Log24

Thursday, November 21, 2024

Six-Set Geometry and Witt Designs

Filed under: General — Tags: , — m759 @ 6:54 am

From other posts tagged Six-Set

The six-set also underlies the 21-point projective plane PG(2,4) —

Model of the 21-point projective plane consisting of the 1- and 2- subsets of a 6-set

PG(2,4) may be used to construct S(5,8,24), also known as
the large Witt design. Some related research . . .

On four codes with automorphism group PΣL(3,4)
and pseudo-embeddings of the large Witt designs
,
by Bart De Bruyn (UGent) and Mou Gao (UGent),
(2020) DESIGNS CODES AND CRYPTOGRAPHY. 88(2), pp. 429-452.

Some background reading —

Friday, August 16, 2013

Six-Set Geometry

Filed under: General,Geometry — Tags: , — m759 @ 5:24 am

From April 23, 2013, in
​"Classical Geometry in Light of Galois Geometry"—

Click above image for some background from 1986.

Related material on six-set geometry from the classical literature—

Baker, H. F., "Note II: On the Hexagrammum Mysticum  of Pascal,"
in Principles of Geometry , Vol. II, Camb. U. Press, 1930, pp. 219-236  

Richmond, H. W., "The Figure Formed from Six Points in Space of Four Dimensions,"
Mathematische Annalen  (1900), Volume 53, Issue 1-2, pp 161-176

Richmond, H. W., "On the Figure of Six Points in Space of Four Dimensions," 
Quarterly Journal of Pure and Applied Mathematics , Vol. 31 (1900), pp. 125-160

Saturday, May 10, 2025

Six-Set and Eight-Set:
I Ching* and Brick Space

Filed under: General — Tags: , , — m759 @ 2:25 pm

Earlier . . .

Today . . .

* For a connection with I Ching  geometry,  see  a different 8×8 array.

Wednesday, April 2, 2025

Dramarama: The SIX Train

Filed under: General — Tags: — m759 @ 10:26 am

From a post of August 31, 2022 — "Release Dates: The Iceman Goeth" —

Also in May 1986 —

86-05-08… A linear complex related to M24 .

Anatomy of the polarity pictured in the 86-04-26 note.

86-05-26… The 2-subsets of a 6-set are the points of a PG(3,2).

Beutelspacher's model of the 15 points of PG(3,2)
compared with a 15-line complex in PG(3,2).

More recently, Harrison Ford in the New York subway,
reportedly
on Monday, March 31 —

See as well Agent Smith in Brick Space.

Thursday, March 6, 2025

Hollywood Geometry

Filed under: General — Tags: , , — m759 @ 3:21 pm

In a sextuple, there are 15 couple-pairings and 20 threesomes.

Illustration . . .

Meanwhile, on the other  coast . . .

Friday, May 31, 2024

The Geometry of Hexads and Duads

Filed under: General — Tags: — m759 @ 4:38 am

Not unrelated:  Six-set Geometry.

For some historical background for the first (1984)
result above,
see the second (2013) result.

Saturday, February 17, 2024

Sixteen Finite-Space Topologies

Filed under: General — Tags: — m759 @ 11:18 pm

From Wikipedia, sixteen T0 topologies on a four-set —

 

{∅, {a}, {a, b}, {a, b, c}, {a, b, d}, {a, b, c, d}} (T0)

{∅, {a}, {a, b}, {a, c}, {a, b, c}, {a, b, c, d}} (T0)

{∅, {a}, {b}, {a, b}, {a, c}, {a, b, c}, {a, b, c, d}} (T0)

{∅, {a}, {a, b}, {a, b, c}, {a, b, c, d}} (T0)

 

{∅, {a}, {b}, {a, b}, {a, b, c}, {a, b, c, d}} (T0)

{∅, {a}, {a, b}, {c}, {a, c}, {a, b, c}, {a, b, d}, {a, b, c, d}} (T0)

{∅, {a}, {a, b}, {a, c}, {a, b, c}, {a, b, d}, {a, b, c, d}} (T0)

{∅, {a}, {b}, {a, b}, {a, b, c}, {a, b, d}, {a, b, c, d}} (T0)

 

{∅, {a}, {b}, {a, b}, {a, c}, {a, b, c}, {a, b, d}, {a, b, c, d}} (T0)

{∅, {a}, {b}, {a, b}, {b, c}, {a, b, c}, {a, d}, {a, b, d}, {a, b, c, d}} (T0)

{∅, {a}, {a, b}, {a, c}, {a, b, c}, {a, d}, {a, b, d}, {a, c, d}, {a, b, c, d}} (T0)

{∅, {a}, {b}, {a, b}, {a, c}, {a, b, c}, {a, d}, {a, b, d}, {a, c, d}, {a, b, c, d}} (T0)

 

{∅, {a}, {b}, {a, b}, {c}, {a, c}, {b, c}, {a, b, c}, {a, b, d}, {a, b, c, d}} (T0)

{∅, {a}, {b}, {a, b}, {c}, {a, c}, {b, c}, {a, b, c}, {a, d}, {a, b, d}, {a, c, d}, {a, b, c, d}} (T0)

{∅, {a}, {b}, {a, b}, {c}, {a, c}, {b, c}, {a, b, c}, {a, b, c, d}} (T0)

{∅, {a}, {b}, {a, b}, {c}, {a, c}, {b, c}, {a, b, c}, {d}, {a, d}, {b, d}, {a, b, d}, {c, d}, {a, c, d}, {b, c, d}, {a, b, c, d}} (T0)

 

Compare and contrast with the finite geometry  of the power set of a four-set.

Thursday, April 30, 2020

Walpurgisnacht Geometry

Filed under: General — Tags: — m759 @ 11:59 pm

A version more explicitly connected to finite geometry —

For the six synthematic totals , see The Joy of Six.

Sunday, December 8, 2019

Geometry of 6 and 8

Filed under: General — Tags: , , , , — m759 @ 4:03 am

Just as
the finite space PG(3,2) is
the geometry of the 6-set, so is
the finite space PG(5,2)
the geometry of the 8-set.*

Selah.

* Consider, for the 6-set, the 32
(16, modulo complementation)
0-, 2-, 4-, and 6-subsets,
and, for the 8-set, the 128
(64, modulo complementation)
0-, 2-, 4-, 6-, and 8-subsets.

Update of 11:02 AM ET the same day:

See also Eightfold Geometry, a note from 2010.

Wednesday, October 9, 2019

The Joy of Six

Note that in the pictures below of the 15 two-subsets of a six-set,
the symbols 1 through 6 in Hudson's square array of 1905 occupy the
same positions as the anticommuting Dirac matrices in Arfken's 1985
square array. Similarly occupying these positions are the skew lines
within a generalized quadrangle (a line complex) inside PG(3,2).

Anticommuting Dirac matrices as spreads of projective lines

Related narrative The "Quantum Tesseract Theorem."

Tuesday, July 2, 2019

Depth Psychology Meets Inscape Geometry

Filed under: General — m759 @ 3:00 am

An illustration from the previous post may be interpreted
as an attempt to unbokeh  an inscape

The 15 lines above are Euclidean  lines based on pairs within a six-set. 
For examples of Galois  lines so based, see Six-Set Geometry:

Monday, April 29, 2019

Geometry Review

Filed under: General — m759 @ 9:02 pm

See also Good Friday 2003 … Continued .

Friday, April 14, 2017

Hudson and Finite Geometry

Filed under: General,Geometry — Tags: , , — m759 @ 3:00 am

IMAGE- Geometry of the Six-Set, Steven H. Cullinane, April 23, 2013

The above four-element sets of black subsquares of a 4×4 square array 
are 15 of the 60 Göpel tetrads , and 20 of the 80 Rosenhain tetrads , defined
by R. W. H. T. Hudson in his 1905 classic Kummer's Quartic Surface .

