Log24

Tuesday, November 10, 2020

The Lost Girls of 1983

Filed under: General — Tags: — m759 @ 3:45 am

Or:  The Doily Man Meets Roger Vadim

Thursday, July 18, 2019

Enveloping-Algebra Note, 1983

Filed under: General — Tags: — m759 @ 1:35 pm

Click for the pages below at Internet Archive.

Enveloping algebras also appeared later in the work on "crystal bases
of Masaki Kashiwara.  It seems highly unlikely that his  work on enveloping
algebras, or indeed any part of his work on crystal bases, has any relation 
to my own earlier notes.

A 1995 page by Kashiwara —

Kashiwara was honored with a Kyoto prize in 2018:

Kashiwara's 2018 Kyoto Prize diploma —

Wednesday, July 12, 2023

Form and Subject

Filed under: General — m759 @ 6:59 am

"Mr. Kundera told The Paris Review  in 1983:

'My lifetime ambition has been to unite
the utmost seriousness of question with
the utmost lightness of form. The combination of
a frivolous form and a serious subject
immediately unmasks the truth about our dramas
(those that occur in our beds as well as those that
we play out on the great stage of History) and their
awful insignificance. We experience the unbearable
lightness of being.' "

The above is from The New York Times  this morning.
The Times says that Kundera died yesterday in Paris at 94.

For another meeting of form and subject, see The Grid.

Saturday, March 18, 2023

Blocking Groups*

Filed under: General — Tags: — m759 @ 10:10 am

Kitty in Uncanny X-Men #168 (April 1983)

"Try Bing Chat, Kitty."

* A Harvard phrase for a process analogous to that of the Hogwarts Sorting Hat.

Friday, November 18, 2022

Ay Que Bonito

Filed under: General — Tags: — m759 @ 2:00 am

See the above title and Barbara Johnson in this journal.
Johnson taught at Harvard for 25 years, starting in 1983.
See also Harvard in the previous post, The Crimson Riddle.

Thursday, October 6, 2022

From Mysticism to Mathematics

Filed under: General — Tags: , — m759 @ 2:48 pm

[Klein, 1983] S. Klein.
"Analogy and Mysticism and the Structure of Culture
(and Comments & Reply)
"
Current Anthropology , 24 (2):151–180, 1983.

The citation above is from a 2017 paper —

"Analogy-preserving Functions:
A Way to Extend Boolean Samples
,"
by M. Couceiro, N. Hug, H. Prade, G, Richard.
26th International Joint Conference on Artificial Intelligence
(IJCAI 2017), Aug. 2017, Melbourne, Australia. pp.1-7, ff.

That 2017 paper discusses Boolean functions .

Some more-recent remarks on these functions
as pure  mathematics —

"On the Number of Affine Equivalence Classes
of Boolean Functions,
" by Xiang-dong Hou,
arXiv:2007.12308v2 [math.CO]. Rev. Aug. 18, 2021.

See also other posts now tagged Analogy and Mysticism.

Friday, September 23, 2022

Monday, March 7, 2022

Pictures for an Exhibition

Filed under: General — m759 @ 11:00 pm

The Hunger Game —

David Bowie and Catherine Deneuve star in 'The Hunger' (1983).

The Ellenberg Epigraph —

The Epigraph Source

Thursday, December 16, 2021

Veritas

Filed under: General — Tags: , — m759 @ 9:29 am

"You get right down to the naked truth
With those dirty, dirty looks" — Juice Newton (1983)

Search result for "Sandringham juice octads" —

Sandringham apple juice MOG octads

Friday, September 3, 2021

Hallmark: Snopes vs. Greenfield

Filed under: General — m759 @ 2:44 pm

For Snopes

https://www.snopes.com/fact-check/
brooke-shields-nude-child-photo/

" The lawsuit was dismissed in a 4-3 decision 
by the New York State Supreme Court.
Justice Edward Greenfield stated that
the pictures were 'not erotic or pornographic' 
except to 'possibly perverse minds….' "

For Greenfield

"… flights of rhetoric were a hallmark of the thousands
of opinions Justice Greenfield crafted during his three
decades on the trial bench. He died on Aug. 26 at his home
in Manhattan, his son Mark said. He was 98."

 — Katharine Q. Seelye of The New York Times  online today

Also on Aug. 26 —

Introibo for Buck Mulligan
in posts tagged Bar Exam.

Wednesday, September 1, 2021

Obiter Dicta

Filed under: General — Tags: , — m759 @ 6:58 pm

The title is a phrase from Tom Wolfe's The Painted Word —

"the seemingly innocuous obiter dicta ,
the words in passing, that give the game away"

The President on July 23, per USA TODAY

"And there’s a need, whether it is true or not,
there is a need to project a different picture."

Related material —

EVERY LAST EASTER EGG AND REFERENCE
IN EPISODE 6 OF HBO'S WATCHMEN
 .

Wikipedia — "For the 72nd Primetime Emmy Awards, 
Damon Lindelof and Cord Jefferson won the award
for Outstanding Writing for a Limited Series, Movie,
or Dramatic Special for this episode."

Wikipedia on Lindelof

See also . . . The Bard of Teaneck —

"What if Shakespeare had been born in Teaneck, N.J., in 1973?

He would call himself Spear Daddy. His rap would exhibit a profound,
nuanced understanding of the frailty of the human condition, exploring
the personality in all its bewildering complexity: pretension, pride,
vulnerability, emotional treachery, as well as the enduring triumph of love.

Spear Daddy would disappear from the charts in about six weeks."

—  Gene Weingarten in the Washington Post,
     Sunday, Oct. 2, 2005

Weingarten's remarks were quoted here  on that Sunday, along with
the following illustration —

Spear Daddy!

'The Deceivers'— A novel by Alfred Bester, author of 'The Stars My Destination

Saturday, August 14, 2021

North of Big Snake

Filed under: General — m759 @ 11:18 am

The title refers to a Log24 post of Feb. 8, 2021.

Detail from an image in that post:

 By groping toward the light we are made to realize
 how deep the darkness is around us." — Arthur Koestler

Related Hollywood remark:

"You've blown communication
…as we've known it… right out of
the water. You know that, don't you?"

— Cliff Robertson in Brainstorm  (1983)

Sunday, July 11, 2021

Night at the Museum:  After Yang

Filed under: General — m759 @ 1:02 am

See Wang Wei Journey to the Source of the Peach Blossom River .

Related Hollywood remark:

"You've blown communication
…as we've known it… right out of
the water. You know that, don't you?"

— Cliff Robertson in Brainstorm  (1983)

Sunday, March 14, 2021

Retro: Reading The Human Stain

Filed under: General — m759 @ 1:07 pm

Related reading —

Some art from a different rural location in October 1983 —

 

Saturday, March 13, 2021

Eternal Spark

Filed under: General — Tags: , — m759 @ 9:43 am

According to Lt. Col. Wayne M. McDonnell in June 1983 —

“… it is accurate to observe that when a person experiences
the out-of- body state he is, in fact, projecting that eternal spark
of consciousness and memory which constitutes the ultimate
source of his identity….”

— Section 27, “Consciousness in Perspective,” of
“Analysis and Assessment of Gateway Process.”

A related quotation —

“In truth, the physical AllSpark  is but a shell….”

https://tfwiki.net/wiki/AllSpark

From the post Ghost in the Shell  (Feb. 26, 2019) —

See also, from posts tagged Ogdoad Space

“Like the Valentinian Ogdoad— a self-creating theogonic system
of eight Aeons in four begetting pairs— the projected eightfold work
had an esoteric, gnostic quality; much of Frye’s formal interest lay in
the ‘schematosis’ and fearful symmetries of his own presentations.”

— From p. 61 of James C. Nohrnberg’s “The Master of the Myth
of Literature: An Interpenetrative Ogdoad for Northrop Frye,”
Comparative Literature , Vol. 53 No. 1, pp. 58-82, Duke University
Press (quarterlyJanuary 2001)

— as well as . . .

Related illustration from posts tagged with
the quilt term Yankee Puzzle

IMAGE- 'Yankee Puzzle' quilt block pattern on cover of Northrop Frye's 'Anatomy of Criticism'

Friday, March 12, 2021

Grid

Filed under: General — Tags: — m759 @ 10:45 am

IMAGE- The Trinity Cube (three interpenetrating planes that split the eightfold cube into its eight subcubes)

See Trinity Cube in this  journal and . . .

McDonnell’s illustration is from 9 June 1983.
See as well a less official note from later that June.

Thursday, January 21, 2021

Cock Tale for Rikki

Filed under: General — Tags: , — m759 @ 4:50 pm

With apologies to those readers unable to follow knight moves .

The Queen's Gambit , by Walter Tevis,
published Feb. 1983

“Would you care for a cocktail?” he asked pleasantly.
She looked around her at 
the quiet restaurant,
at the people eating lunch, at the 
table with desserts
near the velvet rope at the entrance to 
the dining room.
“A Gibson,” she said. “On the rocks.”

Omni  July 1982

"A silver tide of phosphenes boiled across my field of vision
as the matrix began to unfold in my head, a 3-D chessboard,
infinite and perfectly transparent."

Steely Dan, 1974 —

"'Rikki Don't Lose That Number' is a single
released in 1974 by rock/jazz rock group Steely Dan
and the opening track of their third album Pretzel Logic .
It was the most successful single of the group's career,
peaking at number 4 on the Billboard  Hot 100 in
the summer of 1974." — Wikipedia

Brian Harley, Mate in Two Moves , 1931—

The key is the cocktail that begins the proceedings.”

See as well my post "Introduction to Cyberspace" (May 26, 2020).

 

Sunday, January 17, 2021

Point of View

Filed under: General — m759 @ 11:00 pm

Susan Sarandon in “White  Palace” (1990, based on a 1987 novel).

David Bowie and Catherine Deneuve star in 'The Hunger' (1983).

Sarandon also starred in “The Hunger” (1983), along with David Bowie
and Catherine Deneuve (above).

The Janine Corner

Filed under: General — m759 @ 1:28 pm

— “The squares have names?”
— “And sometimes the corners too.”

Thursday, January 14, 2021

Dial 6 for MNO

Filed under: General — Tags: , — m759 @ 1:38 am

Rotary telephone dial illustrating Nabokov's 'Signs and Symbols'

Image from a post of January 2, 2009

A sentence by Walter Tevis in his 1983 novel
The Queen's Gambit

"She picked up the phone and dialed six."

Wednesday, January 13, 2021

Hint

Filed under: General — m759 @ 1:48 am

From The Queen’s Gambit , by Walter Tevis (1983) —

“She stopped and turned to Beth. ‘There is no hint of a
Protestant ethic in Mexico. They are all Latin Catholics,
and they all live in the here and now.’ Mrs. Wheatley
had been reading Alan Watts. ‘I think I’ll have just one
margarita before I go out. Would you call for one, honey?’

Back in Lexington, Mrs. Wheatley’s voice would sometimes
have a distance to it, as though she were speaking from
some lonely reach of an interior childhood. Here in Mexico City
the voice was distant but the tone was theatrically gay, as though
Alma Wheatley were savoring an incommunicable private mirth.
It made Beth uneasy. For a moment she wanted to say something
about the expensiveness of room service, even measured in pesos,
but she didn’t. She picked up the phone and dialed six. The man
answered in English. She told him to send a margarita and a large
Coke to 713.”

Mirror, Mirror

Monday, January 11, 2021

Sein Feld  Continues.

Filed under: General — m759 @ 5:08 am

Dialogue from the recent Netflix series “Queen’s Gambit” —

Miss Jean Blake, interviewer from LIFE  — “The board?”

Beth Harmon — “Yes. It’s an entire world
of just 64 squares. I feel safe in it. I can control it.
I can dominate it. And it’s predictable, so if I get hurt,
I only have myself to blame.”

This passage, and other psychological claptrap in the Netflix version,
does not occur in the original 1983 novel by Walter Tevis.

Related material — Sein Feld  in this journal.

Friday, December 18, 2020

De Corpore*

Filed under: General — m759 @ 4:14 pm

* De Corpore  had a negative effect on Hobbes’s scholarly reputation.
The inclusion of a claimed solution for squaring the circle, an apparent
afterthought rather than a systematic development, led to an extended
pamphlet war in the Hobbes-Wallis controversy.  — Wikipedia

Another afterthought, in the style of Kinbote  —
A search in this   journal for Peter M. Neumann
yields a link to Transformations over a bridge (1983 Aug. 16).

Wednesday, November 18, 2020

La Chanson Fatale

Filed under: General — Tags: — m759 @ 11:31 pm

Harold Edwards, a founding co-editor of The Mathematical Intelligencer ,
reportedly  died at 84 on Tuesday, Nov. 10, 2020.

Images from this  journal on that date

"Surprise Party" revisited —

A Philippine meditation by Alex Garland quoted here on May 6, 2010

Saturday, October 24, 2020

The Galois Tesseract

Filed under: General — Tags: — m759 @ 9:32 am

Stanley E. Payne and J. A. Thas in 1983* (previous post) —

“… a 4×4 grid together with
the affine lines on it is AG(2,4).”

Payne and Thas of course use their own definition
of affine lines on a grid.

Actually, a 4×4 grid together with the affine lines on it
is, viewed in a different way, not AG(2,4) but rather AG(4,2).

For AG(4,2) in the proper context, see
Affine Groups on Small Binary Spaces and
The Galois Tesseract.

* And 26 years later,  in 2009.

Grids

Filed under: General — Tags: — m759 @ 9:00 am

Wikipedia on what has been called “the doily” —

“The smallest non-trivial generalized quadrangle
is GQ(2,2), whose representation* has been dubbed
‘the doily’ by Stan Payne in 1973.”

A later publication relates the doily to grids.

From Finite Generalized Quadrangles , by Stanley E. Payne
and J. A. Thas, December 1983, at researchgate.net, pp. 81-82—

“Then the lines … define a 3×3 grid G  (i.e. a grid
consisting of 9 points and 6 lines).”
. . . .
“So we have shown that the grid G  can completed [sic ]
in a unique way to a grid with 8 lines and 16 points.”
. . . .
“A 4×4 grid defines a linear subspace
of  the 2−(64,4,1) design, i.e. a 4×4 grid
together with the affine lines on it is AG(2,4).”

A more graphic approach from this journal —

Seven is Heaven...

Click the image for further details.

* This wording implies that GQ(2,2) has a unique
visual representation. It does not. See inscape .

Friday, September 18, 2020

Adoration of the Cube

Filed under: General — Tags: — m759 @ 3:25 am

“WHEN I IMAGINE THE CUBE, I see a structure in motion.
I see the framework of its edges, its corners, and its flexible joints,
and the continuous transformations in front of me (before you start
to worry, I assure you that I can freeze it anytime I like). I don’t see
a static object but a system of dynamic relations. In fact, this is only
half of that system. The other half is the person who handles it.
Just like everything else in our world, a system is defined by
its place
within a network of relations—to humans, first of all.”

— Rubik, Erno.  Cubed   (p. 165). Flatiron Books. Kindle Ed., 2020.

Compare and contrast — Adoration of the Blessed Sacrament.

Sunday, July 26, 2020

Hollywood Elegy

Filed under: General — Tags: — m759 @ 1:36 pm

Saturday, July 4, 2020

Plan 9 from Oz

Filed under: General — Tags: — m759 @ 4:13 am

Image from a film review of “Eureka” (a 1983 film by Nicolas Roeg).
Note the date of the review — January 09, 2015.

Also on January 09, 2015 —

Related cinematic philosophy —

Final scene from 'Paths of Glory'

Note the number, 701, on the colonel’s collar.

Friday, July 3, 2020

The Hot Rock

Filed under: General — Tags: — m759 @ 1:38 pm

See also a different interpretation, by David Lynch,
of the “twin peaks” concept —

Midrash for Mayakofsky

Thursday, July 2, 2020

The Speed of Thought

Filed under: General — Tags: — m759 @ 5:49 pm

From the above search result — “0.69 seconds.”

See as well Theresa Russell and Rutger Hauer in Eureka .  . .

See also a different interpretation, by David Lynch,
of the “twin peaks” concept —

Wednesday, May 15, 2019

Hunger Games

Filed under: General — m759 @ 1:26 pm

Two items from November 24, 2015 —

Tuesday, November 24, 2015

Tools

Filed under: General — m759 @ 11:11 PM 

In memory of economic historian Douglass C. North,
who reportedly died Monday, Nov. 23, 2015 —

We needed new tools, but they simply did not exist.”

Related reading and viewing —

Beattyville, Kentucky and Log24 post About the People.

Related material —

David Bowie and Catherine Deneuve star in 'The Hunger' (1983).

 David Bowie and Catherine Deneuve star in "The Hunger" (1983).

