Log24

Artnet.com yesterday on "previously unsung or undersung
female artists working in esoteric or occult traditions" —

For those who understand spoken Norwegian.

I do not. The interview apparently gives some

background on Lyche’s large wall version of

“The 2×2 Case (Diamond Theorem) II.

(After Steven H. Cullinane)” 2012

Size: 260 x 380 cm

See also this work as displayed at a Kjærlighet til Oslo page.

(Updated March 30, 2014, to replace dead Kjaerlighet link.)

See also Straightforward + Overarching.

Fiction set in Duke Humfrey’s Reading Room at
the Bodleian Library, University of Oxford:

Related non-fiction about an event on Jan. 26, 2019 —

Meanwhile, elsewhere —

A later ad for the Lyche exhibition —

See as well some posts about the Eddington song —

For the shirt, see Norwegian artist Josefine Lyche in

A Search for Cobain.

Related material — A pyramid by Lyche and erotic Picasso:

Those who enjoy the occult may be entertained by the number 347 in
“Pablo Picasso. Suite 347.”  That number appeared in this  journal,
notably, on Christmas Eve 2005 as a page number from the classic
The Club Dumas , a novel by Arturo Perez-Reverte.

The title was suggested by the "Crystal Cult" installations
of Oslo artist Josefine Lyche and by a post of May 30 —

Writers of fiction are, of course, also dabblers in the collective unconscious.
For instance . . .

A 1971 British paperback edition of The Dreaming Jewels,  
a story by Theodore Sturgeon (first version published in 1950):

The above book cover, together with the Death Valley location
Zabriskie Point, suggests . . .

Those less enchanted by the collective unconscious may prefer a
different weblog's remarks on the same date as the above Borax post . . .

Paul Valéry, "Introduction to the Method of Leonardo da Vinci,"
La Nouvelle Revue , Paris, Vol. 95 (1895)—

"Regarded thus, the ornamental conception is to the individual arts
what mathematics is to the other sciences. …the objects chosen
and arranged with a view to a particular effect seem as if disengaged
from most of their properties and only reassume them in the effect,
in, that is to say, the mind of the detached spectator. It is thus
by means of an abstraction that the work of art can be constructed,
and is more or less easy to define according as the elements borrowed
from reality for it are more or less complex. Inversely it is by a sort of
induction, by the production of mental images, that all works of art are
appreciated, and this production must equally be more or less active,
more or less tiring, according as it is set in motion by a simple interlacing
on a vase or a broken phrase by Pascal."

— Translated by Thomas McGreevy (Valéry's Selected Writings,
     New Directions, 1950)

Related art —

• Departure dates in "Where Gravity Makes You Float,"
  by Oslo artist Josefine Lyche
• Apollo and Niobe at the Meadow
• "Enter the Matrix" game

For Oslo artist Josefine Lyche, excerpts
from a Google image search today —

Material related to Lyche's experience as an adolescent with a ZX Spectrum computer —

Click "Hello World" for a larger image.

A background check of a date from the previous post —
March 12, 2013 — yields . . .

• Conclave (For the Garden of Good and Evil)
• Smoke and Mirrors (Art by Josefine Lyche)
• Michael Porter: The Great and Powerful

A Wikipedia check of Porter yields . . .

This  date from Wikimedia — 3 March 2007 — leads to
a post in memory of Myer Feldman, presidential advisor
and theatrical producer.

"It's been dirty for dirty
Down the line . . ."

— Joni Mitchell,
"For the Roses" album (1972)

… According to a comment on the latest Instagram
post of Oslo artist Josefine Lyche —
 

🏰💎.

See also "Castle Rock" in this  journal.

“Show me all  the blueprints.”
— Howard Hughes, according to Hollywood

From an old Dick Tracy strip —

This journal in April 2006 —

Cleaning out her studio, Oslo artist Josefine Lyche 
has found some frames from an old art-school audition video —

(Click to enlarge.)

      * Search for "st.+peter"+eve+adam+"first+words"

“Danes have been called the happiest people.
I wonder how they measure this.”

— Copenhagen designer in today's online New York Times .
A version of this article is to appear in print on March 26, 2017,
in T Magazine  with the headline: "Gray Matters."

See also last night's quarter-to-three post as well as
the webpage "Grids, You Say?" by Norwegian artist Josefine Lyche.

Ben Lerner on Judd's art at Marfa —

"as if the installation were waiting to be visited
 by an alien or god" — 10:04: A Novel

Oslo artist Josefine Lyche's public Instagram today —

See also Space (May 13, 2015).

