Log24

Friday, September 17, 2010

The Galois Window

Filed under: General,Geometry — Tags: , , , — m759 @ 5:01 am

Yesterday's excerpt from von Balthasar supplies some Catholic aesthetic background for Galois geometry.

That approach will appeal to few mathematicians, so here is another.

Euclid's Window: The Story of Geometry from Parallel Lines to Hyperspace  is a book by Leonard Mlodinow published in 2002.

More recently, Mlodinow is the co-author, with Stephen Hawking, of The Grand Design  (published on September 7, 2010).

A review of Mlodinow's book on geometry—

"This is a shallow book on deep matters, about which the author knows next to nothing."
— Robert P. Langlands, Notices of the American Mathematical Society,  May 2002

The Langlands remark is an apt introduction to Mlodinow's more recent work.

It also applies to Martin Gardner's comments on Galois in 2007 and, posthumously, in 2010.

For the latter, see a Google search done this morning—

http://www.log24.com/log/pix10B/100917-GardnerGalois.jpg

Here, for future reference, is a copy of the current Google cache of this journal's "paged=4" page.

Note the link at the bottom of the page in the May 5, 2010, post to Peter J. Cameron's web journal. Following the link, we find…

For n=4, there is only one factorisation, which we can write concisely as 12|34, 13|24, 14|23. Its automorphism group is the symmetric group S4, and acts as S3 on the set of three partitions, as we saw last time; the group of strong automorphisms is the Klein group.

This example generalises, by taking the factorisation to consist of the parallel classes of lines in an affine space over GF(2). The automorphism group is the affine group, and the group of strong automorphisms is its translation subgroup.

See also, in this  journal, Window and Window, continued (July 5 and 6, 2010).

Gardner scoffs at the importance of Galois's last letter —

"Galois had written several articles on group theory, and was
merely annotating and correcting those earlier published papers."
Last Recreations, page 156

For refutations, see the Bulletin of the American Mathematical Society  in March 1899 and February 1909.

Saturday, December 24, 2022

Window as Matrix

Filed under: General — Tags: , — m759 @ 9:57 am

Grids

Author: Rosalind Krauss
Source: October , Vol. 9 (Summer, 1979), pp. 50-64
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/778321

From page 59:

"Flowing and freezing; glace  in French means glass, mirror, and ice;
transparency, opacity, and water. In the associative system
of symbolist thought this liquidity points in two directions.
First, towards the flow of birth-the amniotic fluid, the 'source'-
but then, towards the freezing into stasis or death-
the unfecund immobility of the mirror. For Mallarmé, particularly,
the window functioned as this complex, polysemic sign by which
he could also project the 'crystallization  of reality into art.' 5
Mallarmé's Les Fenêtres  dates from 1863;
Redon's most evocative window, Le Jour , appeared in 1891
in the volume Songes . If the window is this matrix of
ambi- or multivalence, and the bars of the windows-the grid-
are what help us to see, to focus on, this matrix, they are
themselves the symbol of the symbolist work of art.
They function as the multilevel representation through which
the work of art can allude, and even reconstitute, the forms of Being."

5 Robert G. Cohn, "Mallarmé's Windows," Yale French Studies ,
no. 54 (1977), 23-31.

Another evocative example — See Galois Window in this  journal.

Friday, November 25, 2011

Window Actions

Filed under: General,Geometry — Tags: — m759 @ 4:25 pm

A post by Gowers today on group actions suggests a review.

See WindowWindow Continued,  and The Galois Window.

Wednesday, February 9, 2011

An Abstract Window

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

The sliding window in blue below

http://www.log24.com/log/pix11/110209-SymFrameBWPageSm.jpg

Click for the web page shown.

is an example of a more general concept.

Such a sliding window,* if one-dimensional of length n , can be applied to a sequence of 0's and 1's to yield a sequence of n-dimensional vectors. For example— an "m-sequence" (where the "m" stands for "maximum length") of length 63 can be scanned by a length-6 sliding window to yield all possible 6-dimensional binary vectors except (0,0,0,0,0,0).

For details, see A Galois Field

http://www.log24.com/log/pix11/110209-GaloisStamp.jpg

The image is from Bert Jagers at his page on the Galois field GF(64) that he links to as "A Field of Honor."

For a discussion of the m-sequence shown in circular form above, see Jagers's  "Pseudo-Random Sequences from GF(64)." Here is a noncircular version of the length-63 m-sequence described by Jagers (with length scale below)—

100000100001100010100111101000111001001011011101100110101011111
123456789012345678901234567890123456789012345678901234567890123

This m-sequence may be viewed as a condensed version of 63 of the 64 I Ching  hexagrams. (See related material in this journal.)

For a more literary approach to the window concept, see The Seventh Symbol (scroll down after clicking).

