Log24

Tuesday, August 30, 2016

The Eightfold Cube in Oslo

Filed under: General,Geometry — Tags: — m759 @ 8:04 PM

A KUNSTforum.as article online today (translation by Google) —

The eightfold cube at the Vigeland Museum in Oslo

Update of Sept. 7, 2016: The corrections have been made,
except for the misspelling "Cullinan," which was caused by 
Google translation, not by KUNSTforum.

Thursday, March 17, 2016

On the Eightfold Cube

Filed under: General,Geometry — Tags: — m759 @ 12:00 AM

The following page quotes "Raiders of the Lost Crucible,"
a Log24 post from Halloween 2015.

Discussion of Cullinane's eightfold cube as exhibited by Josefine Lyche at the Vigeland Museum in Oslo

From KUNSTforum.as, a Norwegian art quarterly, issue no. 1 of 2016.

Related posts — See Lyche Eightfold.

Friday, October 9, 2015

Eightfold Cube in Oslo

Filed under: General,Geometry — Tags: , — m759 @ 2:00 PM

An eightfold cube appears in this detail 
of a photo by Josefine Lyche of her
installation "4D Ambassador" at the 
Norwegian Sculpture Biennial 2015

Sculpture by Josefine Lyche of Cullinane's eightfold cube at Vigeland Museum in Oslo

(Detail from private Instagram photo.)

Catalog description of installation —

Google Translate version —

In a small bedroom to Foredragssalen populate
Josefine Lyche exhibition with a group sculptures
that are part of the work group 4D Ambassador
(2014-2015). Together they form an installation
where she uses light to amplify the feeling of
stepping into a new dimension, for which the title
suggests, this "ambassadors" for a dimension we
normally do not have access to. "Ambassadors"
physical forms presents nonphysical phenomena.
Lyches works have in recent years been placed
in something one might call an "esoteric direction"
in contemporary art, and defines itself this
sculpture group humorous as "glam-minimalist."
She has in many of his works returned to basic
geometric shapes, with hints to the occult,
"new space-age", mathematics and where
everything in between.

See also Lyche + "4D Ambassador" in this journal and
her website page with a 2012 version of that title.

Thursday, June 13, 2019

The Reality Blocks

Filed under: General — Tags: — m759 @ 9:24 PM

The new Log24 tag "Eightfold Metaphysics" used in the previous post
suggests a review of posts that were tagged "The Reality Blocks" on May 24.

Then there is, of course, the May 24 death of Murray Gell-Mann, who
hijacked from Buddhism the phrase "eightfold way."

See Gell-Mann in this journal and May 24, 2003.

Seeing the Seing

Filed under: General — Tags: , , , — m759 @ 2:30 PM

The phrase "experimental metaphysics" appeared in Peter Woit's weblog on June 11.
Google reveals that . . .

" 'experimental metaphysics' is a term coined by Abner Shimony …."

Shimony reportedly died on August 8, 2015.  Also on that date —

Sunday, March 10, 2019

Vocabulary for SXSW:

Filed under: General — Tags: — m759 @ 1:00 PM

Foursquare, Inscape, Subway 

Foursquare —

Inscape —

Subway —

Art installation, "Crystal Cult" by Josefine Lyche, at an Oslo subway station —

See also today's previous post.

Review

Filed under: General — Tags: — m759 @ 12:08 PM

Related material —

Nietzsche, 'law in becoming' and 'play in necessity'

Nietzsche on Heraclitus— 'play in necessity' and 'law in becoming'— illustrated.

Wednesday, June 7, 2017

Three Things at Once

Filed under: General,Geometry — Tags: — m759 @ 1:28 PM

Rosalind Krauss in 1979

Nanavira Thera in 1959

Cambridge University Press in 1999 —

See also Cube Bricks.

Saturday, March 4, 2017

At 74

Filed under: General,Geometry — m759 @ 12:00 AM

New York Times  headline about a death
on Friday, March 3, 2017 —

René Préval, President of Haiti
in 2010 Quake, Dies at 74

See also

This way to the egress.