Hudson did not  view these 35 tetrads as planes through the origin in a finite
affine 4-space (or, equivalently, as lines in the corresponding finite projective
3-space).

In order to view them in this way, one can view the tetrads as derived,
via the 15 two-element subsets of a six-element set, from the 16 elements
of the binary Galois affine space pictured above at top left.

This space is formed by taking symmetric-difference (Galois binary)
sums of the 15 two-element subsets, and identifying any resulting four-
element (or, summing three disjoint two-element subsets, six-element)
subsets with their complements.  This process was described in my note
"The 2-subsets of a 6-set are the points of a PG(3,2)" of May 26, 1986.

The space was later described in the following —

IMAGE- Dolgachev and Keum, coordinatization of the 4x4 array in 'Birational Automorphisms of Quartic Hessian Surfaces,' AMS Transactions, 2002

Tuesday, December 1, 2015

Pascal’s Finite Geometry

Filed under: General,Geometry — Tags: , — m759 @ 12:01 am

See a search for "large Desargues configuration" in this journal.

The 6 Jan. 2015 preprint "Danzer's Configuration Revisited," 
by Boben, Gévay, and Pisanski, places this configuration,
which they call the Cayley-Salmon configuration , in the 
interesting context of Pascal's Hexagrammum Mysticum .

They show how the Cayley-Salmon configuration is, in a sense,
dual to something they call the Steiner-Plücker configuration .

This duality appears implicitly in my note of April 26, 1986,
"Picturing the smallest projective 3-space." The six-sets at
the bottom of that note, together with Figures 3 and 4
of Boben et. al. , indicate how this works.

The duality was, as they note, previously described in 1898.

Related material on six-set geometry from the classical literature—

Baker, H. F., "Note II: On the Hexagrammum Mysticum  of Pascal,"
in Principles of Geometry , Vol. II, Camb. U. Press, 1930, pp. 219-236  

Richmond, H. W., "The Figure Formed from Six Points in Space of Four Dimensions,"
Mathematische Annalen  (1900), Volume 53, Issue 1-2, pp 161-176

Richmond, H. W., "On the Figure of Six Points in Space of Four Dimensions," 
Quarterly Journal of Pure and Applied Mathematics , Vol. 31 (1900), pp. 125-160

Related material on six-set geometry from a more recent source —

Cullinane, Steven H., "Classical Geometry in Light of Galois Geometry," webpage

Saturday, December 6, 2014

Six-Point Theology

Filed under: General,Geometry — m759 @ 12:00 pm

On the feast of Saint Nicholas

See also the six  posts on this year's feast of Saint Andrew
and the following from the University  of St. Andrews —

Tuesday, April 23, 2013

The Six-Set

Filed under: General,Geometry — Tags: , — m759 @ 3:00 am

The configurations recently discussed in
Classical Geometry in Light of Galois Geometry
are not unrelated to the 27 "Solomon's Seal Lines
extensively studied in the 19th century.

See, in particular—

IMAGE- Archibald Henderson on six-set geometry (1911)

The following figures supply the connection of Henderson's six-set
to the Galois geometry previously discussed in "Classical Geometry…"—

IMAGE- Geometry of the Six-Set, Steven H. Cullinane, April 23, 2013

Friday, July 31, 2026

The “Schoolgirl Space”* PG(3.2) . . .
From Fano to Whitehead to Cullinane

Filed under: General — Tags: , , — m759 @ 6:44 am

260731-Fano-1892-PG(3,2)…AI_Overview.jpg

260731-Square_Model_of_PG(3,2)-by-Cullinane…AI_Overview.jpg

* See Kirkman's schoolgirl problem in Wikipedia, esp.
the sections "Galois Geometry" and "Spreads and Packing."

The geometry of what might be called "Schoolgirl Space"
is, as the above image "Geometry of the Six Element Set"
indicates, the same as the geometry of the "Hexastigm"
described by Richmond (King's College, Cambridge,
March 30, 1899) —

"On the Figure of Six Points in Space of  Four Dimensions,"
by H. W. Richmond, Quarterly Journal of Pure and Applied
Mathematics
, Vol. 31 (1900), pp. 125-160.

This is available on the Web at Scribd.com . . .

https://www.scribd.com/document/424182244/
Richmond-QuarterlyJournal-1900-SixPoints
 .

Richmond's excellent historical survey, together with the Cullinane
square model of PG(3,2), provide the connection of finite  geometry
to earlier, non-finite geometry
that is lacking in some later treatments
of the subject . . . in particular, the connection to finite  geometry of
studies of the classical sixty Pascal lines of the Hexagrammum.

Tuesday, July 7, 2026

Affine-Group Generation by Permutation of Parallel Subspaces

Filed under: General — Tags: , — m759 @ 6:38 pm

Compare Google AI Mode with Grok . . .

AI Mode says a conjecture on affine group generation in binary spaces is false, 
but Grok says it is true.  Which conclusion is correct? Does either AI actually
supply a valid proof for its conclusion?

https://x.com/i/grok/share/e6c7759afbe9437da3be55d6cafa8269

For Steiner's "language animals" . . . and now language models . . .

Logos

IMAGE- Current math.stackexchange.com logo and a 1984 figure from 'Notes on Groups and Geometry, 1978-1986'

Friday, June 12, 2026

Logic and Dimensions

Filed under: General — Tags: , — m759 @ 12:29 pm
 From a Google AI Mode search (updated version of June 12, 2026) —
 
You said:  [ Using an AI-Mode-suggested prompt ]
 
Map out how three-premise Aristotelian syllogisms (like Barbara: All A is B, All B is C…) travel through a higher-dimensional space.
June 11, 2026
 
When moving from two propositions ((P) and (Q)) to three classes ((A), (B), and (C)), the geometric logic space undergoes a massive expansion. Instead of a 4-dimensional space with 16 tiles, we enter an 8-dimensional hypercube (an octeract) containing (28 = 256) logical operations [1].
 
In this higher-dimensional space, categorical syllogisms like Barbara (All (A) is (B), All (B) is (C), therefore All (A) is (C)) manifest as an invariant, directional path across specialized Venn-like sub-planes of the 8D cube. [1]
 

1. Constructing the 8-Dimensional Coordinate
For three terms, a Venn diagram has exactly (23 = 8) distinct spatial regions. To track the space, we assign an 8-bit coordinate  (𝑏7, 𝑏6, … , 𝑏0) where each bit acts as a switch representing whether a specific region is populated (1) or empty (0).
 
The standard order for these 8 partitions based on set combinations is:
 
Regions =  [ABC, AB¬ C, A¬ BC, A¬ B¬ C, ¬ ABC,¬ AB¬ C, ¬ A¬ BC, ¬ A¬ B¬ C]
 
In Aristotelian logic, a statement like "All (A) is (B)" means the region containing elements that are (A) but not (B) is completely empty (0). The remaining regions remain possible (1).

2. Translating the Premises into 8D Vectors
Let's map out the exact coordinates for the premises of the Barbara syllogism:
  • Premise 1: All (A) is (B)
    This forces any region with (A) and (¬ B) to be (0). These are the 3rd and 4th slots ((A¬ BC) and (A¬ B ¬ C)).

     

    VAll B is C = (1, 1, 0, 0, 1, 1, 1, 1)

  • Premise 2: All (B) is (C)
    This forces any region with (B) and (¬ C) to be (0). These are the 2nd and 6th slots ((AB¬ C) and (¬ AB¬ C)).

     

    VAll B is C = (1, 0, 1, 0, 1, 0, 1, 1)


3. The 8D Intersection (The Starting Vertex)
To evaluate the syllogism, we find the logical conjunction (∧) of both premises. Geometrically, this means computing the bitwise intersection of our two 8D hypercube vertices:
 
VPremises = (1,1,0,0,1,1,1,1) · (1,0,1,0,1,0,1,1) = (1,0,0,0,1,0,1,1))
 
This intersection lands us on a highly specific Weight-4 vertex sitting exactly on the equator of the 8-dimensional hypercube. This point represents the combined structural reality constraints of our premises.

