Carver reportedly died on Tuesday, August 4, 2020.
“This is Maggie the Cat” —
“This is not.”
From a Log24 search for Schwartz + “The Sun” —
“Looking carefully at Golay’s code
is like staring into the sun.”
See a Log24 search for Beadgame Space.
This post might be regarded as a sort of “checked cell”
for the above concepts listed as tags . . .
Related material from a Log24 search for Structuralism —
In memory of New York personality Pete Hamill ,
who reportedly died yesterday —
Seven years ago yesterday —
In memory of another New York personality, a parking-garage mogul
who reportedly died on August 9, 2005 —
Icon Parking posts and . . .
The New York Times obituary for Eric Bentley,
drama critic and playwright, who reportedly died today
at 103, says that . . .
“He took up the causes of the left in
‘Are You Now or Have You Ever Been:
The Investigation of Show Business
by the Un-American Activities Committee,
1947-1958,’ first produced in 1972. . . .”
For that title phrase in this journal, see other posts
now tagged Ekô.
Published today —
Related quotation —
Cover art published today —
Some mathematics related to the The Fixed Stars cover art,
from a post of May 1, 2020 —
The Escape from Plato’s Cave to . . .
See also Numberland and Walpurgisnacht Geometry.
From an obituary in today’s Boston Globe —
“His father, meanwhile, had retired and hoped
to open a liquor store in Brooklyn.
When bureaucratic hurdles made his goal seem unreachable,
an old friend, Anthony Paterno, who ran a grocery and bottling
business in Chicago, persuaded him to try opening a shop there,
where fewer obstacles existed.
Salvatore Terlato enlisted Anthony to help him, and together
they opened the shop, Leading Liquor Marts, in 1955.”
See also Sunset Boulevard Revisited and . . .
“Do not block intersection.” — City of Los Angeles
A post of May 26, 2005, displays, if not the sword,
a place for it —
"The beautiful in mathematics resides in contradiction.
Incommensurability, logoi alogoi, was the first splendor
in mathematics." — Simone Weil, Oeuvres Choisies,
éd. Quarto , Gallimard, 1999, p. 100
Logos Alogos by S. H. Cullinane
"To a mathematician, mathematical entities have their own existence,
they habitate spaces created by their intention. They do things,
things happen to them, they relate to one another. We can imagine
on their behalf all sorts of stories, providing they don't contradict
what we know of them. The drama of the diagonal, of the square…"
— Dennis Guedj, abstract of "The Drama of Mathematics," a talk
to be given this July at the Mykonos conference on mathematics and
narrative. For the drama of the diagonal of the square, see
See also Joseph Malkevitch's memorial essay on Richard K. Guy,
who reportedly died on March 9, 2020, and Log24 on that date.
An article yesterday at Quanta Magazine suggests a review . . .
From Diamond Theorem images at Pinterest —
Some background —
A flashback from Log24 posts of July 9-11, 2020,
now tagged Structure and Mutability —
For such temptation, see
Dwarves named “Durin.”
Attraction 2: The Digital Rights Management version —
The “Huh?” is from the character Google, at 0:13:07. Click to enlarge.
* See the title phrase in this journal.
The New York Times reports a July 14 death —
“… Dr, Lauersen … was once married to the heiress
and dance patron Rebekah West Harkness ….” [Links added.]
“Do not block intersection.” — City of Los Angeles
Happy Birthday to Kate Beckinsale from Carl Jung.
Related philosophy —
“It seems, as one becomes older,
That the past has another pattern,
and ceases to be a mere sequence….”
— T. S. Eliot, Four Quartets
See cyber space (as opposed to space ) in The Game (July 25, 2011).
Related material — The Ninth Year.
“… to uphold the same ideal image of Space Age perfection.”
— Matt Schudel in The Washington Post , July 24, 2020, at 7:52 p.m. EDT
The title is from a 2006 pedagogic address.
Related material from the post “White Mischief” (Feb. 23, 2016) —
“It’s solution, dissolution. Just over and over and over.
It is growth, then decay, then transformation! .
It is fascinating, really.”
— Walter White, Season 1, Ep. 1, “Pilot”
more or less as quoted in huffingtonpost.com
The Project Voldemort logo capture shown below is the first one at archive.org.
