Monday, September 27, 2021
A Meadow for Trevanian
Sunday, December 27, 2020
Knight Move for Trevanian
“Knight move” remark from The Eiger Sanction —
“I like to put people on myself by skipping logical steps
in the conversation until they’re dizzy.”
The following logical step — a check of the date Nov. 18, 2017 —
was omitted in the post Futon Dream on this year’s St. Stephen’s Day.
For further context, see James Propp in this journal.
Sunday, March 6, 2016
Sunday, April 18, 2010
For Trevanian
Where Entertainment Is God
(continued)
Google News at about 7:37 PM —
The Eiger Sanction, by Trevanian –
"Because CII men worked in foreign countries without invitation, and often to the detriment of the established governments, they had no recourse to official protection. Organization men to the core, the CII heads decided that another Division must be established to combat the problem. They relied on their computers to find the ideal man to head the new arm, and the card that survived the final sorting bore the name Yurasis Dragon. In order to bring Mr. Dragon to the United States, it was necessary to absolve him of accusations lodged at the War Crimes Tribunal concerning certain genocidal peccadillos, but CII considered him worth the effort." |
Wednesday, October 9, 2024
Basque Country Stories
A Story That Works
|
The above Leiber remarks appeared here on December 14, 2005.
They are reposted in memory of the author known as Trevanian,
who reportedly died on that date. He wrote about, and for a time
lived in, the Basque Country.
See also the Basque Country in this journal.
Wednesday, February 14, 2024
Truchet Tiles Meet Cullinane Cube
From a post on Trevanian in December 2005 —
"And we may see
the meadow in December,
icy white and crystalline."
"Midnight Sun"
Wednesday, January 25, 2023
Toys ‘R’ Us —The Focus of Interest
"… the focus of interest for most of the American military attachés
in Europe became tanks and antitank/antiaircraft weapons."
— https://www.benning.army.mil/armor/earmor/
content/issues/2020/Fall/4Candill20.pdf
See also "A Meadow for Trevanian" (Sept. 27, 2021).
Saturday, October 22, 2022
An Artist’s Phrase: “Form from Morf” — Josefine Lyche
Wednesday, March 3, 2021
Ink
From this journal on Nov. 9-12, 2004:
Fade to Black “…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent.” — Trevanian, Shibumi “‘Haven’t there been splendidly elegant colors in Japan since ancient times?’ ‘Even black has various subtle shades,’ Sosuke nodded.” — Yasunari Kawabata, The Old Capital An Ad Reinhardt painting described in the entry of Ad Reinhardt, Abstract Painting, 1960-66. The viewer may need to tilt the screen to see that “The grid is a staircase to the Universal…. We could think about Ad Reinhardt, who, despite his repeated insistence that ‘Art is art,’ ended up by painting a series of… nine-square grids in which the motif that inescapably emerges is a Greek cross. Greek Cross There is no painter in the West who can be unaware of the symbolic power of the cruciform shape and the Pandora’s box of spiritual reference that is opened once one uses it.” — “Grids,” by Rosalind Krauss, |
Related material from The New York Times today —
Tuesday, October 20, 2020
The Browning Methods
The Ballad of Goo Ballou —
the Sequel to . . .
“Let me count the ways” is an appropriate request
for students of the discrete , as opposed to the
continuous , which instead requires measurement .
Related academic material —
Raymond Cattell on crystallized vs. fluid intelligence.
For a more literary approach, see Crystal and Dragon
and For Trevanian.
This post was inspired in part by
the American Sequel Society and . . .
Monday, May 27, 2019
But Seriously . . .
I prefer the simple "four dots" figure
of the double colon:
For those who prefer stranger analogies . . .
Actors from "The Eiger Sanction" —
Doctor Strange on Mount Everest —
See as well this journal on the above Strange date, 2016/12/02,
in posts tagged Lumber Room.
Saturday, May 11, 2019
The Babel Gift
"In the story 'Guy de Maupassant' (completed 1922, published 1932) Babel, or at least a narrator we are led to suppose is Babel, pronounces: 'A phrase is born into the world good and bad at the same time. The secret rests in a barely perceptible turn. The lever must lie in one's hand and get warm. It must be turned once, and no more.' To him words are an army, 'an army in which all kinds of weapons are on the move. No iron can enter the human heart as chillingly as a full stop placed at the right time.' This iron, an aggressive partner to Kafka's 'axe for the frozen sea within us', is something Babel learned to wield with recurring, unerring accuracy." — Chris Power in The Guardian , 10 February 2012 |
See as well "Art Wars for Trotsky's Birthday"
and some historical background.
