"On Tralfamadore, Billy is put in a transparent geodesic dome
exhibit in a zoo; the dome represents a house on Earth.
The Tralfamadorians later abduct a movie star named
Montana Wildhack, who had disappeared and was believed to
have drowned herself in the Pacific Ocean. They intend to
have her mate with Billy." — Wikipedia on Kurt Vonnegut's
Slaughterhouse-Five .
See also the previous post and (from Log24 on Jan. 22) "Hollywood Moment" …
From a May 13, 2010, New York Times theater review —
From a link in a post from yesterday evening —
"Why don't you come with me, little girl,
on a magic carpet ride?" — Steppenwolf lyrics
These lyrics are heard in Star Trek: First Contact (1996).
Related entertainment —
The production of "Passion Play" reviewed above opened May 12, 2010.
See also this journal on that date.
See posts tagged Steppenwolf Carpet in this journal.
Related fiction: Weaveworld .
From a Toronto Star video pictured here on April 1 three years ago:
The three connected cubes are labeled "Harmonic Analysis," 'Number Theory,"
and "Geometry."
Related cultural commentary from a review of the recent film "Justice League" —
"Now all they need is to resurrect Superman (Henry Cavill),
stop Steppenwolf from reuniting his three Mother Cubes
(sure, whatever) and wrap things up in under two cinematic
hours (God bless)."
The nineteenth-century German mathematician Felix Christian Klein
as Steppenwolf —
Volume I of a treatise by Klein is subtitled
"Arithmetic, Algebra, Analysis." This covers
two of the above three Toronto Star cubes.
Klein's Volume II is subtitled "Geometry."
An excerpt from that volume —
Further cultural commentary: "Glitch" in this journal.
See the posts of April 1 three years ago.
Some context from a personal Kindle library —
"Elementary Mathematics from an Ad" suggests . . .
"Those seeking an understanding of the historical elements
of Jesus’ saga might find it profitable to engage the vast work
of David Friedrich Strauss, the German intellectual, whose
monumental 'The Life of Jesus, Critically Examined' was
translated into English in the 19th century by George Eliot.
(At times, the translation reads like a scholarly 'Middlemarch,'
much to its credit.)"
— Jon Meacham in the Easter Sunday print edition of
The New York Times. The above passage is
paragraph 10 of Meacham's article.
See also "Over the Mountains" (Log24, Feb. 21, 2018).
A death on the date of the above symmetry chat,
Wednesday, August 17, 2016 —
An Hispanic Hollywood moment:
Ojo de Dios —
Click for related material.
For further Hispanic entertainment,
see Ben Affleck sing
"Aquellos Ojos Verdes "
in "Hollywoodland."
"Shakespeare, Dante, Milton, Homer: those writers trafficked in
witches and fairies and ghosts and monsters. Why shouldn’t I?"
— Novelist Lev Grossman in The New York Times this afternoon
Grossman's father was the poet Allen Grossman.
See that Grossman in this journal, as well as a search for Holy Water.
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