March 8, 2018, was the date of death for Melbourne author Peter Temple.
Tuesday, December 4, 2018
Melbourne Noir
Monday, December 3, 2018
Ruthless
In memory of Ruth Haring, a former president of the United States
Chess Federation who reportedly died at 63 on Thursday,
November 29, 2018 —
A search for Ruthless in this journal yields the tag Mythologem Day.
For Quantum Mystics
See a Quanta Magazine article published today and
https://www.chapman.edu/our-faculty/matt-leifer.
From the article —
Leifer, for his part, is holding out for something new. “I think the correct interpretation of quantum mechanics is none of the above,” he said. He likens the current situation with quantum mechanics to the time before Einstein came up with his special theory of relativity. Experimentalists had found no sign of the “luminiferous ether” — the medium through which light waves were thought to propagate in a Newtonian universe. Einstein argued that there is no ether. Instead he showed that space and time are malleable. “Pre-Einstein I couldn’t have told you that it was the structure of space and time that was going to change,” Leifer said. Quantum mechanics is in a similar situation now, he thinks. “It’s likely that we are making some implicit assumption about the way the world has to be that just isn’t true,” he said. “Once we change that, once we modify that assumption, everything would suddenly fall into place. That’s kind of the hope. Anybody who is skeptical of all interpretations of quantum mechanics must be thinking something like this. Can I tell you what’s a plausible candidate for such an assumption? Well, if I could, I would just be working on that theory.” |
See as well this journal on the Feast of the Assumption, 2018.
The Relativity Problem at Hiroshima
“This is the relativity problem: to fix objectively a class of
equivalent coordinatizations and to ascertain the group of
transformations S mediating between them.”
— Hermann Weyl, The Classical Groups ,
Princeton University Press, 1946, p. 16
See also Relativity Problem and Diamonds and Whirls.
Review
Tuesday, March 31, 2015
Würfel-Märchen
|
Sunday, December 2, 2018
Iacta Est.
Symmetric Generation …
Symmetry at Hiroshima
A search this morning for articles mentioning the Miracle Octad Generator
of R. T. Curtis within the last year yielded an abstract for two talks given
at Hiroshima on March 8 and 9, 2018 —
http://www.math.sci.hiroshima-u.ac.jp/ branched/files/2018/abstract/Aitchison.txt
Iain AITCHISON Title: Construction of highly symmetric Riemann surfaces, related manifolds, and some exceptional objects, I, II Abstract: Since antiquity, some mathematical objects have played a special role, underpinning new mathematics as understanding deepened. Perhaps archetypal are the Platonic polyhedra, subsequently related to Platonic idealism, and the contentious notion of existence of mathematical reality independent of human consciousness. Exceptional or unique objects are often associated with symmetry – manifest or hidden. In topology and geometry, we have natural base points for the moduli spaces of closed genus 2 and 3 surfaces (arising from the 2-fold branched cover of the sphere over the 6 vertices of the octahedron, and Klein's quartic curve, respectively), and Bring's genus 4 curve arises in Klein's description of the solution of polynomial equations of degree greater than 4, as well as in the construction of the Horrocks-Mumford bundle. Poincare's homology 3-sphere, and Kummer's surface in real dimension 4 also play special roles. In other areas: we have the exceptional Lie algebras such as E8; the sporadic finite simple groups; the division algebras: Golay's binary and ternary codes; the Steiner triple systems S(5,6,12) and S(5,8,24); the Leech lattice; the outer automorphisms of the symmetric group S6; the triality map in dimension 8; and so on. We also note such as: the 27 lines on a cubic, the 28 bitangents of a quartic curve, the 120 tritangents of a sextic curve, and so on, related to Galois' exceptional finite groups PSL2(p) (for p= 5,7,11), and various other so-called `Arnol'd Trinities'. Motivated originally by the `Eightfold Way' sculpture at MSRI in Berkeley, we discuss inter-relationships between a selection of these objects, illustrating connections arising via highly symmetric Riemann surface patterns. These are constructed starting with a labeled polygon and an involution on its label set. Necessarily, in two lectures, we will neither delve deeply into, nor describe in full, contexts within which exceptional objects arise. We will, however, give sufficient definition and detail to illustrate essential inter-connectedness of those exceptional objects considered. Our starting point will be simplistic, arising from ancient Greek ideas underlying atomism, and Plato's concepts of space. There will be some overlap with a previous talk on this material, but we will illustrate with some different examples, and from a different philosophical perspective. Some new results arising from this work will also be given, such as an alternative graphic-illustrated MOG (Miracle Octad Generator) for the Steiner system S(5,8,24), and an alternative to Singerman – Jones' genus 70 Riemann surface previously proposed as a completion of an Arnol'd Trinity. Our alternative candidate also completes a Trinity whose two other elements are Thurston's highly symmetric 6- and 8-component links, the latter related by Thurston to Klein's quartic curve. |
See also yesterday morning's post, "Character."
