Log24

Friday, November 27, 2020

The Sun-Ra Code

Filed under: General — Tags: , — m759 @ 3:24 pm

Tuesday, January 16, 2024

Saturday, January 13, 2024

Friday, August 21, 2020

Logic and Efficiency

Filed under: General — m759 @ 11:14 am

From remarks in  this  journal on Aug. 7 —

“You’ve got to pick up every stitch.” — Donovan

“Looking carefully at Golay’s code
is like staring into the sun.”

— Richard Evan Schwartz

Friday, August 7, 2020

Primary Color

Filed under: General — Tags: , — m759 @ 12:25 pm

From a Log24 search for Schwartz + “The Sun”

“Looking carefully at Golay’s code
is like staring into the sun.”

— Richard Evan Schwartz

Monday, December 2, 2019

Gray Space

Filed under: General — Tags: , — m759 @ 3:00 pm

See as well a search for Gray Space in this journal.

Related material:  The Schwartz Omega .

“Looking carefully at Golay’s code
  is like staring into the sun.”

— Richard Evan Schwartz

Friday, December 14, 2018

Small Space Odyssey

Filed under: G-Notes,General,Geometry — Tags: , — m759 @ 11:00 am

References in recent posts to physical space and 
to mathematical space suggest a comparison.

Physical space is well known, at least in the world
of mass entertainment.

Mathematical space, such as the 12-dimensional
finite space of the Golay code, is less well known.

A figure from each space —

The source of the Conway-Sloane brick —

Quote from a mathematics writer —

“Looking carefully at Golay’s code is like staring into the sun.”

— Richard Evan Schwartz

The former practice yields reflections like those of Conway and Sloane.
The latter practice is not recommended.

Tuesday, March 7, 2017

Signature Backdrop

Filed under: General — Tags: , — m759 @ 9:00 pm

"The Bitter End’s signature stage backdrop —
a bare 150-year-old brick wall — helped distinguish it from
other popular bohemian hangouts like the Village Gate  
and the Village Vanguard. It appeared on the cover of
Peter, Paul and Mary’s first album."

The New York Times  this evening on a Sunday death

Commentary

“Looking carefully at Golay’s code is like staring into the sun.”

— Richard Evan Schwartz

See also Schwartz in "The Omega Matrix," a post of 5 PM ET Sunday:

Monday, November 28, 2016

Interpenetration

Filed under: General — Tags: , — m759 @ 3:00 pm

Or:  A Candle for Sunrise  

(Continued)

Commentary —

“Looking carefully at Golay’s code is like staring into the sun.”

— Richard Evan Schwartz

Thursday, August 7, 2014

The Omega Mystery

Filed under: General — Tags: — m759 @ 11:00 pm

See a post,  The Omega Matrix, from the date of her death.

Related material:

"When Death tells a story, you really have to listen."
— Cover of The Book Thief

A scene from the film of the above book —

“Looking carefully at Golay’s code is like staring into the sun.”

— Richard Evan Schwartz

Some context — "Mathematics, Magic, and Mystery" —
See posts tagged April Awareness 2014.

Thursday, March 13, 2014

Story

Filed under: General — m759 @ 12:00 pm

A Presbyterian meditation —

A scene from the film of the above book —

“Looking carefully at Golay’s code is like staring into the sun.”

Richard Evan Schwartz

For more of the story, see Golay in this journal.

Monday, January 3, 2011

New Critical Art

Filed under: General — m759 @ 9:00 pm

From a scholar quoted in this morning's post

"Both Vico and Joyce, each in his own way, practice what Vico calls a nuov'arte critica , a 'new critical art'…"

From Hugh Grant's birthday, 2003 (found in a search for whiteness  in this morning's post) —

Tara Fitzgerald and Hugh Grant
in "Sirens" (1994)

PATRICK’S RUNE

At Tara, in this fateful hour,
I place all heaven with its power.
And the sun with its brightness,
And the snow with its whiteness,
And the fire with all the strength it hath,
And the lightning with its rapid wrath,
And the winds with their swiftness along their path,
And the sea with its deepness,
And the rocks with their steepness,
And the earth with its starkness;
All these I place
By God’s almighty help and grace
Between myself and the powers of darkness.

From A Swiftly Tilting Planet
by Madeleine L’Engle

The cover of yesterday's Sunday New York Times Book Review
features stylized letters by artist Leonardo Sonnoli that include black
circles and triangles —

IMAGE- NY Times Book Review cover art by Leonardo Sonnoli

The stylized Sonnoli letters spell out "WORDS ABOUT WORDS ABOUT WORDS."
This phrase is used to introduce essays on criticism by "six accomplished critics."

A less accomplished critic might note that in the picture above, Tara is modeling
a new fashion by Sonnoli — namely, the word OOV.  A search for this word yields…

"OOV in text processing stands for 'out-of-vocabulary,' i.e., a word
 that is not known in the computer's online dictionary."

It should be.

Addendum (from a link in the same search for whiteness ) in memory of a great beauty who died on Sunday —
      http://www.log24.com/log10/saved/100613-WhiteBySchwartz.gif

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