It is dated Dec. 23, 2009. See also this journal on that date —
“V. is whatever lights you to the end of the street: she is also the dark annihilation waiting at the end of the street.” (Tony Tanner, page 36, "V. and V-2," in Pynchon: A Collection of Critical Essays, ed. Edward Mendelson. Prentice-Hall, 1978. 16-55). |
Subtitles from “Laurel Canyon,” a 2002 film — 7 8 |
Related logo with “Fork me on GitHub” ribbon —
“When you come to a fork . . .” — Yogi Berra
From “Nabokov’s Crosswords of Composition,” by Rebecca Freeh-Maciorowski, a paper presented at NEMLA, dated 15 October 2014 — “In a way, Nabokov’s entire oeuvre might be built upon one all-encompassing ‘crossword,’ a possibility raised by W.W. Rowe when he writes ‘Words and phrases seem faintly but undeniably to catch many others in the prism of their associations and connotations, almost as if Nabokov’s entire oeuvre were planned from the very start’ (viii). Turning to Pale Fire , the work of Simon Rowberry provides evidence of a whole network of ‘themed entries’ within this novel, what Rowberry refers to as ‘the novel’s promiscuous intertextuality.’ Alternately, the points and coordinates that Nabokov refers to constitute the composition’s ‘checked cells.’ The checked cells are the basic mechanism of the crossword puzzle; essentially, they are the guiding force of the entire puzzle, controlling both the construction and solution. These are the cells within the crossword puzzle in which two words intersect. In Nabokov’s compositional crossword, the ‘checked cells’ are those points which combine disparate entities, places of intersection, where objects and themes converge.” Rowe, W.W., Nabokov’s Deceptive World , New York University Press, 1971. Rowberry, Simon, “Pale Fire as a Hypertextual Network.” 22nd ACM Hypertext Conf., Eindhoven, Netherlands. 6-9 June 2011. Web. |
The Rowberry date appears to be, specifically, 8 June 2011:
A Kinbote note — See also this journal on 8 June 2011.
Update of 3:03 PM ET the same day —
In keeping with Kinbote’s character as an unreliable narrator . . .
Rowberry’s Eindhoven slides indicate he spoke on 9 June 2011.
See as well the Log24 post “Historical Fiction” from 9 June 2011.
* For the meaning of the title, see an obituary by Roberta Smith
in this morning’s New York Times , and Today’s Sermon.
“Are you a social worker?”
— Cinematic query in LA at Sunset and Selma
(Mojave , released 3 December 2015 (USA))
Related fiction —
“Then he realized why she looked familiar. He’d seen her just
a few hours before, at the job fair for social workers. They’d both
stood at the edge of a crowd that had gathered around a man
handing out applications for jobs at the Children’s Aid Society.
The demand was so great, he ran out of applications; John didn’t
get one, and neither did the redhead. Looking more resigned than
disappointed, the girl had sighed, ‘Oh well,’ to no one in particular
and then headed for the other end of the conference center.”
— Alpert, Mark. The Furies (p. 11), April 22, 2014.
(St. Martin’s Publishing Group. Kindle Edition)
See also Kripke in this journal.
From Log24 posts tagged Structure and Mutability —
“… an artifact that seemed to have resurrected him from the dead.”
— “Robert Ludlum’s” The Bourne Enigma , published on June 21, 2016
See as well the 2020 film Archive , and the related 2018 film Replicas
in Oslo Variations.
Prosaic —
Poetic —
Prosaic —
“These devices may have some
theoretical as well as practical value.“
Poetic —
See also The Lexicographic Octad Generator (LOG) (July 13, 2020)
and Octads and Geometry (April 23, 2020).
Browsing related to the graphic design theory described in the previous post
yielded a four-color diamond illustrating design at Microsoft —
For some related mathematics see . . .
The Four-Color Diamond’s 2007 Source —
See also Log24 posts from August 2007 now tagged The Four-Color Ring.
A related quotation:
“By far the most important structure in design theory
is the Steiner system S(5, 8, 24).”
— “Block Designs,” by Andries E. Brouwer
(Ch. 14 (pp. 693-746) of Handbook of Combinatorics,
Vol. I, MIT Press, 1995, edited by Ronald L. Graham,
Martin Grötschel, and László Lovász, Section 16 (p. 716))
See also the webpage Block Designs in Art and Mathematics
and Log24 posts tagged Plastic Elements.
In memory of . . .