Update: For a followup, see the next Log24 post.
Saturday, December 1, 2018
Character
"What we do may be small, but it has
a certain character of permanence."
— G. H. Hardy,
A Mathematician's Apology
In Memoriam
From today's print New York Times obituary for a screenwriter
who reportedly died last Sunday —
“Indiana Jones and the Temple of Doom,”
a 1984 follow-up to “Raiders of the Lost Ark” …
made an estimated $333 million worldwide.
Friday, November 30, 2018
Latin-Square Structure
Continued from March 13, 2011 —
"…as we saw, there are two different Latin squares of order 4…."
— Peter J. Cameron, "The Shrikhande Graph," August 26, 2010
Cameron counts Latin squares as the same if they are isotopic .
Some further context for Cameron's remark—
A new website illustrates a different approach to Latin squares of order 4 —
Thursday, November 29, 2018
Icons . . .
The Fortune Cookie
The mathematician Chuanming Zong in the previous post
has also written about Aristotle's pyramid scheme —
The White Cube
Clicking on Zong in the above post leads to a 2005 article
in the Bulletin of the American Mathematical Society .
See also the eightfold cube and interality .
Wednesday, November 28, 2018
Geometry and Experience
Einstein, "Geometry and Experience," lecture before the
Prussian Academy of Sciences, January 27, 1921–
… This view of axioms, advocated by modern axiomatics, purges mathematics of all extraneous elements, and thus dispels the mystic obscurity, which formerly surrounded the basis of mathematics. But such an expurgated exposition of mathematics makes it also evident that mathematics as such cannot predicate anything about objects of our intuition or real objects. In axiomatic geometry the words "point," "straight line," etc., stand only for empty conceptual schemata. That which gives them content is not relevant to mathematics. Yet on the other hand it is certain that mathematics generally, and particularly geometry, owes its existence to the need which was felt of learning something about the behavior of real objects. The very word geometry, which, of course, means earth-measuring, proves this. For earth-measuring has to do with the possibilities of the disposition of certain natural objects with respect to one another, namely, with parts of the earth, measuring-lines, measuring-wands, etc. It is clear that the system of concepts of axiomatic geometry alone cannot make any assertions as to the behavior of real objects of this kind, which we will call practically-rigid bodies. To be able to make such assertions, geometry must be stripped of its merely logical-formal character by the coordination of real objects of experience with the empty conceptual schemata of axiomatic geometry. To accomplish this, we need only add the proposition: solid bodies are related, with respect to their possible dispositions, as are bodies in Euclidean geometry of three dimensions. Then the propositions of Euclid contain affirmations as to the behavior of practically-rigid bodies. Geometry thus completed is evidently a natural science; we may in fact regard it as the most ancient branch of physics. Its affirmations rest essentially on induction from experience, but not on logical inferences only. We will call this completed geometry "practical geometry," and shall distinguish it in what follows from "purely axiomatic geometry." The question whether the practical geometry of the universe is Euclidean or not has a clear meaning, and its answer can only be furnished by experience. …. |
Later in the same lecture, Einstein discusses "the theory of a finite
universe." Of course he is not using "finite" in the sense of the field
of mathematics known as "finite geometry " — geometry with only finitely
many points.
Nevertheless, his remarks seem relevant to the Fano plane , an
axiomatically defined entity from finite geometry, and the eightfold cube ,
a physical object embodying the properties of the Fano plane.
I want to show that without any extraordinary difficulty we can illustrate the theory of a finite universe by means of a mental picture to which, with some practice, we shall soon grow accustomed. First of all, an observation of epistemological nature. A geometrical-physical theory as such is incapable of being directly pictured, being merely a system of concepts. But these concepts serve the purpose of bringing a multiplicity of real or imaginary sensory experiences into connection in the mind. To "visualize" a theory therefore means to bring to mind that abundance of sensible experiences for which the theory supplies the schematic arrangement. In the present case we have to ask ourselves how we can represent that behavior of solid bodies with respect to their mutual disposition (contact) that corresponds to the theory of a finite universe. |
Tuesday, November 27, 2018
The Saints — Claus, Fe; Fe, Claus.
See The Saints in this journal, as well as Claus and Fe.
Organizing the Mine Workers
Sunday, November 25, 2018
At Eternity’s Gate
A New York Times theater review from 2002
is now accompanied by an ad for a current film,
"At Eternity's Gate." (Click to enlarge.)