A search from the previous post (The Zero Obit) yields
two lines from Wallace Stevens that are echoed as follows…

"That elemental parent, the green night,
Teaching a fusky alphabet."

See also this journal on St. Patrick's Day 2016.

The following is an excerpt from
"Tummelplatz: Exploring playgrounds for creative
collaborations — A qualitative study of generative
dynamics within temporary work contexts,"
by Emily Moren Aanes and Dragana Trifunović.
(Master's thesis, Oslo, 2013).

Related material: Josefine Lyche in this journal.

(The title is a phrase from Oslo artist Josefine Lyche's Instagram page today.)

Note that 6 PM ET is midnight in Oslo.

An image from St. Ursula's Day, 2010 —

Related material:

"Is it a genuine demolition of the walls which seem
to separate mind from mind …. ?"

— Clifford Geertz, conclusion of “The Cerebral Savage:
On the Work of Claude Lévi-Strauss“

Later …

See an informative essay at noplace.no on the work of
Oslo artist Josefine Lyche in connection with her current
(June 12-21) exhibition, "Contact."

A paragraph from that essay —

See also Lyche in this journal.

The title appears as a joint heading for three reviews 
of Norway-related books on the front page of the print
version of today's New York Times Sunday Book Review .

See as well Josefine Lyche in this journal.

"I am trying to introduce a narrative,
something magical and seductive…."

— Oslo artist Josefine Lyche, translated
from the Norwegian by Google

Perhaps something like Arcade Fire or
Taylor Swift? (Click links for related posts.)

Or: Debriefing Josefine

From the CV of Oslo artist Josefine Lyche:

Selected Collections/ Public Commissions:
2016 Jarfjord Grensevaktstasjon,
Jarfjord/Kirkenes, NO (upcoming) 

From an Amazon.com customer review of a book on
northern Norway in World War II, Fire and Ice —

"… Hunt doesn't take sides. He approaches
the story as a journalist and documentary maker,
rather than as an academic."

The book, as the author notes, was published in Britain
on October 6, 2014.

A synchronicity check of the publication date yields 
a variation on the "Fire and Ice" theme —

____________________________

"Jeg prøver å innføre et narrativ, noe magisk og forførende,
samt erstatte den iboende materialistiske logikken med
esoterisk kosmologi og symbolikk." — Josefine Lyche

See Instantia Crucis and Josefine Lyche's
One-Night-Only exhibition in Oslo Jan. 5.

JOSEFINE LYCHE
ABSOLUTE ALT. VOL. 2
17. april – 23. mai [2015] —

"I kjernen av mitt arbeid er en pågående
utforskning av esoteriske konsepter…."

"At the core of my work is an ongoing
exploration of esoteric concepts…."

See also 
http://issuu.com/tmrk/docs/spritenkunsthall_2015_cut .

Related material:  Hard Core.

This post is a sequel to Pythagorean Selfie (Sept. 30, 2014)
and October Nine: Lyche at Bodø.

Today’s Instagram photos from Josefine Lyche, still at Bodø:

The figure at left appears to be diving. This suggests a review of posts on
the late film director Tony Scott.

(The phrase is from Don DeLillo and Josefine Lyche.)

See “Complex Grid.”

See as well Bill O’Reilly’s remark, “Do not be a coxcomb,”
and an artist‘s self-portrait:

Grid Designer

Click to enlarge.

See also Apollo in this  journal.

“Nine is a very powerful Nordic number.”

— Katherine Neville, who deserves some sort of prize for literature.

— Heidegger, “Hölderlin and the Essence of Poetry,”
translated by Douglas Scott, in Existence and Being  ,
Regnery, 1949

Ben Brantley in The New York Times  today on a Broadway opening:

“As Christopher navigates his way through an increasingly
unfamiliar landscape, both physical and emotional, the arcs
of his adventures are drawn into being.

So are the shards of sensory overload.”

Arc — See a search for Line at Infinity:

Shard — See Shard and Pythagorean Selfie:

Related material:

Here “Lucifer’s temple” refers to Josefine Lyche’s Lynx 760 gallery in Oslo.

“Rarely is a TV show as brilliant and as terrible as Selfie .”

— Kevin Fallon on a new ABC TV show that starts tonight at 8 PM ET

A recent selfie from Josefine Lyche’s Instagram page:

For some remarks related to Lyche’s pentagram, see
Lyche + Mathmagic* and also yesterday’s Michaelmas Mystery.

In today’s previous post, the late Harvey Cohn posed a question that
he said might have been asked by Pythagoras:

“It is an elementary observation that an integral right triangle
has an even area. Suppose the hypotenuse is prime.