Vampira and Loki at Cannes

Sunday, May 6, 2018

The Osterman Omega

Filed under: General,Geometry — Tags: , — m759 @ 5:01 pm

From "The Osterman Weekend" (1983) —

Counting symmetries of the R. T. Curtis Omega:

An Illustration from Shakespeare's birthday

Counting symmetries with the orbit-stabilizer theorem

Monday, April 2, 2018

A Puzzle for the Clueless

Filed under: General — Tags: — m759 @ 10:29 pm

From this evening's online New York Times

Or ask Log24.

Saturday, March 3, 2018

Thanking the Academy

Filed under: General — Tags: , — m759 @ 11:05 pm

Blackboard Jungle , 1955 —

IMAGE- Richard Kiley in 'Blackboard Jungle,' with grids and broken records

“Every transition from major to minor in a sonata, every transformation
of a myth or a religious cult, every classical or artistic formulation was,
I realized in that flashing moment, if seen with a truly meditative mind,
nothing but a direct route into the interior of the cosmic mystery….”

— Hermann Hesse, The Glass Bead Game

“How strange the change from major to minor….”

— Cole Porter, “Every Time We Say Goodbye“

Wednesday, October 25, 2017

Harvard Canvas

Filed under: General — m759 @ 12:00 pm

Background:

https://canvas.harvard.edu/files/1075839/
download?download_frd=1
&verifier=hF1KBmm7pQJkJxgQ3lXk7qDlPWIhSQ89qrlnceIM
.

See posts now tagged Slab.

Wednesday, June 21, 2017

Concept and Realization

Filed under: General,Geometry — Tags: , , — m759 @ 1:12 pm

Remark on conceptual art quoted in the previous post

"…he’s giving the concept but not the realization."

A concept See a note from this date in 1983:

IMAGE- 'Solomon's Cube'

A realization  

Webpage demonstrating symmetries of 'Solomon's Cube'

Not the best possible realization, but enough for proof of concept .

Thursday, May 18, 2017

Marquee Moon continues

Filed under: General — Tags: — m759 @ 1:01 pm

Exit stage right, enter stage center, exit stage left —

A search for "Darkness Doubled" in this journal yields a link 
to a post on "endgame art" which leads in turn to a post with
the following quotation —

"It is proposed that the two structures of grid and target
are the symbolic vehicles par excellence . . . ."

— Review of Rudolf Arnheim's The Power of the Center:
A Study of Composition in the Visual Arts
  (U. of Calif. Press, 1982).
Review by David A. Pariser, Studies in Art Education , Vol. 24, No. 3
(1983), pp. 210-213.

"Darkness Doubled" is a phrase from a song titled "Marquee Moon."

Tuesday, March 21, 2017

Special Topics

Filed under: General,Geometry — Tags: , — m759 @ 12:41 pm

A roundup of posts now tagged "Apollo Psi" led to the name
Evan Harris Walker in the post Dirac and Geometry of
Dec. 14, 2015. That post mentions

" Evan Harris Walker’s ingenious theory of
the psi force, a theory that assigned psi
both positive and negative values in such a way
that the mere presence of a skeptic in the near
vicinity of a sensitive psychic investigation could
force null results. Neat, Dr. Walker, thought
Peter Slater— neat, and totally without content."

— From the 1983 novel Broken Symmetries  
     by Paul Preuss 

It turns out that Walker died "on the evening of August 17, 2006." 

From this journal on that date

Monday, February 13, 2017

Soundtracked Meets Sidetracked

Filed under: General — Tags: — m759 @ 9:07 pm

'Currently back in 1983' Tweet from Feb. 1, 2017

I was sidetracked by this peculiar Tweet after a search for
fictions titled "The Weaver's Tale." 

A version of the tale that I liked had led to the author's Twitter account
and the above remarks, dated 1 Feb. 2017.

That Tweet date led in turn to Log24 posts now tagged Heinlein Lottery.

8777.

Tuesday, December 27, 2016

Bright Star

Filed under: General,Geometry — m759 @ 8:15 am

See instances of the title in this journal.

Material related to yesterday evening's post
"Bright and Dark at Christmas" —

The Buddha of Rochester:

See also the Gelman (i.e., Gell-Mann) Prize
in the film "Dark Matter" and the word "Eightfold"
in this journal.

" A fanciful mark is a mark which is invented
for the sole purpose of functioning as a trademark,
e.g., 'Kodak.' "

"… don't take my Kodachrome away." — Paul Simon

Monday, December 26, 2016

Fanciful (continued)

Filed under: General — m759 @ 1:00 pm

From "Plato Thanks the Academy," March 19, 2014 —

IMAGE- Art Jeffries (Bruce Willis) and Simon Lynch (Miko Hughes), 'Mercury Rising' (1998)

“Click on fanciful .”

A possible result —

See also "Triple Cross."

Sunday, December 18, 2016

Manifest O

Filed under: General — m759 @ 10:10 pm

"The Osterman Weekend" (1983) —

IMAGE- Chair from 'Osterman Weekend' ending

“Am I still on?” — Ending line of  The Osterman Weekend  (1983)

Wednesday, June 29, 2016

The Mystery of O

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

"The domain of O has been explored by philosophers and mystics
under titles like the Absolute, Ultimate Reality or Ultimate Truth,
the Ground of Being, God or the godhead. O is the world of Plato’s
ideal forms, Kant’s things-in-themselves, Bion’s pre-conceptions,
Klein’s inborn phantasies and Jung’s archetypes."

— Barbara Stevens Sullivan on page 38 of her book
The Mystery of Analytical Work: Weavings from Jung and Bion ,
Routledge first edition, 2010

See also Bion in The Search for Charles Wallace, and

'Study of O' by Steven H. Cullinane, Oct. 16, 1983

Click on the image for some context.

Tuesday, May 3, 2016

Symmetry

A note related to the diamond theorem and to the site
Finite Geometry of the Square and Cube —

The last link in the previous post leads to a post of last October whose
final link leads, in turn, to a 2009 post titled Summa Mythologica .

Webpage demonstrating symmetries of 'Solomon's Cube'

Some may view the above web page as illustrating the
Glasperlenspiel  passage quoted here in Summa Mythologica 

“"I suddenly realized that in the language, or at any rate
in the spirit of the Glass Bead Game, everything actually
was all-meaningful, that every symbol and combination of
symbols led not hither and yon, not to single examples,
experiments, and proofs, but into the center, the mystery
and innermost heart of the world, into primal knowledge.
Every transition from major to minor in a sonata, every
transformation of a myth or a religious cult, every classical
or artistic formulation was, I realized in that flashing moment,
if seen with a truly meditative mind, nothing but a direct route
into the interior of the cosmic mystery, where in the alternation
between inhaling and exhaling, between heaven and earth,
between Yin and Yang, holiness is forever being created.”

A less poetic meditation on the above web page* —

"I saw that in the alternation between front and back,
between top and bottom, between left and right,
symmetry is forever being created."

Update of Sept. 5, 2016 — See also a related remark
by Lévi-Strauss in 1955:  "…three different readings
become possible: left to right, top to bottom, front
to back."

* For the underlying mathematics, see a June 21, 1983, research note.

Saturday, March 12, 2016

Hunger Game

Filed under: General — Tags: , — m759 @ 1:00 pm

See "The Hunger" in this journal.

David Bowie and Catherine Deneuve star in 'The Hunger' (1983).

 David Bowie and Catherine Deneuve star in "The Hunger" (1983).

Sunday, January 31, 2016

Forgotten Lore

Filed under: General,Geometry — m759 @ 7:59 pm

Continued from Sunday, January 24, 2016

Wikipedia on Io in Greek mythology
(a precursor to Marvel Comics) —

"Walter Burkert [18] notes that the story of Io was told
in the ancient epic tradition at least four times….

    18. Burkert, Homo Necans  (1974) 1983:
          164 note 14, giving bibliography."

An "io" story I prefer — m24.io.

Monday, December 14, 2015

The Forking

Filed under: General,Geometry — m759 @ 12:00 pm

From the previous post:

"Neat, Dr. Walker, thought Peter Slater—
neat, and totally without content."

— Paul Preuss's 1983 novel Broken Symmetries

A background check yields

"Dr. Evan Harris Walker died on the evening of
August 17, 2006…."

A synchronicity check of that date in this journal yields a diagram
that, taken by itself, is "neat, and totally without content." —

The image “http://www.log24.com/log/pix06A/060817-Tree.jpg” cannot be displayed, because it contains errors.

The diagram may be viewed as a tribute
to the late Yogi Berra, to the literary
"Garden of Forking Paths," or, more
seriously, to the modular group Γ.

Dirac and Geometry

Filed under: General,Geometry — Tags: , — m759 @ 10:30 am

(Continued)

See a post by Peter Woit from Sept. 24, 2005 — Dirac's Hidden Geometry.

The connection, if any, with recent Log24 posts on Dirac and Geometry
is not immediately apparent.  Some related remarks from a novel —

From Broken Symmetries by Paul Preuss
(first published by Simon and Schuster in 1983) —

"He pondered the source of her fascination with the occult, which sooner or later seemed to entangle a lot of thoughtful people who were not already mired in establishmentarian science or religion. It was  the religious impulse, at base. Even reason itself could function as a religion, he supposed— but only for those of severely limited imagination. 

He’d toyed with 'psi' himself, written a couple of papers now much quoted by crackpots, to his chagrin. The reason he and so many other theoretical physicists were suckers for the stuff was easy to understand— for two-thirds of a century an enigma had rested at the heart of theoretical physics, a contradiction, a hard kernel of paradox. Quantum theory was inextricable from the uncertainty relations. 

The classical fox knows many things, but the quantum-mechanical hedgehog knows only one big thing— at a time. 'Complementarity,' Bohr had called it, a rubbery notion the great professor had stretched to include numerous pairs of opposites. Peter Slater was willing to call it absurdity, and unlike some of his older colleagues who, following in Einstein’s footsteps, demanded causal explanations for everything (at least in principle), Peter had never thirsted after 'hidden variables' to explain what could not be pictured. Mathematical relationships were enough to satisfy him, mere formal relationships which existed at all times, everywhere, at once. It was a thin nectar, but he was convinced it was the nectar of the gods. 

The psychic investigators, on the other hand, demanded to know how  the mind and the psychical world were related. Through ectoplasm, perhaps? Some fifth force of nature? Extra dimensions of spacetime? All these naive explanations were on a par with the assumption that psi is propagated by a species of nonlocal hidden variables, the favored explanation of sophisticates; ignotum per ignotius

'In this connection one should particularly remember that the human language permits the construction of sentences which do not involve any consequences and which therefore have no content at all…' The words were Heisenberg’s, lecturing in 1929 on the irreducible ambiguity of the uncertainty relations. They reminded Peter of Evan Harris Walker’s ingenious theory of the psi force, a theory that assigned psi both positive and negative values in such a way that the mere presence of a skeptic in the near vicinity of a sensitive psychic investigation could force null results. Neat, Dr. Walker, thought Peter Slater— neat, and totally without content. 

One had to be willing to tolerate ambiguity; one had to be willing to be crazy. Heisenberg himself was only human— he’d persuasively woven ambiguity into the fabric of the universe itself, but in that same set of 1929 lectures he’d rejected Dirac’s then-new wave equations with the remark, 'Here spontaneous transitions may occur to the states of negative energy; as these have never been observed, the theory is certainly wrong.' It was a reasonable conclusion, and that was its fault, for Dirac’s equations suggested the existence of antimatter: the first antiparticles, whose existence might never have been suspected without Dirac’s crazy results, were found less than three years later. 

Those so-called crazy psychics were too sane, that was their problem— they were too stubborn to admit that the universe was already more bizarre than anything they could imagine in their wildest dreams of wizardry."

Particularly relevant

"Mathematical relationships were enough to satisfy him,
mere formal relationships which existed at all times,
everywhere, at once."

Some related pure  mathematics

Anticommuting Dirac matrices as spreads of projective lines

Tuesday, December 8, 2015

Conceptual Art

Filed under: General,Geometry — Tags: — m759 @ 12:06 pm

A December 7th  New York Times  column:

A current exhibition by Joseph Kosuth in Oslo:

From the two texts by Mondrian at the right hand of Kosuth —

"The positive and negative states of being bring about action."

"Through its pure relationships, purely abstract art
can approach the expression of the universal …."

These texts may be viewed as glosses on the following image —

Diamond Theory version of 'The Square Inch Space' with yin-yang symbol for comparison

Click image for related posts.

Friday, July 3, 2015

High White Noon

Filed under: General — m759 @ 12:00 pm

(Continued)

Two items for cultural anthropologists,
each from April 28, 2015 —

Friday, June 12, 2015

Space

Filed under: General,Geometry — m759 @ 1:37 pm

Was ist Raum, wie können wir ihn
erfassen und gestalten?”

Walter Gropius,

The Theory and
Organization of the
Bauhaus
  (1923)

This post was suggested by the Bauhaus song
"Bela Lugosi's Dead" at the beginning of the
1983 Tony Scott classic "The Hunger."

Sign

Filed under: General — m759 @ 1:00 pm


"Now we're partners in crime" — Ace of Base, "The Golden Ratio"

Or not.

"The Hunger" (1983) was directed by Tony Scott.

See also Tony Scott in this journal.

Sunday, May 24, 2015

Point Omega

Filed under: General — m759 @ 12:00 pm

IMAGE- Chair from 'Osterman Weekend' ending

“Am I still on?” — Ending line of  The Osterman Weekend  (1983)

Tuesday, March 31, 2015

Flame Diary

Filed under: General — m759 @ 1:00 pm

Last Saturday's post Against Dryness quoted "Gone Girl,"
a recent film about an untypical couple. 

Other works of interest:

The Flame Alphabet  (Ben Marcus, 2012) and
The Folded Clock  (Heidi Julavits, 2015).

Marcus and Julavits are husband and wife. As in
"Gone Girl," both are very bright, and the wife
writes a diary. (No other resemblance between
the couples is apparent.)

Update of 6:40 PM ET March 31:

A 1983 review by the parents of Ben Marcus —

Update of 7:09 PM March 31:

Wednesday, December 3, 2014

Pyramid Dance

Filed under: General,Geometry — Tags: , — m759 @ 10:00 am

Oslo artist Josefine Lyche has a new Instagram post,
this time on pyramids (the monumental kind).

My response —

Wikipedia's definition of a tetrahedron as a
"triangle-based pyramid"

and remarks from a Log24 post of August 14, 2013 :

Norway dance (as interpreted by an American)

IMAGE- 'The geometry of the dance' is that of a tetrahedron, according to Peter Pesic

I prefer a different, Norwegian, interpretation of "the dance of four."

Related material:
The clash between square and tetrahedral versions of PG(3,2).

See also some of Burkard Polster's triangle-based pyramids
and a 1983 triangle-based pyramid in a paper that Polster cites —

(Click image below to enlarge.)

Some other illustrations that are particularly relevant
for Lyche, an enthusiast of magic :

From On Art and Magic (May 5, 2011) —

http://www.log24.com/log/pix11A/110505-ThemeAndVariations-Hofstadter.jpg

http://www.log24.com/log/pix11A/110505-BlockDesignTheory.jpg

Mathematics

http://www.log24.com/log/pix11A/110505-WikipediaFanoPlane.jpg

The Fano plane block design

Magic

http://www.log24.com/log/pix11A/110505-DeathlyHallows.jpg

The Deathly Hallows  symbol—
Two blocks short of  a design.

 

(Updated at about 7 PM ET on Dec. 3.)

Tuesday, November 25, 2014

Euclidean-Galois Interplay

Filed under: General,Geometry — Tags: , , — m759 @ 11:00 am

For previous remarks on this topic, as it relates to
symmetry axes of the cube, see previous posts tagged Interplay.

The above posts discuss, among other things, the Galois
projective plane of order 3, with 13 points and 13 lines.

Oxley's 2004 drawing of the 13-point projective plane

These Galois points and lines may be modeled in Euclidean geometry
by the 13 symmetry axes and the 13 rotation planes
of the Euclidean cube. They may also be modeled in Galois geometry
by subsets of the 3x3x3 Galois cube (vector 3-space over GF(3)).

http://www.log24.com/log/pix11A/110427-Cube27.jpg

   The 3×3×3 Galois Cube 

Exercise: Is there any such analogy between the 31 points of the
order-5 Galois projective plane and the 31 symmetry axes of the
Euclidean dodecahedron and icosahedron? Also, how may the
31 projective points  be naturally pictured as lines  within the 
5x5x5 Galois cube (vector 3-space over GF(5))?

Update of Nov. 30, 2014 —

For background to the above exercise, see
pp. 16-17 of A Geometrical Picture Book ,
by Burkard Polster (Springer, 1998), esp.
the citation to a 1983 article by Lemay.