"At Eternity's Gate" opened November 16th, 2018.
From this journal on that date —
"Right through hell there is a path." — Malcolm Lowry
Artifacts
The word "artifacts" in the above obituary summary
suggests three Log24 posts now tagged with that word.
See as well . . .
"Bad news on the doorstep…." — American Pie
Saturday, November 24, 2018
Thursday, November 22, 2018
Rosenhain and Göpel Meet Kummer in Projective 3-Space
For further details, see finitegeometry.org/sc/35/hudson.html.
Geometric Incarnation
"The hint half guessed, the gift half understood, is Incarnation."
— T. S. Eliot in Four Quartets
Note also the four 4×4 arrays surrounding the central diamond
in the chi of the chi-rho page of the Book of Kells —
From a Log24 post
of March 17, 2012
"Interlocking, interlacing, interweaving"
— Condensed version of page 141 in Eddington's
1939 Philosophy of Physical Science
Wednesday, November 21, 2018
Opening Credits
From Log24 on Friday, Nov. 16 —
This evening's New York Times on an opening-credits designer,
Pablo Ferro, who reportedly died at 83 on Friday, Nov. 16 —
An example of Ferro's later work in film —
Musical accompaniment from Sunday morning —
Tuesday, November 20, 2018
Logos
Musical accompaniment from Sunday morning —
Update of Nov. 21 —
The reader may contrast the above Squarespace.com logo
(a rather serpentine version of the acronym SS) with a simpler logo
for a square space (the Galois window ):
Claremont Noir
From the Claremont Review of Books —
From elsewhere —
See as well posts from Log24 related to
the McClay date above — June 8, 2007.
Lincoln’s Commedia
Monday, November 19, 2018
Pleasure Paradise
The title refers to an image reproduced here in
a post of August 1st, 2017. That post also included
the following quotation —
"Remembering speechlessly we seek
the great forgotten language,
the lost lane-end into heaven,
a stone, a leaf, an unfound door.
Where? When?" — Thomas Wolfe
— From "All the stuff we'd like to buy at
the Back To The Future prop auction,"
by Meredith Woerner, 11/04/10, 9:30 am
Sunday, November 18, 2018
Space Music
Diamond Theorem Symmetry
Saturday, November 17, 2018
Representation
See as well . . .
. . . and posts tagged Alperin.
On its current homepage, the American Mathematical Society
links to a Nov. 15 blog post illustrating the Stan Lee approach
to mathematics:
Stories: "Math needs more stories. All kinds of stories…" —
See too Mathematics and Narrative in this journal.
Friday, November 16, 2018
Parable of India
William Goldman
On All Souls’ Day 2018
Thursday, November 15, 2018
Mathematics and Narrative
Mathematics —
See (for instance) a research group at Ghent University.
For those who prefer narrative . . .
See also . . .
Nocciolo
"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon
From the previous post —
From a cartoon graveyard —
See also, in this journal, Smallest Perfect and Nocciolo .
Wednesday, November 14, 2018
Tuesday, November 13, 2018
Blackboard Jungle Continues.
From the 1955 film "Blackboard Jungle" —
From a trailer for the recent film version of A Wrinkle in Time —
Detail of the phrase "quantum tesseract theorem":
From the 1962 book —
"There's something phoney
in the whole setup, Meg thought.
There is definitely something rotten
in the state of Camazotz."
Related mathematics from Koen Thas that some might call a
"quantum tesseract theorem" —
Some background —
See also posts tagged Dirac and Geometry. For more
background on finite geometry, see a web page
at Thas's institution, Ghent University.
Monday, November 12, 2018
Half Crazy
Douglas Rain, the voice of HAL in Kubrick's 2001 , reportedly
died at 90 on Sunday, Nov. 11, 2018. A piece from the Sunday,
April 1, 2018, print edition of The New York Times recalls that . . .
When HAL says, “I know I’ve made some very poor decisions recently, but I can give you my complete assurance that my work will be back to normal,” Mr. Rain somehow manages to sound both sincere and not reassuring. And his delivery of the line “I think you know what the problem is just as well as I do” has the sarcastic drip of a drawing-room melodrama and also carries the disinterested vibe of a polite sociopath. Kubrick had Mr. Rain sing the 1892 love song “Daisy Bell” (“I’m half crazy, all for the love of you”) almost 50 times, in uneven tempos, in monotone, at different pitches and even just by humming it. In the end, he used the very first take. Sung as HAL’s brain is being disconnected, it’s from his early programming days, his computer childhood. It brings to an end the most affecting scene in the entire film.
