Instead of Verlaine and Rimbaud, some will prefer Fairlane and Rambo —
In memory of songwriter Tom Verlaine, images
from a Log24 search for "Darkness Doubled" —
Related material:
"I remember how the darkness doubled . . ."
For the source, see http://m759.net/wordpress/?s=Marquee+Moon.
Exit stage right, enter stage center, exit stage left —
A search for "Darkness Doubled" in this journal yields a link
to a post on "endgame art" which leads in turn to a post with
the following quotation —
"It is proposed that the two structures of grid and target
are the symbolic vehicles par excellence . . . ."
— Review of Rudolf Arnheim's The Power of the Center:
A Study of Composition in the Visual Arts (U. of Calif. Press, 1982).
Review by David A. Pariser, Studies in Art Education , Vol. 24, No. 3
(1983), pp. 210-213.
"Darkness Doubled" is a phrase from a song titled "Marquee Moon."
With Sarah Silverman …
… Continued from The Story of N (October 15, 2010).
“I remember how the darkness doubled….”
Apocatastasis Now
I give you the end of a golden string,
Only wind it into a ball:
It will lead you in at Heavens gate,
Built in Jerusalems wall.
— WILLIAM BLAKE
"In 'Apocatastasis Now: A Very Condensed Reading of William Blake's Jerusalem' (
— The Year's Work in English Studies, 2003: Vol. 82, No. 1, pp. 493-547
Thriller |
From the website of Philip Pullman, president of The Blake Society:
"I must create a System…"
|
"I remember how the darkness doubled
I recall lightning struck itself
I was listening, listening to the rain
I was hearing, hearing something else
Life in the hive puckered up my night
The kiss of death, the embrace of life
There I stand neath the Marquee Moon
Just waiting"
— Tom Verlaine, "Marquee Moon"
In memory of Michael Gill,
producer and director of the
1969 TV series "Civilisation,"
who died on October 20:
Two descriptions of "Aeon Flux,"
a story featured in the Log24 entry
on the day that Gill died —
"After Aeon is done, Trevor decides that she knows too much, so he has a underling propose a plan to kill her. The plan, quite strangely, is to implant a bunch of nanites (microscopic robots) in Trevors seminal duct so he has sex with Aeon and the nanites tear her apart from the inside. But Aeon was prepared because she had some weird, mean, spiky, device in her uterus(!?!!) that eats the nanites (that part is kinda weak), she blows up a wall then and escapes leaving Trevor standing there naked and confused."
The Incredible Shrinking Man
(Wired Magazine, October 2004)
See also yesterday's entry on Scientism.
In memory of
Thomas Wootton Masland,
brother of
Richard Harry Masland, Harvard '64,
the Log24 entries of October 25.
And for the Halloween season…
"The mixolydian mode is one of the authentic 'church modes' of the Middle Ages…. On the white notes of a piano, the mixolydian scale runs from G to G."
Friday, Oct. 21–Saturday, Oct. 29…. Tickets available at the Harvard Box Office and Loeb Drama Center Box Office, 64 Brattle St.
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