Q.  How do we determine from the prime value of the hypotenuse
when the area is divisible by 4, 8, 16, or any higher power of 2?

A.  We use class fields constructed by means of transcendental
functions, of course!”

— From the preface to Introduction to the Construction of Class Fields ,
by Harvey Cohn (Cambridge University Press, 1985)

Illustration:

For a related song, see Prime Suspect (Dec. 13, 2007).

Footnote of 12:14 AM Oct. 1, 2014 —

* That search yields a link to…

This Lyche webpage’s pentagram  indicates an interest in Disney rather than
in Satanism. Other Lyche webpages have been less reassuring.

Related material — Posts tagged Elegantly Packaged.

Recommended reading for Josefine Lyche:

See also Ayn Sof (Jan. 7, 2011).

To thine own selfie be true .

* Title suggested by The Tiffany Puzzle (Dec. 7, 2010).

“. . . the bottom line of the grid is a naked and determined materialism.”

— Rosalind Krauss, quoted by Josefine Lyche

See also http://www.dailymotion.com/video/
x164rmi_britt-ekland-nude-wicker-man-1973_people.

Version from “The Avengers” (2012) —

Version from Josefine Lyche (2009) —

See also this journal on the date that the above Avengers  video was uploaded.

“The yarns of seamen have a direct simplicity, the whole meaning
of which lies within the shell of a cracked nut. But Marlow was not
typical (if his propensity to spin yarns be excepted), and to him the
meaning of an episode was not inside like a kernel but outside,
enveloping the tale which brought it out only as a glow brings out a
haze, in the likeness of one of these misty halos that sometimes
are made visible by the spectral illumination of moonshine.”

— Joseph Conrad in Heart of Darkness

Photo of full moon over Oslo last night by Josefine Lyche:

A scene from my film viewing last night:

Some background (click to enlarge):

Note:

The “I, Frankenstein” scene above should not be interpreted as
a carrying of Martin Gardner through a lyche gate.  Gardner
is, rather, symbolized by the asterisk in the first image from
the above Google search.

See last night’s pentagram photo and a post from May 13, 2012.

That post links to a little-known video of a 1972 film.
A speech from the film was used by Oslo artist Josefine Lyche as a
voice-over in her  2011 golden-ratio video (with pentagrams) that she
exhibited along with a large, wall-filling copy of some of my own work.
The speech (see video below) is clearly nonsense.

The patterns* Lyche copied are not.

“Who are you, anyway?” 

— Question at 00:41 of 15:00, Rainbow Bridge (Part 5 of 9)
at YouTube, addressed to Baron Bingen as “Mr. Rabbit”

* Patterns exhibited again later, apparently without the Lyche pentagram video.
It turns out, by the way, that Lyche created that video by superimposing
audio from the above “Rainbow Bridge” film onto a section of Disney’s 1959
“Donald in Mathmagic Land” (see 7:17 to 8:57 of the 27:33 Disney video).

The title is that of a short story in Dubliners , by James Joyce.
See in that story the phrase “Grey-green eyes.”

See also the tag #greygreengrids on an Oslo artist’s photo today.

Some background for a recent photo
by Josefine Lyche:

The Boys from Uruguay and Witch Ball.

The photo:

Two timely images for Oslo artist Josefine Lyche —

Backstory:  Searches for “Blazing World” and for “Josefine + Lyche + Pink”
in this journal.

The image above is by a man, Brian Stauffer. Related material:

An image from today’s NY Times Sunday Book Review —

This  image is by a non-man, Kelsey Dake.

The first image above, since it combines Lyche’s enthusiasm for the color
pink and (apparently) for fishnet stockings, seems to me the better picture,
despite its prurient nature.

(Updated through 10 AM ET)

“The name Siri is Norwegian, meaning
‘beautiful woman who leads you to victory.'”

I prefer Josefine.

For Oslo artist Josefine Lyche, who sometimes
seems to think my work resembles that of the
deranged Anthony Hopkins in the film of David
Auburn's play "Proof."

See another artist's images of Hopkins-like work
I just discovered online —

"The Proof," by David Colosi.

From the New York Times  obituary of philanthropist
Fred Kavli, who died on Thursday, November 21—

” In 2005, when Mr. Kavli announced that
he planned to start the prizes, he recalled
skiing in the Norwegian mountains as a boy.