“Helene Lovie Aldwinckle,
codebreaker, broadcaster and gallerist,
born 26 October 1920; died 24 April 2020″ —
Other posts now also tagged The Cologne Sextet.
The above novel uses extensively the term “inscape.”
The term’s originator, a 19th-century Jesuit poet,
is credited . . . sort of. For other uses of the term,
search for Inscape in this journal. From that search —
A quote from a 1962 novel —
“There’s something phoney
in the whole setup, Meg thought.
There is definitely something rotten
in the state of Camazotz.”
Addendum for the Church of Synchronology —
The Joe Hill novel above was published (in hardcover)
on Walpurgisnacht —April 30, 2013. See also this journal
on that date.
As noted in the previous post, the phrase “the ability to jump
in and out of spaces” was quoted in an update this morning to
a July 2 post, “The Maxwell Enticement.” Related jumping —
See also other Log24 posts now tagged Knight Move.
The above reported death date suggested a Log24 update this morning.
See that update in The Maxwell Enticement , July 2, 2020.
See also the previous post and the Red Books of May 30.
The previous post contained a passage from Iris Murdoch’s
1961 essay “Against Dryness.” Some related philosophy —
For those who prefer pure mathematics to philosophical ruminations
there are some relevant remarks in my webpage of August 27, 2003.
For those who prefer fiction —
“Twenty-four glyphs, each one representing not a letter, not a word,
but a concept, arranged into four groups, written in Boris’s own hand,
an artifact that seemed to have resurrected him from the dead. It was
as if he were sitting across from Bourne now, in the dim antiquity of
the museum library.
This was what Bourne was staring at now, written on the unfolded
bit of onionskin.”
— “Robert Ludlum’s” The Bourne Enigma , published on June 21, 2016
Passing, on June 21, 2016, into a higher dimension —
Graham reportedly died yesterday, Monday, July 6, 2020.
His AMS obituary says “he created the Erdős number.”
See also the tag in the previous post.
(That tag was created and added to several posts
just before I saw the above news of Graham’s death.
The tag, Erdős number, was suggested by an earlier post from
June 30 — the cartoonist’s death date in today’s 8:45 PM post.)
The Liquor Locker appears also in Into the Sunset (Aug. 24, 2019)
and in For Devil’s Night (Oct. 30, 2017).
Lines from “Impulse,” a 1990 Sondra Locke film —
He died by two contact Definitely small caliber. There’s almost no rigor, so time of death an anonymous woman If a broad did it, she sure knew |
“Bing bang . . . .” — Song lyric quoted here on 7/01.
Death by Ventilator
Related reading —
“As doctors got a crash course in the new disease,
their stance on ventilators began to evolve.“
“He recounted the story of Adam and Eve, who were banished
from paradise because of their curiosity. Their inability to resist
the temptation of the forbidden fruit. Which itself was a metaphorical
stand-in for knowledge and power. He urged us to find the restraint
needed to resist the temptation of the cube—the biblical apple
in modern garb. He urged us to remain in Eden until we were able
to work out the knowledge the apple offered, all by ourselves.”
— Richards, Douglas E.. The Enigma Cube (Alien Artifact Book 1)
(pp. 160-161). Paragon Press, 2020. Kindle Edition.
The biblical apple also appears in the game, and film, Assassin's Creed .
Related material —
See the cartoon version of Alfred North Whitehead in the previous post,
and some Whitehead-related projective geometry —
The previous post reported, perhaps inaccurately, a publication
date of February 13, 2020, for the novel The Enigma Cube .
A variant publication date, Jan. 21, 2020, is reported below.
This journal on that date —
Promotional material —
“Did you buckle up?” — Harlan Kane
The publication date of The Enigma Cube reported above was February 13, 2020.
Related material — Log24 posts around that date now tagged The Reality Bond.
Image from a film review of “Eureka” (a 1983 film by Nicolas Roeg).
Note the date of the review — January 09, 2015.
Also on January 09, 2015 —
Related cinematic philosophy —
See also a different interpretation, by David Lynch,
of the “twin peaks” concept —
Midrash for Mayakofsky —
“…problems can be solved by manipulating just two symbols, 1 and 0….”
— George Johnson, obituary of Claude Shannon
“The female and the male continue this charming dance, populating
the world with all living beings.”