Saturday, March 19, 2016
To Sum It
"To sum it all up I see mathematical activity as
a jumping ahead and then plodding along
to chart a path by rational toil."
— Verena Huber-Dyson, Feb. 15, 1998
"VERENA HUBER-DYSON, mathematician and logician,
died yesterday [March 12, 2016] in Bellingham, Washington,
at the age of 92. She was Emeritus Professor of the
Philosophy Department, University of Calgary, Alberta."
— John Brockman at edge.org, March 13, 2016
Some posts from earlier this month are related to mathematical
activity, Bellingham, jumping ahead, and plodding along:
"The process of plodding is being analyzed by proof theory,
a prolific branch of meta mathematics. Still riddled with questions
is the jumping." — Huber-Dyson, loc. cit.
Still riddled — "Why IS a raven like a writing desk?"
Monday, February 29, 2016
Thursday, October 1, 2015
Ornamental Language
See Trevanian's Meadow in this journal as well as…
"Off the Florida Keys, there's a place called Kokomo."
— The Beach Boys, 1988
Monday, March 25, 2013
Art Wars:
Monolith for Maggie, continued from yesterday
"The young woman counted—
'Otu, abua, ato, ano, ise, isii, asaa'—
using what remained to her of
the secret language…."
— Opening sentence of the prologue to The Choir Boats,
a 2009 novel by Daniel A. Rabuzzi
The piano link in today's previous post suggests a review
of a post from Feb. 11, 2008. That post suggests in turn
a passage from the Trevanian classic The Eiger Sanction
that says, in part…
"Often it was unnecessary to finish a sentence…."
Wednesday, April 27, 2011
The Meadow
From Nabokov's The Gift —
Click for more about the Pushkin verse.
See also Trevanian + meadow and Congregated Light.
Sunday, April 18, 2010
A Generation Lost in Space
or, Deja Vu All Over Again
Top two obituaries in this morning's NY Times list–
David Simons, Who Flew High Dr. Simons, a physician turned Air Force officer, had sent animals aloft for several years before his record-breaking flight. James Aubrey, who Portrayed the Hero Mr. Aubrey portrayed Ralph in the film version of the William Golding novel and had a busy career on stage and television in England. |
Simons reportedly died on April 5,
Aubrey on April 6.
This journal on those dates–
April 5 —
Monday, April 5, 2010Space CowboysGoogle News, 11:32 AM ET today– Related material: Yesterday's Easter message, |
April 6 —
Tuesday, April 6, 2010ClueSee also Leary on Cuernavaca, Team Daedalus"Concept (scholastics' verbum mentis)– theological analogy of Son's procession as Verbum Patris, 111-12" –Index to Joyce and Aquinas, by William T. Noon, Society of Jesus, Yale University Press 1957, second printing 1963, page 162 "Back in 1958… [four] Air Force pilots were Team Daedalus, the best of the best." –Summary of the film "Space Cowboys" "Man is nothing if not labyrinthine." –The Vicar in Trevanian's The Loo Sanction\ |
"At the moment which is not of action or inaction |
Tuesday, April 6, 2010
Team Daedalus
"Concept (scholastics' verbum mentis)– theological analogy of Son's procession as Verbum Patris, 111-12" –Index to Joyce and Aquinas, by William T. Noon, Society of Jesus, Yale University Press 1957, second printing 1963, page 162
"Back in 1958… [four] Air Force pilots were Team Daedalus, the best of the best." –Summary of the film "Space Cowboys"
"Man is nothing if not labyrinthine." –The Vicar in Trevanian's The Loo Sanction
Friday, April 2, 2010
Saturday, February 2, 2008
Saturday February 2, 2008
Incident at Twenty-Mile:
Matthew had a couple of hours on his hands before dinner with the Kanes, so he drifted up to the only grassy spot in Twenty-Mile, the triangular, up-tilted little meadow crossed by a rivulet running off from the cold spring that provided the town's water. This meadow belonged to the livery stable, and half a dozen of its donkeys lazily nosed in the grass while, at the far end, a scrawny cow stood in the shade of the only tree in Twenty-Mile, a stunted skeleton whose leafless, wind-raked branches stretched imploringly to leeward, like bony fingers clawing the clouds. The meadow couldn't be seen from any part of the town except the Livery, so Matthew felt comfortably secluded as he sauntered along, intending to investigate the burial ground that abutted the donkey meadow, but B. J. Stone called to him from the Livery, so he turned back and began the chore they had found for him to do: oiling tools.
