Text:
"So excuse me forgetting
But these things I do
You see, I've forgotten
If they're green or they're blue"
See also . . .
Text:
"So excuse me forgetting
But these things I do
You see, I've forgotten
If they're green or they're blue"
See also . . .
Josefine Lyche, sketch for a sculpture: "Truth, Knowledge, Belief."
The sketch itself appears to be in a transparent plastic envelope,
and the triangle figure from Finnegans Wake is apparently from
the envelope, not from the sketch proper.
See also Epistemology in Norway.
Last night's 11:59 PM post linked to some news from Slovenia —
"Ulay, the performance artist whose provocative collaborations with
Marina Abramovic often led them to push each other to extremes,
died on Monday at his home in Ljubljana, Slovenia. He was 76."
— Alex Marshall in The New York Times
Ljubljana last appeared in this journal on August 10, 2011, in a post
titled "Objectivity."
A number related to that concept —
Less objectively —
Previously in Log24: Trudeau and the Story Theory of Truth.
More-recent remarks by Trudeau —
Bible Stories for Skeptics
Review
About the Author
Product details |
Log24 on the above publication date — July 6, 2014 —
The diamond from the Chi-rho page
of the Book of Kells —
The diamond at the center of Euclid's
Proposition I, according to James Joyce
(i.e., the Diamond in the Mandorla) —
“He pointed at the football
on his desk. ‘There it is.’”
– Glory Road
"Nuvoletta in her lightdress, spunn of sisteen shimmers,
was looking down on them, leaning over the bannistars….
Fuvver, that Skand, he was up in Norwood's sokaparlour…."
— Finnegans Wake
To counteract the darkness of today's 2:01 AM entry—
Part I— Artist Josefine Lyche describes her methods—
A— "Internet and hard work"
B— "Books, both fiction and theory"
Part II— I, too, now rely mostly on the Internet for material. However, like Lyche, I have Plan B— books.
Where I happen to be now, there are piles of them. Here is the pile nearest to hand, from top to bottom.
(The books are in no particular order, and put in the same pile for no particular reason.)
Lyche probably could easily make her own list of what Joyce might call "sisteen shimmers."
Now Lens
murphy plant, murphy grow, a maryamyria- | 10 | ||
meliamurphies, in the lazily eye of his lapis, | 11 | ||
12 | |||
13 | |||
14 | |||
Uteralterance or | Vieus Von DVbLIn, 'twas one of dozedeams | 15 | |
the Interplay of | a darkies ding in dewood) the Turnpike under | 16 | |
Bones in the | the Great Ulm (with Mearingstone in Fore | 17 | |
Womb. | ground). 1 Given now ann linch you take enn | 18 | |
all. Allow me! And, heaving alljawbreakical | 19 | ||
expressions out of old Sare Isaac's 2 universal | 20 | ||
The Vortex. | of specious aristmystic unsaid, A is for Anna | 21 | |
Spring of Sprung | like L is for liv. Aha hahah, Ante Ann you're | 22 | |
Verse. The Ver- | apt to ape aunty annalive! Dawn gives rise. | 23 | |
tex. | Lo, lo, lives love! Eve takes fall. La, la, laugh | 24 | |
leaves alass! Aiaiaiai, Antiann, we're last to | 25 | ||
the lost, Loulou! Tis perfect. Now (lens | 26 |
— Finnegans Wake, Book II,
Episode 2, page 293Related material:
Fours and 1132
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