Log24

"At some point in Greek history, it was noticed that the capital upsilon—Y—
looked like a path branching left and right. The comparison, like so much
traditional material, was ascribed to the Pythagoreans, in accordance with
the dualism just mentioned; our earliest source for it, however, is as late as
the Roman poet Persius (Satires, 3.56)." 

— "The Garden of Forking Paths" in the weblog
   Varieties of Unreligious Experience, Nov. 21, 2006

Amy Adams at the Lancia Café in Taormina, Sicily, on June 15, 2013.
Adams was in Taormina for the Italian premiere of her Superman film.

See also this  journal on that date— June 15, 2013.

Posts related to the Garden of Forking Paths:  Witch Ball (Jan. 24, 2013),
Sermon for Harvard (Sept. 19, 2010), and Amy Adams + Craft.

(Continued from Epiphany 2012)

Yesterday's link to the post Special Topics suggests
a review of the garden of forking paths.

An example of such paths, given in the Special Topics
post, came from a paper describing the modular group:

Here is another view of the modular group's
forking paths:

"Tree for modular group" from the
Algebra page of the University of Glasgow

The Year of Magical Realism

"The non-linear story is narrated via different time frames,
a technique derived from the Argentine writer Jorge Luis Borges
(as in The Garden of Forking Paths )."

—Wikipedia on One Hundred Years of Solitude

One year ago today, in "Deconstructing Alice"—

"When you come to a fork in the road, take it." –Yogi Berra

Happy birthday to Gabriel García Márquez.

“Somehow it seems to fill my head with ideas– only I don’t exactly know what they are!…. Let’s have a look at the garden first!”

— A passage from Lewis Carroll’s Through the Looking-Glass. The “garden” part– but not the “ideas” part– was quoted by Jacques Derrida in Dissemination in the epigraph to Chapter 7, “The Time before First.”

“‘For you… he… we aren’t meaning…’ She was almost stammering, as if she were trying to say several things at once…. Suddenly she gave a little tortured scream. ‘O!’ she cried, ‘O! I can’t keep up! it keeps dividing! There’s too many things to think of!'”

— A passage from Charles Williams’s The Place of the Lion, Chapter 12.

“He was thinking faster than he had ever done, and questions rose out of nothing and followed each other– what was to will? Will was determination to choose– what was choice? How could there be choice, unless there was preference, and if there was preference there was no choice, for it was not possible to choose against that preferring nature which was his being; yet being consisted in choice, for only by taking and doing this and not that could being know itself, could it indeed be; to be then consisted in making an inevitable choice, and all that was left was to know the choice, yet even then was the chosen thing the same as the nature that chose, and if not… So swiftly the questions followed each other that he seemed to be standing in flashing coils of subtlety, an infinite ring of vivid intellect and more than intellect, for these questions were not of the mind alone but absorbed into themselves physical passion and twined through all his nature on an unceasing and serpentine journey.”

— A passage from The Place of the Lion, Chapter 10.

“Do you like apples?“

— Good Will Hunting

Special Topics

From a review by Liesl Schillinger in the Aug. 13 New York Times of a new novel by Marisha Pessl:

“… Special Topics in Calamity Physics tells the story of a wise newcomer who joins a circle of students who orbit a charismatic teacher with a tragic secret. The newcomer, a motherless waif named Blue van Meer, spent most of her life driving between college towns with her genius poli-sci professor father, Gareth….  Gareth is fond of making oracular statements, which his daughter laps up as if they were Churchill’s: ‘Everyone is responsible for the page-turning tempo of his or her Life Story,’ he tells her. And, he cautions, ‘never try to change the narrative structure of someone else’s story.’

…. Heeding Gareth van Meer’s dictum that the most page-turning read known to man is the collegiate curriculum, with its ‘celestial, sweet set of instructions, culminating in the scary wonder of the Final Exam,’ Pessl structures Blue’s mystery like a kind of Great Books class…. A professor is all-powerful, Gareth liked to tell his daughter, he puts ‘a veritable frame around life,’ and ‘organizes the unorganizable. Nimbly partitions it into modern and postmodern, renaissance, baroque, primitivism, imperialism and so on. Splice that up with Research Papers, Vacation, Midterms. All that order– simply divine.’ Blue’s syllabus also includes a murder or two. Her book’s last pages are a final exam. You will be relieved to learn it is mostly multiple choice, and there is no time limit.”

Multiple choice:
The examination below, taken from a page by a scholar at a Jesuit university, is on the Borges story “The Garden of Forking Paths”– a classic of multiple choice.

No time limit:
See the first question.

Examination on
“The Garden of Forking Paths“

“What is the meaning of the idea expressed by Yu Tsun that ‘everything happens to a man precisely, precisely now. Centuries of centuries and only in the present do things happen’? What is the significance of the emphasis on the present moment, the here and now? Is this related to the carpe diem (‘seize the day’) idea? How? How is the present effectively connected to the past and the future? How is the present associated simultaneously to choices, actions, and consequences? How is the present moment relevant to the idea of the ‘forking paths’? What is the symbolic meaning of forking paths when understood as a crossroads? What is a person confronted with when standing at a crossroads? What are the implications of a choice of road? May this be connected to the myth of Oedipus and its concerns with human choices and supposed predestination? What is suggested by the idea that ‘in all fictional works, each time a man is confronted with several alternatives, he chooses one and eliminates the others; in the fiction of Ts’ui Pen, he chooses– simultaneously– all of them. He creates, in this way, diverse futures, diverse times which themselves also proliferate and fork’? What does it mean to make all choices at once? What view of life do such beliefs embody?”

John Huston
was born
100 years ago
on this date.

Huston directed
the film versions of
The Night of the Iguana
and
Under the Volcano.

“Borges’ seminal short story
El jardin de senderos que se bifurcan
(The Garden of Forking Paths)
is an early example of
many worlds in fiction.”

“Il faut cultiver notre jardin.”
— Voltaire

In memory of the translator of Foucault's Pendulum ,
who reportedly died on Tuesday, November 12th—

A detail from an image search (2 MB) linked to here 
on that date:

See also Milano  in this journal.