LATER….
After they did the dishes, Matthew and Ruth Lillian walked down the Sunday-silent street, then turned up into the donkey meadow. He was careful to guide her away from the soggy patch beneath the tree, where the Bjorkvists had slaughtered that week's beef. Lost in their own thoughts, they strolled across the meadow, the uneven ground causing their shoulders to brush occasionally, until they reached the fenced-in burying ground.
STILL LATER….
"Matthew?" she asked in an offhand tone.
"Hm-m-m?"
"What's 'the Other Place'?"
He turned and stared at her. "How do you know about that?"
"You told me."
"I never!"
"Yes, you did. You were telling about your fight with the Benson boys, and you said you couldn't feel their punches because you were in this 'Other Place.' I didn't ask you about it then, 'cause you were all worked up. But I've been curious about it ever since."
"Oh, it's just…" In a gesture that had something of embarrassment in it and something of imitation, he threw his stick as hard as he could, and it whop-whop-whop'd through the air, landing against the sagging fence that separated the burying ground from the donkey meadow.
"If you don't want to tell me, forget it. I just thought… Never mind." She walked on.
"It's not that I don't want to tell you. But it's… it's hard to explain."
She stopped and waited patiently.
"It's just… well, when I was a little kid and I was scared– scared because Pa was shouting at Ma, or because I was going to have to fight some kid during recess– I'd fix my eyes on a crack in the floor or a ripple in a pane of glass– on anything, it didn't matter what– and pretty soon I'd slip into this– this Other Place where everything was kind of hazy and echoey, and I was far away and safe. At first, I had to concentrate real hard to get to this safe place. But then, this one day a kid was picking on me, and just like that– without even trying– I was suddenly there, and I felt just as calm as calm, and not afraid of anything. I knew they were punching me, and I could hear the kids yelling names, but it didn't hurt and I didn't care, 'cause I was off in the Other Place. And after that, any time I was scared, or if I was facing something that was just too bad, I'd suddenly find myself there. Safe and peaceful." He searched here eyes. "Does that make any sense to you, Ruth Lillian?"
"Hm-m… sort of. It sounds kind of eerie." And she added quickly, "But really interesting!"
"I've never told anybody about it. Not even my ma. I was afraid to because… This'll sound funny, but I was afraid that if other people knew about the Other Place, it might heal up and go away, and I wouldn't be able to get there when I really needed to. Crazy, huh?"
Saturday, January 7, 2006
Saturday January 7, 2006
Strange Attractor
(See also the star as a
"spider" symbol in the
stories of Fritz Leiber.)
For Heinrich Harrer,
who died today…
Wikipedia on the north face of the Eiger:
"A portion of the upper face is called 'The White Spider,' as snow-filled cracks radiating from an ice-field resemble the legs of a spider. Harrer used the name for the title of his book about his successful climb, Die Weisse Spinne (translated… as The White Spider)."
"Connoisseur of Chaos,"
by Wallace Stevens,
from Parts of a World (1942):
III
After all the pretty contrast of life and death
Proves that these opposite things partake of one,
At least that was the theory, when bishops' books
Resolved the world. We cannot go back to that.
The squirming facts exceed the squamous mind,
If one may say so . And yet relation appears,
A small relation expanding like the shade
Of a cloud on sand, a shape on the side of a hill.
V
The pensive man . . . He sees that eagle float
For which the intricate Alps are a single nest.
Related material:
- Trevanian on "the meadow" in Shibumi,
- Trevanian on "the meadow that tilts up toward the north face" in The Eiger Sanction,
- Johnny Mercer on the meadow (Dec. 18 and 20, 2005), and
- Nine is a Vine, Christmas Eve, 2005.
Sunday, December 18, 2005
Sunday December 18, 2005
The Meadow
"Heaven– Where Is It?
How Do We Get There?"
