From a post of St. Bridget's Day 2024 —
Also from that day —
This post was suggested by the St. Bridget's cross at lower right
in the shapes array below —
From a post of St. Bridget's Day 2024 —
Also from that day —
This post was suggested by the St. Bridget's cross at lower right
in the shapes array below —
Harold Bloom "Stevens may be playful, yet seriously so, in describing desire, at winter's end, observing not only the emergence of the blue woman of early spring, but seeing also the myosotis, whose other name is 'forget-me-not.' Desire, hearing the calendar hymn, repudiates the negativity of the mind of winter, unable to bear what Valéry's Eryximachus had called 'this cold, exact, reasonable, and moderate consideration of human life as it is.' The final form of this realization in Stevens comes in 1950, in The Course of a Particular, in the great monosyllabic line 'One feels the life of that which gives life as it is.' But even Stevens cannot bear that feeling for long. As Eryximachus goes on to say in Dance and the Soul:
Valéry's formula for reimagining the First Idea is, 'The idea introduces into what is, the leaven of what is not.' This 'murderous lucidity' can be cured only by what Valéry's Socrates calls 'the intoxication due to act,' particularly Nietzschean or Dionysiac dance, for this will rescue us from the state of the Snow Man, 'the motionless and lucid observer.'" |
"…at the still point, there the dance is…." — T. S. Eliot
St. Bridget's Still Point … June 25, 2020 —
Roots!
More recently . . .
Her lips are pips
I call her hips
“Twirly” and “Whirly.”
(Pips are the dots on dice. The above "choose us" image in the form of a
St. Bridget's cross is from Twirly Industries, a sportswear maker in Pakistan.)
See as well a Polish poet's meditation
quoted here on St. Bridget's Day, 2012:
See St. Bridget's Cross
on the Web and in this journal.
Related material—
(Click images to enlarge.)
From Tablet magazine on St. Bridget's Day, 2012—
From Tablet magazine today—
Of greater secular interest—
(Continued from February 10.)
A passage suggested by the T.S. Eliot epigraphs in
Parallelisms of Compete Designs , by a weblog post
of Peter J. Cameron yesterday, and by this journal's
"Within You Without You" posts—
— Joseph Campbell, The Inner Reaches of Outer Space:
Metaphor as Myth and as Religion , New World Library,
Second Edition, St. Bridget's Day 2002, page 106
Wednesday, February 1, 2012
Politics
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Related material—
See also At the Still Point (a post in memory of film editor Sally Menke).
"Should we arbitrate life and death
at a round table or a square one?"
See also the two previous posts,
Disturbing Archimedes and Tesseract.
Update—
From the five entries ending
on St. Bridget's Day, 2008:
"At his memorial service his daughter Tami told the story of 'little Jimmy,' whose kindergarten teacher recognized a special quality of mind that set him apart. 'Every day we read a story, and after the story is over, Jimmy gets up and wants to tell us what the story means.'"
"I confess I do not believe in time."
— Nabokov, Speak, Memory
From May 20:
"Welcome to the
Garden Club, Pilgrim."
"The drum beats out of time"
— Song lyric, Cyndi Lauper
"An acute study of the links
between word and fact"
— Nina daVinci Nichols
Virginia | /391062427/item.html? | 2/22/2008 7:37 PM |
Johnny Cash:
"And behold,
a white horse."
Chess Knight
(in German, Springer)
"Liebe Frau vBayern,
mich würde interessieren wie man
mit diesem Hintergrund
(vonbayern.de/german/anna.html)
zu Springer kommt?"
Background of "Frau vBayern" from thePeerage.com:
Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg
F, #64640, b. 15 March 1978Last Edited=20 Oct 2005
Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg was born on 15 March 1978. She is the daughter of Ludwig Ferdinand Prinz zu Sayn-Wittgenstein-Berleburg and Countess Yvonne Wachtmeister af Johannishus. She married Manuel Maria Alexander Leopold Jerg Prinz von Bayern, son of Leopold Prinz von Bayern and Ursula Mohlenkamp, on 6 August 2005 at Nykøping, Södermanland, Sweden.
The date of the above "Liebe Frau vBayern" inquiry, Feb. 1, 2007, suggests the following:
From Log24 on
St. Bridget's Day, 2007:
The quotation
"Science is a Faustian bargain"
and the following figure–
Change
From a short story by
the above Princess:
"'I don't even think she would have wanted to change you. But she for sure did not want to change herself. And her values were simply a part of her.' It was true, too. I would even go so far as to say that they were her basis, if you think about her as a geometrical body. That's what they couldn't understand, because in this age of the full understanding for stretches of values in favor of self-realization of any kind, it was a completely foreign concept."
To make this excellent metaphor mathematically correct,
change "geometrical body" to "space"… as in
"For Princeton's Class of 2007"—
Review of a 2004 production of a 1972 Tom Stoppard play, "Jumpers"–
Related material:
Knight Moves (Log24, Jan. 16),
Kindergarten Theology (St. Bridget's Day, 2008),
and
M. V. Ramana on a famous quotation–
"Oppenheimer had learned Sanskrit at Berkeley so as to read the Gita in the original; he always kept a worn pink copy on the bookshelf closest to his desk. It is therefore likely that he may have actually thought of the original, Sanskrit, verse rather than the English translation. The closest that fits this meaning is in the 32nd verse from the 11th chapter of the Gita.
