Log24

Sunday, December 13, 2015

Another Opening, Another Show

Filed under: General — Tags: — m759 @ 10:30 PM

Ben Brantley in tonight's online review of a show that
reportedly opened off-Broadway on Dec. 10, 2015 —

" 'Mattress' has its charms, but they do wear thin. "

See also The New York Times  on Martin Gardner Nov. 30:

A companion image from this  journal
on the "Mattress" opening date —

Images of time and eternity in a 1x4x9 black monolith

Midrash:
Vonnegut Asterisk

Thursday, December 10, 2015

Strange Myths

Filed under: General — m759 @ 4:00 AM

Peter Schjeldahl in the current (Dec. 14) New Yorker :

The phrase “outsider art” was coined in 1972 by a
British art historian, Roger Cardinal, to translate
the sense of “art brut ,” which Dubuffet had
considered rendering as art “raw,” “uncouth,” “crude,”
or “in the rough.” But the term misses the full thrust
of Dubuffet’s elevation of “people uncontaminated
by artistic culture,” as he called them. He aspired not
to make outsiders respectable but to destroy the
complacency of insiders. He disqualified even tribal
and folk artists, and spirited amateurs like Henri
Rousseau, for being captive to one tradition or another.
Art brut  must be sui generis, from the hands and minds
of “unique, hypersensitive men, maniacs, visionaries,
builders of strange myths.”

The literary  art of Fritz Leiber and Stephen King seems to
fit this definition.

Somewhat less brut — the literary art of Plato.

A non-literary illustration:

Images of time and eternity in a 1x4x9 black monolith

  Time as "a moving
   image of eternity.”
       — Plato   

Wednesday, December 9, 2015

Eternity (Not by Calvin Klein*)

Filed under: General — m759 @ 10:18 AM

The two symbols on the monolith

Images of time and eternity in a 1x4x9 black monolith

may, if one likes, be interpreted 
as standing for Damnation Morning 
and for the Windmill of Time.

* "Award-winning fashion icon."
Harvard Graduate School of Design

Saturday, October 10, 2015

The Mirror of Understanding

Filed under: General,Geometry — m759 @ 11:00 PM

From The Snow Queen , by Hans Christian Andersen —

SEVENTH STORY. What Took Place in the Palace of the Snow Queen, and What Happened Afterward

The walls of the palace were of driving snow, and the windows and doors of cutting winds. There were more than a hundred halls there, according as the snow was driven by the winds. The largest was many miles in extent; all were lighted up by the powerful Aurora Borealis, and all were so large, so empty, so icy cold, and so resplendent! Mirth never reigned there; there was never even a little bear-ball, with the storm for music, while the polar bears went on their hindlegs and showed off their steps. Never a little tea-party of white young lady foxes; vast, cold, and empty were the halls of the Snow Queen. The northern-lights shone with such precision that one could tell exactly when they were at their highest or lowest degree of brightness. In the middle of the empty, endless hall of snow, was a frozen lake; it was cracked in a thousand pieces, but each piece was so like the other, that it seemed the work of a cunning artificer. In the middle of this lake sat the Snow Queen when she was at home; and then she said she was sitting in the Mirror of Understanding, and that this was the only one and the best thing in the world.

Little Kay was quite blue, yes nearly black with cold; but he did not observe it, for she had kissed away all feeling of cold from his body, and his heart was a lump of ice. He was dragging along some pointed flat pieces of ice, which he laid together in all possible ways, for he wanted to make something with them; just as we have little flat pieces of wood to make geometrical figures with, called the Chinese Puzzle. Kay made all sorts of figures, the most complicated, for it was an ice-puzzle for the understanding. In his eyes the figures were extraordinarily beautiful, and of the utmost importance; for the bit of glass which was in his eye caused this. He found whole figures which represented a written word; but he never could manage to represent just the word he wanted–that word was "eternity"; and the Snow Queen had said, "If you can discover that figure, you shall be your own master, and I will make you a present of the whole world and a pair of new skates." But he could not find it out.