— Gerry Flahive in the online New York Times , "A version of this article appears in print on , on Page AR13 of the New York edition with the headline: HAL 9000 Wasn’t Always So Eerily Calm." |
This journal on the above online date, March 30, 2018 —
"Program or be programmed."
— A saying by Douglas Rushkoff
See as well the following link from this journal
on Armistice Day, the reported date of Mr. Rain's death —
Raum und Zwischenraum*
An Internet search for "Raum und Zwischenraum " this morning
led to a Munich artist who reportedly died on Nov. 11, 2012.
Related material —
Desert Cross, in Log24 on that date, and . . .
* See Zwischenraum in this journal.
Sunday, November 11, 2018
Zwischenraum
See also Warburg + Cornell in this journal.
"Yet if this Denkraum , this 'twilight region,' is where the artist and
emblem-maker invent, then, as Gombrich well knew, Warburg also
constantly regrets the 'loss' of this 'thought-space,' which he also
dubs the Zwischenraum and Wunschraum ."
— Memory, Metaphor, and Aby Warburg's Atlas of Images ,
Christopher D. Johnson, Cornell University Press, 2012, p. 56
Tombstone
See also this journal on the above Catch-22 date — July 16, 2014 —
and a search in this journal for "Halmos + Tombstone."
Thursday, November 8, 2018
Reality vs. Axiomatic Thinking
From https://blogs.scientificamerican.com/…
A Few of My Favorite Spaces:
The intuition-challenging Fano plane may be By Evelyn Lamb on October 24, 2015
"…finite projective planes seem like |
For Fano's axiomatic approach, see the Nov. 3 Log24 post
"Foundations of Geometry."
For the Fano plane's basis in reality , see the eightfold cube
at finitegeometry.org/sc/ and in this journal.
See as well "Two Views of Finite Space" (in this journal on the date
of Lamb's remarks — Oct. 24, 2015).
Some context: Gödel's Platonic realism vs. Hilbert's axiomatics
in remarks by Manuel Alfonseca on June 7, 2018. (See too remarks
in this journal on that date, in posts tagged "Road to Hell.")
Geometry Lesson
From "The Trials of Device" (April 24, 2017) —
See also Wittgenstein in a search for "Ein Kampf " in this journal.
Wednesday, November 7, 2018
The Fact-Checker
In memory of Christopher Lehmann-Haupt, who reportedly died
today (Wed., Nov. 7, 2018) at 84 —
See Lehmann-Haupt in this journal on May 23, 2012:
On author Paul Fussell, who died today — "Vincent B. Sherry, writing in The Cambridge Companion to the Literature of the First World War , called Mr. Fussell’s book 'the fork in the road for Great War criticism.'" — Christopher Lehmann-Haupt in The New York Times Actually, the writing was by James Campbell. Sherry was the book's editor. See Campbell's "Interpreting the War," pp. 261-279 of the 2005 (first) printing. The fork is on page 267. Update of 9:26 PM— In the latest version of Lehmann-Haupt's article, the fork has disappeared. But Campbell's writing is still misidentified as Sherry's. |
Defense Against the Dark Arts
"What is the Necropastoral?" was published on April 29th, 2014.
Also on April 29th, 2014 —
See as well Christianity and Culture by T. S. Eliot.
Tuesday, November 6, 2018
Four Quartets Prize
On a poem sequence that won this year's Four Quartets Prize —
"Decomposing and reconstituting bodies and landforms
feed the evolution of Smith’s afrofuturist necropastoral."
Bait and Tackle
Desert Notes*
A November 1 LA Times article about a book to be published today —
Why did Jonathan Lethem
turn toward the desert
in 'The Feral Detective'?
See also searches in this journal for Desert and, more particularly,
Point Omega and Mojave.
* The title of a book by Barry Holstun Lopez.
On Mathematical Beauty
A phrase from the previous post —
"a size-eight dame in a size-six dress" —
suggests a review . . .
See as well the diamond-theorem correlation and . . .
Monday, November 5, 2018
Sunday, November 4, 2018
Kristen vs. the Space Witch*
* We know the former. There is no shortage of candidates for the latter.
“Look Up” — The Breakthrough Prize* Theme This Evening
Looking up images for "The Space Theory of Truth" this evening —
Detail (from the post "Logos" of Oct. 14) —
Dead Poet
The New York Times today on a poet, Judith Kazantzis,
"who died on Sept. 18 at 78" —
"Judith’s oldest sister is Antonia Fraser, the biographer
and novelist and widow of the playwright Harold Pinter."