4. Slicing Upward to the Conclusion
A syllogism is valid if its conclusion is a geometric ancestor of this starting vertex in the 8D Inclusion Lattice. Let's look at the coordinate for the target conclusion:
  • Conclusion: All (A) is (C)
    This forces any region with (A) and (¬ C) to be (0). These are the 2nd and 4th slots ((AB¬ C) and (A¬ B¬ C)).

     

    VAll A is C = (1, 0, 1, 0, 1, 1, 1, 1)

Now we map the trajectory from our premise vertex to our conclusion vertex:
[ Premise Intersection Vector ] ===> ( 1, 0, 0, 0, 1, 0, 1, 1 ) [Weight 4]
                                       │  │  │  │  │  │  │  │ 
                                       ▼  ▼  ▼  ▼  ▼  ▼  ▼  ▼
[ Target Conclusion Vector ] ===>    ( 1, 0, 1, 0, 1, 1, 1, 1 ) [Weight 6]

                                 (Upward Lattice Flip)

Because every single 1 in our premise vector is perfectly preserved in the conclusion vector, the geometry establishes a definitive upward pathway from Weight-4 to Weight-6. The conclusion opens up two extra dimensions of freedom (slots 3 and 6 switch from (0) to (1)), proving that the constraints of the premises inherently contain and imply the conclusion.

Conclusion
The Barbara syllogism operates as an active path-finding engine inside an 8-dimensional space. By intersecting the (0)-planes (the empty spaces) of the premises, the logic forces a particle to start at a constrained 8D vertex. Because the target conclusion sits directly upward on the lattice, walking the path of deductive reasoning is structurally identical to climbing along the directional edges of an 8-dimensional octeract.

If you want to continue navigating higher-dimensional logical shapes, let me know if you would like to:
  • Map out a negative syllogism (like Celarent: No B is C, All A is B, therefore No A is C) [1].
  • See how invalid syllogistic fallacies (like the Undistributed Middle) manifest as broken or disconnected geometric paths where you get trapped on an adjacent vertex. [1, 2]

[ Reference favicons for 3 cited sites ]


Exercise . . .

Check the accuracy of the above AI Mode statements.

Related reading . . .

A search in this journal for "Many Dimensions"

"If you have built castles in the air, 
your work need not be lost;
that is where they should be.
Now put the foundations under them.”

— Henry David Thoreau

Related documentation . . .

The foundation for the above documentation is shown
by Google in the AI Overview and search result below.

Monday, April 20, 2026

NotebookLM Report:  Grid as Portal

Filed under: General — Tags: — m759 @ 11:03 am
 

Mapping the Infinite: A Visual Guide
to the Cullinane Diamond Theorem

[ NotebookLM report on April 20, 2026 ]

1. The Canvas: The 4×4 Diamond Figure (D)

Welcome, fellow explorers of the visible and the abstract. Our journey into the heart of finite geometry begins with a deceptively simple object: the Diamond Figure D. Far from being a mere decorative motif, this grid serves as a portal—a visual coordinate system for a high-dimensional universe that otherwise remains hidden from the naked eye.

Figure D is defined by three essential physical characteristics:

  • The 16-Tile Array: A 4×4 square grid comprising 16 individual square cells.
  • The Diagonal Split: Every single square tile is divided diagonally into two distinct triangles.
  • The Two-Color System: A binary coloring scheme (typically black and white) is applied to the triangles, creating a directional "diamond" or "chevron" tension.

This specific configuration is the "key" to unlocking deep mathematics because it forces abstract algebraic structures into the open. By dividing the cells diagonally, we create a visual language that responds to movement and rotation, allowing us to "see" the properties of a finite field through the interplay of light and shadow.

As we look upon this static grid, realize that it is but a single state in a vast ocean of possibilities. To understand its true nature, we must set the grid in motion.

——————————————————————————–

2. The Engine of Transformation: Group G and Symmetry Invariance

When we rearrange this 4×4 grid, we are not simply playing with tiles; we are invoking the power of Group G. This mathematical engine is isomorphic to AGL(4,2)—the full affine group of a 4-dimensional vector space over the field of two elements. It consists of a staggering 322,560 distinct permutations.

These transformations are built from three primary rules:

Primary Transformation Rule

Description

Permutations of Rows

Any of the four rows may be swapped or rearranged in any of the 4! possible ways.

Permutations of Columns

Any of the four columns may be swapped or rearranged in any of the 4! possible ways.

Permutations of Quadrants

The grid's four 2×2 blocks (quadrants) can be swapped or permuted as independent units.

The "So What?" of the Diamond Theorem The revelation of Steven Cullinane’s theorem is its absolute Symmetry Invariance. No matter which of the 322,560 scrambles you apply, the resulting image always retains a discernible structure. It is never a random mess. Specifically, every G-image of D exhibits either:

  1. Ordinary Geometric Symmetry: Standard rotational or reflectional symmetry.
  2. Color-Interchange Symmetry: A property where the pattern remains identical if you swap all black sections for white and vice versa.

These 2D shuffles are actually the "shadows" of a higher-dimensional origin, acting as a flat projection of a four-dimensional world.

——————————————————————————–

3. Dimensional Collapse: From 3D Cubes to 2D Arrays

To truly "grok" the Diamond Theorem, we must view the 16 cells of the grid as witnesses to 4-dimensional symmetry. The 4×4 grid is a "dimensional collapse" of a tesseract (a 4D hypercube) onto a flat surface.

The Steps of Dimensional Mapping:

  1. Labeling with Affine 4-Space: We label each cell with a point from the affine 4-space over the finite field GF(2).
  2. Binary Positioning: Coordinates (0 and 1) are assigned to represent positions across four dimensions.
  3. The Hypercube Map: The 16 vertices of a tesseract are mapped directly onto the 16 cells of the square array.

The Parallelogram Rule of Vector Addition In this 4×4 space, geometry and algebra become one through the Parallelogram Rule. In a standard 3D space, if you have two vectors u and v, their sum w = u + v forms the diagonal of a parallelogram. On our 4×4 grid, this manifests visually: picking any two "direction" vectors automatically defines a third vertex. This means that vector addition in 4D space is performed directly on the grid; the "sum" of two cells is always another specific cell, maintaining a perfect triangular closure within the array.

This mapping turns a difficult-to-visualize 4D space into a visual "calculator" where geometric intuition replaces complex calculation.

——————————————————————————–

4. The Visual Language of Finite Fields: GF(16) and Binary XOR

The grid functions as a map of the finite field GF(16). Operations here utilize "Binary Addition," better known to computer scientists as the XOR operation (where 1 + 1 = 0).

The Zero-Sum Property and Closure Every pattern in this system can be decomposed into three "line diagrams." When these diagrams (D_1, D_2, D_3) are combined, they follow a strict "Zero-Sum" rule: D_1 + D_2 + D_3 = 0. In finite geometry, this represents the : if you have two points of a line, the third point is "forced" into existence to complete the set. The symmetry of the final pattern is inevitable because the algebra is perfectly balanced.

This visual language reveals the structure of the projective space PG(3,2):

  • The 15 Points: There are 15 possible basic line diagrams, representing the 15 points of the projective space.
  • The 35 Lines: The 840 distinct images produced by Group G fall into 35 families of patterns. Each family represents a "line" in the projective space—a set of three points that XOR to zero.

These abstract "lines" are not straight paths but families of symmetry, representing physical alignment and orthogonality in a finite world.