‘At times,’ he told a gathering in New York,
‘the whole sky was aflame with the Northern Lights
shifting and dancing across the sky down to the
white-clad mountaintops. In the stillness and
loneliness of the white mountains, I pondered the
universe, the planet, nature and the wonders of
man. I’m still pondering.’ “

“And we may see the meadow in December, icy white
and crystalline….” — Johnny Mercer, lyrics to Lionel
Hampton and Sonny Burke’s “Midnight Sun”

* Lyche

You say goodbye, I say …

A YouTube video uploaded on March 2, 2012—

This  journal on the date of the above video's uploading— March 2, 2012:

"…des carreaux mi-partis de deux couleurs par une ligne diagonale…."

See also Josefine Lyche in Vril Chick and Bowling in Diagon Alley.

Here is the link to an MIT Scratch project from the above comment.

See also a comment by a Random Norwegian Dude:

For related art, see 
"4D AMBASSADOR (HYPERCUBE)" for Steven H. Cullinane
by the Norwegian artist Josefine Lyche.

This post was suggested by today's previous post,
"Bali High Chair," that links to an empty chair award for
evangelical supporters of Mitt Romney, by Bauhaus style,
and by the example of Norwegian  design shown below—

(Happy Frigg's Day to Josefine Lyche.)

Barry Schwabsky in The Nation  on October 16, 2012:

"… sculpture is the most inconvenient of the fine arts.
Tedious physical labor is often involved in its making—
not necessarily the artist’s, but still, someone’s."

Happy Frigg's Day to Josefine Lyche.

"High white noon"

— Phrase of Don DeLillo and Josefine Lyche

"Spellbinding visuals dwarf weak characters."

— Fox News review of Snow White and the Huntsman

For some stronger characters, see Limitless , a 2011 film 
based on a 2001 novel by Alan Glynn, The Dark Fields .

See also St. Andrew's Day 2011 in this journal.

An earlier verse in 1 John—

1 John 1:5 "This then is the message
which we have heard of him,
and declare unto you, that God is light,
and in him is no darkness at all."

Catechism from a different cult—

"Who are you, anyway?" 

— Question at 00:41 of 15:01,
Rainbow Bridge (Part 5 of 9) at YouTube

See also the video accompanying artist Josefine Lyche's version
of the 2×2 case of the diamond theorem.

* Title of a Robert Stone novel

A Parting Glance

(See also Josefine Lyche, Lens Flare.)

"These lowbrow, popular cultural references bring the possibilities
of interpretation down to an everyday level, forcing us to acknowledge
that not every painting that looks like a splatter is necessarily a
homage/anti-homage to Jackson Pollock."

— Stina Högqvist, review of the art of Josefine Lyche

(Not  necessarily for Rainbow People )

About the artist—

(The title is a nod to Peter Woit's recent post "Nothingness Smackdown.")

"To wrestle new mediums to the mat of specificity has been a preoccupation of mine since the inception of October , the magazine I founded in 1976 with Annette Michelson, the first issue of which carried my essay 'Video and Narcissism' which attempts to tie the essence of video to the spectacular nature of mirrors."

— Rosalind Krauss, 2008, introduction to Perpetual Inventory  (MIT Press, 2010)

Related material— The video art and mirror art of Josefine Lyche.

See also Krauss's essay on video in Perpetual Inventory—  "Video: The Aesthetics of Narcissism" (first published as "Video and Narcissism," October , no. 1 (Spring 1976))—

"In The Language of the Self , Lacan begins by characterizing the space of the therapeutic transaction as an extraordinary void created by the silence of the analyst. Into this void the patient projects the monologue of his own recitation, which Lacan calls 'the monumental construct of his narcissism.'"

— and related remarks on October  and the void quoted here March 10 in "Boo Boo Boo."

From "The Talented," a post of April 26, 2011—

And for Josefine Lyche—

Unity in Multiplicity —

Pink  in Wikipedia

(Continued from Big Art , 1 PM EST yesterday)

In related news…

Ralph McQuarrie, who designed the Star Wars  trilogy, died yesterday.

See also Haunting Time.

For Women's History Month—

The Beam of Pink Light

From a post linked to on Lyxe's upload date, Feb. 6, 2012—

“… with primitives the beginnings of art, science, and religion
coalesce in the undifferentiated chaos of the magical mentality….”

— Carl G. Jung, “On the Relation of Analytical Psychology to Poetry,”
     Collected Works, Vol. 15, The Spirit in Man, Art, and Literature,
     Princeton University Press, 1966, excerpted in
    Twentieth Century Theories of Art, edited by James M. Thompson.

See also the NY Lottery for St. Luke's Day, 2011, publication date
of the new edition of Philip K. Dick's VALIS  quoted above.