"Her [Judith’s] death was confirmed by Andy Croft, who runs
Smokestack Books, the publisher of 'Sister Intervention' [sic* ]
(2014), Ms. Kazantzis’ last collection of poetry. He did not
specify the cause or where she died."
Notable lines from that book's poem "In the Garden" —
Two trees of life, not in the woods,
but in the garden.
See also the post "Death Day" in this journal on Sept. 18.
* The title is actually "Sister Invention ."
Saturday, November 3, 2018
For St. Anselm
"… at his home in San Anselmo . . . ."
See also Anselm in this journal, as well as the Devil's Night post Ojos.
The Space Theory of Truth
Earlier posts have discussed the "story theory of truth"
versus the "diamond theory of truth," as defined by
Richard Trudeau in his 1987 book The Non-Euclidean Revolution.
In a New York Times opinion piece for tomorrow's print edition,*
novelist Dara Horn touched on what might be called
"the space theory of truth."
When they return to synagogue, mourners will be greeted
with more ancient words: “May God comfort you
among the mourners of Zion and Jerusalem.”
In that verse, the word used for God is hamakom —
literally, “the place.” May the place comfort you.
[Link added.]
The Source —
See Dara Horn in this journal, as well as Makom.
* "A version of this article appears in print on ,
on Page A23 of the New York edition with the headline:
American Jews Know This Story."
Foundations of Geometry
"costruire (o, dirò meglio immaginare) un ente" — Fano, 1892
"o, dirò meglio, costruire" — Cullinane, 2018
Friday, November 2, 2018
Day of the Dead
Day of the Dead | |
---|---|
Observed by | Mexico, and regions with large Hispanic populations |
Type |
Cultural Syncretic Christian |
Significance | Prayer and remembrance of friends and family members who have died |
Celebrations | Creation of altars to remember the dead, traditional dishes for the Day of the Dead |
Begins | October 31 |
Ends | November 2 |
Date | October 31 |
Next time | 31 October 2019 |
Frequency | Annual |
Related to | All Saints' Day |
"The Day of the Dead (Spanish: Día de Muertos ) is
a Mexican holiday celebrated throughout Mexico,
in particular the Central and South regions,
and by people of Mexican heritage elsewhere.
The multi-day holiday focuses on gatherings
of family and friends to pray for and remember
friends and family members who have died, and
help support their spiritual journey. . . .
The holiday is sometimes called Día de los Muertos
in Anglophone countries, a back-translation of its
original name, Día de Muertos .
Gradually, it was associated with October 31,
November 1, and November 2 to coincide with the
Western Christianity triduum of Allhallowtide:
All Saints' Eve, All Saints' Day, and All Souls' Day."
—————————————————————————-
The previous post concerned a poet who reportedly
died on October 23, 2018. This journal on that date —
Elevation of the Hostess
Thursday, November 1, 2018
Formation, Transformation . . . . Solution, Dissolution
Literary Doodles
The Great Doodle of Northrop Frye —
Shown below is a "Story Circle" based on the work of Joseph Campbell.
The author of this particular version is unknown.
Note that there are 12 steps in the above Story Circle. This suggests
some dialogue from a recent film . . .
Donnie —"We can't ask for help if we don't think there's anyone out there to give it. You have to grasp this concept. And that doesn't have to be fucking Jesus Christ or Buddha or Vanna White." Read more: https://www.springfieldspringfield.co.uk/movie_script.php?movie=dont-worry-he-wont-get-far-on-foot |
Wednesday, October 31, 2018
The Crucible of Death
On a new Netflix series:
We don’t yet have a story structure that allows witches to be powerful for long stretches of time without men holding them back. And what makes the new Sabrina so exciting is that it seems to be trying to build that story structure itself, in real time, to find a way to let Sabrina have her power and her freedom. It might fail. But if it does, it will be a glorious and worthwhile failure — the type that comes with trying to pioneer a new kind of story.
— Constance Grady at Vox, the morning before |
A playwright who reportedly died yesterday —
Tuesday, October 30, 2018
The Quantum Space Story
Finkelstein reportedly died on Sunday, January 24, 2016.
“A Serious Man kicks off with a Yiddish-language frame story that takes place in a 19th-century Eastern European shtetl, where a married couple has an enigmatic encounter with an old acquaintance who may be a dybbuk , or malevolent spirit (and who’s played by the Yiddish theater actor Fyvush Finkel). The import of this parable is cryptic to the point of inscrutability, making it a perfect introduction to the rest of the movie.”
— Dana Stevens at Slate.com on Oct. 1, 2009 |
See also Finkelstein in this journal.
See as well posts now tagged Oct. 4, 2018,
in the context of today’s previous post.