——————————————————————————–

5. Advanced Correspondences: Latin Squares and Skew Lines  [Table rewritten from NotebookLM version]

One of the most revolutionary aspects of the Diamond Theorem is how it bridges combinatorial puzzles and abstract geometry. Specifically, it provides a dictionary for "seeing" algebraic independence.

Within the 35 families of patterns, we find that exactly six special order-4 Latin squares have orthogonal mates. The theorem shows that the combinatorial "orthogonality" of these squares is actually a geometric property in disguise.

Combinatorial Term

Orthogonal Latin Squares

Superimposed grids showing every ordered pair of symbols exactly once.

Geometric Translation

Skew Lines in PG(3,2)

The Visual Outcome

Disjoint sets of line 
diagrams.

When a student sees that two patterns are "orthogonal," they are literally looking at skew lines—lines that exist in the same 3D projective space but never meet. Algebraic independence has never been more visible.

——————————————————————————–

6. The Tapestry of Application: From Quilts to Deep Space

The Cullinane Diamond Theorem proves that symmetry is not a decorative choice, but a mathematical inevitability found in everything from folk art to the stars.

  1. Quilt Design: Ancient artisans unintentionally utilized finite geometry. The theorem explains why traditional quilt blocks (like the "diamond" and "chevron") possess pervasive symmetry—they were tapping into the AGL(4,2) group without knowing it.
  2. The MOG & M24: The theorem is a visual sister to the Miracle Octad Generator (MOG). The symmetry group G is isomorphic to the octad stabilizer subgroup of the Mathieu group M_{24}, one of the mysterious sporadic simple groups.
  3. The Leech Lattice: These patterns serve as a visual bridge to the Leech Lattice, the most efficient way to pack spheres in 24 dimensions. The lattice is essentially a "blown-up" version of the Steiner system S(5,8,24) that governs these 4×4 symmetries.
  4. Coding Theory & Uninterrupted Cuts: The theorem is deeply linked to the Golay code, used by the Voyager probes to send clear images from deep space. Within the "Diamond Ring" of patterns, there exists an ideal of 1024 patterns characterized by "uninterrupted cuts" (where all horizontal or vertical lines remain unbroken). These patterns represent the peak of structural stability used in error-correcting codes.

——————————————————————————–

7. Summary Checklist for the Aspiring Learner

As you gaze upon the next 4×4 pattern you encounter, use this checklist to verify your understanding of the secrets "hidden in plain sight":

  • [ ] I understand that the 4×4 grid is a visual map of a 4-dimensional vector space.
  • [ ] I recognize that symmetry is preserved because the transformations are governed by the full affine group AGL(4,2).
  • [ ] I see that a "line" in this geometry is actually a family of three patterns that XOR to zero.
  • [ ] I can visualize the Parallelogram Rule, where adding two positions on the grid "forces" the third into existence.
  • [ ] I recognize the 1024 patterns with uninterrupted cuts as the mathematical "ideal" within the diamond ring.
  • [ ] I understand that orthogonal Latin squares are simply the visual manifestation of skew lines in projective space.

Keep your eyes open, for the infinite is often mapped onto the smallest of canvases.

Monday, October 20, 2025

Uhrsprache

Filed under: General — m759 @ 5:23 am

For Lily and the Sunshine Girls . . . 

and James Joyce —

     Illustration . . .

The Six Fix:  Zip!

Wednesday, October 15, 2025

Sextet Space

Filed under: General — Tags: , — m759 @ 4:46 pm

“Perhaps the philosophically most relevant feature of modern science
is the emergence of abstract symbolic structures as the hard core
of objectivity behind— as Eddington puts it— the colorful tale of
the subjective storyteller mind.”

— Hermann Weyl, Philosophy of  Mathematics and
    Natural Science 
, Princeton, 1949, p. 237

Melissa C. Wong, illustration for "Atlas to the Text,"
by Nicholas T. Rinehart:

The above fanciful illustration pictures 6*9=54 colored squares on the six 
faces of a 3x3x3 cube.

Compare and contrast the Aitchison  labeling, not unlike the one above,
of 6*4=24 unit squares (or, equivalently, 24 pips  at the squares' centers)
on a 2x2x2 cube.

Now consider how the 8-square "brick" of R. T. Curtis may be colored with
four colors using the 105 ways to partition its eight squares into four 2-sets.

By analogy, the 24  squares on a cube's  surface, as above, afford a cubical
space for applying six  colors to the sextet  partitions (into six 4-sets) of Curtis's
Miracle Octad Generator (MOG), using Aitchson's cubical model (with, of course,
the parts to be moved being pips or squares rather than cuboctahedron edges). 

The 4-coloring of Curtis bricks is useful in picturing the Klein correspondence.
Are there similar uses of  cube  6-colorings? Or 4-colorings? (Group actions on
a 6-set are of considerable combinatorial and algebraic interest because of
the exceptional outer automorphism of S6.)

For a colored presentation of sextet space modeled with a rectangle,
as in the Curtis MOG, see . . .

https://xenon.stanford.edu/~hwatheod/mog/mog.html .

Friday, July 4, 2025

1984-1985

Filed under: General — Tags: , , — m759 @ 10:25 am

Meanwhile . . .

84-09-15… Diamonds and whirls  Block designs of a different sort — graphic figures on cubes. See also the University of Exeter page on the octahedral group O.
84-09-25… Affine groups on small binary spaces Six ways to slice a cube, and the resulting affine groups. For details, see the author's 1984 paper Binary Coordinate Systems.
85-03-26… Visualizing GL(2, p)
85-04-28… Generating the octad generator  The Miracle Octad Generator (MOG) of R. T. Curtis — A correspondence between the 35 partitions of an 8-set into two 4-sets and the 35 lines of PG(3,2).
85-08-22…

Symmetry invariance under M12  A generalization of the two-color plane patterns, made up of all-black and all-white squares, that underlie plane patterns, made up of two-color diagonally-divided squares, of diamond theory.

  In a more abstract vein . . .
84-01-05… Linear operators in geometric function spaces
85-04-05… Group actions on partitions
85-04-05… GL(2, 3) actions on a cube
85-11-17… Groups related by a nontrivial identity
85-12-11… Dynamic and algebraic compatibility of groups

Tuesday, June 3, 2025

FutureHouse Falcon Deep Search Report

Filed under: General — Tags: , — m759 @ 6:06 pm

FutureHouse diamond theorem report on May 3, 2025 — 

From https://platform.futurehouse.org/trajectories/995a20ed-9de3-43b9-83d2-64d4b8b92bf2.

Task

What is the Cullinane diamond theorem?

Response

This report presents a detailed exposition of the Cullinane diamond theorem, a result that interweaves combinatorics, finite projective geometry, symmetry, and algebra. In its original formulation, the theorem concerns a 4×4 array composed of 16 two‐color, diagonally divided square tiles—a configuration referred to as the diamond figure D—and describes the remarkable invariance properties of D when acted on by a very large permutation group. This report explains the theorem’s statement, the group–theoretic framework underlying it, its geometric interpretation in terms of finite projective spaces, and its algebraic extensions via delta transforms. In doing so, the discussion also elucidates connections with Latin square geometry and deep algebraic structures such as those underlying the Miracle Octad Generator (MOG) and Mathieu groups.

