Log24

Monday, July 16, 2012

Finishing Up at Noon

Filed under: General — m759 @ 12:00 PM

(Continued.)

Jaws for Frank

Part I: October 8, 2010

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in
"Starting Out in the Evening"

Right: Johnny Depp in
"The Ninth Gate"

http://www.log24.com/log/pix10B/101008-NinthGate.jpg

Part II: Noon Today

IMAGE- Moby Dick bites boat 'in twain' 

"The rest is the madness of art."

See also Patterns in the Carpets
and Saturday's Shadows.

Monday, October 10, 2011

Finishing Up at Noon

Filed under: General — m759 @ 12:00 PM

(Continued)

From Winning

"In the desert you can remember your name,
'Cause there ain't no one for to give you no pain."

America

Thursday, October 6, 2011

Finishing Up at Noon

Filed under: General — Tags: — m759 @ 12:00 PM

(Continued)

Click to enlarge

http://www.log24.com/log/pix11C/111006-TriptychForSchwartz-500w.jpg
A Triptych for Schwartz  

Sunday, April 10, 2011

Finishing Up at Noon

Filed under: General — Tags: — m759 @ 12:00 PM

From last October—

Friday, October 8, 2010

m759 @ 12:00 PM
 

Starting Out in the Evening
… and Finishing Up at Noon

This post was suggested by last evening's post on mathematics and narrative and by Michiko Kakutani on Vargas Llosa in this morning's New York Times .

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in
"Starting Out in the Evening"

Right: Johnny Depp in
"The Ninth Gate"

http://www.log24.com/log/pix10B/101008-NinthGate.jpg

"One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage."

– "Is Fiction the Art of Lying?"* by Mario Vargas Llosa,
    New York Times  essay of October 7, 1984

* The Web version's title has a misprint—
   "living" instead of "lying."

"You've got to pick up every stitch…"

A stitch in time…

http://www.log24.com/log/pix11/110410-BeastFavicon.jpg

Related material—

    This journal on April 8
http://www.log24.com/log/pix11/110408-HopkinsAsExorcist.jpg

See also "Putting Mental Health on the Map at Harvard"—

Harvard Crimson , Friday, April 8, 2011, 2:09 AM—

They're outside the Science Center with their signs, their cheer, and their smiles. They've been introducing themselves over House lists, and they want you to ask questions. They're here for you. They're the Student Mental Heath Liaisons.

Harvard's SMHL crewthey pronounce it smilehave recently launched a new website and recruited more members in their effort to foster an informed and understanding environment on campus….

Mental Health Services, SMHL said, are not meant for "students who are really 'crazy.'" Everyone is entitled to a little help smiling.

http://www.log24.com/log/pix11/110410-DrLecter.jpg

Thursday, December 19, 2013

Review

Filed under: General — Tags: — m759 @ 12:00 PM

For Josefine Lyche, artist of High White Noon —

Thursday, October 10, 2013

Mr. Noon

Filed under: Uncategorized — m759 @ 12:00 PM 

Excerpt from 'Mr. Noon,' by D.H. Lawrence

See also "Finishing Up at Noon," "S in a Diamond," and "Beyond: Two Souls."

 

 

Thursday, October 10, 2013

Mr. Noon

Filed under: General — Tags: — m759 @ 12:00 PM

Excerpt from 'Mr. Noon,' by D.H. Lawrence

See also "Finishing Up at Noon," "S in a Diamond," and "Beyond: Two Souls."

Monday, September 30, 2013

A Line for Frank

Filed under: General,Geometry — Tags: — m759 @ 12:00 PM

(Continued from High White Noon
Finishing Up at Noon, and A New York Jew.)

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in "Starting Out in the Evening"

Below: Frank Langella and Johnny Depp in "The Ninth Gate"

"Not by the hair on your chinny-chin-chin."

IMAGE- Author's shirt with a Dharma Logo from 'Lost'

Above: Detail from a Wikipedia photo.