"I am going now to warm lands," said the Snow Queen. "I must have a look down into the black caldrons." It was the volcanoes Vesuvius and Etna that she meant. "I will just give them a coating of white, for that is as it ought to be; besides, it is good for the oranges and the grapes." And then away she flew, and Kay sat quite alone in the empty halls of ice that were miles long, and looked at the blocks of ice, and thought and thought till his skull was almost cracked. There he sat quite benumbed and motionless; one would have imagined he was frozen to death. ….

Related material:

This journal on March 25, 2013:

Images of time and eternity in a 1x4x9 black monolith

Friday, March 28, 2014

Symbol

Filed under: General — Tags: — m759 @ 12:00 AM

For Josefine Lyche, by fellow artist  Nuno Borges:

Related material:

Recent remarks by Lyche and
a recurring image from this journal.

Monday, March 25, 2013

Brightness at Noon

Filed under: General — Tags: — m759 @ 12:00 PM

The two symbols on the monolith from yesterday

Images of time and eternity in a 1x4x9 black monolith

— may, if one likes, be interpreted as standing for
Damnation Morning and for the Windmill of Time
(alternately, as motifs for a ukara cloth).

The above explanation may help those confused by
knight's-move discourse like that described by
Jemima in The Eiger Sanction .

Sunday, March 24, 2013

Monolith for Maggie…

Filed under: General — m759 @ 12:00 PM

  Images of time and eternity in a 1x4x9 black monolith

And for Deborah Mills

  Related material: The Cloth.

Tuesday, May 27, 2008

Tuesday May 27, 2008

Filed under: General — m759 @ 2:02 PM
For Sydney Pollack
(See last night’s entry.)

“Now, gentlemen,
I give you
our latest acquisition
from the enemy.”

Paths of Glory   

Final scene from 'Paths of Glory'

Note the number, 701,
on the colonel’s collar.

Adapted from Log24,
February 19-22, 2008:

“‘This is the last call for Jaunt-701,’
 the pleasant female voice echoed
 through the Blue Concourse
of 
New York’s
     Port Authority Terminal….

Images of time and eternity in memory of Michelangelo
See 2/22/08,
 4/19/08,
and 5/22/08.

….’What happened?’
one of the scientists shouted….

‘It’s eternity in there,’ he said,
and dropped dead….”


— Stephen King, “The Jaunt

Die Liebe nahm kein Ende mehr.

Thursday, May 22, 2008

Thursday May 22, 2008

Filed under: General,Geometry — m759 @ 9:00 AM
The Undertaking:
An Exercise in
Conceptual Art

I Ching hexagram 54: The Marrying Maiden

Hexagram 54:
THE JUDGMENT

Undertakings bring misfortune.
Nothing that would further.

The image “http://www.log24.com/log/pix08/080522-Irelandslide1.jpg” cannot be displayed, because it contains errors.

Brian O’Doherty, an Irish-born artist,
before the [Tuesday, May 20] wake
of his alter ego* ‘Patrick Ireland’
on the grounds of the
Irish Museum of Modern Art.”
New York Times, May 22, 2008    

THE IMAGE

Thus the superior man
understands the transitory
in the light of
the eternity of the end.

Another version of
the image:

Images of time and eternity in memory of Michelangelo
See 2/22/08
and  4/19/08.


Related material:

Michael Kimmelman in today’s New York Times

“An essay from the ’70s by Mr. O’Doherty, ‘Inside the White Cube,’ became famous in art circles for describing how modern art interacted with the gallery spaces in which it was shown.”

Brian O’Doherty, “Inside the White Cube,” 1976 Artforum essays on the gallery space and 20th-century art:

“The history of modernism is intimately framed by that space. Or rather the history of modern art can be correlated with changes in that space and in the way we see it. We have now reached a point where we see not the art but the space first…. An image comes to mind of a white, ideal space that, more than any single picture, may be the archetypal image of 20th-century art.”