Sunday, November 23, 2014

Remarks on Reality

Filed under: General — Tags: — m759 @ 5:09 pm

Wallace Stevens in "An Ordinary Evening in New Haven"
(1950) on "The Ruler of Reality" —

"Again, 'He has thought it out, he thinks it out,
As he has been and is and, with the Queen
Of Fact, lies at his ease beside the sea.'"

One such scene, from 1953 —

Another perspective, from "The Osterman Weekend" (1983) —

Saturday, August 16, 2014

Les Prédateurs

Filed under: General — Tags: — m759 @ 10:30 am

David Bowie and Catherine Deneuve star in 'The Hunger' (1983).

For the Thin White Duke —
The Next Whiskey Bar:

Saturday, August 16, 2014, 6:00 pm in UTC+02
at LYNX 760 in Oslo, Norway.

Monday, July 14, 2014

Conversations with an Empty Chair

Filed under: General — m759 @ 1:00 am

Continued from August 20, 2013

In honor of Sam Peckinpah, the closing shot of his last film:

“Am I still on?” — Ending line of  The Osterman Weekend  (1983)

Friday, June 27, 2014

Willkommen

Filed under: General — Tags: — m759 @ 12:00 am

See related stories here and here.

Friday, February 28, 2014

Code

Filed under: General,Geometry — m759 @ 12:00 pm
 

From Northrop Frye's The Great Code: The Bible and Literature , Ch. 3: Metaphor I —

"In the preceding chapter we considered words in sequence, where they form narratives and provide the basis for a literary theory of myth. Reading words in sequence, however, is the first of two critical operations. Once a verbal structure is read, and reread often enough to be possessed, it 'freezes.' It turns into a unity in which all parts exist at once, without regard to the specific movement of the narrative. We may compare it to the study of a music score, where we can turn to any part without regard to sequential performance. The term 'structure,' which we have used so often, is a metaphor from architecture, and may be misleading when we are speaking of narrative, which is not a simultaneous structure but a movement in time. The term 'structure' comes into its proper context in the second stage, which is where all discussion of 'spatial form' and kindred critical topics take their origin."

Related material: 

"The Great Code does not end with a triumphant conclusion or the apocalypse that readers may feel is owed them or even with a clear summary of Frye’s position, but instead trails off with a series of verbal winks and nudges. This is not so great a fault as it would be in another book, because long before this it has been obvious that the forward motion of Frye’s exposition was illusory, and that in fact the book was devoted to a constant re-examination of the same basic data from various closely related perspectives: in short, the method of the kaleidoscope. Each shake of the machine produces a new symmetry, each symmetry as beautiful as the last, and none of them in any sense exclusive of the others. And there is always room for one more shake."

— Charles Wheeler, "Professor Frye and the Bible," South Atlantic Quarterly  82 (Spring 1983), pp. 154-164, reprinted in a collection of reviews of the book.
 

For code  in a different sense, but related to the first passage above,
see Diamond Theory Roullete, a webpage by Radamés Ajna.

For "the method of the kaleidoscope" mentioned in the second
passage above, see both the Ajna page and a webpage of my own,
Kaleidoscope Puzzle.

Wednesday, January 8, 2014

Not Subversive, Not Fantasy

Filed under: General,Geometry — Tags: , — m759 @ 2:01 pm

The title refers to that of today's previous post, which linked to
a song from the June 1, 1983, album Synchronicity .
(Cf.  that term in this journal.)

For some work of my own from the following year, 1984, see

IMAGE- Internet Archive, 'Notes on Groups and Geometry, 1978-1986'

as well as the Orwellian dictum Triangles Are Square.

(The cubical figure at left above is from the same month,
if not the same day, as Synchronicity —  June 21, 1983.)

Wednesday, December 4, 2013

The Mirror’s Faces*

Filed under: General — m759 @ 2:00 pm

See the previous post, the remarks of Roger Kimball
on Frank Stella's lecture at Harvard on Oct. 12, 1983,
and "Study of O" in this journal, with my own images
of space from October 1983.

* The title refers to a 1996 film.
   Happy birthday to Jeff Bridges.

Friday, October 4, 2013

Roll Credits

Filed under: General — Tags: , — m759 @ 12:00 pm

See also Howl in this journal.

Related material from a June 22, 2013, post

Kitty in Uncanny X-Men #168 (April 1983)

Monday, July 29, 2013

St. Walter’s Day

Filed under: General,Geometry — m759 @ 5:05 pm

Today is the dies natalis  of group theorist  Walter Feit.

     "The Steiner systems (5,6,12) and (5,8,24) are remarkable combinatorial
configurations unlike any others. Their automorphism groups are the Mathieu
groups M12 and M24. These are the only 5-transitive permutation groups other
than symmetric and alternating groups: (a fact long conjectured but only
proved as a consequence of the classification). The Leech lattice is a blown up
version of (5,8,24).
It is the unique even unimodular lattice in 24 dimensions
with no vectors of weight 2. This uniqueness is an essential reason why it is a
geometric object of fundamental importance. The automorphism group Co.O
of the Leech lattice involves about half of the sporadic groups and generally it
is felt that these are well understood."

— Walter Feit, book review, Bulletin of the American Mathematical Society ,
     Vol. 8 (1983), 120-124, page 123

Saturday, June 22, 2013

Modes of Being

Filed under: General — Tags: — m759 @ 10:00 pm

From today's earlier post, Stevens and the Rock

"Rock shows him something that transcends
the precariousness of his humanity:
an absolute mode of being.
Its strength, its motionlessness, its size
and its strange outlines
are none of them human;
they indicate the presence of something
that fascinates, terrifies, attracts and threatens,
all at once."

— Mircea Eliade, Patterns in Comparative Religion  (1958)

An object with such an "absolute mode of being"
is the plot center of a new novel discussed here previously
Max Barry's Lexicon . From a perceptive review:

I believe he’s hit on something special here.
It’s really no surprise that Matthew Vaughn
of Kick-Ass  and X-Men: First Class  fame
has bought the rights to maybe make the movie;
Lexicon  certainly has the makings of a fine film.

Or graphic  novel  Whatever.

Kitty in Uncanny X-Men #168 (April 1983)

Tuesday, February 19, 2013

Configurations

Filed under: General,Geometry — Tags: , , — m759 @ 12:24 pm

Yesterday's post Permanence dealt with the cube
as a symmetric model of the finite projective plane
PG(2,3), which has 13 points and 13 lines. The points
and lines of the finite geometry occur in the cube as
the 13 axes of symmetry and the 13 planes through
the center perpendicular to those axes. If the three
axes lying in  a plane that cuts the cube in a hexagon
are supplemented by the axis perpendicular  to that
plane, each plane is associated with four axes and,
dually, each axis is associated with four planes.

My web page on this topic, Cubist Geometries, was
written on February 27, 2010, and first saved to the
Internet Archive on Oct. 4, 2010

For a more recent treatment of this topic that makes
exactly the same points as the 2010 page, see p. 218
of Configurations from a Graphical Viewpoint , by
Tomaž Pisanski and Brigitte Servatius, published by
Springer on Sept. 23, 2012 (date from both Google
Books
and Amazon.com):

For a similar 1998 treatment of the topic, see Burkard Polster's 
A Geometrical Picture Book  (Springer, 1998), pp. 103-104.

The Pisanski-Servatius book reinforces my argument of Jan. 13, 2013,
that the 13 planes through the cube's center that are perpendicular
to the 13 axes of symmetry of the cube should be called the cube's 
symmetry planes , contradicting the usual use of of that term.

That argument concerns the interplay  between Euclidean and
Galois geometry. Pisanski and Servatius (and, in 1998, Polster)
emphasize the Euclidean square and cube as guides* to
describing the structure of a Galois space. My Jan. 13 argument
uses Galois  structures as a guide to re-describing those of Euclid .
(For a similar strategy at a much more sophisticated level,
see a recent Harvard Math Table.)

Related material:  Remarks on configurations in this journal
during the month that saw publication of the Pisanski-Servatius book.

* Earlier guides: the diamond theorem (1978), similar theorems for
  2x2x2 (1984) and 4x4x4 cubes (1983), and Visualizing GL(2,p)
  (1985). See also Spaces as Hypercubes (2012).

Thursday, November 29, 2012

The Place of the Lion

Filed under: General — m759 @ 11:22 pm

For C. S. Lewis, who was born on this date in 1898,
and Natalie Wood, who died on this date in 1981

"He was accustomed to receiving manuscripts from strangers…."
— C. P. Snow on mathematician G. H. Hardy

"Whoever you are— I have always depended on
the kindness of strangers." — A Streetcar Named Desire

From this journal on September 24, 2012

"A single self-transcendence" — Aldous Huxley

From an anonymous author at the website Kill Devil Hill

"This little story… has that climactic moment of 
heightened awareness…. This is a moment where
two individuals become one, empowering them
to transcend the limitations of their own individual
frailty and society. It's an epiphany, an almost
divine spark. It is an experience when one plus one
don't equal two, but something far greater."

Kill Devil Hills also appears in a 1983 film—

"Suppose it were possible to transfer
from one mind to another
the experience of another person."

— Trailer for "Brainstorm" (1983),
the last film of Natalie Wood

Monday, September 24, 2012

Nice Job, Jimmy

Filed under: General — Tags: — m759 @ 9:29 am

"… and now thanks to Philo T. Farnsworth,
we have 'Here Comes Honey Boo Boo.'"

Jimmy Kimmel at last night's Emmy Awards

Related material—

Aldous Huxley in last evening's Log24 post—

"Embraced, the lovers desperately try
to fuse their insulated ecstasies into
a single self-transcendence…."

From an anonymous author at the website Kill Devil Hill

"This little story… has that climactic moment of
heightened awareness….  This is a moment where
two individuals become one, empowering them
to transcend the limitations of their own individual
frailty and society. It's an epiphany, an almost
divine spark. It is an experience when one plus one
don't equal two, but something far greater."

Kill Devil Hills also appears in a 1983 film

"Suppose it were possible to transfer
from one mind to another
the experience of another person."

Trailer for "Brainstorm" (1983),
     the last film of Natalie Wood

Sunday, June 10, 2012

Outside the Box*

Filed under: General — m759 @ 7:00 pm

Lee Marvin in the 1983 film Gorky Park

For related material, see yesterday's post on Nietzsche's
Birth of Tragedy  and a May 27, 2010, post— Masks .

Masks of comedy and tragedy

The link to the Masks  post was suggested by four things:

  1. Tonight's Tony Awards
  2. A speech dated May 27, 2010 (the Masks  date)—
    "Russia— Getting It Right the First Time"
  3. The name of the organization on whose website
    the speech appears— Tertium Datur
  4. Tertium Datur  in this journal

    Froebel's Third Gift

* The title is in memory of business writer Mike Hammer.

Monday, December 5, 2011

The Shining (Norwegian Version)

Filed under: General,Geometry — m759 @ 4:01 am

A check tonight of Norwegian artist Josefine Lyche's recent activities
shows she has added a video to her web page that has for some time
contained a wall piece based on the 2×2 case of the diamond theorem

http://www.log24.com/log/pix11C/111205-Lyche-DiamondTheoremPage.jpg

The video (top left in screenshot above) is a tasteless New-Age discourse
that sounds frighteningly like the teachings of the late Heaven's Gate cult.

Investigating the source of the video on vimeo.com, I found the account of one "Jo Lyxe,"
who joined vimeo in September 2011. This is apparently a variant of Josefine Lyche's name.

The account has three videos—

  1. "High on RAM (OverLoad)"– Fluid running through a computer's innards
  2. "Death 2 Everyone"– A mystic vision of the afterlife
  3. "Realization of the Ultimate Reality (Beyond Form)"– The Blue Star video above

Lyche has elsewhere discussed her New-Age interests, so the contents of the videos
were not too surprising… except for one thing. Vimeo.com states that all three videos
were uploaded "2 months ago"— apparently when "Lyxe" first set up an account.*

I do not know, or particularly care, where she got the Blue Star video, but the other
videos interested me considerably when I found them tonight… since they are
drawn from films I discussed in this journal much more recently than "2 months ago."

"High on RAM (OverLoad)" is taken from the 1984 film "Electric Dreams" that I came across
and discussed here yesterday afternoon, well before  re-encountering it again tonight.

http://www.log24.com/log/pix11C/111205-Lyxe-HighOnRam.jpg

http://www.log24.com/log/pix11C/111205-ElectricDreamsTrailer.jpg

And "Death 2 Everyone" (whose title** is perhaps a philosophical statement about inevitable mortality
rather than a mad terrorist curse) is taken from the 1983 Natalie Wood film "Brainstorm."

http://www.log24.com/log/pix11C/111205-Lyxe-Death2.jpg

http://www.log24.com/log/pix11C/111205-Brainstorm-FreakyPart.jpg

"Brainstorm" was also discussed here recently… on November 18th, in a post suggested by the
reopening of the investigation into Wood's death.

I had no inkling that these "Jo Lyxe" videos existed until tonight.

The overlapping content of Lyche's mental ramblings and my own seems rather surprising.
Perhaps it is a Norwegian mind-meld, perhaps just a coincidence of interests.

* Update: Google searches by the titles  on Dec. 5 show that all three "Lyxe" videos
                 were uploaded on September 20 and 21, 2011.

** Update: A search shows a track with this title on a Glasgow band's 1994 album.

Friday, November 18, 2011

Plot Summary

Filed under: General — m759 @ 1:14 pm

http://www.log24.com/log/pix11C/111118-BrainstormDVD.jpg

IMDb Plot Summary for
Brainstorm (1983)

Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher brain functions" is added in, and you can literally jump into someone else's head and play back recordings of what he or she was thinking, feeling, seeing, etc., at the time of the recording, the applications for the project quickly spiral out of control. While Michael Brace uses the system to become close again to Karen Brace, his estranged wife who also works on the project, others start abusing it for intense sexual experiences and other logical but morally questionable purposes. The government tries to kick Michael and Lillian off the project once the vast military potential of the technology is discovered. It soon becomes obvious that the government is interested in more than just missile guidance systems. The lab starts producing mind torture recordings and other psychosis inducing material. When one of the researchers dies and tapes the experience of death, Michael is convinced that he must playback this tape to honor the memory of the researcher and to become enlightened. When another researcher dies during playback the tape is locked away and Michael has to fight against his former colleagues and the government lackeys that now run his lab in order to play back and confront the "scariest thing any of us will ever face"— death itself. Written by Eric van Bezooijen.

See also researcher John Gregory Dunne and "Lucero Puro" in this journal.

Wednesday, June 22, 2011

ART WARS continued

Filed under: General,Geometry — Tags: — m759 @ 8:06 pm

This evening's New York Times  obituaries—

http://www.log24.com/log/pix11A/110622-NYTobits720PM.jpg

A work of art suggested by the first and third items above—

http://www.log24.com/log/pix11A/110614-TarantinoCar.jpg

I prefer a work of art that is structurally similar—

IMAGE- The Klein group as art

and is related to a picture, Portrait of O, from October 1, 1983—

IMAGE- A work by Cullinane pirated by artist Steve RIchards in his contribution to London's 'Piracy Project'

For a recent unexpected Web appearance of Portrait of O,
aee Abracadabra from the midnight of June 18-19.

Thursday, December 2, 2010

Caesarian

Filed under: General,Geometry — Tags: — m759 @ 8:00 am

The Dreidel Is Cast

The Nietzschean phrase "ruling and Caesarian spirits" occurred in yesterday morning's post "Novel Ending."

That post was followed yesterday morning by a post marking, instead, a beginning— that of Hanukkah 2010. That Jewish holiday, whose name means "dedication," commemorates the (re)dedication of the Temple in Jerusalem in 165 BC.

The holiday is celebrated with, among other things, the Jewish version of a die—  the dreidel . Note the similarity of the dreidel  to an illustration of The Stone*  on the cover of the 2001 Eerdmans edition of  Charles Williams's 1931 novel Many Dimensions

http://www.log24.com/log/pix10B/101202-DreidelAndStone.jpg

For mathematics related to the dreidel , see Ivars Peterson's column on this date fourteen years ago.
For mathematics related (if only poetically) to The Stone , see "Solomon's Cube" in this journal.

Here is the opening of Many Dimensions

http://www.log24.com/log/pix10B/101202-WilliamsChOne.jpg

For a fanciful linkage of the dreidel 's concept of chance to The Stone 's concept of invariant law, note that the New York Lottery yesterday evening (the beginning of Hanukkah) was 840. See also the number 840 in the final post (July 20, 2002) of the "Solomon's Cube" search.

Some further holiday meditations on a beginning—

Today, on the first full day of Hanukkah, we may or may not choose to mark another beginning— that of George Frederick James Temple, who was born in London on this date in 1901. Temple, a mathematician, was President of the London Mathematical Society in 1951-1953. From his MacTutor biography

"In 1981 (at the age of 80) he published a book on the history of mathematics. This book 100 years of mathematics (1981) took him ten years to write and deals with, in his own words:-

those branches of mathematics in which I had been personally involved.