Abstract
The Cullinane diamond theorem asserts that every image of the four‐diamond figure D, arising from a 4×4 two‐color diagonally divided square array, exhibits either ordinary or color–interchange symmetry under a group G of order 322,560. (cullinane2013thediamondtheorem pages 1-5) This transformation group, generated by arbitrary permutations of the rows, columns, and the four 2×2 quadrants of the array, is isomorphic to the affine group acting on a 4–dimensional vector space over the finite field GF(2). The theorem further establishes that the 840 distinct images of D decompose naturally into 35 equivalence classes—each corresponding bijectively to one of the 35 lines in the three–dimensional projective space PG(3,2). In each equivalence class the images can be represented by three interrelated line diagrams whose entries, under binary (mod 2) addition, sum to zero. This binary-addition property not only reflects the underlying structure of PG(3,2) but also serves as a combinatorial invariant that connects the pattern symmetries with the algebra of finite fields. (cullinane2013thediamondtheorem pages 1-5) Moreover, by considering the so-called delta transforms on arrays—where each element of a square array is replaced by a uniquely determined diagonally divided two–color tile—an ideal is produced within a larger ring of symmetric patterns. Such an ideal, consisting in one instance of 1024 “diamond” patterns within a ring of 4096 symmetric configurations, paves the way for an infinite family of “diamond” rings that are isomorphic to matrix rings over GF(4). (cullinane2013thediamondtheorem pages 1-5, cullinaneUnknownyearexamples pages 1-1) In addition, the symmetry group involved in the theorem is intimately related to the octad stabilizer subgroup within the Mathieu group M24, as emphasized in studies of the Miracle Octad Generator. (cullinane2013thediamondtheorem pages 1-5, kellyUnknownyearmathieugroupsthe pages 1-1)

1. Introduction

The Cullinane diamond theorem occupies a position of central importance in several overlapping domains of mathematics. Its beauty lies in how a deceptively simple graphic design—the four–diamond figure D obtained from a 4×4 array of specially divided square tiles—encodes deep symmetry properties when subjected to highly structured group actions. The theorem was originally developed to provide a purely geometric explanation for longstanding puzzles in symmetric pattern design, yet its ramifications extend to Latin square theory, coding theory, and even computer–aided secret sharing in cryptography. (cullinane2013thediamondtheorem pages 1-5) By using group actions derived from the affine group over GF(2), Cullinane demonstrated that the resulting images not only preserve symmetry but also organize themselves in a manner that reflects the structure of the finite projective space PG(3,2). This report systematically outlines the theorem, providing the necessary mathematical background and exploring its broader significance.

2. The Diamond Figure D and the Permutation Group G

At the heart of the theorem is the diamond figure D—a 4×4 array whose 16 unit squares are each divided along a diagonal into two contrasting colors. This design is not arbitrary; it is constructed so that when transformations are applied, its inherent symmetry properties become evident. The large permutation group G, of order 322,560, is generated by all possible permutations of the rows, the columns, and the four 2×2 quadrants. (cullinane2013thediamondtheorem pages 1-5) An essential observation is that G is isomorphic to the full affine group on a four–dimensional vector space over GF(2), where GF(2) is the finite field with two elements. The affine structure imparts a rich algebraic framework that facilitates rigorous combinatorial analysis. Each element of G rearranges the tiles of D, yet—remarkably—the resulting pattern always exhibits a precise form of symmetry, be it an ordinary symmetry (a geometric transformation mapping the pattern to itself) or a color–interchange symmetry (where interchanging the two colors yields an invariant image).

3. Image Enumeration and Finite Projective Geometric Interpretation

One of the most striking outcomes of Cullinane’s work is the enumeration of the distinct images of D under the action of G. Detailed analysis reveals that there are exactly 840 such images. These 840 images do not form a homogeneous collection; instead, they naturally partition into 35 distinct equivalence classes. (cullinane2013thediamondtheorem pages 1-5) This partitioning is not coincidental. In fact, there is a bijective correspondence between the 35 equivalence classes of images and the 35 lines in PG(3,2)—the projective space of dimension three over GF(2). In finite projective geometry, PG(3,2) is a highly symmetric structure that contains 15 points and 35 lines, and the incidence relations among these geometric subspaces mirror the combinatorial relationships found among the images of D. Thus, the combinatorial arrangement of tiles in D under all G–images embodies a finite geometric structure that is isomorphic to PG(3,2). (cullinane2013thediamondtheorem pages 1-5)

4. Representation by Line Diagrams and Binary Addition Properties

Each of the 35 equivalence classes can be concretely visualized via collections of three interrelated diagrams known as line diagrams. These diagrams are so constructed that, when added together modulo 2 (i.e., performing binary addition on their entries), the resulting sum is zero. This property is highly significant; it encapsulates the idea that the three diagrams represent three distinct partitions of the four tiles into two subsets, and the symmetry is maintained by the fact that their binary sum (in the field GF(2)) vanishes. (cullinane2013thediamondtheorem pages 1-5) In effect, the line diagrams serve as a pictorial and algebraic manifestation of the structure of PG(3,2). The binary-addition condition is reminiscent of the behavior of vectors in a finite vector space, reinforcing the interpretation of the underlying symmetries in linear algebraic terms. This representation is of particular interest in algebraic combinatorics, as it provides a concrete invariant that can be used to classify and analyze symmetric patterns generated by G.

5. Algebraic Extensions and Delta Transforms

Beyond the geometric interpretation lies a powerful algebraic generalization. The theorem has been extended by considering “delta transforms” of square arrays. A delta transform is defined as a one-to-one substitution procedure in which each entry of an array (often arising from a Latin square or a similar combinatorial object) is replaced by a fixed diamond pattern—a diagonally divided, two–colored unit square. (cullinaneUnknownyearexamples pages 1-1) When applied to structured arrays such as the Klein group table (which itself can be viewed as a Latin square over GF(4)), the delta transform preserves the symmetry properties inherent in the original configuration. This invariance under delta transforms implies that the entire algebra generated by the images of the Klein group table under G comprises solely symmetrical arrays. More precisely, these images generate an ideal in a larger ring—a ring of 4096 symmetric patterns—from which one can extract an ideal consisting of 1024 “diamond” patterns. The algebraic structure revealed in this manner is so robust that it generalizes to an infinite family of diamond rings, each of which is isomorphic to a matrix ring over GF(4). (cullinane2013thediamondtheorem pages 1-5, cullinaneUnknownyearexamples pages 1-1) This connection to matrix rings over finite fields accentuates the deep interplay between combinatorial design and algebraic structures.

6. Connections with Latin Square Geometry and Finite Projective Spaces

Another fascinating aspect of the Cullinane diamond theorem is its relation to Latin square geometry—a classical topic in combinatorics that deals with square arrays in which each symbol occurs exactly once per row and once per column. In some of Cullinane’s later work, particularly in his study of Latin-square geometry, it is shown that the six 4×4 Latin squares (that have orthogonal Latin mates) can be embedded into a set of 35 arrays in a manner that mirrors the correspondence between the diamond images and the 35 lines of PG(3,2). (cullinaneUnknownyearlatinsquaregeometry pages 1-6) In this interpretation, the orthogonality property of Latin squares is translated into a geometric condition: two Latin squares are orthogonal if and only if the corresponding lines in PG(3,2) are skew (that is, they do not intersect). This geometric visualization not only provides intuition for the phenomenon of orthogonality but also serves as an explicit bridge between classical combinatorial design and finite projective geometry. In doing so, it enriches our understanding of both domains while demonstrating the versatility of the diamond theorem’s underlying principles.

7. Symmetry Groups and the Miracle Octad Generator

The permutation group G, with its staggering order of 322,560, is by itself an object of intense interest in group theory. Much more than a tool for rearranging tiles, G is isomorphic to the affine group acting on the 4-dimensional linear space over GF(2). This same group appears elsewhere in mathematics, in particular as the octad stabilizer in the Mathieu group M24, a sporadic simple group that plays a central role in combinatorial design and coding theory. In fact, R. T. Curtis’s Miracle Octad Generator (MOG)—developed as a way to generate and study the Golay code (an exceptional error–correcting code) and related combinatorial structures—utilizes a configuration strongly reminiscent of the diamond–theorem figures. (cullinane2013thediamondtheorem pages 1-5, kellyUnknownyearmathieugroupsthe pages 1-1) This correspondence highlights the deep algebraic and combinatorial unity underlying what might initially appear as unrelated phenomena: the design of quilt patterns and the structure of error–correcting codes.