Story Structure, Story Space
Constance Grady at Vox today on a new Netflix series —
We don’t yet have a story structure that allows witches to be powerful for long stretches of time without men holding them back. And what makes the new Sabrina so exciting is that it seems to be trying to build that story structure itself, in real time, to find a way to let Sabrina have her power and her freedom. It might fail. But if it does, it will be a glorious and worthwhile failure — the type that comes with trying to pioneer a new kind of story. |
See also Story Space in this journal.
Monday, October 29, 2018
For the Church of Synchronology*
Sunday, October 28, 2018
Commonwealth Tales, or “Lost in Physics”
From Ulysses , by James Joyce —
John Eglinton, frowning, said, waxing wroth: —Upon my word it makes my blood boil to hear anyone compare Aristotle with Plato. —Which of the two, Stephen asked, would have banished me from his commonwealth? |
Compare and contrast:
Fans of Plato might enjoy tales of Narnia, but fans of
James Joyce and Edgar Allan Poe might prefer
a tale by Michael Chabon from April 2001 about a
"doleful little corner of western Pennsylvania."
Outreach
From a New York Times obituary today —
“Centering prayer is all about heartfulness, which |
Windows 10 lockscreen image
Friday, October 26, 2018
From the “Dumpster Fire” School of Criticism
Saying More: Pathmark, Hallmark, Waymark
The previous post (Pathmark Meets Hallmark) suggests
a review of the Waymark Prize in mathematics.
Pathmark Meets Hallmark
From earlier posts now tagged Pathmark —
From earlier posts tagged Black Diamond —
A source for the above Ellison quote —
See also A Christmas Carol.
Thursday, October 25, 2018
Breaking the Stranglehold
When I wrote this article I was troubled by drawing an overly sharp distinction between the natural and social sciences. Beinhocker’s (2013) article in this symposium and a workshop at the Central European University on 8 October 2013 led me to modify my views on separating the two. I still think that the methodological convention I proposed is needed in the near term in order to break the stranglehold of rational choice theory, but . . . . |
The above postscript is from . . .
See also this journal on 8 October 2013 —
Clerisy
Two images from a post of April 11, 2014 —
Tom Cruise at the Vatican in MI3
_____________________________________________________________________
Michelle Monaghan, star of "The Path," in MI3 —
Wednesday, October 24, 2018
Mystery Box
The Cracked Potter
Shadowlands
The previous post suggests a review.
Following the above reference to March 30, 2016 —
Following the above reference to Lovasz —
Ay Que Bonito
"Ay que bonito es bailar
a las dos de la mañana"
— Adapted from a song lyric
See also . . .
Shadi Bartsch-Zimmer, Helen A. Regenstein
Distinguished Service Professor of Classics
at the University of Chicago,
"currently the lead editor of the journal
KNOW: A Journal on the Formation of Knowledge."
Tuesday, October 23, 2018
Simplicity Versus Complexity
Simplicity (Click for some complexity.)
Complexity (Click for some simplicity.)
A passage from the 2011 book Idea Man that was suggested by
a recent New Yorker article on the book's author, the late Paul Allen —
Left-click image to enlarge.
Monday, October 22, 2018
Story Space
For Connoisseurs of Conceptual Art
Sunday, October 21, 2018
For Connoisseurs of Bad Art
Yesterday afternoon's post "Study in Blue and Pink" featured
an image related to the "Blade and Chalice" of Dan Brown …
Requiem for a comics character known as "The Blue Blade" —
"We all float down here."
About the corresponding "Pink Chalice," the less said the better.
Saturday, October 20, 2018
Study in Blue and Pink
Friday, October 19, 2018
A Tale of Two Naked Cities
News from Hell's Kitchen, New York —
A view of Broadway and Columbus, San Francisco —
See as well actor Bruce Gordon's film debut —
Kaleidoscope and Old Lace
See posts now tagged "Kaleidoscope Society" and, more generally,
a search in this journal for "Kaleidoscope."
Related material —
Photo caption in a news story today:
"Father Gary Thomas attends the premiere of Warner Brothers’
'The Rite' at Grauman’s Chinese Theatre, in Los Angeles,
on January 26, 2011. Thomas is holding a special Mass
on Thursday and Saturday [Oct. 18 and 20] to counter
a planned hex on Supreme Court Justice Brett Kavanaugh."
See as well posts tagged "Rubik Exorcism."
Thursday, October 18, 2018
Studio 54: Putting the Hell in Hell’s Kitchen
The previous post suggests a New York Times review from today:
The Quick and the Dirty
Two stars of the 2016 film "Urge" —
See also other posts tagged QDOS (Quick and Dirty Operating System).