He declared that it was his last mathematics book, and entered the Benedictine Order as a monk. He was ordained in 1983 and entered Quarr Abbey on the Isle of Wight. However he could not stop doing mathematics and when he died he left a manuscript on the foundations of mathematics. He claims:-

The purpose of this investigation is to carry out the primary part of Hilbert's programme, i.e. to establish the consistency of set theory, abstract arithmetic and propositional logic and the method used is to construct a new and fundamental theory from which these theories can be deduced."

For a brief review of Temple's last work, see the note by Martin Hyland in "Fundamental Mathematical Theories," by George Temple, Philosophical Transactions of the Royal Society, A, Vol. 354, No. 1714 (Aug. 15, 1996), pp. 1941-1967.

The following remarks by Hyland are of more general interest—

"… one might crudely distinguish between philosophical and mathematical motivation. In the first case one tries to convince with a telling conceptual story; in the second one relies more on the elegance of some emergent mathematical structure. If there is a tradition in logic it favours the former, but I have a sneaking affection for the latter. Of course the distinction is not so clear cut. Elegant mathematics will of itself tell a tale, and one with the merit of simplicity. This may carry philosophical weight. But that cannot be guaranteed: in the end one cannot escape the need to form a judgement of significance."

— J. M. E. Hyland. "Proof Theory in the Abstract." (pdf)
Annals of Pure and Applied Logic 114, 2002, 43-78.

Here Hyland appears to be discussing semantic ("philosophical," or conceptual) and syntactic ("mathematical," or structural) approaches to proof theory. Some other remarks along these lines, from the late Gian-Carlo Rota

http://www.log24.com/log/pix10B/101202-RotaChXII-sm.jpg

    (Click to enlarge.)

See also "Galois Connections" at alpheccar.org and "The Galois Connection Between Syntax and Semantics" at logicmatters.net.

* Williams's novel says the letters of The Stone  are those of the Tetragrammaton— i.e., Yod, He, Vau, He  (cf. p. 26 of the 2001 Eerdmans edition). But the letters on the 2001 edition's cover Stone  include the three-pronged letter Shin , also found on the dreidel .  What esoteric religious meaning is implied by this, I do not know.

Monday, November 8, 2010

Study of O

Filed under: General,Geometry — m759 @ 7:20 pm

Today's previous entry discussed a musical offering by Coltrane, with a link to some spiritual background on a mathematician from India who died on October 16, 1983. Here is a pictorial  offering, more in the spirit of Bach than of Coltrane, from the day of that death—

http://www.log24.com/log/pix10B/101108-StudyOfO.jpg

Click on the image for some context.

Monday, June 21, 2010

Test

Filed under: General,Geometry — Tags: , — m759 @ 11:30 pm

From a post by Ivars Peterson, Director
of Publications and Communications at
the Mathematical Association of America,
at 19:19 UTC on June 19, 2010—

Exterior panels and detail of panel,
Michener Gallery at Blanton Museum
in Austin, Texas—

http://www.log24.com/log/pix10A/100621-MichenerGalleryPanel.jpg

Peterson associates the four-diamond figure
with the Pythagorean theorem.

A more relevant association is the
four-diamond view of a tesseract shown here
on June 19 (the same date as Peterson's post)
in the "Imago Creationis" post—

Image-- The Four-Diamond Tesseract

This figure is relevant because of a
tesseract sculpture by Peter Forakis—

http://www.log24.com/log/pix09A/091220-ForakisHypercube.jpg

This sculpture was apparently shown in the above
building— the Blanton Museum's Michener gallery—
as part of the "Reimagining Space" exhibition,
September 28, 2008-January 18, 2009.

The exhibition was organized by
Linda Dalrymple Henderson, Centennial Professor
in Art History at the University of Texas at Austin
and author of The Fourth Dimension and
Non-Euclidean Geometry in Modern Art

(Princeton University Press, 1983;
new ed., MIT Press, 2009).

For the sculptor Forakis in this journal,
see "The Test" (December 20, 2009).

"There is  such a thing
as a tesseract."
A Wrinkle in TIme   

Friday, January 29, 2010

More Glass

Filed under: General — m759 @ 12:00 pm

Part I:

"…although a work of art 'is formed around something missing,' this 'void is its vanishing point, not its essence.' She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds."

Harvard University Press on Persons and Things (April 30, 2008), by Barbara Johnson

Part II:

"Did you see more glass?"


Louis Kahn, design for nine large glass cubes forming a Holocaust memorial

Part III:

From the date of Barbara Johnson's death:

"Mathematical relationships were
enough to satisfy him, mere formal
relationships which existed at
all times, everywhere, at once."

Broken Symmetries, 1983

X    
  X  
    X

The X's refer to the pattern on the
cover of a paperback edition
  of Nine Stories, by J. D. Salinger.
Salinger died on Wednesday.

"You remember that book he sent me
from Germany? You know–
those German poems.
"

In Germany, Wednesday was
Holocaust Memorial Day, 2010.

Sunday, January 24, 2010

Annals of Religious Thought

Filed under: General — m759 @ 8:00 pm

Sting as Hamlet

http://www.log24.com/log/pix10/100124-SynchronicityDetai.jpgl.JPG

Detail, cover of Synchronicity album, 1983

Further details of the text on the album cover–

Synchronicity:
An Acausal Connecting Principle

Publisher's description

"Jung's only extended work in the field of parapsychology aims, on the one hand, to incorporate the findings of 'extrasensory perception' (ESP) research into a general scientific point of view and, on the other, to ascertain the nature of the psychic factor in such phenomena.

   While he had advanced the 'synchronicity' hypothesis as early as the 1920's, Jung gave a full statement only in 1951, in an Eranos lecture; the following year (he was seventy-seven) he published the present monograph in a volume with a related study by the physicist (and Nobel winner) Wolfgang Pauli. Together with a wealth of historical and contemporary material on 'synchronicity,' Jung describes an astrological experiment conducted to test his theory."

Thursday, August 27, 2009

Thursday August 27, 2009

Filed under: General — Tags: — m759 @ 3:09 pm
The Shining
of Lucero

For John Cramer’s
daughter Kathryn

(continued from
September 24, 2002)

“Mathematical relationships were
enough to satisfy him, mere formal
relationships which existed at
all times, everywhere, at once.”

Broken Symmetries, 1983

X
X
X

See also Art Wars at
The New Criterion

(Jan. 19, 2007) and the
 four entries preceding it.

Thursday, November 13, 2008

Thursday November 13, 2008

Filed under: General — m759 @ 9:00 am
In Memory of a
Different Drummer

Mitch Mitchell live at Woodstock '69

Drummer Mitch Mitchell, 61, of
The Jimi Hendrix Experience, was
found dead at 3 AM yesterday
in his hotel room.

Everybody wants to
go to heaven

— Kenny Chesney, song at last
night’s Country Music Awards

Click to enlarge

Mitch Mitchell Enters Heaven

Make me young

— Kilgore Trout
 (Log24, 5/14/07)

Related material —
the word “experienced”
in yesterday’s entry.

Wednesday, October 15, 2008

Wednesday October 15, 2008

Filed under: General,Geometry — Tags: — m759 @ 5:01 am

Links for the birthday of the late mathematician Bernhard H. Neumann:

MacTutor biography of Neumann

Variety (Universal Algebra) at Wikipedia

Preface to Varieties of Groups (1967), by Hanna Neumann

Biography (1974 obituary) of Hanna Neumann

Peter M. Neumann home page

Some related notes on algebra suggested by finite geometry:

Dynamic and algebraic compatibility of groups (1985 Dec. 11)

Groups related by a nontrivial identity (1985 Nov. 17)

Transformations over a bridge (1983 Aug. 16)

Group identity algebras (1983 Aug. 4)

I have no idea if any work has been done in this area since my own efforts in 1983-1985.

Thursday, June 12, 2008

Thursday June 12, 2008

Filed under: General — Tags: — m759 @ 1:06 am
Feel lucky?

Dirty Harry asks the classic question

“The scientific mind does not so much
provide the right answers as
ask the right questions.”

Claude Lévi-Strauss

(The Raw and the Cooked,
1964, English translation 1969 —
paperback, U. of Chicago Press,
1983, “Overture,” p. 7
)

The Police, Synchronicity album

Context of the question:

A Venn diagram —
shown here last Sunday —
Jessica Hagy, card 675: The Holy Trinity

 by the illustrator of last Sunday’s
New York Times review of

The Drunkard’s Walk:

How Randomness
Rules Our Lives

Well, do you?

NY Lottery June 11, 2008: mid-day 610, evening 928

Related material:

6/10

(San Francisco’s new
Contemporary Jewish Museum
as a vision of Hell)
 
9/28

(A less theological,
more personal, discussion
of Venn diagrams)

Saturday, May 10, 2008

Saturday May 10, 2008

MoMA Goes to
Kindergarten

"… the startling thesis of Mr. Brosterman's new book, 'Inventing Kindergarten' (Harry N. Abrams, $39.95): that everything the giants of modern art and architecture knew about abstraction they learned in kindergarten, thanks to building blocks and other educational toys designed by Friedrich Froebel, a German educator, who coined the term 'kindergarten' in the 1830's."

— "Was Modernism Born
     in Toddler Toolboxes?"
     by Trip Gabriel, New York Times,
     April 10, 1997
 

RELATED MATERIAL

Figure 1 —
Concept from 1819:

Cubic crystal system
(Footnotes 1 and 2)

Figure 2 —
The Third Gift, 1837:

Froebel's third gift

Froebel's Third Gift

Froebel, the inventor of
kindergarten, worked as
an assistant to the
crystallographer Weiss
mentioned in Fig. 1.

(Footnote 3)

Figure 3 —
The Third Gift, 1906:

Seven partitions of the eightfold cube in 'Paradise of Childhood,' 1906

Figure 4 —
Solomon's Cube,
1981 and 1983:

Solomon's Cube - A 1981 design by Steven H. Cullinane

Figure 5 —
Design Cube, 2006:

Design Cube 4x4x4 by Steven H. Cullinane

The above screenshot shows a
moveable JavaScript display
of a space of six dimensions
(over the two-element field).

(To see how the display works,
try the Kaleidoscope Puzzle first.)

For some mathematical background, see

Footnotes:
 
1. Image said to be after Holden and Morrison, Crystals and Crystal Growing, 1982
2. Curtis Schuh, "The Library: Biobibliography of Mineralogy," article on Mohs
3. Bart Kahr, "Crystal Engineering in Kindergarten" (pdf), Crystal Growth & Design, Vol. 4 No. 1, 2004, 3-9

Wednesday, April 23, 2008

Wednesday April 23, 2008

Filed under: General — Tags: , — m759 @ 9:00 am

Upscale Realism

or, "Have some more
wine and cheese, Barack."

(See April 15, 5:01 AM)

  Allyn Jackson on Rebecca Goldstein
in the April 2006 AMS Notices (pdf)

"Rebecca Goldstein’s 1983 novel The Mind-Body Problem has been widely admired among mathematicians for its authentic depiction of academic life, as well as for its exploration of how philosophical issues impinge on everyday life. Her new book, Incompleteness: The Proof and Paradox of Kurt Gödel, is a volume in the 'Great Discoveries' series published by W. W. Norton….

In March 2005 the Mathematical Sciences Research Institute (MSRI) in Berkeley held a public event in which its special projects director, Robert Osserman, talked with Goldstein about her work. The conversation, which took place before an audience of about fifty people at the Commonwealth Club in San Francisco, was taped….

A member of the audience posed a question that has been on the minds of many of Goldstein’s readers: Is The Mind-Body Problem based on her own life? She did indeed study philosophy at Princeton, finishing her Ph.D. in 1976 with a thesis titled 'Reduction, Realism, and the Mind.' She said that while there are correlations between her life and the novel, the book is not autobiographical….

She… talked about the relationship between Gödel and his colleague at the Institute for Advanced Study, Albert Einstein. The two were very different: As Goldstein put it, 'Einstein was a real mensch, and Gödel was very neurotic.' Nevertheless, a friendship sprang up between the two. It was based in part, Goldstein speculated, on their both being exiles– exiles from Europe and intellectual exiles. Gödel's work was sometimes taken to mean that even mathematical truth is uncertain, she noted, while Einstein's theories of relativity were seen as implying the sweeping view that 'everything is relative.' These misinterpretations irked both men, said Goldstein. 'Einstein and Gödel were realists and did not like it when their work was put to the opposite purpose.'"


Related material:

From Log24 on
March 22 (Tuesday of
Passion Week), 2005:

 
"'What is this Stone?' Chloe asked…. 'It is told that, when the Merciful One made the worlds, first of all He created that Stone and gave it to the Divine One whom the Jews call Shekinah, and as she gazed upon it the universes arose and had being.'"

Many Dimensions,
by Charles Williams, 1931

For more on this theme
appropriate to Passion Week
Jews playing God — see

The image “http://www.log24.com/log/pix05/050322-Trio.jpg” cannot be displayed, because it contains errors.

Rebecca Goldstein
in conversation with
Bob Osserman
of the
Mathematical Sciences
Research Institute
at the
Commonwealth Club,
San Francisco,
Tuesday, March 22.

Wine and cheese
reception at 5:15 PM
(San Francisco time).

From
UPSCALE,
a website of the
physics department at
the University of Toronto:

Mirror Symmetry

 

Robert Fludd: Universe as mirror image of God

"The image [above]
is a depiction of
the universe as a
mirror image of God,
drawn by Robert Fludd
in the early 17th century.

The caption of the
upper triangle reads:

'That most divine and beautiful
counterpart visible below in the
flowing image of the universe.'

The caption of the
lower triangle is:

'A shadow, likeness, or
reflection of the insubstantial*
triangle visible in the image
of the universe.'"

* Sic. The original is incomprehensibilis, a technical theological term. See Dorothy Sayers on the Athanasian Creed and John 1:5.

For further iconology of the
above equilateral triangles,
see Star Wars (May 25, 2003),
Mani Padme (March 10, 2008),
Rite of Sping (March 14, 2008),
and
Art History: The Pope of Hope
(In honor of John Paul II
three days after his death
in April 2005).

Happy Shakespeare's Birthday.

Tuesday, February 19, 2008

Tuesday February 19, 2008

Filed under: General — m759 @ 8:00 am
Sumerian
Cuneiform

Cuneiform An (Sky) and Dingir (God, Goddess)

An: sky, heaven
also
digir (dingir): god, goddess

“The sigil was an eight-limbed
 asterisk made of fine dark lines,,,,
An X superimposed on a plus sign.
It looked permanent.”

— Fritz Leiber,
“Damnation Morning,”
1959 short story
in Changewar

Leiber, Changewar, Ace edition, 1983

Ace edition, May 1, 1983

Tuesday, October 16, 2007

Tuesday October 16, 2007

Filed under: General — m759 @ 10:00 am
In memory of
Harish-Chandra,
who died at 60
on this date in 1983

  The image “http://www.log24.com/log/pix07A/071016-Harish-Chandra.jpg” cannot be displayed, because it contains errors.
Harish-Chandra in 1981
(Photo by Herman Landshof)

Recent Log24 entries have parodied the use of the phrase “deep beauty” as the title of the Oct. 3-4 physics symposium of that name, which was supported by a grant from the John Templeton Foundation and sponsored by the Department of Philosophy at Princeton University.
Such parody was in part suggested by the symposium’s sources of financial and academic support. This support had, in the view of some, the effect of linking the symposium’s topic, the mathematics of quantum theory, with both religion (the Templeton Foundation) and philosophy (a field sometimes associated in popular thought– though not at Princeton— with quantum mysticism.)

As a corrective to the previous parodies here, the following material on the mathematician Harish-Chandra may help to establish that there is, in fact, such a thing as “deep beauty”– if not in physics, religion, or philosophy, at least in pure mathematics.

MacTutor History of Mathematics:

“Harish-Chandra worked at the Institute of Advanced Study at Princeton from 1963. He was appointed IBM-von Neumann Professor in 1968.”

R. P. Langlands (pdf, undated, apparently from a 1983 memorial talk):

“Almost immediately upon his arrival in Princeton he began working at a ferocious pace, setting standards that the rest of us may emulate but never achieve. For us there is a welter of semi-simple groups: orthogonal groups, symplectic groups, unitary groups, exceptional groups; and in our frailty we are often forced to treat them separately. For him, or so it appeared because his methods were always completely general, there was a single group. This was one of the sources of beauty of the subject in his hands, and I once asked him how he achieved it. He replied, honestly I believe, that he could think no other way. It is certainly true that he was driven back upon the simplifying properties of special examples only in desperate need and always temporarily.”

