From August 10 —
Earlier . . .
Still earlier . . .
This journal on April 17, 2024 . . .
"Time for you to see the field." — Bagger Vance
More recently . . .
The studios, now beholden to much larger companies and financial institutions, became subject to oversight focused on short-term horizons. This summer, I spoke with the head of a film and TV studio purchased by a private-equity firm in recent years. “It used to be there were these big, crusty, old legacy companies that had a longer-term view,” he said, “that could absorb losses, and could take risks. But now everything is driven by quarterly results. The only thing that matters is the next board meeting. You don’t make any decisions that have long-term benefits. You’re always just thinking about, ‘How do I meet my numbers?’ ” Efficiency and risk avoidance began to run the game.
— "The Life and Death of Hollywood: |
Related reading: The previous post and the March 5, 2004,
New York Times review of the movie titled "Starsky & Hutch" —
Tom McCarthy today on a new novel about von Neumann at Los Alamos:
"Beyond its mid-20th-century viewfinder, though, it quickly becomes clear that what The Maniac is really trying to get a lock on is our current age of digital-informational mastery and subjection." "Amid — or, more aptly, beneath — the panoply of brilliant men in The Maniac , women function as bit players. At Los Alamos they’re even called 'computers,' since they carry out the secondary, workaday calculations that are then fed upward for male geniuses to work their magic on. But does von Neumann really deserve the title 'Father of Computers,' granted him here by his first wife, Mariette Kovesi? Doesn’t Ada Lovelace have a prior claim as their mother?" |
"As McCarthy peers through the screen, or veil,
of technological modernity to reveal the underlying
symbolic structures of human experience,
The Making of Incarnation weaves a set of stories
one inside the other, rings within rings, a perpetual
motion machine." — Amazon.com description
of a novel published on All Souls' Day (Dia de los
Muertos), 2021.
The McCarthy novel is mentioned in The New York Times today —
For a simpler perpetual motion machine, see T. S. Eliot's "Chinese jar."
"The nightingale tells his fairy tale" — Song lyric, "Stardust"
Michael Gambon, Celebrated
NYT > Obituaries by Benedict Nightingale /
The actor’s family said he had died peacefully
M. S. Swaminathan, Scientist Who Helped
NYT > Obituaries by Keith Schneider /
|
The drama game …
"… in 2005, he finally achieved his ambition to play Falstaff
in Henry IV, Parts 1 & 2 at the National Theatre."
The art game …
“ ’A babbled of green fields”
— Shakespeare on the death of Falstaff
Art relevant to the pair of obituaries above —
http://m759.net/wordpress/?s=Raphael+Table.
"Should we arbitrate life and death
at a round table or a square one?"
From "Knight to Move," by Fritz Leiber "… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.” Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.” He frowned. “But why did you spill this to me, Erica? If you had played dumb—” “I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.” The Colonel’s mouth almost gaped. |
Her lips are pips
I call her hips
“Twirly” and “Whirly.”
(Pips are the dots on dice. The above "choose us" image in the form of a
St. Bridget's cross is from Twirly Industries, a sportswear maker in Pakistan.)
See as well a Polish poet's meditation
quoted here on St. Bridget's Day, 2012:
Wednesday, February 1, 2012
Politics
|
Related material—
See also At the Still Point (a post in memory of film editor Sally Menke).
"Should we arbitrate life and death
at a round table or a square one?"
See also the two previous posts,
Disturbing Archimedes and Tesseract.
Update—
(American Mathematical Society Feb. 2008
review of Steven Brams’s Superior Beings:
If They Exist, How Would We Know?)
(pdf, 15 megabytes)
"Brams does not attempt to prove or disprove God. He uses elementary ideas from game theory to create situations between a Person (P) and God (Supreme Being, SB) and discusses how each reacts to the other in these model scenarios….