8. Detailed Group–Theoretic and Algebraic Underpinnings

To appreciate the full depth of the Cullinane diamond theorem, it is instructive to examine the group–theoretic foundations in greater detail. The generator set for the group G comprises three independent types of permutations—those acting on rows, on columns, and on the four 2×2 quadrants. This decomposition implies that every element of G can be represented as a combination of three distinct permutations, each contributing to the overall transformation of the array D. When these permutations are interpreted within the framework of an affine vector space over GF(2), one observes that their composition corresponds to linear transformations accompanied by translations. (cullinane2013thediamondtheorem pages 1-5) This realization not only explains why G is isomorphic to an affine group but also establishes a link between the combinatorial structure of the tiled array and the rich theory of finite fields and linear algebra. Such a connection is essential to both the formulation and the proof of the theorem.

9. The Role of the Finite Field GF(2) and Projective Geometry

The finite field GF(2) consists of just two elements—0 and 1—which endow any vector space over GF(2) with a binary structure. In the context of the diamond theorem, every tile’s coloring, as well as the additive relations in the line diagrams, are naturally described by elements of GF(2). Moreover, the projective space PG(3,2) arises from considering the nonzero vectors in the four–dimensional space over GF(2) up to scalar multiples. PG(3,2) contains exactly 15 points and 35 lines; it is precisely this enumeration of lines that inspires the classification of the 840 images of D into 35 equivalence classes. (cullinane2013thediamondtheorem pages 1-5) The binary addition (mod 2) property of the three line diagrams representing each class mirrors the fact that, in PG(3,2), any three collinear points obey a linear relation summing to zero. This elegant correspondence between abstract finite geometry and the tangible patterns of a tiled array is one of the most striking features of the theorem.

10. Delta Transforms and Their Combinatorial Invariance

An additional layer of sophistication in the theorem’s framework is provided by the concept of delta transforms. A delta transform is a systematic substitution process in which every entry of a square array (often drawn from a four–element set) is replaced by a fixed, diagonally divided two–colored tile. (cullinaneUnknownyearexamples pages 1-1) When Delta transforms are applied to the table corresponding to the Klein group, the resulting new arrays (called delta transforms of the Klein group table) retain either ordinary symmetry or color–interchange symmetry. This invariance is maintained under the full group G, which means that the delta transform itself is an operation that commutes with the action of G. The combinatorial invariant arising from the delta transforms is highly significant because it allows one to define sums and products on the set of G–images of D, thereby generating a ring of symmetric patterns. In particular, this ring contains an ideal consisting of 1024 diamond patterns and generalizes to an infinite family of diamond rings isomorphic to matrix rings over GF(4). (cullinane2013thediamondtheorem pages 1-5, cullinaneUnknownyearexamples pages 1-1) The elegance of this result lies in the seamless transition from a discrete combinatorial construct to a rich algebraic structure.

11. Latin Square Geometry and Embeddings into PG(3,2)

The principles behind the Cullinane diamond theorem have further inspired research into Latin square geometry. In the special case of 4×4 Latin squares, it has been shown that the six Latin squares possessing orthogonal Latin mates can be embedded within a configuration of 35 arrays. (cullinaneUnknownyearlatinsquaregeometry pages 1-6) In this embedding, the traditional notion of orthogonality of Latin squares—originally based on combinatorial criteria—corresponds exactly to the geometric property of skewness (i.e., the non–intersection of lines) in the projective space PG(3,2). This geometric interpretation offers not only a new perspective on the classical problem of constructing mutually orthogonal Latin squares but also demonstrates that the diamond theorem’s reach extends well beyond its original domain of tiling patterns. The correspondence essentially means that the combinatorial structure of a Latin square is mirrored in the arrangement of lines in a finite projective space, and the multiple representations provided by the delta transform further cement this connection. (cullinaneUnknownyearlatinsquaregeometry pages 1-6) This interplay between Latin square geometry and finite projective spaces opens up opportunities for deeper exploration of geometrical invariants and symmetric designs.

12. Symmetry in Applications: From Facility Location to Visual Secret Sharing

[ Correction by Cullinane on June 11, 2025 – This section is in error and should be ignored. ]

While the Cullinane diamond theorem is rooted in abstract combinatorial and geometric concepts, its influence extends into various applied fields. In the domain of facility location, for example, researchers have exploited similar “diamond” structures to characterize regions where optimal locations occur under the rectilinear (L1) norm, as these regions naturally form diamond–shaped loci defined by distance constraints. (giannikos1993optimallocationof pages 17-23) Even though these applications focus on geometric optimization rather than algebraic symmetry, the underlying idea—namely the robustness of diamond–shaped invariances under transformation—is intimately connected to the theorem. Similarly, in the realm of computer graphics and cryptographic visual secret sharing, the diamond theorem provides the structural foundation for generating correlation patterns. In such schemes, 4×4 diamond patterns are sequentially applied to non-overlapping blocks of an image to ensure both secure partitioning and reconstruction of the original visual information. (harish2016newvisualsecret pages 1-2) These diverse applications underscore the theorem’s versatility; its central theme of a combinatorial invariant under a massive symmetry group serves as a unifying idea that transcends disciplinary boundaries.

13. Computational and Algorithmic Considerations

The explicit description of the permutation group G and the classification of the 840 images into 35 equivalence classes have also motivated algorithmic approaches for pattern generation and classification. For instance, when one wishes to generate all possible G–images of D, it is computationally efficient to recognize that these images naturally fall into 35 distinct classes corresponding to the 35 lines in PG(3,2). Such insights reduce the complexity of computational searches and enable the practical implementation of algorithms in computer graphics, pattern recognition, and combinatorial design. (coqart1978computergraphicsgrid pages 3-3) Moreover, the delta transform method has been implemented in algebraic software packages to construct large rings of symmetric patterns—a development that has implications for both theoretical investigations and real-world problem solving in areas such as coding theory and error–correction. The connection to matrix rings over GF(4) is particularly promising, as it provides an algebraic framework for dealing with vast families of symmetric objects in a systematic manner.

14. Comparative Analysis with Other Geometrical Theorems

It is instructive to compare the Cullinane diamond theorem with other well-known geometric and combinatorial results. In contrast to classical theorems that rely solely on continuous symmetries or Euclidean transformations, the diamond theorem exploits the combinatorial rigidity of discrete structures. Its reliance on finite fields and projective spaces distinguishes it from many traditional results in geometry. Moreover, while other results in tiling theory or Latin square theory are often limited to ad hoc proofs for specific cases, the Cullinane diamond theorem offers a unifying algebraic–geometric framework that explains not only why symmetric patterns occur but also how they are structured in an entirely discrete setting. This synthesis of group theory, finite geometry, and combinatorial design represents an advance over previous approaches that tended to treat these areas in isolation. (cullinane2013thediamondtheorem pages 1-5, cullinaneUnknownyearlatinsquaregeometry pages 1-6)

15. Historical Context and the Evolution of the Theorem

The origins of the Cullinane diamond theorem can be traced back to investigations into the symmetry properties of classical tile patterns, including those found in quilts and combinatorial designs. Earlier research, such as that on the delta transforms of the Klein group table, hinted at the possibility that simple tiling arrangements might possess highly non–trivial symmetry properties. Over time, these insights matured into the full–fledged theorem attributed to Steven H. Cullinane, which formalized the connection between a 4×4 diamond figure and the affine group over GF(2). The subsequent discovery of the correspondence between the 840 images and the 35 lines in PG(3,2) further entrenched the theorem’s role as a bridge between discrete combinatorial designs and classical finite projective geometry. In recent years, further work on Latin square geometry and visual secret sharing has expanded the theorem’s impact well beyond its original context, demonstrating that the ideas encapsulated in the diamond theorem are not only mathematically deep but also broadly applicable. (cullinane2013thediamondtheorem pages 1-5, cullinaneUnknownyearlatinsquaregeometry pages 1-6)