“It is difficult to communicate the grandeur of Harish-Chandra’s achievements and I have not tried to do so. The theory he created still stands– if I may be excused a clumsy simile– like a Gothic cathedral, heavily buttressed below but, in spite of its great weight, light and soaring in its upper reaches, coming as close to heaven as mathematics can. Harish, who was of a spiritual, even religious, cast and who liked to express himself in metaphors, vivid and compelling, did see, I believe, mathematics as mediating between man and what one can only call God. Occasionally, on a stroll after a seminar, usually towards evening, he would express his feelings, his fine hands slightly upraised, his eyes intent on the distant sky; but he saw as his task not to bring men closer to God but God closer to men. For those who can understand his work and who accept that God has a mathematical side, he accomplished it.”

For deeper views of his work, see

  1. Rebecca A. Herb, “Harish-Chandra and His Work” (pdf), Bulletin of the American Mathematical Society, July 1991, and
  2. R. P. Langlands, “Harish-Chandra, 1923-1983” (pdf, 28 pp., Royal Society memoir, 1985)

Saturday, October 13, 2007

Saturday October 13, 2007

Filed under: General — Tags: — m759 @ 9:22 am

Simon’s Shema

“When times are mysterious
Serious numbers will always be heard
And after all is said and done
And the numbers all come home
The four rolls into three
The three turns into two
And the two becomes a
One”

Paul Simon, 1983


Related material:

Simon’s theology here, though radically reductive, is at least consistent with traditional Jewish thought. It may help counteract the thoughtless drift to the left of academic writing in recent decades. Another weapon against leftist nonsense appears, surprisingly, on the op-ed page of today’s New York Times:

“There is a Communist jargon recognizable after a single sentence. Few people in Europe have not joked in their time about ‘concrete steps,’ ‘contradictions,’ ‘the interpenetration of opposites,’ and the rest.”

— Doris Lessing, winner of this year’s Nobel Prize in Literature

The Times offers Lessing’s essay to counter Harold Bloom’s remark that this year’s award of a Nobel Prize to Lessing is “pure political correctness.” The following may serve as a further antidote to Bloom.

The Communist use of “interpenetration,” a term long used to describe the Holy Trinity, suggests– along with Simon’s hymn to the Unity, and the rhetorical advice of Norman Mailer quoted here yesterday—  a search for the full phrase “interpenetration of opposites” in the context* of theology.  Such a search yields a rhetorical gem from New Zealand:

“Dipolarity and God”
by Mark D. Brimblecombe,
Ph.D. thesis,
University of Auckland, 1999
.

* See the final footnote on the final page (249) of Brimblecombe’s thesis:

3 The Latin word contexo means to interweave, join, or braid together.

A check of the Online Eymology Dictionary supports this assertion:

context 1432, from L. contextus “a joining together,” orig. pp. of contexere “to weave together,” from com “together” + textere “to weave” (see texture).

See also Wittgenstein on “theology as grammar” and “context-sensitive” grammars as (unlike Simon’s reductive process) “noncontracting”– Log24, April 16, 2007: Happy Birthday, Benedict XVI.

Thursday, October 11, 2007

Thursday October 11, 2007

Filed under: General — m759 @ 5:01 pm

Comments today on Peter Woit’s weblog entry “Deep Beauty“–

  1. chris says:

    once we reach the point at which the templeton foundation – or any other private sponsor for that matter – is the main source of funding in a certain area of science it would be time for society to react. react by outdoing the private source and thus claiming the research topic in question firmly back into the public domain.

    if society chooses to be oblivious – well – then so be it. research in that area will then not be driven by public interest but by private interest. ultimately it is just a reflection of the value commonly assigned to a specific field.

    what i hope this will ultimately achieve is to ring the alarm bell in society that no private organization should take over research funding and direction.

    if this will not happen – well – then we are kind of lost anyways. and funding no matter what agenda behind is still better than no funding, since i firmly believe that ultimately the truth (i.e. true statements about reproducible empirical relations) will ultimately prevail and nothing else.

  2. Steven H. Cullinane says:

    Chris says the truth consists of “true statements about reproducible empirical relations.” He should read William Golding’s Nobel lecture: “When I consider a universe which the scientist constructs by a set of rules which stipulate that this construct must be repeatable and identical, then I am a pessimist and bow down before the great god Entropy. I am optimistic when I consider the spiritual dimension which the scientist’s discipline forces him to ignore.”

Saturday, July 21, 2007

Saturday July 21, 2007

Filed under: General — Tags: — m759 @ 9:45 am

Death of a Nominalist

“All our words from loose using have lost their edge.” –Ernest Hemingway

(The Hemingway quotation is from the AP’s “Today in History” on July 21, 2007; for the context, see Death in the Afternoon.)

Today seems as good a day as any for noting the death of an author previously discussed in Log24 on January 29, 2007, and January 31, 2007.

Joseph Goguen
died on July 3, 2006. (I learned of his death only after the entries of January 2007 were written. They still hold.)

Goguen’s death may be viewed in the context of the ongoing war between the realism of Plato and the nominalism of the sophists. (See, for instance, Log24 on August 10-15, 2004, and on July 3-5, 2007.)

Joseph A. Goguen, “Ontology, Society, and Ontotheology” (pdf):

“Before introducing algebraic semiotics and structural blending, it is good to be clear about their philosophical orientation. The reason for taking special care with this is that, in Western culture, mathematical formalisms are often given a status beyond what they deserve. For example, Euclid wrote, ‘The laws of nature are but the mathematical thoughts of God.’ Similarly, the ‘situations’ in the situation semantics of Barwise and Perry, which resemble conceptual spaces (but are more sophisticated– perhaps too sophisticated), are considered to be actually existing, real entities [23], even though they may include what are normally considered judgements.5 The classical semiotics of Charles Sanders Peirce [24] also tends towards a Platonist view of signs. The viewpoint of this paper is that all formalisms are constructed in the course of some task, such as scientific study or engineering design, for the heuristic purpose of facilitating consideration of certain issues in that task. Under this view, all theories are situated social entities, mathematical theories no less than others; of course, this does not mean that they are not useful.”

5 The “types” of situation theory are even further removed from concrete reality.

[23] Jon Barwise and John Perry. Situations and Attitudes. MIT (Bradford), 1983.
[24] Charles Sanders Peirce. Collected Papers. Harvard, 1965. In 6 volumes; see especially Volume 2: Elements of Logic.

From Log24 on the date of Goguen’s death:

Requiem for a clown:

“At times, bullshit can only be
countered with superior bullshit.”

Norman Mailer

This same Mailer aphorism was quoted, along with an excerpt from the Goguen passage above, in Log24 this year on the date of Norman Mailer’s birth.  Also quoted on that date:

Sophia. Then these thoughts of Nature are also thoughts of God.

Alfred. Undoubtedly so, but however valuable the expression may be, I would rather that we should not make use of it till we are convinced that our investigation leads to a view of Nature, which is also the contemplation of God. We shall then feel justified by a different and more perfect knowledge to call the thoughts of Nature those of God….

Whether the above excerpt– from Hans Christian Oersted‘s The Soul in Nature (1852)– is superior to the similar remark of Goguen, the reader may decide.

Friday, June 15, 2007

Friday June 15, 2007

Filed under: General,Geometry — Tags: , , — m759 @ 1:00 pm
A Study in
Art Education

Rudolf Arnheim, a student of Gestalt psychology (which, an obituary notes, emphasizes "the perception of forms as organized wholes") was the first Professor of the Psychology of Art at Harvard.  He died at 102 on Saturday, June 9, 2007.

The conclusion of yesterday's New York Times obituary of Arnheim:

"… in The New York Times Book Review in 1986, Celia McGee called Professor Arnheim 'the best kind of romantic,' adding, 'His wisdom, his patient explanations and lyrical enthusiasm are those of a teacher.'"

A related quotation:

"And you are teaching them a thing or two about yourself. They are learning that you are the living embodiment of two timeless characterizations of a teacher: 'I say what I mean, and I mean what I say' and 'We are going to keep doing this until we get it right.'"

Tools for Teaching

Here, yet again, is an illustration that has often appeared in Log24– notably, on the date of Arnheim's death:
 

The 3x3 square

Related quotations:

"We have had a gutful of fast art and fast food. What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and whose skill and doggedness make you think and feel; art that isn't merely sensational, that doesn't get its message across in 10 seconds, that isn't falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media. For no spiritually authentic art can beat mass media at their own game."

Robert Hughes, speech of June 2, 2004

"Whether the 3×3 square grid is fast art or slow art, truly or falsely iconic, perhaps depends upon the eye of the beholder."

Log24, June 5, 2004

If the beholder is Rudolf Arnheim, whom we may now suppose to be viewing the above figure in the afterlife, the 3×3 square is apparently slow art.  Consider the following review of his 1982 book The Power of the Center:

"Arnheim deals with the significance of two kinds of visual organization, the concentric arrangement (as exemplified in a bull's-eye target) and the grid (as exemplified in a Cartesian coordinate system)….

It is proposed that the two structures of grid and target are the symbolic vehicles par excellence for two metaphysical/psychological stances.  The concentric configuration is the visual/structural equivalent of an egocentric view of the world.  The self is the center, and all distances exist in relation to the focal spectator.  The concentric arrangement is a hermetic, impregnable pattern suited to conveying the idea of unity and other-worldly completeness.  By contrast, the grid structure has no clear center, and suggests an infinite, featureless extension…. Taking these two ideal types of structural scaffold and their symbolic potential (cosmic, egocentric vs. terrestrial, uncentered) as given, Arnheim reveals how their underlying presence organizes works of art."

— Review of Rudolf Arnheim's The Power of the Center: A Study of Composition in the Visual Arts (Univ. of Calif. Press, 1982). Review by David A. Pariser, Studies in Art Education, Vol. 24, No. 3 (1983), pp. 210-213

Arnheim himself says in this book (pp. viii-ix) that "With all its virtues, the framework of verticals and horizontals has one grave defect.  It has no center, and therefore it has no way of defining any particular location.  Taken by itself, it is an endless expanse in which no one place can be distinguished from the next.  This renders it incomplete for any mathematical, scientific, and artistic purpose.  For his geometrical analysis, Descartes had to impose a center, the point where a pair of coordinates [sic] crossed.  In doing so he borrowed from the other spatial system, the centric and cosmic one."

Students of art theory should, having read the above passages, discuss in what way the 3×3 square embodies both "ideal types of structural scaffold and their symbolic potential."

We may imagine such a discussion in an afterlife art class– in, perhaps, Purgatory rather than Heaven– that now includes Arnheim as well as Ernst Gombrich and Kirk Varnedoe.

Such a class would be one prerequisite for a more advanced course– Finite geometry of the square and cube.

Tuesday, May 8, 2007

Tuesday May 8, 2007

Filed under: General — m759 @ 2:56 pm
The Public Square

Center of Town, Cuernavaca, from Paul Goodman's Communitas

On the words “symbology” and “communitas” (the former used, notably, as the name of a fictional field at Harvard in the novel The Da Vinci Code)–

Symbology:

“Also known as ‘processual symbolic analysis,’ this concept was developed by Victor Turner in the mid-1970s to refer to the use of symbols within cultural contexts, in particular ritual. In anthropology, symbology originated as part of Victor Turner’s concept of ‘comparative symbology.’ Turner (1920-1983) was professor of Anthropology at Cornell University, the University of Chicago, and finally he was Professor of Anthropology and Religion at the University of Virginia.” —Wikipedia

Symbology and Communitas:

 From Beth Barrie’s
  Victor Turner
“‘The positional meaning of a symbol derives from its relationship to other symbols in a totality, a Gestalt, whose elements acquire their significance from the system as a whole’ (Turner, 1967:51). Turner considered himself a comparative symbologist, which suggests he valued his contributions to the study of ritual symbols. It is in the closely related study of ritual processes that he had the most impact.

The most important contribution Turner made to the field of anthropology is his work on liminality and communitas. Believing the liminal stage to be of ‘crucial importance’ in the ritual process, Turner explored the idea of liminality more seriously than other anthropologists of his day.

As noted earlier Turner elaborated on van Gennep’s concept of liminality in rites of passage. Liminality is a state of being in between phases. In a rite of passage the individual in the liminal phase is neither a member of the group she previously belonged to nor is she a member of the group she will belong to upon the completion of the rite. The most obvious example is the teenager who is neither an adult nor a child. ‘Liminal entities are neither here nor there; they are betwixt and between the positions assigned and arrayed by law, custom, convention, and ceremonial’ (Turner, 1969:95). Turner extended the liminal concept to modern societies in his study of liminoid phenomena in western society. He pointed out the similarities between the ‘leisure genres of art and entertainment in complex industrial societies and the rituals and myths of archaic, tribal and early agrarian cultures’ (1977:43).

Closely associated to liminality is communitas which describes a society during a liminal period that is ‘unstructured or rudimentarily structured [with] a relatively undifferentiated comitatus, community, or even communion of equal individuals who submit together to the general authority of the ritual elders’ (Turner, 1969:96).

The notion of communitas is enhanced by Turner’s concept of anti-structure. In the following passage Turner clarifies the ideas of liminal, communitas and anti-structure:

I have used the term ‘anti-structure,’… to describe both liminality and what I have called ‘communitas.’ I meant by it not a structural reversal… but the liberation of human capacities of cognition, affect, volition, creativity, etc., from the normative constraints incumbent upon occupying a sequence of social statuses (1982:44).

It is the potential of an anti-structured liminal person or liminal society (i.e., communitas) that makes Turner’s ideas so engaging. People or societies in a liminal phase are a ‘kind of institutional capsule or pocket which contains the germ of future social developments, of societal change’ (Turner, 1982:45).

Turner’s ideas on liminality and communitas have provided scholars with language to describe the state in which societal change takes place.”

Turner, V. (1967). The forest of symbols: Aspects of Ndembu ritual. Ithaca, NY: Cornell University Press.

Turner, V. (1969). The ritual process: structure and anti-structure. Chicago: Aldine Publishing Co.

Turner, V. (1977). Variations of the theme of liminality. In Secular ritual. Ed. S. Moore & B. Myerhoff. Assen: Van Gorcum, 36-52.

Turner, V. (1982). From ritual to theater: The human seriousness of play. New York: PAJ Publications.

Related material on Turner in Log24:

Aug. 27, 2006 and Aug. 30, 2006.  For further context, see archive of Aug. 19-31, 2006.

Related material on Cuernavaca:

Google search on Cuernavaca + Log24.

Tuesday, January 9, 2007

Tuesday January 9, 2007

Filed under: General — Tags: — m759 @ 12:00 pm
For Balanchine's Birthday

(continued from
January 9, 2003)

George Balanchine

Encyclopædia Britannica Article

born January 22
[January 9, Old Style], 1904,
St. Petersburg, Russia
died April 30, 1983, New York,
New York, U.S.

Photograph:George Balanchine.
George Balanchine.
©1983 Martha Swope

original name 
Georgy Melitonovich Balanchivadze

most influential choreographer of classical ballet in the United States in the 20th century.  His works, characterized by a cool neoclassicism, include The Nutcracker (1954) and Don Quixote (1965), both pieces choreographed for the New York City Ballet, of which he was a founder (1948), the artistic director, and the…


Balanchine,  George… (75 of 1212 words)

"What on earth is
a concrete universal?"
— Robert M. Pirsig

Review:

From Wikipedia's
"Upper Ontology"
and
Epiphany 2007:

"There is no neutral ground
that can serve as
a means of translating between
specialized (lower) ontologies."

There is, however,
"the field of reason"–

the 3×3 grid:

The image “http://www.log24.com/theory/images/grid3x3.gif” cannot be displayed, because it contains errors.

Click on grid
for details.

As Rosalind Krauss
has noted, some artists
regard the grid as

"a staircase to
  the Universal."

Other artists regard
Epiphany itself as an
approach to
the Universal:

"Epiphany signals the traversal
of the finite by the infinite,
of the particular by the universal,
of the mundane by the mystical,
of time by eternity.
"

Richard Kearney, 2005,
in The New Arcadia Review

The image “http://www.log24.com/log/pix07/070109-Kearney2.jpg” cannot be displayed, because it contains errors.

Kearney (right) with
Martin Scorsese (left)
and Gregory Peck
in 1997.

"… one of the things that worried me about traditional metaphysics, at least as I imbibed it in a very Scholastic manner at University College Dublin in the seventies, is that philosophy was realism and realism was truth. What disturbed me about that was that everything was already acquired; truth was always a systematic given and it was there to be learned from Creation onwards; it was spoken by Jesus Christ and then published by St. Thomas Aquinas: the system as perfect synthesis. Hence, my philosophy grew out of a hunger for the 'possible' and it was definitely a reaction to my own philosophical formation. Yet that wasn't my only reaction. I was also reacting to what I considered to be the deep pessimism, and even at times 'nihilism' of the postmodern turn."

