From August 10 —
Earlier . . .
Still earlier . . .
This journal on April 17, 2024 . . .
"Time for you to see the field." — Bagger Vance
More recently . . .

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The studios, now beholden to much larger companies and financial institutions, became subject to oversight focused on short-term horizons. This summer, I spoke with the head of a film and TV studio purchased by a private-equity firm in recent years. “It used to be there were these big, crusty, old legacy companies that had a longer-term view,” he said, “that could absorb losses, and could take risks. But now everything is driven by quarterly results. The only thing that matters is the next board meeting. You don’t make any decisions that have long-term benefits. You’re always just thinking about, ‘How do I meet my numbers?’ ” Efficiency and risk avoidance began to run the game.
— "The Life and Death of Hollywood: |
Related reading: The previous post and the March 5, 2004,
New York Times review of the movie titled "Starsky & Hutch" —
Tom McCarthy today on a new novel about von Neumann at Los Alamos:
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"Beyond its mid-20th-century viewfinder, though, it quickly becomes clear that what The Maniac is really trying to get a lock on is our current age of digital-informational mastery and subjection." "Amid — or, more aptly, beneath — the panoply of brilliant men in The Maniac , women function as bit players. At Los Alamos they’re even called 'computers,' since they carry out the secondary, workaday calculations that are then fed upward for male geniuses to work their magic on. But does von Neumann really deserve the title 'Father of Computers,' granted him here by his first wife, Mariette Kovesi? Doesn’t Ada Lovelace have a prior claim as their mother?" |

"As McCarthy peers through the screen, or veil,
of technological modernity to reveal the underlying
symbolic structures of human experience,
The Making of Incarnation weaves a set of stories
one inside the other, rings within rings, a perpetual
motion machine." — Amazon.com description
of a novel published on All Souls' Day (Dia de los
Muertos), 2021.
The McCarthy novel is mentioned in The New York Times today —
For a simpler perpetual motion machine, see T. S. Eliot's "Chinese jar."
"The nightingale tells his fairy tale" — Song lyric, "Stardust"
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Michael Gambon, Celebrated
NYT > Obituaries by Benedict Nightingale /
The actor’s family said he had died peacefully
M. S. Swaminathan, Scientist Who Helped
NYT > Obituaries by Keith Schneider /
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The drama game …
"… in 2005, he finally achieved his ambition to play Falstaff
in Henry IV, Parts 1 & 2 at the National Theatre."
The art game …
“ ’A babbled of green fields”
— Shakespeare on the death of Falstaff
Art relevant to the pair of obituaries above —
http://m759.net/wordpress/?s=Raphael+Table.
"Should we arbitrate life and death
at a round table or a square one?"
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From "Knight to Move," by Fritz Leiber "… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.” Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.” He frowned. “But why did you spill this to me, Erica? If you had played dumb—” “I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.” The Colonel’s mouth almost gaped. |
Her lips are pips
I call her hips
“Twirly” and “Whirly.”
(Pips are the dots on dice. The above "choose us" image in the form of a
St. Bridget's cross is from Twirly Industries, a sportswear maker in Pakistan.)
See as well a Polish poet's meditation
quoted here on St. Bridget's Day, 2012:
Wednesday, February 1, 2012
Politics
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Related material—
See also At the Still Point (a post in memory of film editor Sally Menke).
"Should we arbitrate life and death
at a round table or a square one?"
See also the two previous posts,
Disturbing Archimedes and Tesseract.
Update—
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