Sunday, November 27, 2016

A Machine That Will Fit

Filed under: General,Geometry — Tags: , — m759 @ 8:00 AM

Or:  Notes for the Metaphysical Club

Northrop Frye on Wallace Stevens:

"He… stands in contrast to the the dualistic
approach of Eliot, who so often speaks of poetry
as though it were an emotional and sensational
soul looking for a 'correlative' skeleton of
thought to be provided by a philosopher, a
Cartesian ghost trying to find a machine that
will fit."

Ralph Waldo Emerson on "vacant and vain" knowledge:

"The new position of the advancing man has all
the powers of the old, yet has them all new. It
carries in its bosom all the energies of the past,
yet is itself an exhalation of the morning. I cast
away in this new moment all my once hoarded
knowledge, as vacant and vain." 

Harold Bloom on Emerson:

"Emerson may not have invented the American
Sublime, yet he took eternal possession of it." 

Wallace Stevens on the American Sublime:

"And the sublime comes down
To the spirit itself,

The spirit and space,
The empty spirit
In vacant space."

A founding member of the Metaphysical Club:

See also the eightfold cube.

Thursday, November 3, 2016

Triple Cross

Filed under: General,Geometry — Tags: , , — m759 @ 1:30 PM

(Continued See the title in this journal, as well as Cube Bricks.)

Cube Bricks 1984 —

An Approach to Symmetric Generation of the Simple Group of Order 168
Related material —

Dirac and Geometry in this journal,
Kummer's Quartic Surface in this journal,
Nanavira Thera in this journal, and
The Razor's Edge  and Nanavira Thera.

See as well Bill Murray's 1984 film "The Razor's Edge"

Movie poster from 1984 —

"A thin line separates
love from hate,
success from failure,
life from death."

Three other dualities, from Nanavira Thera in 1959 —

"I find that there are, in every situation,
three independent dualities…."

(Click to enlarge.)

Sunday, April 17, 2016

The Thing and I

Filed under: General,Geometry — m759 @ 2:01 PM

The New York Times  philosophy column yesterday —

The Times's philosophy column "The Stone" is named after the legendary
"philosophers' stone." The column's name, and the title of its essay yesterday
"Is that even a thing?" suggest a review of the eightfold cube  as "The object
most closely resembling a 'philosophers' stone' that I know of" (Page 51 of
the current issue of a Norwegian art quarterly, KUNSTforum.as).

The eightfold cube —

Definition of Epiphany

From James Joyce’s Stephen Hero , first published posthumously in 1944. The excerpt below is from a version edited by John J. Slocum and Herbert Cahoon (New York: New Directions Press, 1959).

Three Times:

… By an epiphany he meant a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind itself. He believed that it was for the man of letters to record these epiphanies with extreme care, seeing that they themselves are the most delicate and evanescent of moments. He told Cranly that the clock of the Ballast Office was capable of an epiphany. Cranly questioned the inscrutable dial of the Ballast Office with his no less inscrutable countenance:

— Yes, said Stephen. I will pass it time after time, allude to it, refer to it, catch a glimpse of it. It is only an item in the catalogue of Dublin’s street furniture. Then all at once I see it and I know at once what it is: epiphany.

— What?

— Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised. It is just in this epiphany that I find the third, the supreme quality of beauty.

— Yes? said Cranly absently.

— No esthetic theory, pursued Stephen relentlessly, is of any value which investigates with the aid of the lantern of tradition. What we symbolise in black the Chinaman may symbolise in yellow: each has his own tradition. Greek beauty laughs at Coptic beauty and the American Indian derides them both. It is almost impossible to reconcile all tradition whereas it is by no means impossible to find the justification of every form of beauty which has ever been adored on the earth by an examination into the mechanism of esthetic apprehension whether it be dressed in red, white, yellow or black. We have no reason for thinking that the Chinaman has a different system of digestion from that which we have though our diets are quite dissimilar. The apprehensive faculty must be scrutinised in action.

— Yes …

— You know what Aquinas says: The three things requisite for beauty are, integrity, a wholeness, symmetry and radiance. Some day I will expand that sentence into a treatise. Consider the performance of your own mind when confronted with any object, hypothetically beautiful. Your mind to apprehend that object divides the entire universe into two parts, the object, and the void which is not the object. To apprehend it you must lift it away from everything else: and then you perceive that it is one integral thing, that is a  thing. You recognise its integrity. Isn’t that so?

