Log24

Monday, May 13, 2019

Doris Day at the Hudson Rock

Filed under: General — Tags: — m759 @ 12:00 PM

" 'My public image is unshakably that of
America’s wholesome virgin, the girl next door,
carefree and brimming with happiness,' 
she said in Doris Day: Her Own Story
a 1976 book . . . ."

From "Angels & Demons Meet Hudson Hawk" (March 19, 2013) —

From the March 1 post "Solomon and the Image," a related figure —

Sunday, February 24, 2019

Exceeding His Grasp

Filed under: General,Geometry — Tags: , , , — m759 @ 4:09 PM

See also Hudson Hawk in this  journal.

Friday, February 3, 2017

Raiders of the Lost Chalice

Filed under: General — Tags: — m759 @ 9:30 AM

Personally, I prefer
the religious symbolism
of Hudson Hawk .

Thursday, December 22, 2016

The Meadow in December

Filed under: General — m759 @ 7:00 PM

"icy white and crystalline" — Johnny Mercer

From a search in this journal for Hudson Hawk

See also Stella Octangula.

Tuesday, March 19, 2013

Mathematics and Narrative (continued)

Filed under: General,Geometry — Tags: , — m759 @ 10:18 AM

Angels & Demons meet Hudson Hawk

Dan Brown's four-elements diamond in Angels & Demons :

IMAGE- Illuminati Diamond, pp. 359-360 in 'Angels & Demons,' Simon & Schuster Pocket Books 2005, 448 pages, ISBN 0743412397

The Leonardo Crystal from Hudson Hawk :

Hudson:

Mathematics may be used to relate (very loosely)
Dan Brown's fanciful diamond figure to the fanciful
Leonardo Crystal from Hudson Hawk 

"Giving himself a head rub, Hawk bears down on
the three oddly malleable objects. He TANGLES 
and BENDS and with a loud SNAP, puts them together,
forming the Crystal from the opening scene."

— A screenplay of Hudson Hawk

Happy birthday to Bruce Willis.

Tuesday, December 13, 2011

A Leonardo Job

Filed under: General — m759 @ 2:29 AM

Requiem for a Hollywood market researcher—

IMAGE- R.I.P. Joseph Farrell at Deadline Hollywood

See also a more detailed obituary.

For a tune related to Leonardo in memory of Farrell, see Hudson Hawk.

Wednesday, July 1, 2020

The Long Strange Road

Filed under: General — Tags: — m759 @ 12:55 PM

“The road is long
With many a winding turn”

Neil Diamond

Magic Child

Filed under: General — Tags: , — m759 @ 12:06 PM

Friday, December 13, 2019

Database Requiem

Filed under: General — Tags: — m759 @ 3:19 PM

Wednesday, December 21, 2005

Wednesday December 21, 2005

Filed under: General,Geometry — Tags: — m759 @ 4:07 PM

For the feast of
St. Francis Scott Key Fitzgerald

The Diamond
as Big as
the Monster

From Fitzgerald’s The Diamond as Big as the Ritz:

“Now,” said John eagerly, “turn out your pocket and let’s see what jewels you brought along. If you made a good selection we three ought to live comfortably all the rest of our lives.”
Obediently Kismine put her hand in her pocket and tossed two handfuls of glittering stones before him.
“Not so bad,” cried John, enthusiastically. “They aren’t very big, but– Hello!” His expression changed as he held one of them up to the declining sun. “Why, these aren’t diamonds! There’s something the matter!”
“By golly!” exclaimed Kismine, with a startled look. “What an idiot I am!”
“Why, these are rhinestones!” cried John.

From The Hawkline Monster, by Richard Brautigan:

“What are we going to do now?” Susan Hawkline said, surveying the lake that had once been their house.
Cameron counted the diamonds in his hand.  There were thirty-five diamonds and they were all that was left of the Hawkline Monster.
“We’ll think of something,” Cameron said.

Related material:

“A disciple of Ezra Pound, he adapts to the short story the ideogrammatic method of The Cantos, where a grammar of images, emblems, and symbols replaces that of logical sequence. This grammar allows for the grafting of particulars into a congeries of implied relation without subordination. In contrast to postmodernists, Davenport does not omit causal connection and linear narrative continuity for the sake of an aleatory play of signification but in order to intimate by combinational logic kinships and correspondences among eras, ideas and forces.”

When Novelists Become Cubists:
The Prose Ideograms of Guy Davenport,
by Andre Furlani

“T.S. Eliot’s experiments in ideogrammatic method are equally germane to Davenport, who shares with the poet an avant-garde aesthetic and a conservative temperament.  Davenport’s text reverberates with echoes of Four Quartets.”

Andre Furlani

“At the still point,
there the dance is.”

—  T. S. Eliot, Four Quartets,
quoted in the epigraph to
the chapter on automorphism groups
in Parallelisms of Complete Designs,
by Peter J. Cameron,
published when Cameron was at
Merton College, Oxford.

“As Gatsby closed the door of
‘the Merton College Library’
I could have sworn I heard
the owl-eyed man
break into ghostly laughter.”

F. Scott Fitzgerald

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