— Leonard Shlain, The Alphabet Versus the Goddess,
Penguin Arkana paperback, 1999, Chapter 17,
“Lingam/Yoni”
From the above search result — “0.69 seconds.”
See as well Theresa Russell and Rutger Hauer in Eureka . . .
See also a different interpretation, by David Lynch,
of the “twin peaks” concept —
[Update of Sunday morning, July 12, 2020 —
This July 2 post was suggested in part by the July 1 post Magic Child
and in part by the Sept. 15, 1984, date in the image below. For more
details about that date, possibly the death date of author Richard
Brautigan, see "The Life and Death of Richard Brautigan," by
Lawrence Wright, in Rolling Stone on April 11, 1985.
From that article:
Marcia called him the next night [Sept. 15, 1984]
in Bolinas. He asked if she liked his mind. "I said,
‘Yes, Richard, I like your mind. You have the ability
to jump in and out of spaces. It’s not linear thinking;
it’s exciting, catalytic, random thinking.’ "
Such thinking, though interesting, is not recommended for the
general public. Sept. 15, 1984, was perhaps Brautigan's last day alive.]
* See Maxwell in posts tagged Gods and Giants.
The above title was suggested by a scene in Body Double (1984) . . .
Variations, starring Theresa Russell, on related themes —
The De Palma Balcony in Body Double , and "ready for my closeup" —
"Bing bang, I heard the whole gang!"
Summary —
Writer Robert Avrech on director Brian De Palma —
“Both Brian and I greatly admire Alfred Hitchcock so we were
pretty much on the same page aesthetically. That’s how I came
to write Body Double , a superb thriller that immediately thrust
me into the Hollywood limelight.”
— https://www.opednews.com/populum/page.php?
f=Behind-the-Scenes-with-Hol-by-Joan-Brunwasser-
American-Jews_Hollywood_Interviews_Judaism-Jewish-
131219-897.html
Writer Robert Avrech on director Brian De Palma —
“Both Brian and I greatly admire Alfred Hitchcock so we were
pretty much on the same page aesthetically. That’s how I came
to write Body Double , a superb thriller that immediately thrust
me into the Hollywood limelight.”
— https://www.opednews.com/populum/page.php?
f=Behind-the-Scenes-with-Hol-by-Joan-Brunwasser-
American-Jews_Hollywood_Interviews_Judaism-Jewish-
131219-897.html
See also Avrech in this journal —
“There are dark comedies. There are screwball comedies.
But there aren’t many dark screwball comedies.
And if Nora Ephron’s Lucky Numbers is any indication,
there’s a good reason for that.”
— Todd Anthony, South Florida Sun-Sentinel
Perhaps another indication — De Palma's Body Double .
"Like a rose under the April snow . . . ." — Streisand
"The Demolished Man was a novel that had fascinated De Palma
since the late 1950s and appealed to his background in mathematics
and avant-garde storytelling. Its unconventional unfolding of plot
(exemplified in its mathematical layout of dialogue) and its stress on
perception have analogs in De Palma's filmmaking." — Wikipedia
This, together with the Cuernavaca balcony in Deschooling MIT, is
perhaps enough of a clue for mystified theologians on St. Peter's Day.
In memory of actress Linda Cristal — The New York Times today —
“After a modest film career, followed by guest roles on television,
Ms. Cristal auditioned for ‘The High Chaparral,’ a western
developed by David Dortort, the creator and producer of ‘Bonanza.’
In her telling, it was a memorable occasion.”
Judy Carne and Hoss in NBC’s “Bonanza,” a nemesis of
CBS Sunday programming.
The New York Times on “Bonanza” in 2010 —
“Mr. Dortort oversaw production of the show for most of its run. In addition
to telling stories based on historical events involving the Comstock Lode and
the oncoming Civil War, the show dealt with themes like racial prejudice and
religious tolerance. Mostly, though, its drama, and its popularity, were because
of its focus on the Cartwrights and their tightknit bond.
‘What is the message?’ Mr. Dortort said. ‘Love is the message.’
David Solomon Katz was born in Brooklyn to Jewish immigrant parents from
Eastern Europe on Oct. 23, 1916, and grew up in a neighborhood famous for
the gangsters of Murder Inc. …”
Detail from the Norwegian webpage in the previous post —
Related material in this journal — Chariot Race and Vajrayana.