Wednesday, October 17, 2018
Breakthrough Prize
"… what once seemed pure abstractions have turned out to
underlie real physical processes."
— https://breakthroughprize.org/Prize/3
Related material from the current New Yorker —
Aesthetics
From "The Phenomenology of Mathematical Beauty," The Lightbulb Mistake . . . . Despite the fact that most proofs are long, and despite our need for extensive background, we think back to instances of appreciating mathematical beauty as if they had been perceived in a moment of bliss, in a sudden flash like a lightbulb suddenly being lit. The effort put into understanding the proof, the background material, the difficulties encountered in unraveling an intricate sequence of inferences fade and magically disappear the moment we become aware of the beauty of a theorem. The painful process of learning fades from memory, and only the flash of insight remains. We would like mathematical beauty to consist of this flash; mathematical beauty should be appreciated with the instantaneousness of a lightbulb being lit. However, it would be an error to pretend that the appreciation of mathematical beauty is what we vaingloriously feel it should be, namely, an instantaneous flash. Yet this very denial of the truth occurs much too frequently. The lightbulb mistake is often taken as a paradigm in teaching mathematics. Forgetful of our learning pains, we demand that our students display a flash of understanding with every argument we present. Worse yet, we mislead our students by trying to convince them that such flashes of understanding are the core of mathematical appreciation. Attempts have been made to string together beautiful mathematical results and to present them in books bearing such attractive titles as The One Hundred Most Beautiful Theorems of Mathematics . Such anthologies are seldom found on a mathematician’s bookshelf. The beauty of a theorem is best observed when the theorem is presented as the crown jewel within the context of a theory. But when mathematical theorems from disparate areas are strung together and presented as “pearls,” they are likely to be appreciated only by those who are already familiar with them. The Concept of Mathematical Beauty The lightbulb mistake is our clue to understanding the hidden sense of mathematical beauty. The stark contrast between the effort required for the appreciation of mathematical beauty and the imaginary view mathematicians cherish of a flashlike perception of beauty is the Leitfaden that leads us to discover what mathematical beauty is. Mathematicians are concerned with the truth. In mathematics, however, there is an ambiguity in the use of the word “truth.” This ambiguity can be observed whenever mathematicians claim that beauty is the raison d’être of mathematics, or that mathematical beauty is what gives mathematics a unique standing among the sciences. These claims are as old as mathematics and lead us to suspect that mathematical truth and mathematical beauty may be related. Mathematical beauty and mathematical truth share one important property. Neither of them admits degrees. Mathematicians are annoyed by the graded truth they observe in other sciences. Mathematicians ask “What is this good for?” when they are puzzled by some mathematical assertion, not because they are unable to follow the proof or the applications. Quite the contrary. Mathematicians have been able to verify its truth in the logical sense of the term, but something is still missing. The mathematician who is baffled and asks “What is this good for?” is missing the sense of the statement that has been verified to be true. Verification alone does not give us a clue as to the role of a statement within the theory; it does not explain the relevance of the statement. In short, the logical truth of a statement does not enlighten us as to the sense of the statement. Enlightenment , not truth, is what the mathematician seeks when asking, “What is this good for?” Enlightenment is a feature of mathematics about which very little has been written. The property of being enlightening is objectively attributed to certain mathematical statements and denied to others. Whether a mathematical statement is enlightening or not may be the subject of discussion among mathematicians. Every teacher of mathematics knows that students will not learn by merely grasping the formal truth of a statement. Students must be given some enlightenment as to the sense of the statement or they will quit. Enlightenment is a quality of mathematical statements that one sometimes gets and sometimes misses, like truth. A mathematical theorem may be enlightening or not, just as it may be true or false. If the statements of mathematics were formally true but in no way enlightening, mathematics would be a curious game played by weird people. Enlightenment is what keeps the mathematical enterprise alive and what gives mathematics a high standing among scientific disciplines. Mathematics seldom explicitly acknowledges the phenomenon of enlightenment for at least two reasons. First, unlike truth, enlightenment is not easily formalized. Second, enlightenment admits degrees: some statements are more enlightening than others. Mathematicians dislike concepts admitting degrees and will go to any length to deny the logical role of any such concept. Mathematical beauty is the expression mathematicians have invented in order to admit obliquely the phenomenon of enlightenment while avoiding acknowledgment of the fuzziness of this phenomenon. They say that a theorem is beautiful when they mean to say that the theorem is enlightening. We acknowledge a theorem’s beauty when we see how the theorem “fits” in its place, how it sheds light around itself, like Lichtung — a clearing in the woods. We say that a proof is beautiful when it gives away the secret of the theorem, when it leads us to perceive the inevitability of the statement being proved. The term “mathematical beauty,” together with the lightbulb mistake, is a trick mathematicians have devised to avoid facing up to the messy phenomenon of enlightenment. The comfortable one-shot idea of mathematical beauty saves us from having to deal with a concept that comes in degrees. Talk of mathematical beauty is a cop-out to avoid confronting enlightenment, a cop-out intended to keep our description of mathematics as close as possible to the description of a mechanism. This cop-out is one step in a cherished activity of mathematicians, that of building a perfect world immune to the messiness of the ordinary world, a world where what we think should be true turns out to be true, a world that is free from the disappointments, ambiguities, and failures of that other world in which we live. |
How many mathematicians does it take to screw in a lightbulb?