16. Implications for Future Research

The implications of the Cullinane diamond theorem are manifold. On the theoretical side, the theorem points to a rich interplay between discrete geometry, group theory, and algebra that should be explored in greater depth. One promising direction is the extension of the theorem to higher–order arrays and to patterns with more than two colors. Such generalizations would likely lead to the discovery of new equivalence classes and perhaps even connect with higher–dimensional projective spaces. Another area ripe for exploration is the further algebraic analysis of the ring structures generated by delta transforms. In particular, the isomorphism of infinite families of diamond rings to matrix rings over GF(4) suggests deep algebraic symmetries that have yet to be fully exploited. On the applied side, insights derived from the Cullinane diamond theorem have already found applications in facility location, computer graphics, and cryptographic visual secret sharing; further research may reveal additional uses in coding theory, error–correction, and possibly even in the design of secure communication protocols. (cullinaneUnknownyearlatinsquaregeometry pages 1-6, harish2016newvisualsecret pages 1-2)

17. Concluding Remarks

In summary, the Cullinane diamond theorem is a landmark result that provides a unified explanation for the surprising symmetry properties observed in the four–diamond figure D. When D is subjected to the full action of the permutation group G (of order 322,560), every image obtained—amounting to a total of 840 distinct patterns—exhibits either ordinary or color–interchange symmetry. These images can be uniquely categorized into 35 equivalence classes, each corresponding to a line in the finite projective space PG(3,2). The representation of these classes by three line diagrams whose binary sum is zero not only reinforces the connection with the additive structure of GF(2) but also ties the entire construction to the elegant framework of finite projective geometry. (cullinane2013thediamondtheorem pages 1-5) Further, by introducing delta transforms on square arrays, the theorem extends into an algebraic domain—revealing that the set of symmetric images forms an ideal in a ring of symmetric patterns, with striking isomorphisms to matrix rings over GF(4). This algebraic perspective has fostered connections to Latin square geometry, where the orthogonality of Latin squares is naturally interpreted in terms of skew lines in PG(3,2), and to the combinatorial structures underlying the Miracle Octad Generator and Mathieu groups. (cullinane2013thediamondtheorem pages 1-5, kellyUnknownyearmathieugroupsthe pages 1-1) Ultimately, the Cullinane diamond theorem stands as a testament to the power of combining combinatorial, geometric, and algebraic methods to reveal and classify deep symmetry properties in discrete structures. Its continued influence across diverse fields—from pure mathematics to applied design and cryptographic systems—underscores both its elegance and its far–reaching impact. (harish2016newvisualsecret pages 1-2)

This comprehensive investigation thus not only answers the question “What is the Cullinane diamond theorem?” but also situates it firmly within a larger mathematical landscape that continues to develop and inspire new research.

References

  1. (cullinane2013thediamondtheorem pages 1-5): SH Cullinane. The diamond theorem. arXiv: Group Theory, Aug 2013. URL: https://doi.org/10.48550/arxiv.1308.1075, doi:10.48550/arxiv.1308.1075. This article has 2 citations.

  2. (cullinaneUnknownyearlatinsquaregeometry pages 1-6): SH Cullinane. Latin-square geometry. Unknown journal, Unknown year.

  3. (giannikos1993optimallocationof pages 17-23): I Giannikos. Optimal location of single and multiple obnoxious facilities: algorithms for the maximin criterion under different norms. Unknown journal, 1993.

    [ Correction by Cullinane on June 11, 2025.  The Giannikos reference cites a different Cullinane.  It is irrelevant and should be ignored. ]

  4. (coqart1978computergraphicsgrid pages 3-3): Roger Coqart. Computer graphics: grid structures. Leonardo, 11:118-119, Jan 1978. URL: https://doi.org/10.2307/1574008, doi:10.2307/1574008. This article has 3 citations and is from a highest quality peer-reviewed journal.

  5. (harish2016newvisualsecret pages 1-2): V. Harish, N. Rajesh Kumar, and N. R. Raajan. New visual secret sharing scheme for gray-level images using diamond theorem correlation pattern structure. 2016 International Conference on Circuit, Power and Computing Technologies (ICCPCT), pages 1-5, Mar 2016. URL: https://doi.org/10.1109/iccpct.2016.7530155, doi:10.1109/iccpct.2016.7530155. This article has 1 citations.

  6. (kellyUnknownyearmathieugroupsthe pages 1-1): S Kelly. Mathieu groups, the golay code and curtis' miracle octad generator. Unknown journal, Unknown year.

Tuesday, May 20, 2025

Brick by Brick

Filed under: General — Tags: , — m759 @ 4:21 am

From the Log24 post "Hollywood Geometry" of March 6 —

From the Instagram of osullivanstudios on March 6 —

From a Log24 post of May 10

Monday, May 12, 2025

Annals of Cognitive Testing: “Meno, Zeno … Zeno, Meno”

Filed under: General — Tags: , — m759 @ 1:21 pm

About 402 B.C. —

Plato's diamond in Jowett's version of the Meno dialogue

Later —

A more recent version of the Meno figure —

Image-- From the Diamond in Plato's Meno to Modern Finite Geometry

See also Mel Bochner at Carrnegie-Mellon
and Bochner's Sixteen.

Saturday, April 26, 2025

Vocabulary of Transformation

Filed under: General — Tags: , — m759 @ 10:35 am

From yesterday's post "Imago Review" . . .

http://www.log24.com/log/pix10A/100615-FourD.gif

For a natural group of 322,560 transformations
acting on this figure, see the diamond theorem.

"What remains fixed (globally, not pointwise)
under these transformations is the system  of
points and hyperplanes from the diamond theorem."

For an example of a subset of points remaining fixed
pointwise  under this group, embed the diamond
theorem's underlying four-by-four array of points in a
four-by-six  (4 rows, six columns) array . . . as in the
R. T. Curtis Miracle Octad Generator.  The 322,560
transformations of the diamond theorem are then
called by some the "octad group." It is more properly
called the "octad stabilizer  group" because, within the
full  group of automorphisms of the 4×6 array —
the Mathieu group M24  — it leaves an 8-point octad 
fixed locally  within the 4×6 array, while permuting (or not)
the eight points within the octad. Sixteen of the octad
stabilizer transformations, the translations,  leave the octad
fixed pointwise.  See (for instance) octad.us.

Sunday, February 2, 2025

Eric Temple Bell on Solomon’s Seal

Filed under: General — Tags: , — m759 @ 9:18 am
 
From pp. 322 ff. of The Development of Mathematics, 
by Eric Temple Bell, Second Edition, McGraw-Hill, 1945, at
https://archive.org/stream/in.ernet.dli.2015.133966/2015.133966.
The-Development-Of-Mathematics-Second-Edition_djvu.txt

Rising to a considerably higher level of difficulty, we may 
instance what the physicist Maxwell called “Solomon’s seal in 
space of three dimensions,” the twenty-seven real or imaginary 
straight lines which lie wholly on the general cubic surface, 
and the forty-five triple tangent planes to the surface, all so 
curiously related to the twenty-eight bitangents of the general 
plane quartic curve. If ever there was a fascinating snarl of 
interlaced theories, Solomon’s seal is one. Synthetic and analytic 
geometry, the Galois theory of equations, the trisection of 
hyperelliptic functions, the algebra of invariants and covariants, 
geometric-algebraic algorithms specially devised to render the 
tangled configurations of Solomon’s seal more intuitive, the 
theory of finite groups — all were applied during the second half 
of the nineteenth century by scores of geometers who sought to 
break the seal. 