This literally means: I am kAla, the great destroyer of Worlds. What is intriguing about this verse, then, is the interpretation of kAla by Jungk and others to mean death. While death is technically one of the meanings of kAla, a more common one is time." "KAla" (in the Harvard-Kyoto transliteration scheme) is more familiar to the West in the related form of Kali, a goddess sometimes depicted as a dancing girl; Kali is related to kAla, time, according to one website, as "the force which governs and stops time." See also the novel The Fermata, by Nicholson Baker. The fact that Oppenheimer thought of Chapter 11, verse 32, of the Gita may, as a mnemonic device, be associated with the use of the number 1132 in Finnegans Wake.
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The custom-made asterisk
above may be regarded
as a version of
the "Spider" symbol
of Fritz Leiber.
… Todo lo sé por el lucero puro
que brilla en la diadema de la Muerte.
Related material:
The previous five entries
and the entries of
this date three years ago.
Time of this entry:
The Lottery
New York Midday: 720 Evening: 510 |
Pennsylvania Midday: 616 Evening: 201 |
What these numbers mean to me:
720: See the recent entries
720 in the Book, and
Report to the Joint Mathematics Meetings.
616 and 201:
The dates, 6/16 and 2/01,
of Bloomsday and St. Bridget's Day.
510: A more difficult association…
Perhaps "Love at the Five and Dime"
(8/3/03 and 1/4/04).
Perhaps Fred Astaire's birthday, 5/10.
More interesting…
A search for relevant material in my own archives, using the phrase "may 10" cullinane journal, leads to the very interesting weblog Heckler & Coch, which contains the following brief entries (from May 19, 2003):
"May you live in interesting times
While widely reported as being an ancient Chinese curse, this phrase is likely to be of recent and western origin.Geometry of the I Ching
The Cullinane sequence of the 64 hexagrams"
"… there are many associations of ideas which do not correspond to any actual connection of cause and effect in the world of phenomena…."
— John Fiske, "The Primeval Ghost-World," quoted in the Heckler & Coch weblog
"The association is the idea"
— Ian Lee on the communion of saints and the association of ideas (in The Third Word War, 1978)
Time and Eternity
![]() Kali figure
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![]() Windmill
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Yesterday's meditation on St. Bridget suggests the above graphic summary of two rather important philosophical concepts. Representing Kali, or Time, is Judy Davis in "The New Age." Representing Shiva, or Eternity, is sword-saint Michioka Yoshinori-sensei. The relationship between these two concepts is summarized very neatly by Heinrich Zimmer in his section on the Kalika Purana in The King and the Corpse.
The relationship is also represented graphically by the "whirl" of Time and the "diamond" of Eternity.
On this day in 1944, Mondrian died. Echoes of the graphic whirl and diamond may be found (as shown above) in his "Red Mill" and "Victory Boogie-Woogie."
Irish Fourplay
"…something I once heard Charles M. Schulz say, 'Don't worry about the world coming to an end today. It's already tomorrow in Australia.'"
"Forewarned is four-armed."
— Folk saying
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The painting at left is by Mary B. Kelly, a 1958 graduate of Saint Mary-of-the-Woods College. Kelly is an expert on portrayals of Goddess figures in art. |
Today in Australia is February First, the feast of St. Bridget. As several websites note, St. Bridget is a combination of Christian saint and Goddess figure… rather like St. Sara (patron saint of Gypsies, also known as Kali) or like Sara Pezzini in the classic TV series "Witchblade."
"Aww… Irish foreplay."
— Sara Pezzini in Witchblade, Episode 6
"Mighty in the gift of purity
She was pleasing unto the Bridegroom on high."
"Brace yourself, Bridget."
— Definition of Irish foreplay
![]() |
Four people can form this cross by joining hands as shown. Of course, a Goddess like Kali (shown above) or Sara Pezzini could do it all by herself. |
For futher details, see The Swastika Goddess, the history of Jews and the Roman Catholic Church, and the history of Irish neutrality in World War II.
Postscript of 11 PM —
The Goddess Bridget in Literature
The Goddess Bridget (or Brigid) is incarnated in two classic works of American literature —
"In Jungian terms, Brigid becomes a projection of Spade's anima, a contrasexual replica of his own face as expressed in someone of the opposite sex.
Spade wears a variety of masks in his work. Masking allows him to get underneath the scam most clients lay on him. He is closer to the darker side of his unconscious than any of the other characters in the book, and he is so, because of his role as shamus. His function in his society is to expose all of the underlying darkness of the human psyche."
One way of looking at animus and anima is through the following archetypes:
![]()
![]()
A diamond and its dual "whirl" figure —
or a "jewel-box and its mate"
"D'ye mane to soy that Bridget O'Shaughnessy bought the mate to that joo-ul box to ship that dhrunken divil to Purgatory in?"
"Yes, madam."
"Then Pat shall go to heaven in the twin to it, if it takes the last rap the O'Flaherties can raise!"
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