For the shirt, see Norwegian artist Josefine Lyche in
Related material — A pyramid by Lyche and erotic Picasso:
Those who enjoy the occult may be entertained by the number 347 in
“Pablo Picasso. Suite 347.” That number appeared in this journal,
notably, on Christmas Eve 2005 as a page number from the classic
The Club Dumas , a novel by Arturo Perez-Reverte.
Or: Kipling and the Temple of Doom
See also Kipling and The Temple.
This post was suggested by a remark of Holland Cotter in The New York Times
on April 19, 2012 —
“An 18th-century Jain diagram of the cosmos turns the universe
into a kind of salvational board game. “
Hence . . .
The previous post, and Wallace Stevens, suggest a search
in this journal for “The Trials of Device.” That search yields,
among other images, the following —
The Mephisto Waltz author, Fred Mustard Stewart, reportedly died
on February 7, 2007. A check of that date in this journal yields . . .
This is not John Belushi, whose cover of
Frankie Laine’s “Rawhide” was memorable,
but Laine himself.
Some Frankie Laine lyrics quoted here on Stewart’s death date:
“Times when I know you’ll be lonesome,
times when I know you’ll be sad
Don’t let temptation surround you,
don’t let the blues make you bad”
— “We’ll Be Together Again,”
Frankie Laine,
March 30, 1913 —
February 6, 2007
Mephisto fans may prefer Sting’s version of the phrase
“we’ll be together.” See Complex Reflection, April 20, 2012.
Harvard University Press on a book, Persons and Things, it published on March 31, 2010 Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In Persons and Things , Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art “is formed around something missing,” this “void is its vanishing point, not its essence.” She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds. The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson’s caliber could reveal to us. |
I prefer the more straightforward insanity of Operators and Things .
Barbara Johnson reportedly died on Aug. 27, 2009. See that date
in other posts now tagged Autistic Enchantment. (That phrase is
the sort of sneering tag one may expect from deplorable academics.)
“But for all its success, Mr. Webb largely distanced himself
from ‘The Graduate,’ which featured a Buck Henry and
Calder Willingham screenplay . . . . ”
— Harrison Smith in The Washington Post yesterday
Related material —
“the liberation of the plastic elements.”
“I appreciate simple, iconic and timeless forms —
things that can adapt or serve multiple purposes
and avoid being easily labelled. At the same time,
I love parts and fragments that reveal how things
move or work. Mostly, anything that tells its
own story and isn’t generalized or clad in some
sort of ornamental icing.”
— Charlottesville, VA, architect Fred Wolf, who seems
to have been associated with the business name
“Gauss LLC ” in Charlottesville.
Posts tagged Space Writer include —
The conclusion of an obituary for a former resident of Laurel Canyon —
“He would go to all these old junk shops and buy
black-and-white photos of nobody actors,’’
Mr. Klein said. “He didn’t want stills of the stars.
He said, ‘Actors that never made it — that’s
the real Hollywood.’ ’’
— Guy Trebay in The New York Times , June 23
Related music and art — Posts tagged Hollywood Nights.
The director of the 2007 film “The Number 23” reportedly died today.
In his memory — An image that appeared in the Leary link of last night’s
post on “a combination of Kafka and Joyce, with a touch of Orwell” —
"In July, 1960, having just received a doctorate from Harvard
and a research and training fellowship from the National Institute
of Mental Health, I drove, together with my wife, Sandylee,
from Cambridge, Massachusetts to Cuernavaca, Mexico."
— Michael Maccoby, June 26, 2014,
"Building on Erich Fromm's Scientific Contributions"
This is the Michael Maccoby of . . .
First published, with a less lurid cover, in 1958 by Arlington Books
of Cambridge, Mass.
What appears to be that 1958 edition, with the Maccoby introduction,
is available as a PDF —
http://paragoninspects.com/articles/pdfs/temp/operators_and_things.pdf .
Some Harvard-related material — See Leary and 6 Prescott .
“A love story of epic, epic, epic proportion” — Kristen Stewart on “Equals”
“Some things are more equal than others.” — Adapted from Orwell
Thursday, June 4, 2020
InternationaleFiled under: General — m759 @ 12:52 AM Edit This “We are proud to be part of an international community — Jill Pipher, President of the American Mathematical Society, The theme song — “The Internationale“ |
* See the previous post
and . . .
* Title suggested by a New York Times report of a death on April 1.
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