— And then?

— That is the first quality of beauty: it is declared in a simple sudden synthesis of the faculty which apprehends. What then? Analysis then. The mind considers the object in whole and in part, in relation to itself and to other objects, examines the balance of its parts, contemplates the form of the object, traverses every cranny of the structure. So the mind receives the impression of the symmetry of the object. The mind recognises that the object is in the strict sense of the word, a thing , a definitely constituted entity. You see?

— Let us turn back, said Cranly.

They had reached the corner of Grafton St and as the footpath was overcrowded they turned back northwards. Cranly had an inclination to watch the antics of a drunkard who had been ejected from a bar in Suffolk St but Stephen took his arm summarily and led him away.

— Now for the third quality. For a long time I couldn’t make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas . After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one  integral thing, then we recognise that it is an organised composite structure, a thing  in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that  thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.

Having finished his argument Stephen walked on in silence. He felt Cranly’s hostility and he accused himself of having cheapened the eternal images of beauty. For the first time, too, he felt slightly awkward in his friend’s company and to restore a mood of flippant familiarity he glanced up at the clock of the Ballast Office and smiled:

— It has not epiphanised yet, he said.

Tuesday, March 15, 2016

15 Projective Points Revisited

Filed under: General,Geometry — Tags: — m759 @ 11:59 PM

A March 10, 2016, Facebook post from KUNSTforum.as,
a Norwegian art quarterly —

Article on Josefine Lyche's Vigeland Museum exhibit, which included Cullinane's eightfold cube

Click image above for a view of pages 50-51 of a new KUNSTforum 
article showing two photos relevant to my own work — those labeled
"after S. H. Cullinane."

(The phrase "den pensjonerte Oxford-professoren Stephen H. Cullinane"
on page 51 is almost completely wrong. I have never been a professor,
I was never at Oxford, and my first name is Steven, not Stephen.)

For some background on the 15 projective points at the lower left of
the above March 10 Facebook post, see "The Smallest Projective Space."

Thursday, December 3, 2015

Design Wars

Filed under: General,Geometry — Tags: — m759 @ 4:04 PM

"… if your requirement for success is to be like Steve Jobs,
good luck to you." 

— "Transformation at Yahoo Foiled by Marissa Mayer’s 
Inability to Bet the Farm," New York Times  online yesterday

"Design is how it works." — Steve Jobs

Related material:  Posts tagged Ambassadors.
 

Sculpture by Josefine Lyche of Cullinane's eightfold cube at Vigeland Museum in Oslo

Tuesday, February 10, 2015

In Memoriam…

Filed under: General,Geometry — Tags: — m759 @ 12:25 PM

industrial designer Kenji Ekuan —

Eightfold Design.

The adjective "eightfold," intrinsic to Buddhist
thought, was hijacked by Gell-Mann and later 
by the Mathematical Sciences Research Institute
(MSRI, pronounced "misery").  The adjective's
application to a 2x2x2 cube consisting of eight
subcubes, "the eightfold cube," is not intended to
have either Buddhist or Semitic overtones.  
It is pure mathematics.

Monday, September 30, 2013

A Line for Frank

Filed under: General,Geometry — Tags: — m759 @ 12:00 PM

(Continued from High White Noon
Finishing Up at Noon, and A New York Jew.)

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in "Starting Out in the Evening"

Below: Frank Langella and Johnny Depp in "The Ninth Gate"

"Not by the hair on your chinny-chin-chin."

IMAGE- Author's shirt with a Dharma Logo from 'Lost'

Above: Detail from a Wikipedia photo.

For the logo, see Lostpedia.

For some backstory, see Noether.

Those seeking an escape from the eightfold nightmare
represented by the Dharma logo above may consult
the remarks of Heisenberg (the real one, not the
Breaking Bad  version) to the Bavarian Academy
of Fine Arts.

Those who prefer Plato's cave to his geometry are
free to continue their Morphean adventures.

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