For the logo, see Lostpedia.

For some backstory, see Noether.

Those seeking an escape from the eightfold nightmare
represented by the Dharma logo above may consult
the remarks of Heisenberg (the real one, not the
Breaking Bad  version) to the Bavarian Academy
of Fine Arts.

Those who prefer Plato's cave to his geometry are
free to continue their Morphean adventures.

Friday, October 21, 2011

Starting Out in the Evening*

Filed under: General — m759 @ 12:00 PM

Book title. For some commentary, see the title in this journal.

As for the phrase it has often been paired with in this journal— "Finishing Up at Noon"—

American Mathematical Society today—

John G. Hocking (1920-2011)
Friday October 21st 2011

Hocking, a member of the faculty at Michigan State University from 1951 to 1987, died March 23 at the age of 90. He received his PhD from the University of Michigan in 1953 under the direction of Gail S. Young. Hocking and Young wrote a text, Topology , that was widely used. Hocking was an AMS member since 1951. Read more about Hocking in a blog posted by John Golden, a former student.

For a gloss on the meaning of "Up" above, see a Log24 post from the date of Hocking's death—

http://www.log24.com/log/pix11C/111021-TaylorNYT.jpg

* See also yesterday  evening.

Friday, April 8, 2011

Windows

Filed under: General — m759 @ 12:00 PM

Roberta Smith in today's New York Times

"… the argument that painting may ultimately be about
little more than the communication of some quality of
light and space, however abstract or indirect."

— Review of "Rooms With a View" at the Met

Lowry —

http://www.log24.com/log/pix10B/101101-LowryWindow.jpg

Malcolm Lowry, author of Under the Volcano

Hollywood —

http://www.log24.com/log/pix11/110408-HopkinsAsExorcist.jpg

Related material —

Friday, October 8, 2010

m759 @ 12:00 PM
 

Starting Out in the Evening
… and Finishing Up at Noon

This post was suggested by last evening's post on mathematics and narrative and by Michiko Kakutani on Vargas Llosa in this morning's New York Times .

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in
"Starting Out in the Evening"

Right: Johnny Depp in
"The Ninth Gate"

http://www.log24.com/log/pix10B/101008-NinthGate.jpg

"One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage."

– "Is Fiction the Art of Lying?"* by Mario Vargas Llosa,
    New York Times  essay of October 7, 1984

* The Web version's title has a misprint—
   "living" instead of "lying."

"You've got to pick up every stitch…"

Tuesday, April 5, 2011

For Ned*

Filed under: General — m759 @ 12:00 PM

(A sequel to last night's "For Taylor")

On Joan Tewkesbury, who wrote the script for the 1975 film "Nashville"—

She urges writers to continue to generate new ideas
and new material. "Keep writing. The hardest thing
is to sell one script and not have another to follow it with."

One script— Yesterday's link titled "An Ordinary Evening in Tennessee"

Another— "A Point of Central Arrival"

Related material from last October—

Friday, October 8, 2010

m759 @ 12:00 PM
 

Starting Out in the Evening
… and Finishing Up at Noon

This post was suggested by last evening's post on mathematics and narrative and by Michiko Kakutani on Vargas Llosa in this morning's New York Times .

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in
"Starting Out in the Evening"

Right: Johnny Depp in
"The Ninth Gate"

http://www.log24.com/log/pix10B/101008-NinthGate.jpg

"One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage."

– "Is Fiction the Art of Lying?"* by Mario Vargas Llosa,
    New York Times  essay of October 7, 1984

* The Web version's title has a misprint—
   "living" instead of "lying."

"You've got to pick up every stitch…"

* A former governor of Tennessee who died at 80 yesterday in Nashville

Saturday, January 8, 2011

True Grid (continued)

Filed under: General,Geometry — Tags: , — m759 @ 12:00 PM

"Rosetta Stone" as a Metaphor
  in Mathematical Narratives

For some backgound, see Mathematics and Narrative from 2005.