— Richard Kearney, interview (pdf) in The Leuven Philosophy Newsletter, Vol. 14, 2005-2006

For more on "the possible," see Kearney's The God Who May Be, Diamonds Are Forever, and the conclusion of Mathematics and Narrative:

 

"We symbolize
logical necessity
with the box (box.gif (75 bytes))
and logical possibility
with the diamond (diamond.gif (82 bytes))."

 

Keith Allen Korcz 

The image “http://www.log24.com/log/pix05B/050802-Stone.gif” cannot be displayed, because it contains errors.

"The possibilia that exist,
and out of which
the Universe arose,
are located in
     a necessary being…."

Michael Sudduth,
Notes on
God, Chance, and Necessity
by Keith Ward,
Regius Professor of Divinity,
Christ Church College, Oxford
(the home of Lewis Carroll)

Monday, January 9, 2006

Monday January 9, 2006

Filed under: General,Geometry — m759 @ 5:01 am
Cornerstone

“In 1782, the Swiss mathematician Leonhard Euler posed a problem whose mathematical content at the time seemed about as much as that of a parlor puzzle. 178 years passed before a complete solution was found; not only did it inspire a wealth of mathematics, it is now a cornerstone of modern design theory.”

— Dean G. Hoffman, Auburn U.,
    July 2001 Rutgers talk

Diagrams from Dieter Betten’s 1983 proof
of the nonexistence of two orthogonal
6×6 Latin squares (i.e., a proof
of Tarry’s 1900 theorem solving
Euler’s 1782 problem of the 36 officers):

The image “http://www.log24.com/log/pix06/060109-TarryProof.gif” cannot be displayed, because it contains errors.

Compare with the partitions into
two 8-sets of the 4×4 Latin squares
discussed in my 1978 note (pdf).

Wednesday, January 4, 2006

Wednesday January 4, 2006

Filed under: General — m759 @ 2:00 am
The Shining

The Shining according to
the Catholic Church:

“The Transfiguration of Christ is the culminating point of His public life…. Jesus took with him Peter and James and John and led them to a high mountain apart, where He was transfigured before their ravished eyes.  St. Matthew and St. Mark express this phenomenon by the word metemorphothe, which the Vulgate renders transfiguratus est.   The Synoptics explain the true meaning of the word by adding ‘his face did shine as the sun: and his garments became white as snow,’ according to the Vulgate, or ‘as light,’  according to the Greek text.  This dazzling brightness which emanated from His whole Body was produced by an interior shining of His Divinity.”

— The Catholic Encyclopedia of 1912

The Shining according to
Paul Preuss:

From Broken Symmetries, 1983, Chapter 16:

“He’d toyed with ‘psi’ himself…. The reason he and so many other theoretical physicists were suckers for the stuff was easy to understand– for two-thirds of a century an enigma had rested at the heart of theoretical physics, a contradiction, a hard kernel of paradox….   

Peter [Slater] had never thirsted after ‘hidden variables’ to explain what could not be pictured.  Mathematical relationships were enough to satisfy him, mere formal relationships which existed at all times, everywhere, at once.  It was a thin nectar, but he was convinced it was the nectar of the gods….

Those so-called crazy psychics were too sane, that was their problem– they were too stubborn to admit that the universe was already more bizarre than anything they could imagine in their wildest dreams of wizardry.”

Wednesday, October 26, 2005

Wednesday October 26, 2005

Filed under: General — m759 @ 7:48 am
Today’s Birthday:
Natalie Merchant

From Wikipedia:

Hope Chest:
The Fredonia Recordings 1982-1983

is a 1990 album by 10,000 Maniacs.
It compiles tracks from their early releases
Human Conflict Number Five and
Secrets of the I Ching.”

For Natalie,
a new web page summing up the
benefits of a Fredonia education:
Certified Crank

Monday, October 17, 2005

Monday October 17, 2005

Filed under: General — m759 @ 1:00 pm

Place

“Critics have compared Mr. Stone to Conrad, Faulkner, Hemingway, Graham Greene, Malcolm Lowry, Nathanael West; all apt enough, but there’s a James T. Farrell, Raymond Chandler, Dashiell Hammett strain as well – a hard-edged, lonely intelligence that sets bright promise off against stark failure and deals its mordant hand lightly. In A Flag for Sunrise (1981), an anthropologist observes: ‘There’s always a place for God. . . . There is some question as to whether He’s in it.'”

—  Jean Strouse on Robert Stone

“When times are mysterious
Serious numbers will always be heard
And after all is said and done
And the numbers all come home
The four rolls into three
The three turns into two
And the two becomes a
One”

— Paul Simon,
    “When Numbers Get Serious,” from
    “Hearts and Bones”  album, 1983

“Hickory Dickory Dock….”

Anonymous folk tune

Saturday, August 13, 2005

Saturday August 13, 2005

Filed under: General,Geometry — Tags: — m759 @ 12:04 pm

Kaleidoscope, continued:

In Derrida’s Defense

The previous entry quoted an attack on Jacques Derrida for ignoring the “kaleidoscope” metaphor of Claude Levi-Strauss.  Here is a quote by Derrida himself:

“The time for reflection is also the chance for turning back on the very conditions of reflection, in all the senses of that word, as if with the help of an optical device one could finally see sight, could not only view the natural landscape, the city, the bridge and the abyss, but could view viewing. (1983:19)

— Derrida, J. (1983) ‘The Principle of Reason: The University in the Eyes of its Pupils’, Diacritics 13.3: 3-20.”

The above quotation comes from Simon Wortham,  who thinks the “optical device” of Derrida is a mirror.  The same quotation appears in Desiring Dualisms at thispublicaddress.com, where the “optical device” is interpreted as a kaleidoscope.

Derrida’s “optical device” may (for university pupils desperately seeking an essay topic) be compared with Joyce’s “collideorscape.”  For a different connection with Derrida, see The ‘Collideorscape’ as Différance.

Sunday, June 19, 2005

Sunday June 19, 2005

Filed under: General,Geometry — Tags: , — m759 @ 4:00 am
ART WARS:
Darkness Visible
“No light, but rather darkness visible
 Serv’d only to discover sights of woe”
John Milton, Paradise Lost,
Book I,  lines 63-64

From the cover article (pdf) in the
June/July 2005 Notices of the
American Mathematical Society–

Martin Gardner


A famed vulgarizer, Martin Gardner,
summarizes the art of Ad Reinhardt
(Adolph Dietrich Friedrich Reinhardt,
  Dec. 24, 1913 – Aug. 30, 1967):

“Ed Rinehart [sic] made a fortune painting canvases that were just one solid color.  He had his black period in which the canvas was totally black.  And then he had a blue period in which he was painting the canvas blue.  He was exhibited in top shows in New York, and his pictures wound up in museums.  I did a column in Scientific American on minimal art, and I reproduced one of Ed Rinehart’s black paintings.  Of course, it was just a solid square of pure black.  The publisher insisted on getting permission from the gallery to reproduce it.”

Related material
from Log24.net,
Nov. 9-12, 2004:

Fade to Black

“…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent.”

— Trevanian, Shibumi

“‘Haven’t there been splendidly elegant colors in Japan since ancient times?’

‘Even black has various subtle shades,’ Sosuke nodded.”

— Yasunari Kawabata, The Old Capital

An Ad Reinhardt painting
described in the entry of
noon, November 9, 2004
is illustrated below.

Ad Reinhardt,  Greek Cross

Ad Reinhardt,
Abstract Painting,
1960-66.
Oil on canvas, 60 x 60 inches.
Solomon R. Guggenheim Museum

The viewer may need to tilt
the screen to see that this
painting is not uniformly black,
but is instead a picture of a
Greek cross, as described below.

“The grid is a staircase to the Universal…. We could think about Ad Reinhardt, who, despite his repeated insistence that ‘Art is art,’ ended up by painting a series of… nine-square grids in which the motif that inescapably emerges is a Greek cross.

Greek Cross

There is no painter in the West who can be unaware of the symbolic power of the cruciform shape and the Pandora’s box of spiritual reference that is opened once one uses it.”

— Rosalind Krauss,
Meyer Schapiro Professor
of Modern Art and Theory
at Columbia University

(Ph.D., Harvard U., 1969),
in “Grids”

The image “http://www.log24.com/log/pix04B/041109-Krauss.jpg” cannot be displayed, because it contains errors.

Krauss

 
In memory of
St. William Golding
(Sept. 19, 1911 – June 19, 1993)

Tuesday, September 28, 2004

Tuesday September 28, 2004

Filed under: General — Tags: , — m759 @ 3:33 pm

3:33:33 PM

Romantic Interaction, continued…

The Rhyme of Time

From American Dante Bibliography for 1983:

Freccero, John. "Paradiso X: The Dance of the Stars" (1968). Reprinted in Dante in America … (q.v.), pp. 345-371. [1983]

Freccero, John. "The Significance of terza rima." In Dante, Petrarch, Boccaccio: Studies in the Italian Trecento … (q.v.), pp. 3-17. [1983]

Interprets the meaning of terza rima in terms of a temporal pattern of past, present, and future, with which the formal structure and the thematics of the whole poem coordinate homologically: "both the verse pattern and the theme proceed by a forward motion which is at the same time recapitulary." Following the same pattern in the three conceptual orders of the formal, thematical, and logical, the autobiographical narrative too is seen "as forward motion that moves towards its own beginning, or as a form of advance and recovery, leading toward a final recapitulation." And the same pattern is found especially to obtain theologically and biblically (i.e., historically). By way of recapitulation, the author concludes with a passage from Augustine's Confessions on the nature of time, which "conforms exactly to the movement of terza rima." Comes with six diagrams illustrating the various patterns elaborated in the text.

From Rachel Jacoff's review of Pinsky's translation of Dante's Inferno:

"John Freccero's Introduction to the translation distills a compelling reading of the Inferno into a few powerful and immediately intelligible pages that make it clear why Freccero is not only a great Dante scholar, but a legendary teacher of the poem as well."

From The Undivine Comedy, Ch. 2, by Teodolinda Barolini (Princeton University Press, 1992):

"… we exist in time which, according to Aristotle, "is a kind of middle-point, uniting in itself both a beginning and an end, a beginning of future time and an end of past time."* It is further to say that we exist in history, a middleness that, according to Kermode, men try to mitigate by making "fictive concords with origins and ends, such as give meaning to lives and to poems." Time and history are the media Dante invokes to begin a text whose narrative journey will strive to imitate– not escape– the journey it undertakes to represent, "il cammin di nostra vita."

* Aristotle is actually referring to the moment, which he considers indistinguishable from time: "Now since time cannot exist and is unthinkable apart from the moment, and the moment is a kind of middle-point, uniting as it does in itself both a beginning and an end, a beginning of future time and an end of past time, it follows that there must always be time: for the extremity of the last period of time that we take must be found in some moment, since time contains no point of contact for us except in the moment. Therefore, since the moment is both a beginning and an end there must always be time on both sides of it" (Physics 8.1.251b18-26; in the translation of R. P. Hardie and R. K. Gaye, in The Basic Works of Aristotle, ed. Richard McKeon [New York: Random House, 1941]).  

From Four Quartets:

And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

Tuesday, September 14, 2004

Tuesday September 14, 2004

Filed under: General,Geometry — Tags: , — m759 @ 3:00 pm

The Square Wheel

Harmonic analysis may be based either on the circular (i.e., trigonometric) functions or on the square (i. e., Walsh) functions.  George Mackey's masterly historical survey showed that the discovery of Fourier analysis, based on the circle, was of comparable importance (within mathematics) to the discovery (within general human history) of the wheel.  Harmonic analysis based on square functions– the "square wheel," as it were– is also not without its importance.

For some observations of Stephen Wolfram on square-wheel analysis, see pp. 573 ff. in Wolfram's magnum opus, A New Kind of Science (Wolfram Media, May 14, 2002).  Wolfram's illustration of this topic is closely related, as it happens, to a note on the symmetry of finite-geometry hyperplanes that I wrote in 1986.  A web page pointing out this same symmetry in Walsh functions was archived on Oct. 30, 2001.

That web page is significant (as later versions point out) partly because it shows that just as the phrase "the circular functions" is applied to the trigonometric functions, the phrase "the square functions" might well be applied to Walsh functions– which have, in fact, properties very like those of the trig functions.  For details, see Symmetry of Walsh Functions, updated today.

"While the reader may draw many a moral from our tale, I hope that the story is of interest for its own sake.  Moreover, I hope that it may inspire others, participants or observers, to preserve the true and complete record of our mathematical times."

From Error-Correcting Codes
Through Sphere Packings
To Simple Groups
,
by Thomas M. Thompson,
Mathematical Association of America, 1983

Friday, July 9, 2004

Friday July 9, 2004

Filed under: General — m759 @ 7:11 pm

Scoop

This afternoon I came across, in a briefcase I seldom use, two books I had not looked at since I bought them last month:

  • The Footprints of God, a recently published paperback by Greg Iles, a writer who graduated from Trinity High School, Natchez, Mississippi, in 1979, and from the University of Mississippi in Oxford in 1983.
  • Sanctuary, by the better-known Mississippi writer William Faulkner.

At the time I purchased the books, indeed until I looked up Iles on the Web today, I was not aware of the Mississippi connection.  Their physical connection, lying together today in my briefcase, is, of course, purely coincidental.  My view of coincidence is close to that of Arthur Koestler, who wrote The Challenge of Chance and The Roots of Coincidence, and to that of Loren Eiseley, who wrote of a dice game and of "the Other Player" in his autobiography, All the Strange Hours.

A Log24 entry yesterday referred to a comedic novel on the role of chance in physics, Cosmic Banditos.  Today's New York Times quotes an entertainer who referred to President Bush yesterday, at a political fund-raiser, as a bandito.  Another coincidence… this one related directly to the philosophy of coincidences expounded jokingly in Cosmic Banditos.

I draw no conclusions from such coincidences, but they do inspire me to look a little deeper into life's details — where, some say, God is.  Free association on these details, together with a passage in Sanctuary, inspired the following collage:

The image “http://www.log24.com/log/pix04A/040709-FritoReba.jpg” cannot be displayed, because it contains errors.


Related Texts

Faulkner on a trinity of women
in Sanctuary (Ch. 25):

"Miss Reba emerged from behind the screen with three glasses of gin. 'This'll put some heart into us,' she said. 'We're setting here like three old sick cats.'  They bowed formally and drank, patting their lips.  Then they began to talk.  They were all talking at once,* again in half-completed sentences, but without pauses for agreement or affirmation."


"In Defense of the Brand":

"When I was helping Frito corn chips expand its core user group in the mid-'90s, we didn't ask Frito-Lay to just wave the Fritos banner. The brand was elevated to a place where it could address its core users in a way that was relevant to their lifestyle. We took the profile of the audience and created a campaign starring Reba McEntire. It captured the brand's essence, and set Frito eaters amidst good music, good people, and good fun."

Song lyric, Reba McEntire:
 
"I might have been born
just plain white trash,
but Fancy was my name."

Loren Eiseley, 
Notes of an Alchemist:

I never found
the hole in the wall;
I never found
Pancho Villa country
where you see the enemy first.
— "The Invisible Horseman"

Wednesday, September 10, 2003

Wednesday September 10, 2003

Filed under: General — Tags: , — m759 @ 4:04 pm

4:04:08

The title refers to my entry of last April 4,

The Eight,

and to the time of this entry.

From D. H. Lawrence and the Dialogical Principle:

“Plato’s Dialogues…are queer little novels….[I]t was the greatest pity in the world, when philosophy and fiction got split.  They used to be one, right from the days of myth.  Then they went and parted, like a nagging married couple, with Aristotle and Thomas Aquinas and that beastly Kant.  So the novel went sloppy, and philosophy went abstract-dry.  The two should come together again, in the novel.”

— pp. 154-5 in D. H. Lawrence, “The Future of the Novel,” in Study of Thomas Hardy and Other Essays. Ed.  Bruce Steele.  Cambridge: Cambridge University Press,1983. 149-55.



Philosophy



Fiction

“The wild, brilliant, alert head of St. Mawr seemed to look at her out of another world… the large, brilliant eyes of that horse looked at her with demonish question…. ‘Meet him half way,’ Lewis [the groom] said.  But halfway across from our human world to that terrific equine twilight was not a small step.”    

— pp. 30, 35 in D. H. Lawrence, “St. Mawr.” 1925.  St. Mawr and Other Stories.  Ed. Brian Finney.  Cambridge: Cambridge University Press, 1983.

See also

Plato, Pegasus, and the Evening Star.