Each player also has a primary and secondary goal. For the Person, the primary goal is to have his belief (or non-belief) confirmed by evidence (or lack thereof). The secondary goal is to 'prefer to believe in SB’s existence.' For the Supreme Being, the primary goal is to have P believe in His existence, while the secondary goal is to not reveal Himself. These goals allow us to rank all the outcomes for each player from best (4) to worst (1). We end up with a matrix as follows (the first number in the parentheses represents the SB's ranking for that box; the second number represents P's ranking):
Analogously:
Lotteries on Bloomsday, June 16, 2008 |
Pennsylvania (No revelation) |
New York (Revelation) |
Mid-day (No belief) |
418
No belief, |
064
Revelation |
Evening (Belief) |
709
Belief without |
198
|
The holy image
denoting belief and revelation
may be interpreted as
a black hole or as a
symbol by James Joyce:
When? Going to dark bed there was a square round Sinbad the Sailor roc's auk's egg in the night of the bed of all the auks of the rocs of Darkinbad the Brightdayler. Where?
— Ulysses, conclusion of Chapter 17 |
Dance of |
Paul Newman as |
From "The Bomb of the Blue God," by M. V. Ramana—
Gita 11:32 —
kalosmi lokaksaya krt pravrddho
"This literally means: I am kala, the great destroyer of Worlds. What is intriguing about this verse, then, is the interpretation of kala by Jungk and others to mean death. While death is technically one of the meanings of kala, a more common one is time."
See 1132 AD & Saint Brighid, and my 2003 weblog entries of January 5 (Twelfth Night and the whirligig of time), January 31 (St. Bridget's Eve), and February 1 (St. Bridget's Day).
The fact that Oppenheimer thought, on this date in 1945, of Chapter 11, verse 32, of the Gita may, as a mnemonic device, be associated with the use of the number 1132 in Finnegans Wake.
Related material for
Michael Flatley on his
July 16 birthday:
Michael and other Irish persons
may benefit from the film
"Indiana Jones and the Temple of Doom"
as an introduction to
the Dance of Shiva and Kali.
On a more personal level:
Log24 entries of July 12 and July 13.
Signifying Nothing
Fred Benninger, the former chairman of MGM Grand and the MGM studio, died at 86 at his home in Las Vegas on Sunday, Feb. 29, 2004.
"Mr. Benninger was well known in the business world for decades, but he made his biggest mark in the gambling industry."
For Benninger, who died on Oscar Day, a two-part story.
Part One
From an entry for
Oscar Day:
Types of Ambiguity
1. Oscar: military phonetic ….
6. Macbeth "…. a tale 7. Enter a Messenger. |
Part Two
From an entry for
Columbus Day, 2003:
|
Songs for Shakespeare
from Willie and Waylon
by Ben Brantley …."Dost thou know me, fellow?" thunders Christopher Plummer, who is giving the performance of a lifetime in the title role of "King Lear"…. Throughout Jonathan Miller's engrossing production of Shakespeare's bleakest tragedy, which opened last night, Mr. Plummer bestrides the boundary between being and nothingness….
The Line, |
LEAR:
Now you better do some thinkin'
then you'll find
You got the only daddy
that'll walk the line.
FOOL:
I've always been different
with one foot over the line….
I've always been crazy
but it's kept me from going insane.
FOOL:
174. …. Now thou art an 0 without |
"…. in the last mystery of all the single figure of what is called the World goes joyously dancing in a state beyond moon and sun, and the number of the Trumps is done. Save only for that which has no number and is called the Fool, because mankind finds it folly till it is known. It is sovereign or it is nothing, and if it is nothing then man was born dead."
— The Greater Trumps,
by Charles Williams, Ch. 14
Follow-up of Friday, March 5
From Arts & Letters Daily,
Weekend Edition, March 6-7, 2004 —
Some readers crave awe more than understanding, and lurid pop science is always there to feed their addiction to junk ideas… more» |
Does Shakespeare’s Lear have a spiritual dimension? “No,” insists Jonathan Miller. “That’s modern, New Age drivel…." more» |
The "more" link of the item at left above leads to an American Scientist article titled
The Importance of
Being Nothingness.
The appearance of these two items side-by-side at Arts & Letters Daily, together with Brantley's remark above, is an example of Jungian synchronicity — a concept that the American Scientist author and Jonathan Miller probably both sneer at. Sneer away.
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