* Line from a poem, as interpreted by Cailee Spaeny and Josefine Lyche.
… According to a comment on the latest Instagram
post of Oslo artist Josefine Lyche —
🏰💎.
See also "Castle Rock" in this journal.
(Where Entertainment Is God , continued)
Yesterday's evening numbers in the New York Lottery
were 007 and 3856. You are free to supply your own
interpretation of the former. The latter may, if you like,
be interpreted as post 3856, The Illuminati Stone .
Some context:
(Click for a larger, clearer image.)
Happy birthday to Amy Adams
(actress from Castle Rock, Colorado)
"The metaphor for metamorphosis…" —Endgame
Related material:
"The idea that reality consists of multiple 'levels,' each mirroring all others in some fashion, is a diagnostic feature of premodern cosmologies in general…."
— Scholarly paper on "Correlative Cosmologies"
"How many layers are there to human thought? Sometimes in art, just as in people’s conversations, we’re aware of only one at a time. On other occasions, though, we realize just how many layers can be in simultaneous action, and we’re given a sense of both revelation and mystery. When a choreographer responds to music— when one artist reacts in detail to another— the sensation of multilayering can affect us as an insight not just into dance but into the regions of the mind.
The triple bill by the Mark Morris Dance Group at the Rose Theater, presented on Thursday night as part of the Mostly Mozart Festival, moves from simple to complex, and from plain entertainment to an astonishingly beautiful and intricate demonstration of genius….
'Socrates' (2010), which closed the program, is a calm and objective work that has no special dance excitement and whips up no vehement audience reaction. Its beauty, however, is extraordinary. It’s possible to trace in it terms of arithmetic, geometry, dualism, epistemology and ontology, and it acts as a demonstration of art and as a reflection of life, philosophy and death."
— Alastair Macaulay in today's New York Times
SOCRATES: Let us turn off the road a little….
— Libretto for Mark Morris's 'Socrates'
See also Amy Adams's new film "On the Road"
in a story from Aug. 5, 2010 as well as a different story,
Eightgate, from that same date:
The above reference to "metamorphosis" may be seen,
if one likes, as a reference to the group of all projectivities
and correlations in the finite projective space PG(3,2)—
a group isomorphic to the 40,320 transformations of S8
acting on the above eight-part figure.
See also The Moore Correspondence from last year
on today's date, August 20.
For some background, see a book by Peter J. Cameron,
who has figured in several recent Log24 posts—
"At the still point, there the dance is."
— Four Quartets
Jeremy Bernstein on jazz composer Al Sears—
"One of his more successful songs was a jive tune called Castle Rock. I asked him what the title meant."
See also Claves Regni Caelorum here on the Feast of St. Michael and All Angels last year.
The “inarticulate” image from last night’s
“Raid on the Inarticulate” —
This is, in a sense, an island of nothing in a sea of being.
Contrast with an opposite image in Wittgenstein’s “Diktat für Schlick”:
From The Voices of Wittgenstein: The Vienna Circle , ed. by Gordon Baker, first published by Routledge in 2003. From Ch. 1, “Dictation for Schlick” — p. 69 — |
“Ripples spread from castle rock ….” — “Endgame,” 1986
For Pope Benedict XVI and the late Al Sears
Today is the Pope's birthday. Another date of interest—
Al Sears, composer of "Castle Rock," is said to have died at 80 on March 23, 1990. If Sears were a saint, March 23 would be his saint's day— his dies natalis (day of birth into heaven).
For Al—
This morning's post linked to a picture of Alicia Keys's hands at a piano keyboard. Some background from March 23 this year— "Well, she was just 17" and The Heroic Finger.
For the Pope—
Click, as the instructions say,
to look inside.
Today's mid-day NY lottery number was 407. See April 7 in this journal.
The sequel—Today's evening NY lottery number was 930. See Castle Rock.
"The film-within-the-film represents no movie ever made by anyone at any time."
— Vincent Canby on a Blake Edwards production
Dabo claves regni caelorum. By silent shore
Ripples spread from castle rock. The metaphor
For metamorphosis no keys unlock.
The next novel starring
Robert Langdon, Harvard author
of "the renowned collegiate
texbook Religious Iconology"
is said to be titled
The Solomon Key.
Related material–
The Harvard Crimson online:
Fishburne To Receive Honors at Cultural Rhythms Acclaimed actor and humanitarian chosen as the Harvard Foundation's Artist of the Year By DORIS A. HERNANDEZ Friday, February 16, 2007 9:37 PM Tony and Emmy Award-winning actor Laurence Fishburne will take the stage later this month as the 2007 Artist of the Year during the 22nd annual Cultural Rhythms festival, the Harvard Foundation for Intercultural and Race Relations announced Friday afternoon. |
Fishburne
as Morpheus
"Metaphor for Morphean morphosis,
Dreams that wake, transform, and die,
Calm and lucid this psychosis,
Joyce's nightmare in Escher's eye….
Dabo claves regni caelorum. By silent shore
Ripples spread from castle rock. The metaphor
For metamorphosis no keys unlock."
— Steven H. Cullinane,
November 7, 1986,
"Endgame"
More on metamorphosis–
Cat's Yarn
(Log24, June 20, 2006):
"The end is where
we start from."
plus.maths.org
and
Garfield 2003-06-24
See also:
Zen Koan
and
Blue Dream.
Update of 5:24 PM
Feb. 18, 2007:
A Xanga footprint from France
this afternoon (3:47 PM EST)
indicates that someone there
may be interested in the above
poem's "claves regni caelorum."
The visitor from France viewed
"Windmills" (Nov. 15, 2005).
Material related to that entry
may be found in various places
at Log24.com. See particularly
"Shine On, Hermann Weyl," and
entries for Women's History
Month last year that include
"Christ at the Lapin Agile."
The Dark Door
From Log24.net, Dec. 22, 2003:
“One, two, three, and we began to sing, our voices high and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood close together, near the dark door.
Good King Wenceslas looked out
On the Feast of Stephen.”
— Dylan Thomas,
A Child’s Christmas in Wales
“The day after Christmas
turned out to be a living nightmare.”
— Arthur C. Clarke, Dec. 27, 2004
Adapted from the logo of the
Arthur C. Clarke Foundation:
Dabo claves regni caelorum. By silent shore
Ripples spread from castle rock. The metaphor
For metamorphosis no keys unlock.
— “Endgame,” Steven H. Cullinane,
November 7, 1986
16 Years Ago Today:
Endgame
Metaphor for Morphean morphosis,
Dreams that wake, transform, and die,
Calm and lucid this psychosis,
Joyce’s nightmare in Escher’s eye.
At the end there is a city
With cathedral bright and sane
Facing inward from the pity
On the endgame’s wavy plane.
Black the knight upon that ocean,
Bright the sun upon the king.
Dark the queen that stands beside him,
White his castle, threatening.
In the shadows’ see a bishop
Guards his queen of love and hate.
Another move, the game will be up;
Take the queen, her knight will mate.
The knight said “Move, be done. It’s over.”
“Love and resign,” the bishop cried.
“When it’s done you’ll stand forever
By the darkest beauty’s side.”
Dabo claves regni caelorum. By silent shore
Ripples spread from castle rock. The metaphor
For metamorphosis no keys unlock.
— Steven H. Cullinane, November 7, 1986
Accompaniment from
“The Thomas Crown Affair”:
Michel Legrand, “Les Moulins de Mon Coeur”
Lyrics by Eddy Marnay:
Comme une pierre que l’on jette
Dans l’eau vive d’un ruisseau
Et qui laisse derrière elle
Des milliers de ronds dans l’eau….
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