Katherine Neville’s novel The Eight, referred to in my note of April 4, is an excellent example of how not to combine philosophy with fiction.  Lest this be thought too harsh, let me say that the New Testament offers a similarly ludicrous mixture.

On the other hand, there do exist successful combinations of philosophy with fiction… For example, The Glass Bead Game, Zen and The Art of Motorcycle Maintenance, Under the Volcano, the novels of Charles Williams, and the C. S. Lewis classic That Hideous Strength.

This entry was prompted by the appearance of the god Pan in my entry on this date last year, by Hugh Grant’s comedic encounters with Pan in “Sirens,” by Lawrence’s remarks on Pan in “St. Mawr,” and by the classic film “Picnic at Hanging Rock.”

Monday, August 25, 2003

Monday August 25, 2003

Filed under: General — Tags: — m759 @ 3:31 am

Gates to the City

Today’s birthday:

On August 25, 1918, composer Leonard Bernstein was born.

From Winter’s Tale, Harcourt Brace (1983):

Four Gates to the City

By MARK HELPRIN

Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues–wild and free–that stopped at the city walls.

In time the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit. Some claim that the barriers do not exist, and disparage them. Although they themselves can penetrate the new walls with no effort, their spirits (which, also, they claim do not exist) cannot, and are left like orphans around the periphery.

To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice. There once was a map, now long gone, one of the ancient charts upon which colorful animals sleep or rage. Those who saw it said that in its illuminations were figures and symbols of the gates. The east gate was that of acceptance of responsibility, the south gate that of the desire to explore, the west gate that of devotion to beauty, and the north gate that of selfless love. But they were not believed. It was said that a city with entryways like these could not exist, because it would be too wonderful. Those who decide such things decided that whoever had seen the map had only imagined it, and the entire matter was forgotten, treated as if it were a dream, and ignored. This, of course, freed it to live forever.

See also

Lenny’s Gate:

Fred Stein,
Central Park,
1945 

Thanks to Sonja Klein Fine Art
 for pointing out the Stein photo.

Thursday, December 19, 2002

Thursday December 19, 2002

Filed under: General — Tags: — m759 @ 5:30 pm

Winter’s Tale

The title is that of a novel by Mark Helprin.

On this date in 1903, the Williamsburg Bridge between Brooklyn and Manhattan was opened to traffic.

From the opening of Helprin’s 1983 novel:

“The horse…. trotted alone over the carriage road of the Williamsburg Bridge, before the light, while the toll keeper was sleeping by his stove and many stars were still blazing above the city.”

A memorable
 rhyme
:

Seven is
  heaven,
Eight is
  a gate. 

A 1985 illustration

See also Plato, Pegasus, and the Evening Star.

“The Forms are abstract but real.”

Rebecca Goldstein on Plato

Wednesday, October 23, 2002

Wednesday October 23, 2002

Filed under: General — Tags: — m759 @ 6:35 am

Eleven Years Ago Today…

On October 23, 1991, I placed in my (paper) journal various entries that would remind me of the past… of Cuernavaca, Mexico, and a girl I knew there in 1962. One of the entries dealt with a book by Arthur Koestler, The Challenge of Chance. A search for links related to that book led to the following site, which I find very interesting:

http://www.geocities.com/Athens/2740/.

This is a commonplace-book site, apparently a collection of readings for the end of the century and millennium. No site title or owner is indicated, but the readings are excellent. Accepting the challenge of chance, I reproduce one of the readings… The author was not writing about Cuernavaca, but may as well have been.

From Winter’s Tale, Harcourt Brace (1983):

Four Gates to the City

By MARK HELPRIN

Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues–wild and free–that stopped at the city walls.

In time the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit. Some claim that the barriers do not exist, and disparage them. Although they themselves can penetrate the new walls with no effort, their spirits (which, also, they claim do not exist) cannot, and are left like orphans around the periphery.

To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice. There once was a map, now long gone, one of the ancient charts upon which colorful animals sleep or rage. Those who saw it said that in its illuminations were figures and symbols of the gates. The east gate was that of acceptance of responsibility, the south gate that of the desire to explore, the west gate that of devotion to beauty, and the north gate that of selfless love. But they were not believed. It was said that a city with entryways like these could not exist, because it would be too wonderful. Those who decide such things decided that whoever had seen the map had only imagined it, and the entire matter was forgotten, treated as if it were a dream, and ignored. This, of course, freed it to live forever.

Friday, October 18, 2002

Friday October 18, 2002

Filed under: General — m759 @ 5:55 am

Readings for the Oct. 18
Feast of St. Luke

A fellow Xangan is undergoing a spiritual crisis. Well-meaning friends are urging upon her all sorts of advice. The following is my best effort at religious counsel, meant more for the friends than for the woman in crisis.

Part I… Wallace Stevens 

From Brewer’s Dictionary of Phrase and Fable:

Ox Emblematic of St. Luke. It is one of the four figures which made up Ezekiel’s cherub (i. 10). The ox is the emblem of the priesthood….

   The dumb ox. St. Thomas Aquinas; so named by his fellow students at Cologne, on account of his dulness and taciturnity. (1224-1274.)
   Albertus said, “We call him the dumb ox, but he will give one day such a bellow as shall be heard from one end of the world to the other.” (Alban Butler.)

From Wallace Stevens, “The Latest Freed Man“:

It was how the sun came shining into his room:
To be without a description of to be,
For a moment on rising, at the edge of the bed, to be,
To have the ant of the self changed to an ox
With its organic boomings, to be changed
From a doctor into an ox, before standing up,
To know that the change and that the ox-like struggle
Come from the strength that is the strength of the sun,
Whether it comes directly or from the sun.
It was how he was free. It was how his freedom came.
It was being without description, being an ox.

Part II… The Rosy Cross

Readings:

  • Brautigan, Richard, The Hawkline Monster, Simon and Schuster, 1974…
    Just for the pleasure of reading it… A compelling work of fiction on spiritual matters that includes a conversion to Rosicrucianism in its concluding chapter.
  • Browning, Vivienne (Betty Coley, ed).
    My Browning Family Album. With a Foreword by Ben Travers, and a Poem by Jack Lindsay Springwood, London, 1979…
    The Rosicrucian tradition in Australia (highly relevant background reading for the 1994 film “Sirens”). Includes a mention of Aleister Crowley, dark mage, who also figures (prominently) in….
  • Wilson, Robert Anton, Masks of the Illuminati, Pocket Books, April 1981…
    James Joyce and Albert Einstein join in a metaphysical investigation.

    “He recited from the anonymous Muses Threnody of 1648:

    For we be brethren of the Rosy Cross
    We have the Mason Word and second sight
    Things for to come we can see aright.”

Part III… Stevens Again

A major critical work on Wallace Stevens that is not unrelated to the above three works on the Rosicrucian tradition:

Leonora Woodman, Stanza My Stone: Wallace Stevens and the Hermetic Tradition, West Lafayette, Indiana: Purdue University Press, 1983

From the Department of English, Purdue University:

Leonora Woodman came to Purdue in 1976. In 1979, she became Director of Composition, a position she held until 1986…. At the time of her death in 1991, she was in the midst of an important work on modernist poetry, Literary Modernism and the Fourth Dimension: The Visionary Poetics of D.H. Lawrence, H.D., and Hart Crane.

For more on Gnostic Christianity, see

  • Elaine Pagels, The Gnostic Gospels (Random House, 1979), and
  • Harold Bloom, Omens of Millenium: The Gnosis of Angels, Dreams, and Resurrection (Riverhead Books, 1996).

Tuesday, October 15, 2002

Tuesday October 15, 2002

Filed under: General — m759 @ 2:10 pm

From the Archives:

On this date in 1971, “Rick Nelson was booed off the stage when he didn’t stick to all oldies at the seventh Annual Rock ’n’ Roll Revival show at Madison Square Garden, New York. He tried to slip in some of his new material and the crowd did not approve. The negative reaction to his performance inspired Nelson to write his last top-40 hit, ‘Garden Party,’ which hit the top-ten about a year after the Madison Square Garden debacle. ‘Garden Party,’ ironically, was Nelson’s biggest hit in years.”

“With a little effort, anything can be shown to connect with anything else: existence is infinitely cross-referenced.”

Opening sentence of Martha Cooley’s The Archivist

Woe unto
them that
call evil
good, and
good evil;
that put
darkness
for light,
and light
for darkness

Isaiah 5:20

As she spoke
about the Trees
of Life
and Death,
I watched her…
The Archivist

The world
has gone
mad today
And good’s
bad today,

And black’s
white today,
And day’s
night today

Cole Porter

Actor Pat O’Brien died on this date in 1983.

“A man in Ireland, who came in contact with a Bible colporteur, at first repulsed him. Finally he was persuaded to take a Bible and later he said: ‘I read a wee bit out of the New Testament every day, and I pray to God every night and morning.’  When asked if it helped him to read God’s Word and to pray, he answered: ‘Indade it does. When I go to do anything wrong, I just say to myself, “Pat, you’ll be talking to God tonight.” That keeps me from doing it!'”
worldmissions.org

colporteur 
… noun…
Etymology: French, alteration of Middle French comporteur, from comporter to bear, peddle….
a peddler of religious books

Tuesday, September 24, 2002

Tuesday September 24, 2002

Filed under: General — m759 @ 11:33 pm

The Shining of Lucero

From my journal note, “Shining Forth“:

The Spanish for “Bright Star” is “Lucero.”

The Eye of the Beholder:

When you stand in the dark and look at a star a hundred light years away, not only have the retarded light waves from the star been travelling for a hundred years toward your eyes, but also advanced waves from your eyes have reached a hundred years into the past to encourage the star to shine in your direction.

— John Cramer, “The Quantum Handshake

From Broken Symmetries, by Paul Preuss, 1983:

He’d toyed with “psi” himself…. The reason he and so many other theoretical physicists were suckers for the stuff was easy to understand — for two-thirds of a century an enigma had rested at the heart of theoretical physics, a contradiction, a hard kernel of paradox….   

Peter [Slater] had never thirsted after “hidden variables” to explain what could not be pictured.  Mathematical relationships were enough to satisfy him, mere formal relationships which existed at all times, everywhere, at once.  It was a thin nectar, but he was convinced it was the nectar of the gods.

………………

Those so-called crazy psychics were too sane, that was their problem — they were too stubborn to admit that the universe was already more bizarre than anything they could imagine in their wildest dreams of wizardry. (Ch. 16)

From Secret Passages, by Paul Preuss, 1997:

Minakis caught up and walked beside him in silence, moving with easy strides over the bare ground, listening as Peter [Slater] spoke. “Delos One was ten years ago — quantum theory seemed as natural as water to me then; I could play in it without a care. If I’d had any sense of history, I would have recognized that I’d swallowed the Copenhagen interpretation whole.”

“Back then, you insisted that the quantum world is not a world at all,” Minakis prompted him. “No microworld, only mathematical descriptions.”

“Yes, I was adamant. Those who protested were naive — one has to be willing to tolerate ambiguity, even to be crazy.”

“Bohr’s words?”

“The party line. Of course Bohr did say, ‘It is wrong to think that the task of physics is to find out how nature is. Physics concerns what we can say about nature.’ Meaning that when we start to talk what sounds like philosophy, our colleagues should rip us to pieces.” Peter smiled. “They smell my blood already.”

………………
 
Peter glanced at Minakis. “Let’s say there are indications — I have personal indications — not convincing, perhaps, but suggestive, that the quantum world penetrates the classical world deeply.” He was silent for a moment, then waved his hand at the ruins. “The world of classical physics, I mean. I suppose I’ve come to realize that the world is more than a laboratory.”

“We are standing where Apollo was born,” Minakis said. “Leto squatted just there, holding fast to a palm tree, and after nine days of labor gave birth to the god of light and music….”

From my journal note, “A Mass for Lucero“:

To Lucero, in memory of
1962 in Cuernavaca

From On Beauty, by Elaine Scarry,
Princeton University Press, 1999 —

“Homer sings of the beauty of particular things. Odysseus, washed up on shore, covered with brine, having nearly drowned, comes upon a human community and one person in particular, Nausicaa, whose beauty simply astonishes him. He has never anywhere seen a face so lovely; he has never anywhere seen any thing so lovely….

I have never laid eyes on anyone like you,
neither man nor woman…
I look at you and a sense of wonder takes me.

Wait, once I saw the like —
in Delos, beside Apollo’s altar —
the young slip of a palm-tree
springing into the light.”

From Secret Passages, by Paul Preuss, 1997:

“When we try to look inside atoms,” Peter said, “not only can we not see what’s going on, we cannot even construct a coherent picture of what’s going on.”

“If you will forgive me, Peter,” Minakis said, turning to the others. “He means that we can construct several pictures — that light and matter are waves, for example, or that light and matter are particles — but that all these pictures are inadequate. What’s left to us is the bare mathematics of quantum theory.”

…. “Whatever the really real world is like, my friend, it is not what you might imagine.”

………………

 
Talking physics, Peter tended to bluntness. “Tell me more about this real world you imagine but can’t describe.”

Minakis turned away from the view of the sunset. “Are you familiar with John Cramer’s transactional interpretation of quantum mechanics?”

“No I’m not.”

………………

“Read Cramer. I’ll give you his papers. Then we can talk.” 

 From John Cramer, “The Quantum Handshake“:

Advanced waves could perhaps, under the right circumstances, lead to “ansible-type” FTL communication favored by Le Guin and Card…. 

For more on Le Guin and Card, see my journal notes below.

For more on the meaning of “lucero,” see the Wallace Stevens poem “Martial Cadenza.”

Thursday, September 19, 2002

Thursday September 19, 2002

Filed under: General — m759 @ 4:11 pm

William Golding
and the Lost Boys

Author William Golding was born on this date in 1911.

Theater review,
‘The Terrible Tragedy of Peter Pan’
at House Theatre in Chicago

By Chris Jones

“J. M. Barrie’s famous 1904 tale of Peter Pan and the Lost Boys is fertile ground for post-modern exploration.”

See also the Stephen King novel

Hearts in Atlantis.

(Forget the movie, which does not even mention William Golding.)

For a somewhat more cheerful variation on the Lost Boys theme, see the new

Kingdom Hearts game.

Of course, mature audiences might react to this Disney production by recalling the classic question, “Why did Mickey Mouse divorce Minnie Mouse?”

See also the

Lord of the Flies game

at the Nobel Prize Foundation site.

Tuesday, August 6, 2002

Tuesday August 6, 2002

Filed under: General — m759 @ 12:24 pm

Veritatis Splendor

Black Holes 

Conclusion of the Nobel Prize lecture of Subrahmanyan Chandrasekhar on December 8, 1983:

The mathematical theory of black holes is a subject of immense complexity; but its study has convinced me of the basic truth of the ancient mottoes,

The simple is the seal of the true

and

Beauty is the splendour of truth.

White Holes

Statement by Karol Wojtyla on August 6, 1993: 

The splendour of truth shines forth in all the works of the Creator and, in a special way, in man, created in the image and likeness of God (cf. Gen 1:26).

Wojtyla, who apparently prefers folk-tales to truth, may appreciate the website White Hole Theory at the World University Library

Is the Pope Catholic?

The World University Library furnishes an answer to the question that has long troubled many:  Is the Pope Catholic?

According to Catholic.com,

The Greek roots of the term “Catholic” mean “according to (kata-) the whole (holos),” or more colloquially, “universal.”

Upon comparing the contents of the World University Library with the contents of Wojtyla’s 1993 statement, it becomes apparent that the World University Library is catholic (i.e., universal), but the Pope is not.  

Friday, July 19, 2002

Old Xanga post numbers

Filed under: — m759 @ 9:22 pm

This WordPress page from 9:22 PM ET on Aug. 17, 2016,
gives id numbers of old Xanga posts for Log24 and user m759.

It is backdated to July 19, 2002, the day before the first post in
this WordPress weblog, so it will not appear before other posts
in searches of the weblog.