Tuesday, October 16, 2018
QDOS
For the title, see the Wikipedia article on the late Paul Allen.
See also . . .
Related material — the late Patrick Swayze in Ghost and King Solomon's Mines.
"Please wait as your operating system is initiated."
Hen Scratches
Robert M. Adams on Finnegans Wake
in The New York Times
on Sunday, January 18, 1987:
"There is a great passage in the 'Wake' where Joyce — if he was not
just a phantasm in the mind of HCE — appears to address his reader
directly, jocularly and sympathetically:
'You is feeling like you was lost in the bush, boy? You says:
It is a puling sample jungle of woods. You most shouts out:
Bethicket me for a stump of a beech if I have the poultriest
notions what the farest he all means. Gee up, girly!'
For there's a bird in the case, and if we follow her hen scratches,
we may be able to 'pick a peck of kindlings yet from the sack of
auld hensyne.' That's what keeps the 'Wake' fellowship awake at night . . . ."
Not to mention "skreaking and skrittering" —
Monday, October 15, 2018
History at Bellevue
The previous post, "Tesserae for a Tesseract," contains the following
passage from a 1987 review of a book about Finnegans Wake —
"Basically, Mr. Bishop sees the text from above
and as a whole — less as a sequential story than
as a box of pied type or tesserae for a mosaic,
materials for a pattern to be made."
A set of 16 of the Wechsler cubes below are tesserae that
may be used to make patterns in the Galois tesseract.
Another Bellevue story —
“History, Stephen said, is a nightmare
from which I am trying to awake.”
— James Joyce, Ulysses
The Other Side
"As far as I know, there is no escape for mortal beings from time.
But experimental ideas of practical access to eternity
exerted tremendous sway on educated, intelligent, and forward-
looking people in the late nineteenth and early twentieth centuries,
with a cutoff that was roughly coincident with the First World War.
William James died in 1910 without having ceased to urge
an open-minded respect for occult convictions."
— New Yorker art critic Peter Schjeldahl in the Oct. 22, 2018, issue.
Also in that issue —
For Zingari Shoolerim*
The structure at top right is that of the
ROMA-ORAM-MARO-AMOR square
in the previous post.
* "Zingari shoolerim" is from
Finnegans Wake .
Daily Maro
From a post of May 21, 2004 —
A comment on that post —
"Oh yeah – MARO means bread in Romani – pretty cool, huh?"
See also a New Yorker piece from the Oct. 15, 2018, issue —
https://www.newyorker.com/magazine/2018/10/15/
is-the-aeneid-a-celebration-of-empire-or-a-critique
Sunday, October 14, 2018
Logos
New and old AMS logos —
I prefer the old. Related material —
For an old Crosswicks curse, see that phrase in this journal.
For a new curse, see . . .
"Unsheathe your dagger definitions." — James Joyce.
Saturday, October 13, 2018
Corinthian Style
The previous two posts discussed the Twitter account of
the author of a New York Times opinion column published
online today. From a rather different Twitter —
Space 101
Screenshot of a tweet by space writer Shannon Stirone
posted at 10:57 PM ET October 12 —
See also NASA + Wiig.
Stirone has an opinion piece in today's online New York Times promoting NASA.
Discussing the Hubble Space Telescope, she claims that . . .
"Hubble peers deep into space, patiently collecting the universe’s traveling light,
then delivering it to us in never before seen images: galaxies, supernovas and
nebulae. It is a time machine. And without it we wouldn’t know we are inside
a galaxy that is just one of possibly trillions."
Review
Monday, January 8, 2018
Time
|
See also the previous post.
Friday, October 12, 2018
Spooky Moonrise
Kristen Wiig leaving bookstore in
"Comedians in Cars Getting Coffee," S9E1 —
A Windows 10 lockscreen image — "Spooky Moonrise Over Lake":