Yesterday's posts on mathematics and narrative discussed some properties
of the 3×3 grid (also known as the ninefold square ).

For some other properties, see (at the college-undergraduate, or MAA, level)–
Ezra Brown, 2001, "Magic Squares, Finite Planes, and Points of Inflection on Elliptic Curves."

His conclusion:

When you are done, you will be able to arrange the points into [a] 3×3 magic square,
which resembles the one in the book [5] I was reading on elliptic curves….

This result ties together threads from finite geometry, recreational mathematics,
combinatorics, calculus, algebra, and number theory. Quite a feat!

5. Viktor Prasolov and Yuri Solvyev, Elliptic Functions and Elliptic Integrals ,
    American Mathematical Society, 1997.

Brown fails to give an important clue to the historical background of this topic —
the word Hessian . (See, however, this word in the book on elliptic functions that he cites.)

Investigation of this word yields a related essay at the graduate-student, or AMS, level–
Igor Dolgachev and Michela Artebani, 2009, "The Hesse Pencil of Plane Cubic Curves ."

From the Dolgachev-Artebani introduction–

In this paper we discuss some old and new results about the widely known Hesse
configuration
  of 9 points and 12 lines in the projective plane P2(k ): each point lies
on 4 lines and each line contains 3 points, giving an abstract configuration (123, 94).

PlanetMath.org on the Hesse configuration

http://www.log24.com/log/pix11/110108-PlanetMath.jpg

A picture of the Hesse configuration–

The image “http://www.log24.com/log/pix05B/grid3x3med.bmp” cannot be displayed, because it contains errors.

(See Visualizing GL(2,p), a note from 1985).

Related notes from this journal —

From last November —

Saturday, November 13, 2010

Story

m759 @ 10:12 PM

From the December 2010 American Mathematical Society Notices

http://www.log24.com/log/pix10B/101113-Ono.gif

Related material from this  journal—

Mathematics and Narrative and

Consolation Prize (August 19, 2010)

From 2006 —

Sunday December 10, 2006

 

 m759 @ 9:00 PM

A Miniature Rosetta Stone:

The image “http://www.log24.com/log/pix05B/grid3x3med.bmp” cannot be displayed, because it contains errors.

“Function defined form, expressed in a pure geometry
that the eye could easily grasp in its entirety.”

– J. G. Ballard on Modernism
(The Guardian , March 20, 2006)

“The greatest obstacle to discovery is not ignorance –
it is the illusion of knowledge.”

— Daniel J. Boorstin,
Librarian of Congress, quoted in Beyond Geometry

Also from 2006 —

Sunday November 26, 2006

 

m759 @ 7:26 AM

Rosalind Krauss
in "Grids," 1979:

"If we open any tract– Plastic Art and Pure Plastic Art  or The Non-Objective World , for instance– we will find that Mondrian and Malevich are not discussing canvas or pigment or graphite or any other form of matter.  They are talking about Being or Mind or Spirit.  From their point of view, the grid is a staircase to the Universal, and they are not interested in what happens below in the Concrete.

Or, to take a more up-to-date example…."

"He was looking at the nine engravings and at the circle,
checking strange correspondences between them."
The Club Dumas ,1993

"And it's whispered that soon if we all call the tune
Then the piper will lead us to reason."
Robert Plant ,1971

The nine engravings of The Club Dumas
(filmed as "The Ninth Gate") are perhaps more
an example of the concrete than of the universal.

An example of the universal*– or, according to Krauss,
a "staircase" to the universal– is the ninefold square:

The image “http://www.log24.com/theory/images/grid3x3.gif” cannot be displayed, because it contains errors.

"This is the garden of Apollo, the field of Reason…."
John Outram, architect    

For more on the field of reason, see
Log24, Oct. 9, 2006.

A reasonable set of "strange correspondences"
in the garden of Apollo has been provided by
Ezra Brown in a mathematical essay (pdf).

