George Steiner, “A Death of Kings,” in The New Yorker, issue dated Sept. 7, 1968
“Classrooms are filled with discussions not of the Bible and Jesus but of 10 ‘core values’– perseverance and curiosity, for instance– that are woven into the curriculum.”
— “Secular Education, Catholic Values,” by Javier C. Hernandez, The New York Times, Sunday, March 8, 2009
— Raymond Chandler, The Big Sleep
The Chandler quotation appears in “Language Game,” an entry in this journal on April 7, 2008.
Some say the “Language Game” date, April 7, is the true date (fixed, permanent) of the Crucifixion– by analogy, Eliot’s “still point” and Jung’s “centre.” (See yesterday, noon.)
— New York Times obituary of Jacob T. Schwartz dated Tuesday, March 3, 2009
New York Lottery
March 3, 2009:
“Treatment of Autistic Schizophrenic Children with LSD-25 and UML-491“–
“Autistic schizophrenic children present challenging and baffling problems in treatment…. Many of the children have been followed subsequently into later childhood, adolescence, and adulthood…. Meanwhile, a new group of young autistic children are always available for new treatment endeavors as the new modes become available.”*
Dustin in Wonderland
A review of last night’s Grammy awards:
“…the overall mood was a bit subdued (was deadpan host Dustin Hoffman reprising his “Rain Man” role?)….”
Actually, no, it was Sam Peckinpah’s “Straw Dogs.” But mistaking a mathematician for an autistic person is a natural error.
(See “All About Lilith,” Feb. 21.) |
|
Uncle Sam Wants You! (See covers of current Time and next Sunday’s NY Times Book Review.) |
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