* Moving windows also appear (in a different way) In image processing, as convolution kernels .

Thursday, December 17, 2020

In Memoriam

Filed under: General — Tags: , — m759 @ 1:29 pm

Composer Harold Budd reportedly died at 84 on December 8
in Arcadia, California.

"The way I work is that
I focus entirely on a small thing
and try to milk that for all it's worth,
to find everything in it
that makes musical sense,"
Budd explained in a 1997 interview….

Elegy for Budd at NPR

See related remarks in posts now tagged Quartet,
as well as posts now tagged Galois Window.

Wednesday, December 16, 2020

Kramer’s Cross

Filed under: General — Tags: , — m759 @ 12:21 am

See Crucial Kramer and Galois Window.

Tuesday, November 20, 2018

Logos

Filed under: General,Geometry — Tags: , , — m759 @ 12:21 pm

(Continued)

Musical accompaniment from Sunday morning

'The Eddington Song'

Update of Nov. 21 —

The reader may contrast the above Squarespace.com logo
(a rather serpentine version of the acronym SS) with a simpler logo
for a square space (the Galois window ):

Saturday, April 29, 2017

For the Church of Synchronology*

Filed under: General,Geometry — Tags: , , — m759 @ 2:00 pm

A book cover from Amazon.com —

See also this journal on the above date, September 27, 2016 —

Chomsky and Levi-Strauss in China,
Or: Philosophy for Jews
.

Some other remarks related to the figure on the book cover —

Field Theology and Galois Window.

* See Synchronology in this journal.

Saturday, February 18, 2012

Logo

Filed under: General,Geometry — Tags: , , — m759 @ 8:48 am

Pentagram design agency on the new Windows 8 logo

"… the logo re-imagines the familiar four-color symbol
as a modern geometric shape"—

http://www.log24.com/log/pix12/120218-Windows8Logo.jpg

Sam Moreau, Principal Director of User Experience for Windows,
yesterday—

On Redesigning the Windows Logo

"To see what is in front of one's nose
needs a constant struggle."
George Orwell

That is the feeling we had when Paula Scher
(from the renowned Pentagram design agency)
showed us her sketches for the new Windows logo.

Related material:

http://www.log24.com/log/pix12/120218-SmallSpaces-256w.gif

Tuesday, January 24, 2012

The Infinity Point

Filed under: General,Geometry — Tags: , — m759 @ 2:20 pm

From Labyrinth of the Line (March 2, 2011)—

"… construct the Golay code by taking the 24 points
to be the points of the projective line F23 ∪ {}…."

— Robert A. Wilson

A simpler projective line— a Galois geometry
model of the line F2 ∪ {}—

Image- The Three-Point Line: A Finite Projective Geometry

Here we may consider  to be modeled*
by the third square above— the Galois window .

* Update of about 1 AM Jan. 25, 2012—
  This infinity-modeling is of course a poetic conceit,
  not to be taken too seriously. For a serious 
  discussion of points at infinity and finite fields,
  see (for instance) Daniel Bump's "The Group GL(2)."

Thursday, November 24, 2022

The Drum Machine

Filed under: General — Tags: , , , — m759 @ 2:18 pm

"A struggling music producer sells his soul to a 1970s drum machine."

— Summary of a short film by Kevin Ignatius, "Hook Man."

The music producer pawns his current drum device 
and acquires a demonic 1970s machine.


Artistic symbolism —

The 16-pad device at left may be viewed by enthusiasts of ekphrasis
as a Galois tesseract, and the machine at right as the voice of
Hal Foster, an art theorist who graduated from Princeton in 1977.

For an example of Foster's prose style, see
the current London Review of Books.

Tuesday, July 5, 2022

For Ron Howard, Tom Hanks, and Dan Brown — Symbology!

Filed under: General — m759 @ 1:22 am

Wednesday, February 17, 2016

“Blank Space” Accolades

Filed under: General,Geometry — m759 @ 9:00 pm

A post in memory of British theatre director Peter Wood,
who reportedly died on February 11, 2016.

The Album of the Year Grammy:

From the date of the director's death —

"Leave a space." — Tom Stoppard

Thursday, June 13, 2013

Gate

Filed under: General,Geometry — Tags: , , , — m759 @ 2:13 pm

"Eight is a Gate." — Mnemonic rhyme

Today's previous post, Window, showed a version
of the Chinese character for "field"—

This suggests a related image

The related image in turn suggests

Unlike linear perspective, axonometry has no vanishing point,
and hence it does not assume a fixed position by the viewer.
This makes axonometry 'scrollable'. Art historians often speak of
the 'moving' or 'shifting' perspective in Chinese paintings.

Axonometry was introduced to Europe in the 17th century by
Jesuits returning from China.