Unreason is, of course, more popular.

* The ninefold square is perhaps a "concrete universal" in the sense of Hegel:

"Two determinations found in all philosophy are the concretion of the Idea and the presence of the spirit in the same; my content must at the same time be something concrete, present. This concrete was termed Reason, and for it the more noble of those men contended with the greatest enthusiasm and warmth. Thought was raised like a standard among the nations, liberty of conviction and of conscience in me. They said to mankind, 'In this sign thou shalt conquer,' for they had before their eyes what had been done in the name of the cross alone, what had been made a matter of faith and law and religion– they saw how the sign of the cross had been degraded."

– Hegel, Lectures on the History of Philosophy ,
   "Idea of a Concrete Universal Unity"

"For every kind of vampire,
there is a kind of cross."
– Thomas Pynchon   

And from last October —

Friday, October 8, 2010

 

m759 @ 12:00 PM
 

Starting Out in the Evening
… and Finishing Up at Noon

This post was suggested by last evening's post on mathematics and narrative and by Michiko Kakutani on Vargas Llosa in this morning's New York Times .

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

 

Above: Frank Langella in
"Starting Out in the Evening"

Right: Johnny Depp in
"The Ninth Gate"

http://www.log24.com/log/pix10B/101008-NinthGate.jpg

"One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage."

– "Is Fiction the Art of Lying?"* by Mario Vargas Llosa,
    New York Times  essay of October 7, 1984

* The Web version's title has a misprint—
   "living" instead of "lying."

"You've got to pick up every stitch…"

Friday, October 8, 2010

Starting Out in the Evening

Filed under: General,Geometry — Tags: , — m759 @ 12:00 PM

… and Finishing Up at Noon

This post was suggested by last evening’s post on mathematics and narrative
and by Michiko Kakutani on Vargas Llosa in this morning’s New York Times.

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in
Starting Out in the Evening

Right: Johnny Depp in
The Ninth Gate

http://www.log24.com/log/pix10B/101008-NinthGate.jpg

“One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage.”

— “Is Fiction the Art of Lying?”* by Mario Vargas Llosa, New York Times  essay of October 7, 1984

My own adventures in that realm— as reader, not author— may illustrate Llosa’s remark.

A nearby stack of paperbacks I haven’t touched for some months (in order from bottom to top)—

  1. Pale Rider by Alan Dean Foster
  2. Franny and Zooey by J. D. Salinger
  3. The Hobbit by J. R. R. Tolkien
  4. Le Petit Prince by Antoine de Saint Exupéry
  5. Literary Reflections by James A. Michener
  6. The Ninth Configuration by William Peter Blatty
  7. A Streetcar Named Desire by Tennessee Williams
  8. Nine Stories by J. D. Salinger
  9. A Midsummer Night’s Dream by William Shakespeare
  10. The Tempest by William Shakespeare
  11. Being There by Jerzy Kosinski
  12. What Dreams May Come by Richard Matheson
  13. Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig
  14. A Gathering of Spies by John Altman
  15. Selected Poems by Robinson Jeffers
  16. Hook— Tinkerbell’s Challenge by Tristar Pictures
  17. Rising Sun by Michael Crichton
  18. Changewar by Fritz Leiber
  19. The Painted Word by Tom Wolfe
  20. The Hustler by Walter Tevis
  21. The Natural by Bernard Malamud
  22. Truly Tasteless Jokes by Blanche Knott
  23. The Man Who Was Thursday by G. K. Chesterton
  24. Under the Volcano by Malcolm Lowry

What moral Vargas Llosa might draw from the above stack I do not know.

Generally, I prefer the sorts of books in a different nearby stack. See Sisteen, from May 25. That post the fanciful reader may view as related to number 16 in the above list. The reader may also relate numbers 24 and 22 above (an odd couple) to By Chance, from Thursday, July 22.

* The Web version’s title has a misprint— “living” instead of “lying.”

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