To air on ABC
Tuesday, Dec. 20
(John Spencer's birthday)
By Trevanian, who died on
Wednesday, Dec. 14, 2005:
From
Shibumi "Well… the flow of the play was just right, and it began to bring me to the meadow. It always begins with some kind of flowing motion… a stream or river, maybe the wind making waves in a field of ripe rice, the glitter of leaves moving in a breeze, clouds flowing by. And for me, if the structure of the Go stones is flowing classically, that too can bring me to the meadow." "The meadow?" "Yes. That's the place I expand into. It's how I recognize that I am resting." "Is it a real meadow?" "Yes, of course." "A meadow you visited at one time? A place in your memory?" "It's not in my memory. I've never been there when I was diminished." "Diminished?" "You know… when I'm in my body and not resting." "You consider normal life to be a diminished state, then?" "I consider time spent at rest to be normal. Time like this… temporary, and… yes, diminished." "Tell me about the meadow, Nikko." "It is triangular. And it slopes uphill, away from me. The grass is tall. There are no animals. Nothing has ever walked on the grass or eaten it. There are flowers, a breeze… warm. Pale sky. I'm always glad to be the grass again." "You are the grass?" "We are one another. Like the breeze, and the yellow sunlight. We're all… mixed in together." "I see. I see. Your description of the mystic experience resembles others I have read. And this meadow is what the writers call your 'gateway' or 'path.' Do you ever think of it in those terms?" "No." "So. What happens then?" "Nothing. I am at rest. I am everywhere at once. And everything is unimportant and delightful. And then… I begin to diminish. I separate from the sunlight and the meadow, and I contract again back into my bodyself. And the rest is over." Nicholai smiled uncertainly. "I suppose I am not describing it very well, Teacher. It's not… the kind of thing one describes." "No, you describe it very well, Nikko. You have evoked a memory in me that I had almost lost. Once or twice when I was a child… in summer, I think… I experienced brief transports such as you describe. I read once that most people have occasional mystic experiences when they are children, but soon outgrow them. And forget them…." |
"And we may see
the meadow in December,
icy white and crystalline."
"Midnight Sun"
Saturday, December 17, 2005
Saturday December 17, 2005
"…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent."
— Trevanian,
Shibumi
'Even black has various subtle shades,' Sosuke nodded."
— Yasunari Kawabata,
The Old Capital
"The Zen disciple sits for long hours silent and motionless, with his eyes closed. Presently he enters a state of impassivity, free from all ideas and all thoughts. He departs from the self and enters the realm of nothingness. This is not the nothingness or the emptiness of the West. It is rather the reverse, a universe of the spirit in which everything communicates freely with everything, transcending bounds, limitless."
— Yasunari Kawabata,
Nobel lecture, 1968
Sunday, June 19, 2005
Sunday June 19, 2005
Darkness Visible
Serv'd only to discover sights of woe"
— John Milton, Paradise Lost,
Book I, lines 63-64
summarizes the art of Ad Reinhardt
(Adolph Dietrich Friedrich Reinhardt,
Dec. 24, 1913 – Aug. 30, 1967):
Fade to Black "…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent." — Trevanian, Shibumi "'Haven't there been splendidly elegant colors in Japan since ancient times?' 'Even black has various subtle shades,' Sosuke nodded." — Yasunari Kawabata, The Old Capital
An Ad Reinhardt painting
Ad Reinhardt,
The viewer may need to tilt "The grid is a staircase to the Universal…. We could think about Ad Reinhardt, who, despite his repeated insistence that 'Art is art,' ended up by painting a series of… nine-square grids in which the motif that inescapably emerges is a Greek cross. Greek Cross There is no painter in the West who can be unaware of the symbolic power of the cruciform shape and the Pandora's box of spiritual reference that is opened once one uses it."
— Rosalind Krauss,
|
In memory of
St. William Golding
(Sept. 19, 1911 – June 19, 1993)
Friday, November 12, 2004
Friday November 12, 2004
The above link is in memory of
Iris Chang,
who ended her life at 36
on Nov. 9, 2004.
A central concept of Zen
is satori, or "awakening."
For a rude awakening, see
Satori at Pearl Harbor.
Fade to Black
See, too, my entries of "…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent." — Trevanian, Shibumi
" 'Haven't there been splendidly elegant colors in Japan since ancient times?' 'Even black has various subtle shades,' Sosuke nodded.' " — Yasunari Kawabata, The Old Capital
An Ad Reinhardt painting
Ad Reinhardt,
|
Friday, August 1, 2003
Friday August 1, 2003
For All Time
"… and the Wichita lineman is still on the line…"
(Reflection on a member of the Radcliffe Class of 1964 who lived near Wichita and now has her own home page… While listening to a song on my "home on The Range – KHYI 95.3FM, Plano, Texas.")
Readings for a seminar we never really finished:
"…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent."
— Trevanian, Shibumi
" 'Haven't there been splendidly elegant colors in Japan since ancient times?'
'Even black has various subtle shades,' Sosuke nodded.' "
— Yasunari Kawabata, The Old Capital