Wednesday, July 31, 2002

 3201621 11:29 PM

Tuesday, July 30, 2002

 3152201 12:12 AM

Monday, July 29, 2002

 3146028 8:34 PM

Sunday, July 28, 2002

 3115928 3:07 PM

 3115052 2:16 PM

Sunday, July 28, 2002

 3114730 1:56 PM

Friday, July 26, 2002

 3077091 1:59 PM

Thursday, July 25, 2002

 3061170 9:18 PM

Saturday, July 20, 2002

 2947581 10:13 PM

Saturday, August 31, 2002

 3995905 3:36 AM

Friday, August 30, 2002

 3973631 12:12 PM

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Thursday, August 29, 2002

 3950626 4:40 PM

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Wednesday, August 28, 2002

 3918801 2:43 PM

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 3910867 3:49 AM

Tuesday, August 27, 2002

 3880073 1:31 AM

Monday, August 26, 2002

 3863844 11:59 PM

Monday, August 26, 2002

 3853622 4:45 AM

Saturday, August 24, 2002

 3807541 2:33 PM

Friday, August 23, 2002

 3776436 9:56 AM

Tuesday, August 13, 2002

 3508642 12:37 PM

Thursday, August 08, 2002

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Tuesday, August 06, 2002

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Monday, August 05, 2002

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Sunday, August 04, 2002

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Saturday, August 03, 2002

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Friday, August 02, 2002

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Thursday, August 01, 2002

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Monday, September 30, 2002

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Sunday, September 29, 2002

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Friday, September 27, 2002

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Thursday, September 26, 2002

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Wednesday, September 25, 2002

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Tuesday, September 24, 2002

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Sunday, September 22, 2002

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Friday, September 20, 2002

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Thursday, September 19, 2002

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Wednesday, September 18, 2002

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Monday, September 16, 2002

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Sunday, September 15, 2002

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Saturday, September 14, 2002

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Tuesday, September 03, 2002

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Sunday, September 01, 2002

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Thursday, October 31, 2002

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Tuesday, October 29, 2002

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Saturday, October 26, 2002

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Wednesday, October 02, 2002

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Tuesday, November 05, 2002

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Tuesday, December 31, 2002

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Sunday, December 22, 2002

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Monday, December 02, 2002

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Sunday, December 01, 2002

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Friday, January 31, 2003

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Sunday, January 12, 2003

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Saturday, May 24, 2003

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Friday, May 23, 2003

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Thursday, May 15, 2003

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Sunday, June 01, 2003

<strong><font size="3">Thursday, May 29,
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Thursday, July 31, 2003

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Friday, July 25, 2003

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Tuesday, August 19, 2003

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Tuesday, September 30, 2003

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Monday, September 29, 2003

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Sunday, September 14, 2003

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Wednesday, October 15, 2003

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Sunday, October 12, 2003

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Saturday, October 11, 2003

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Wednesday, October 08, 2003

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Tuesday, October 07, 2003

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Sunday, October 05, 2003

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Tuesday, November 25, 2003

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Sunday, November 23, 2003

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Saturday, November 22, 2003

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Sunday, November 16, 2003

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Wednesday, December 31, 2003

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Monday, December 22, 2003

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Sunday, December 21, 2003

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Friday, December 19, 2003

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Tuesday, December 16, 2003

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Sunday, December 14, 2003

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Saturday, December 13, 2003

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Friday, December 12, 2003

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Wednesday, December 10, 2003

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Monday, December 08, 2003

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Friday, December 05, 2003

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Saturday, January 31, 2004

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Thursday, January 29, 2004

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Wednesday, January 28, 2004

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Monday, January 26, 2004

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Saturday, January 24, 2004

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Sunday, January 18, 2004

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Saturday, January 17, 2004

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Sunday, January 11, 2004

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Friday, January 09, 2004

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Tuesday, January 06, 2004

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Monday, January 05, 2004

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Friday, January 02, 2004

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Thursday, January 01, 2004

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Sunday, February 29, 2004

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Saturday, February 28, 2004

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Thursday, February 26, 2004

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Wednesday, February 25, 2004

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Friday, February 20, 2004

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Thursday, February 19, 2004

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Wednesday, February 18, 2004

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Tuesday, February 17, 2004

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Monday, February 16, 2004

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Saturday, February 14, 2004

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Thursday, February 12, 2004

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Wednesday, February 11, 2004

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Tuesday, February 10, 2004

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Monday, February 09, 2004

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Sunday, February 08, 2004

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Saturday, February 07, 2004

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Friday, February 06, 2004

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Thursday, February 05, 2004

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Tuesday, February 03, 2004

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Tuesday, February 03, 2004

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Monday, February 02, 2004

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Sunday, February 01, 2004

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Wednesday, March 31, 2004

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Tuesday, March 30, 2004

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Tuesday, March 30, 2004

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Sunday, March 28, 2004

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Saturday, March 27, 2004

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Tuesday, March 23, 2004

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Monday, March 22, 2004

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Sunday, March 21, 2004

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Saturday, March 20, 2004

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Friday, March 19, 2004

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Thursday, March 18, 2004

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Wednesday, March 17, 2004

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Tuesday, March 16, 2004

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Monday, March 15, 2004

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Monday, March 15, 2004

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Sunday, March 14, 2004

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Saturday, March 13, 2004

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Saturday, March 13, 2004

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Friday, March 12, 2004

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Thursday, March 11, 2004

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Thursday, March 11, 2004

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Wednesday, March 10, 2004

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Sunday, March 07, 2004

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Saturday, March 06, 2004

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Friday, March 05, 2004

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Thursday, March 04, 2004

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Wednesday, March 03, 2004

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Tuesday, March 02, 2004

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Friday, April 30, 2004

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Thursday, April 29, 2004

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Wednesday, April 28, 2004

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Tuesday, April 27, 2004

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Tuesday, April 27, 2004

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Monday, April 26, 2004

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Sunday, April 25, 2004

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Friday, April 23, 2004

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Thursday, April 22, 2004

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Wednesday, April 21, 2004

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Tuesday, April 20, 2004

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Monday, April 19, 2004

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Sunday, April 18, 2004

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Friday, April 16, 2004

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Thursday, April 15, 2004

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Wednesday, April 14, 2004

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Tuesday, April 13, 2004

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Sunday, April 11, 2004

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Saturday, April 10, 2004

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Friday, April 09, 2004

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Friday, April 09, 2004

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Thursday, April 08, 2004

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Wednesday, April 07, 2004

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Tuesday, April 06, 2004

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Monday, April 05, 2004

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Sunday, April 04, 2004

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Friday, April 02, 2004

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Thursday, April 01, 2004

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Monday, May 31, 2004

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Thursday, May 27, 2004

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Saturday, May 22, 2004

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Friday, May 21, 2004

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Friday, May 21, 2004

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Thursday, May 20, 2004

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Wednesday, May 19, 2004

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Saturday, May 15, 2004

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Saturday, May 15, 2004

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Friday, May 14, 2004

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Thursday, May 13, 2004

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Wednesday, May 12, 2004

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Monday, May 10, 2004

Sunday, May 09, 2004

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Saturday, May 08, 2004

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Friday, May 07, 2004

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Wednesday, May 05, 2004

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Tuesday, May 04, 2004

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Monday, May 03, 2004

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Sunday, May 02, 2004

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Saturday, May 01, 2004

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Saturday, May 01, 2004

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Tuesday, June 29, 2004

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Sunday, June 27, 2004

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Saturday, June 26, 2004

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Friday, June 25, 2004

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Tuesday, June 22, 2004

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Thursday, June 17, 2004

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Wednesday, June 16, 2004

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Tuesday, June 15, 2004

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Sunday, June 13, 2004

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Saturday, June 12, 2004

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Friday, June 11, 2004

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Tuesday, June 08, 2004

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Sunday, June 06, 2004

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Sunday, June 06, 2004

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Thursday, June 03, 2004

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Tuesday, June 01, 2004

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Wednesday, July 14, 2004

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Sunday, July 11, 2004

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<a name="3" target="_new"></a><big><b><font
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Thursday, August 11, 2005

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Tuesday, August 09, 2005

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Sunday, August 07, 2005

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Saturday, August 06, 2005

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Friday, August 05, 2005

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Thursday, August 04, 2005

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Tuesday, September 27, 2005

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Thursday, September 22, 2005

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Saturday, September 10, 2005

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Wednesday, November 30, 2005

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Friday, November 25, 2005

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Tuesday, November 08, 2005

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Sunday, November 06, 2005

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Thursday, November 03, 2005

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Tuesday, November 01, 2005

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Saturday, December 31, 2005

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Monday, February 27, 2006

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Friday, March 10, 2006

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Saturday, March 04, 2006

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Wednesday, March 01, 2006

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Sunday, April 30, 2006

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Friday, April 28, 2006

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Tuesday, April 18, 2006

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Monday, April 17, 2006

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Saturday, April 01, 2006

Wednesday, May 31, 2006

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Monday, May 29, 2006

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Sunday, May 28, 2006

<a
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March 22, 2006</a><br>
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Friday, May 26, 2006

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Wednesday, May 24, 2006

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Friday, May 19, 2006

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Friday, May 05, 2006

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Thursday, May 04, 2006

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Wednesday, May 03, 2006

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Wednesday, June 14, 2006

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Friday, June 02, 2006

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Monday, July 31, 2006

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Thursday, August 24, 2006

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Wednesday, August 23, 2006

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Tuesday, August 22, 2006

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Saturday, August 19, 2006

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Thursday, August 17, 2006

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Monday, August 14, 2006

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Monday, August 14, 2006

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Sunday, August 13, 2006

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Friday, August 11, 2006

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Friday, August 11, 2006

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Wednesday, August 09, 2006

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Wednesday, August 02, 2006

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Sunday, October 01, 2006

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Saturday, September 30, 2006

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Thursday, September 28, 2006

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Saturday, September 23, 2006

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Thursday, September 14, 2006

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Wednesday, September 13, 2006

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Monday, September 11, 2006

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Wednesday, September 06, 2006

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Sunday, September 03, 2006

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Saturday, September 02, 2006

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Tuesday, October 31, 2006

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Sunday, October 29, 2006

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Saturday, October 28, 2006

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Thursday, October 26, 2006

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Wednesday, October 25, 2006

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Tuesday, October 24, 2006

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Wednesday, October 18, 2006

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Tuesday, October 17, 2006

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Monday, October 16, 2006

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Saturday, October 14, 2006

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Friday, October 13, 2006

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Thursday, October 12, 2006

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Wednesday, October 11, 2006

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Tuesday, October 10, 2006

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Tuesday, October 10, 2006

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Monday, October 09, 2006

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Sunday, October 08, 2006

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Saturday, October 07, 2006

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Friday, October 06, 2006

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Friday, October 06, 2006

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Thursday, October 05, 2006

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Wednesday, October 04, 2006

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Tuesday, October 03, 2006

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Monday, October 02, 2006

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Sunday, October 01, 2006

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Tuesday, November 28, 2006

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Monday, November 27, 2006

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Sunday, November 26, 2006

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Wednesday, November 22, 2006

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Tuesday, November 21, 2006

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Monday, November 20, 2006

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Sunday, November 19, 2006

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Saturday, November 18, 2006

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Thursday, November 16, 2006

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Thursday, November 16, 2006

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Wednesday, November 15, 2006

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Monday, November 13, 2006

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Sunday, November 12, 2006

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Sunday, November 12, 2006

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Friday, November 10, 2006

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Friday, November 10, 2006

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Thursday, November 09, 2006

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Tuesday, November 07, 2006

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Monday, November 06, 2006

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Sunday, November 05, 2006

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Saturday, November 04, 2006

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Friday, November 03, 2006

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Thursday, November 02, 2006

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Wednesday, November 01, 2006

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Sunday, December 31, 2006

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Friday, December 29, 2006

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Wednesday, December 27, 2006

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Tuesday, December 26, 2006

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Monday, December 25, 2006

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Sunday, December 24, 2006

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Saturday, December 23, 2006

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Thursday, December 21, 2006

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Wednesday, December 20, 2006

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Tuesday, December 19, 2006

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Monday, December 18, 2006

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Saturday, December 16, 2006

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Friday, December 15, 2006

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Thursday, December 14, 2006

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Wednesday, December 13, 2006

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Tuesday, December 12, 2006

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Monday, December 11, 2006

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Sunday, December 10, 2006

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Sunday, December 10, 2006

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Saturday, December 09, 2006

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Friday, December 08, 2006

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Thursday, December 07, 2006

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Wednesday, December 06, 2006

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Tuesday, December 05, 2006

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Monday, December 04, 2006

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Sunday, December 03, 2006

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Saturday, December 02, 2006

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Saturday, December 02, 2006

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Friday, December 01, 2006

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Wednesday, January 31, 2007

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Monday, January 29, 2007

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Saturday, January 27, 2007

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Friday, January 26, 2007

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Wednesday, January 24, 2007

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Tuesday, January 23, 2007

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Monday, January 22, 2007

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Sunday, January 21, 2007

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Saturday, January 20, 2007

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Friday, January 19, 2007

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Tuesday, January 09, 2007

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Sunday, January 07, 2007

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Saturday, January 06, 2007

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Friday, January 05, 2007

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Thursday, January 04, 2007

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Wednesday, January 03, 2007

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Tuesday, January 02, 2007

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Monday, January 01, 2007

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Wednesday, February 28, 2007

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Tuesday, February 27, 2007

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Monday, February 26, 2007

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Sunday, February 25, 2007

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Sunday, February 25, 2007

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Tuesday, February 20, 2007

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Sunday, February 18, 2007

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Saturday, February 17, 2007

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Friday, February 16, 2007

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Thursday, February 15, 2007

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Tuesday, February 13, 2007

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Monday, February 12, 2007

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Sunday, February 11, 2007

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Saturday, February 10, 2007

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Friday, February 09, 2007

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Wednesday, February 07, 2007

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Tuesday, February 06, 2007

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Sunday, February 04, 2007

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Saturday, February 03, 2007

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Saturday, February 03, 2007

Friday, February 02, 2007

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Thursday, February 01, 2007

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Saturday, March 31, 2007

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Friday, March 30, 2007

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Wednesday, March 28, 2007

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Saturday, March 24, 2007

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Thursday, March 22, 2007

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Wednesday, March 21, 2007

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Wednesday, March 21, 2007

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Monday, March 19, 2007

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Sunday, March 18, 2007

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Saturday, March 17, 2007

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Friday, March 16, 2007

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Thursday, March 15, 2007

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Wednesday, March 14, 2007

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Saturday, March 10, 2007

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Friday, March 09, 2007

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Thursday, March 08, 2007

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Wednesday, March 07, 2007

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Sunday, March 04, 2007

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Saturday, March 03, 2007

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Friday, March 02, 2007

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Thursday, March 01, 2007

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Monday, April 30, 2007

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Sunday, April 29, 2007

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Saturday, April 28, 2007

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Friday, April 27, 2007

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Wednesday, April 25, 2007

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Monday, April 23, 2007

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Thursday, April 19, 2007

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Wednesday, April 18, 2007

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Monday, April 16, 2007

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Sunday, April 15, 2007

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Saturday, April 14, 2007

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Thursday, April 12, 2007

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Wednesday, April 11, 2007

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Monday, April 09, 2007

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Monday, April 09, 2007

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Sunday, April 08, 2007

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Saturday, April 07, 2007

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Friday, April 06, 2007

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Thursday, April 05, 2007

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Tuesday, April 03, 2007

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Monday, April 02, 2007

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Sunday, April 01, 2007

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Thursday, May 31, 2007

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Monday, May 28, 2007

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Sunday, May 27, 2007

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Tuesday, May 22, 2007

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Sunday, May 20, 2007

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Saturday, May 19, 2007

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Thursday, May 17, 2007

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Wednesday, May 16, 2007

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Tuesday, May 15, 2007

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Monday, May 14, 2007

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Sunday, May 13, 2007

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Thursday, May 10, 2007

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Wednesday, May 09, 2007

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Tuesday, May 08, 2007

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Monday, May 07, 2007

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Sunday, May 06, 2007

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Friday, May 04, 2007

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Thursday, May 03, 2007

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Tuesday, May 01, 2007

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Saturday, June 30, 2007

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Thursday, June 28, 2007

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Wednesday, June 27, 2007

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Monday, June 25, 2007

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Sunday, June 24, 2007

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Wednesday, June 20, 2007

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Tuesday, June 19, 2007

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Monday, June 18, 2007

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Sunday, June 17, 2007

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Wednesday, June 13, 2007

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Tuesday, June 12, 2007

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Monday, June 11, 2007

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Sunday, June 10, 2007

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Saturday, June 09, 2007

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Thursday, June 07, 2007

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Wednesday, June 06, 2007

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Tuesday, June 05, 2007

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Sunday, June 03, 2007

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Saturday, June 02, 2007

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Tuesday, July 31, 2007

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Thursday, July 26, 2007

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Monday, July 23, 2007

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Saturday, July 07, 2007

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<span>
<div class="blogheader">Friday, August 31, 2007

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Wednesday, August 22, 2007

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Tuesday, August 21, 2007

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Monday, August 20, 2007

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Sunday, August 19, 2007

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Saturday, August 18, 2007

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Tuesday, August 14, 2007

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Monday, August 13, 2007

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Sunday, August 12, 2007

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Friday, August 10, 2007

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Tuesday, August 07, 2007

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Wednesday, August 01, 2007

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Saturday, September 29, 2007

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Sunday, September 23, 2007

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Thursday, September 13, 2007

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Saturday, September 08, 2007

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Saturday, September 08, 2007

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Friday, September 07, 2007

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Saturday, October 13, 2007

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Monday, October 01, 2007

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