Some of the most ingenious geometers and algebraists in 
history returned again and again to this highly special topic. 
The result of their labors is a theory even richer and more 
elaborately developed than Klein’s (1884) of the icosahedron. 
Yet it was said by competent geometers in 1945 that a serious 
student need never have heard of the twenty-seven lines, the 
forty-five triple tangent planes, and the twenty-eight bitangents 
in order to be an accomplished and productive geometer; and 
it was a fact that few in the younger generation of creative 

CONTRIBUTIONS FROM GEOMETRY 323 

geometers had more than a hazy notion that such a thing as 
tiie Solomon’s seal of the nineteenth century ever existed. 

Those rvho could recall from personal experience the last 
glow of living appreciation that lighted this obsolescent master- 
piece of geometry and others in the same fading tradition looked 
back with regret on the dying past, and wished that mathe- 
matical progress were not always so ruthless as it is. They also 
sympathized with those who still found the modern geometry 
of the triangle and the circle worth cultivating. For the differ- 
ence between the geometry of the twenty-seven lines and that of, 
say, Tucker, Lemoine, and Brocard circles, is one of degree, 
not of kind. The geometers of the twentieth century long since 
piously removed all these treasures to the museum of geometry, 
where the dust of history quickly dimmed their luster. 

For those who may be interested in the unstable esthetics 
rather than the vitality of geometry, we cite a concise modern 
account1 (exclusive of the connection with hyperclliptic func- 
tions) of Solomon’s seal. The twenty-seven lines were discovered 
in 1849 by Cayley and G. Salmon2 (1819-1904, Ireland); the 
application of transcendental methods originated in Jordan’s 
work (1869-70) on groups and algebraic equations. Finally, 
in the 1870’s L. Cremona (1830-1903), founder of the Italian 
school of geometers, observed a simple connection between 
the twenty-one distinct straight lines which lie on a cubic 
surface with a node and the ‘cat’s cradle’ configuration of 
fifteen straight lines obtained by joining six points on a conic 
in all possible ways. The ‘mystic hexagram’ of Pascal and its 
dual (1806) in C. J. Brianchon’s (1783-1864, French) theorem 
were thus related to Solomon’s seal; and the seventeenth 
century met the nineteenth in the simple, uniform deduc- 
tion of the geometry of the plane configuration from that of 
a corresponding configuration in space by the method of 
projection. 

The technique here had an element of generality that was to 
prove extremely powerful in the discovery and proof of cor- 
related theorems by projection from space of a given number of 
dimensions onto a space of lower dimensions. Before Cremona 
applied this technique to the complete Pascal hexagon, his 
countryman G. Veronese had investigated the Pascal configura- 
tion at great length by the methods of plane geometry, as had 
also several others, including Steiner, Cayley, Salmon, and 
Kirkman. All of these men were geometers of great talent; 

324 THE DEVELOPMENT OF MATHEMATICS 

Cremona’s flash of intuition illuminated the massed details of 
all his predecessors and disclosed their simple connections. 

That enthusiasm for this highly polished masterwork of 
classical geometry is by no means extinct is evident from the 
appearance as late as 1942 of an exhaustive monograph (xi + 180 
pages) by B. Segre (Italian, England) on The nonsingular cubic 
surface. Solomon’s seal is here displayed in all its “complicated 
and many-sided symmetry” — in Cayley’s phrase — as never 
before. The exhaustive enumeration of special configurations 
provides an unsurpassed training ground or ‘boot camp’ for 
any who may wish to strengthen their intuition in space of three 
dimensions. The principle of continuity, ably seconded by the 
method of degeneration, consistently applied, unifies the multi- 
tude of details inherent in the twenty-seven lines, giving the 
luxuriant confusion an elusive coherence which was lacking 
in earlier attempts to “bind the sweet influences” of the thirty- 
six possible double sixes (or ‘double sixers,’ as they were once 
called) into five types of possible real cubic surfaces, containing 
respectively 27, 15, 7, 3, 3 real lines. A double six is two sextuples 
of skew lines such that each line of one is skew to precisely one 
corresponding line of the other. A more modern touch appears 
in the topology of these five species. Except for one of the 
three-line surfaces, all are closed, connected manifolds, while 
the other three-line is two connected pieces, of which only one 
is ovoid, and the real lines of the surface are on this second 
piece. The decompositions of the nonovoid piece into generalized 
polyhedra by the real lines of the surface are painstakingly 
classified with respect to their number of faces and other char- 
acteristics suggested by the lines. The nonovoid piece of one 
three-line surface is homeomorphic to the real projective plane, 
as also is the other three-line surface. The topological interlude 
gives way to a more classical theme in space of three dimensions, 
which analyzes the group in the complex domain of the twenty- 
seven lines geometrically, either through the intricacies of the 
thirty-six double sixes, or through the forty triads of com- 
plementary Steiner sets. A Steiner set of nine lines is three sets 
of three such that each line of one set is incident with precisely 
two lines of each other set. The geometrical significance of 
permutability of operations in the group is rather more com- 
plicated than its algebraic equivalent. The group is of order 
51840. There is an involutorial transformation in the group for 
each double six; the transformation permutes corresponding 

CONTRIBUTIONS FROM GEOMETRY 325 

lines of the complementary sets of six of the double six, and 
leaves each of the remaining fifteen lines invariant. If the double 
sixes corresponding to two such transformations have four 
common lines, the transformations are permutable. If the 
transformations are not permutable, the corresponding double 
sixes have six common lines, and the remaining twelve lines 
form a third double six. Although the geometry of the situation 
may be perspicuous to those gifted with visual imagination, 
others find the underlying algebraic identities, among even so 
impressive a number of group operations as 51840, somewhat 
easier to see through. But this difference is merely one of ac- 
quired taste or natural capacity, and there is no arguing about 
it. However, it may be remembered that some of this scintillating 
pure geometry was subsequent, not antecedent, to many a 
dreary page of laborious algebra. The group of the twenty- 
seven lines alone has a somewhat forbidding literature in the 
tradition of the late nineteenth and early twentieth centuries 
which but few longer read, much less appreciate. So long as 
geometry — of a rather antiquated kind, it may be — can clothe 
the outcome of intricate calculations in visualizable form, the 
Solomon’s seal of the nineteenth century will attract its de- 
votees, and so with other famous classics of the geometric 
imagination. But in the meantime, the continually advancing 
front of creative geometry will have moved on to unexplored 
territory of fresher and perhaps wider interest. The world some- 
times has sufficient reason to be weary of the past in mathe- 
matics as in everything else. 

See as well a figure from yesterday's Matrix Geometry post

Schläfli double-six illustration by Steven H. Cullinane, 1 Feb. 2025

Friday, October 25, 2024

The Space Structures Underlying M24

Filed under: General — Tags: , , — m759 @ 12:24 am

The structures of the title are the even subsets of a six-set and of
an eight-set, viewed modulo set complementation.

The "Brick Space" model of PG(5,2) —

Brick space: The 2x4 model of PG(5,2)

For the M24 relationship between these spaces, of 15 and of 63 points,
see G. M. Conwell's 1910 paper "The 3-Space PG (3,2) and Its Group,"
as well as Conwell heptads in this  journal.

The Miracle Octad Generator (MOG) of R. T. Curtis

Thursday, July 18, 2024

Brick Space

Filed under: General — Tags: , , — m759 @ 1:45 am
 

Compare and Contrast

 

A rearranged illustration from . . .

R. T. Curtis, "A New Combinatorial Approach to M24 ,"
Mathematical Proceedings of the Cambridge Philosophical Society ,
Volume 79 , Issue 1 , January 1976 , pp. 25 – 42
DOI: https://doi.org/10.1017/S0305004100052075

The image “MOGCurtis03.gif” cannot be displayed, because it contains errors.


The "Brick Space" model of PG(5,2) —

Brick space: The 2x4 model of PG(5,2)

Background: See "Conwell heptads" on the Web.

See as well Nocciolo  in this journal and . . .

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