An archetypal image

THE SPACE:

The Eightfold Cube: The Beauty of Klein's Simple Group

A non-archetypal image

THE ART:

Jack in the Box, by Natasha Wescoat

Natasha Wescoat, 2004
See also Epiphany 2008:

How the eightfold cube works

“Nothing that would further.”
— Hexagram 54

Lear’s fool:

 …. Now thou art an 0
without a figure. I am better
than thou art, now. I am a fool;
thou art nothing….

“…. in the last mystery of all the single figure of what is called the World goes joyously dancing in a state beyond moon and sun, and the number of the Trumps is done.  Save only for that which has no number and is called the Fool, because mankind finds it folly till it is known.  It is sovereign or it is nothing, and if it is nothing then man was born dead.”

The Greater Trumps,
by Charles Williams, Ch. 14

* For a different, Jungian, alter ego, see Irish Fourplay (Jan. 31, 2003) and “Outside the Box,” a New York Times review of O’Doherty’s art (featuring a St. Bridget’s Cross) by Bridget L. Goodbody dated April 25, 2007. See also Log24 on that date.

Saturday, April 19, 2008

Saturday April 19, 2008

Filed under: General — m759 @ 4:30 AM
Shine On

(Continued from
April 21, 2007)

From “Today in History,”
by the Associated Press–

April 19, 2008–
“On this date….  
Ten years ago….
Mexican poet-philosopher
Octavio Paz died at age 84.”

“Mexico is a solar country–
but it is also a black country,
a dark country. This duality
of Mexico has preoccupied
me since I was a child.”

Octavio Paz, as quoted
   by Homero Aridjis

“And the light shineth in
darkness; and the darkness
comprehended it not.”
— John 1:5  

Images of time and eternity in memory of Michelangelo

Ya la ronda
  llega aquí

Friday, April 11, 2008

Friday April 11, 2008

Filed under: General — m759 @ 12:48 AM

.- El Arzobispo Emérito de México, Cardenal Ernesto Corripio Ahumada, falleció esta mañana a las 05:30 a.m., en su domicilio….

of literary “signature passages” —

Don Quixote -- 'wasteland and crossroad places'

Images of time and eternity in memory of Michelangelo

Ya la ronda
  llega aquí

Friday, February 22, 2008

Friday February 22, 2008

Filed under: General — m759 @ 11:00 AM
Philosophers Ponder

“Philosophers ponder
the idea of identity:
what it is to give
something a name
on Monday
and have it respond
to that name
   on Friday….”

— Bernard Holland in
   The New York Times
  
Monday, May 20, 1996

Associated Press,
Today in History,
Monday, Feb. 18, 2008:

On this date:

In 1564,
artist Michelangelo
died in Rome.

Images of time and eternity in a 1x4x9 black monolith

Non ha l’ottimo artista in se alcun concetto,
Ch’un marmo solo in se non circoscriva
Col suo soverchio; e solo a quello arriva
La man che ubbidisce all’intelletto.
(The best artist has in himself no concept
in a single block of marble not contained;
only the hand obeying mind will find it.)
— Michelangelo, as quoted
by Erwin Panofsky in

Idea: A Concept
in Art Theory

Todo lo sé por el lucero puro
que brilla en la diadema de la Muerte

— Rubén Darío

Related material:
Yesterday’s entry
and Anthony Lane
in this week’s
New Yorker:

“… the whole of ‘Jumper’ comes across as vastly incurious about the cultures at its command. When David takes Millie (Rachel Bilson), a school friend from Michigan, for a dirty day out in Rome, she stands in awe before the Colosseum. ‘This place is amazing,’ she declares. ‘It’s so cool.’ I wasn’t expecting Ernst Gombrich….”

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