Jan Krikke

As was the I Ching.  A related structure:

Thursday, December 13, 2012

Vibrations

Filed under: General,Geometry — m759 @ 11:18 am

 Or:  A Funny Thing Happened
     on the Way to the Embedding

This journal on the morning of Saturday, Dec. 8, 2012:

Plato's Diamond embedded in The Matrix

Marilyn Monroe and her music coach in 1954,
from last night's online New York Times :

" 'We were very close to making love; I don’t remember
the stage we were at, but I would say half-dressed,'
Mr. Schaefer recalled. He added: 'And all of a sudden
for some reason, Marilyn got these vibrations, and
we went over to the window….' "  more »

"Mr. Schaefer died on Saturday at 87 at his home in
Fort Lauderdale, Fla. ….

He [had] coached Monroe through 'Diamonds Are
a Girl’s Best Friend,' her signature number in the
1953 movie 'Gentlemen Prefer Blondes' (he arranged
the music as well)…."

Perhaps on Saturday she returned the favor.

Saturday, December 16, 2006

Saturday December 16, 2006

Filed under: General,Geometry — m759 @ 10:31 am
 
Cubism1 as Multispeech2
The image “http://www.log24.com/log/pix06B/061216-Cubism.gif” cannot be displayed, because it contains errors.

— From Pedagogy, Praxis, Ulysses
 

A quotation omitted from the above excerpt:

In Ulysses, there is "… the same quality of simultaneity as in cubist collage. Thus, for example, Bloom surveys the tombstones at Paddy Dignam's funeral and, in the midst of platitudinous and humorous thoughts, remembers Molly 'wanting to do it at the window'…."

Related material from quotations at the poetry journal eratio:

"The guiding law of the great variations in painting is one of disturbing simplicity.  First things are painted; then, sensations; finally, ideas.  This means that in the beginning the artist's attention was fixed on external reality; then, on the subjective; finally, on the intrasubjective.  These three stages are three points on a straight line."

— Jose Ortega y Gasset ("On Point of View in the Arts," an essay on the development of cubism)

Related material on
tombstones and windows:

Geometry's Tombstones,
Galois's Window, and
Architecture of Eternity.

 
The image “http://www.log24.com/theory/images/GaloisWindow.gif” cannot be displayed, because it contains errors.

See also the following part
of the eratio quotations:

The image “http://www.log24.com/log/pix06B/061216-Dilemma.jpg” cannot be displayed, because it contains errors.

Quotations arranged by
Gregory Vincent St. Thomasino

1 Or hypercubism: See 10/31/06.

2 Or "Wake" speech: See 10/31/05.
 

Friday, November 24, 2006

Friday November 24, 2006

Filed under: General,Geometry — Tags: — m759 @ 1:06 pm
Galois’s Window:

Geometry
from Point
to Hyperspace


by Steven H. Cullinane

  Euclid is “the most famous
geometer ever known
and for good reason:
  for millennia it has been
his window
  that people first look through
when they view geometry.”

  Euclid’s Window:
The Story of Geometry
from Parallel Lines
to Hyperspace
,
by Leonard Mlodinow

“…the source of
all great mathematics
is the special case,
the concrete example.
It is frequent in mathematics
that every instance of a
  concept of seemingly
great generality is
in essence the same as
a small and concrete
special case.”

— Paul Halmos in
I Want To Be a Mathematician

Euclid’s geometry deals with affine
spaces of 1, 2, and 3 dimensions
definable over the field
of real numbers.

Each of these spaces
has infinitely many points.

Some simpler spaces are those
defined over a finite field–
i.e., a “Galois” field–
for instance, the field
which has only two
elements, 0 and 1, with
addition and multiplication
as follows:

+ 0 1
0 0 1
1 1 0
* 0 1
0 0 0
1 0 1
We may picture the smallest
affine spaces over this simplest
field by using square or cubic
cells as “points”:
Galois affine spaces

From these five finite spaces,
we may, in accordance with
Halmos’s advice,
select as “a small and
concrete special case”
the 4-point affine plane,
which we may call

Galois's Window

Galois’s Window.

The interior lines of the picture
are by no means irrelevant to
the space’s structure, as may be
seen by examining the cases of
the above Galois affine 3-space
and Galois affine hyperplane
in greater detail.

For more on these cases, see

The Eightfold Cube,
Finite Relativity,
The Smallest Projective Space,
Latin-Square Geometry, and
Geometry of the 4×4 Square.

(These documents assume that
the reader is familar with the
distinction between affine and
projective geometry.)

These 8- and 16-point spaces
may be used to
illustrate the action of Klein’s
simple group of order 168
and the action of
a subgroup of 322,560 elements
within the large Mathieu group.

The view from Galois’s window
also includes aspects of
quantum information theory.
For links to some papers
in this area, see
  Elements of Finite Geometry.

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