
Wednesday, March 18, 2026
New Suspense Thriller —
The Hinge of the Clam
The Hinge of the Clam
Tuesday, March 17, 2026
Meanwhile . . .
Entertainment for the Damned
Entertainment for the Damned
Saturday, July 1, 2023
Mechanical Plaything (Hinged) vs. Conceptual Art (Unhinged)
"Infinity Cube" … hinged plaything, for sale —
"Eightfold Cube" … un hinged concept, not for sale—
See as well yesterday's Trickster Fuge ,
and a 1906 discussion of the eightfold cube:
Wednesday, November 20, 2019
The Secret Life of Walter Minton
For the late Walter J. Minton, publisher at G. P. Putnam's Sons …
"Walter graduated from the Lawrenceville School in New Jersey…."
— New York Times obituary, Wednesday, Nov. 20, 2019
See that school in the post Bloomsday Trinity of June 22, 2016.
After Rothko
RED
_____________________________________________________________________________

GRAY
______________________
Arya on Rothko
“Experience is the best teacher,” they say.
Saturday, October 12, 2019
SNL Drill
Wednesday, August 7, 2019
Rehinged
Recent posts now tagged Black Fire suggest some context . . .
Meditations on the Portals of the Imagination
by Grace Dane Mazur, A K Peters/CRC Press;
first edition November 8, 2010
Interviewer's questions to the author (Feb. 4, 2011) —
"This book fuses together literature, art, science, history,
certainly the underworld–so many different points of obsession
for you, and you move so swiftly among them. It feels like a
magnum opus in that way. Where do you go from here?
After the hinges of hell, what comes next?"
The reviews?
Monday, May 2, 2011
The Vine*
See "Nine is a Vine" and "Hereafter" in this journal.
As quoted here last October 23—
Margaret Atwood on Lewis Hyde's Trickster Makes This World: Mischief, Myth, and Art—
"Trickster is among other things the gatekeeper who opens the door into the next world; those who mistake him for a psychopath never even know such a door exists." (159)
What is "the next world"? It might be the Underworld….
The pleasures of fabulation, the charming and playful lie– this line of thought leads Hyde to the last link in his subtitle, the connection of the trickster to art. Hyde reminds us that the wall between the artist and that American favourite son, the con-artist, can be a thin one indeed; that craft and crafty rub shoulders; and that the words artifice, artifact, articulation and art all come from the same ancient root, a word meaning "to join," "to fit," and "to make." (254) If it’s a seamless whole you want, pray to Apollo, who sets the limits within which such a work can exist. Tricksters, however, stand where the door swings open on its hinges and the horizon expands: they operate where things are joined together, and thus can also come apart.















